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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB67D7 it is the complementary color #549828. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB67D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB67D7 shade: #B067D2, #C179E5, #D28BF8, #E39DFF and #F4AFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB67D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB67D7 shade: #AB67D7, #9A55C4, #8943B1, #78319E and #671F8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB67D7 shade: #AA66D6, #C866D6, #D666C6, #D666A8 and #D66689

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB67D7 shade: #AA66D6, #8C66D6, #6E66D6 and #6666D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB67D7 shade matches the following richer shades: #AA66D6, #AE56E6 and #B147F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB67D7 shade: #AA66D6, #A776C7, #A385B7, #A095A7 and #9DA598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB67D7 shade: #6D66D6, #8B66D6, #A966D6, #C766D6 and #D666C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB67D7 shade: #8331B9, #9845CE, #AA66D6, #BC86DF and #CEA7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB67D7 shade: #AB67D7, #D6667C and #66D67C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB67D7 shade: #AB67D7, #D6A966 and #66D6A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB67D7 shade: #AB67D7, #D6667C, #93D666 and #66D6C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB67D7 shade: #AB67D7, #D67166, #93D666 and #66CBD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 52 / 0 / 16

HEX #AB67D7

RGB 171 103 215