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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB698C it is the complementary color #549673. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB698C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB698C shade: #B06987, #C17B9A, #D28DAD, #E39FC0 and #F4B1D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB698C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB698C shade: #AB698C, #9A5779, #894566, #783353 and #672140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB698C shade: #AB698C, #AB697A and #AB6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB698C shade: #AB698C, #AB699D, #A669AB, #9469AB and #8369AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB698C shade matches the following richer shades: #AB698C, #BE568D, #D1438E, #E3308F and #F61D90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB698C shade: #AB698C, #987C8B, #858F89, #72A288 and #5FB587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB698C shade: #A669AB, #AB699D, #AB698C, #AB697A and #AB6969

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB698C shade: #7B4562, #965477, #AB698C, #B983A0 and #C89EB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB698C shade: #AB698C, #AB9569 and #69A6AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB698C shade: #AB698C, #8CAB69 and #698CAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB698C shade: #AB698C, #AB9569, #69AB88 and #697FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB698C shade: #AB698C, #ABA869, #69AB88 and #696BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

Complementary color

CMYK 44 / 0 / 23 / 41

HEX #549673

RGB 84 150 115

HSL 148.18, 0.28%, 0.46%

LAB 57.01, -29.41, 12

 

CMYK 0 / 40 / 23 / 31

HEX #B06987

RGB 176 105 135

HSL 334.65, 0.31%, 0.55%

LAB 53.04, 32.43, -4.33

 

CMYK 0 / 36 / 20 / 24

HEX #C17B9A

RGB 193 123 154

HSL 333.43, 0.36%, 0.62%

LAB 59.74, 31.6, -5.24

 

CMYK 0 / 33 / 18 / 18

HEX #D28DAD

RGB 210 141 173

HSL 332.17, 0.43%, 0.69%

LAB 66.34, 30.82, -6.05

 

CMYK 0 / 30 / 15 / 11

HEX #E39FC0

RGB 227 159 192

HSL 330.88, 0.55%, 0.76%

LAB 72.85, 30.1, -6.79

 

CMYK 0 / 27 / 14 / 4

HEX #F4B1D3

RGB 244 177 211

HSL 329.55, 0.75%, 0.83%

LAB 79.26, 29.43, -7.47

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 44 / 21 / 40

HEX #9A5779

RGB 154 87 121

HSL 329.55, 0.28%, 0.47%

LAB 45.73, 32.25, -7.14

 

CMYK 0 / 50 / 26 / 46

HEX #894566

RGB 137 69 102

HSL 330.88, 0.33%, 0.4%

LAB 38.78, 33.12, -6.06

 

CMYK 0 / 58 / 31 / 53

HEX #783353

RGB 120 51 83

HSL 332.17, 0.4%, 0.34%

LAB 31.77, 33.92, -4.69

 

CMYK 0 / 68 / 38 / 60

HEX #672140

RGB 103 33 64

HSL 333.43, 0.51%, 0.27%

LAB 24.77, 34.48, -2.81

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 39 / 29 / 33

HEX #AB697A

RGB 171 105 122

HSL 344.55, 0.28%, 0.54%

LAB 52.02, 28.68, 1.79

 

CMYK 0 / 39 / 39 / 33

HEX #AB6969

RGB 171 105 105

HSL 0, 0.28%, 0.54%

LAB 51.59, 26.43, 11.22

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 39 / 8 / 33

HEX #AB699D

RGB 171 105 157

HSL 312.73, 0.28%, 0.54%

LAB 53.16, 34.31, -17.12

 

CMYK 3 / 39 / 0 / 33

HEX #A669AB

RGB 166 105 171

HSL 295.45, 0.28%, 0.54%

LAB 53.11, 35.3, -25.41

 

CMYK 13 / 39 / 0 / 33

HEX #9469AB

RGB 148 105 171

HSL 279.09, 0.28%, 0.54%

LAB 51.08, 29.56, -28.72

 

CMYK 23 / 39 / 0 / 33

HEX #8369AB

RGB 131 105 171

HSL 263.64, 0.28%, 0.54%

LAB 49.34, 24.26, -31.57

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 55 / 26 / 25

HEX #BE568D

RGB 190 86 141

HSL 328.27, 0.44%, 0.54%

LAB 51.3, 47.96, -10.27

 

CMYK 0 / 68 / 32 / 18

HEX #D1438E

RGB 209 67 142

HSL 328.31, 0.61%, 0.54%

LAB 51.29, 62.02, -10.57

 

CMYK 0 / 79 / 37 / 11

HEX #E3308F

RGB 227 48 143

HSL 328.16, 0.76%, 0.54%

LAB 52.32, 72.88, -9.31

 

CMYK 0 / 88 / 41 / 4

HEX #F61D90

RGB 246 29 144

HSL 328.2, 0.92%, 0.54%

LAB 54.54, 81.21, -6.22

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 18 / 9 / 40

HEX #987C8B

RGB 152 124 139

HSL 327.86, 0.12%, 0.54%

LAB 55.03, 13.43, -4.04

 

CMYK 7 / 0 / 4 / 44

HEX #858F89

RGB 133 143 137

HSL 144, 0.04%, 0.54%

LAB 58.45, -4.83, 1.93

 

CMYK 30 / 0 / 16 / 36

HEX #72A288

RGB 114 162 136

HSL 147.5, 0.21%, 0.54%

LAB 62.67, -21.75, 8.41

 

CMYK 48 / 0 / 25 / 29

HEX #5FB587

RGB 95 181 135

HSL 147.91, 0.37%, 0.54%

LAB 67.45, -36.72, 15.56

 

CMYK 3 / 39 / 0 / 33

HEX #A669AB

RGB 166 105 171

HSL 295.45, 0.28%, 0.54%

LAB 53.11, 35.3, -25.41

 

CMYK 0 / 39 / 8 / 33

HEX #AB699D

RGB 171 105 157

HSL 312.73, 0.28%, 0.54%

LAB 53.16, 34.31, -17.12

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 39 / 29 / 33

HEX #AB697A

RGB 171 105 122

HSL 344.55, 0.28%, 0.54%

LAB 52.02, 28.68, 1.79

 

CMYK 0 / 39 / 39 / 33

HEX #AB6969

RGB 171 105 105

HSL 0, 0.28%, 0.54%

LAB 51.59, 26.43, 11.22

 

CMYK 0 / 44 / 20 / 52

HEX #7B4562

RGB 123 69 98

HSL 327.78, 0.28%, 0.38%

LAB 36.65, 27.35, -6.95

 

CMYK 0 / 44 / 21 / 41

HEX #965477

RGB 150 84 119

HSL 328.18, 0.28%, 0.46%

LAB 44.46, 32.16, -7.88

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 29 / 14 / 27

HEX #B983A0

RGB 185 131 160

HSL 327.78, 0.28%, 0.62%

LAB 60.86, 25.28, -7.12

 

CMYK 0 / 21 / 10 / 22

HEX #C89EB4

RGB 200 158 180

HSL 328.57, 0.28%, 0.7%

LAB 69.49, 19.13, -5.42

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 13 / 39 / 33

HEX #AB9569

RGB 171 149 105

HSL 40, 0.28%, 0.54%

LAB 62.65, 1.76, 26.26

 

CMYK 39 / 3 / 0 / 33

HEX #69A6AB

RGB 105 166 171

HSL 184.55, 0.28%, 0.54%

LAB 64.34, -18.35, -8.82

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 18 / 0 / 39 / 33

HEX #8CAB69

RGB 140 171 105

HSL 88.18, 0.28%, 0.54%

LAB 66.31, -22.36, 30.56

 

CMYK 39 / 18 / 0 / 33

HEX #698CAB

RGB 105 140 171

HSL 208.18, 0.28%, 0.54%

LAB 56.78, -4.16, -20.23

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 13 / 39 / 33

HEX #AB9569

RGB 171 149 105

HSL 40, 0.28%, 0.54%

LAB 62.65, 1.76, 26.26

 

CMYK 39 / 0 / 20 / 33

HEX #69AB88

RGB 105 171 136

HSL 148.18, 0.28%, 0.54%

LAB 64.89, -29.01, 11.48

 

CMYK 39 / 26 / 0 / 33

HEX #697FAB

RGB 105 127 171

HSL 220, 0.28%, 0.54%

LAB 53.08, 3.37, -25.91

 

CMYK 0 / 39 / 18 / 33

HEX #AB698C

RGB 171 105 140

HSL 328.18, 0.28%, 0.54%

LAB 52.57, 31.41, -8.04

 

CMYK 0 / 2 / 39 / 33

HEX #ABA869

RGB 171 168 105

HSL 57.27, 0.28%, 0.54%

LAB 67.79, -8.5, 32.93

 

CMYK 39 / 0 / 20 / 33

HEX #69AB88

RGB 105 171 136

HSL 148.18, 0.28%, 0.54%

LAB 64.89, -29.01, 11.48

 

CMYK 39 / 37 / 0 / 33

HEX #696BAB

RGB 105 107 171

HSL 238.18, 0.28%, 0.54%

LAB 47.57, 15.41, -34.5

 

Description

Color code: HEX #AB698C | qconv.com Color code: HEX #AB698C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 105 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 105 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 18 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 18% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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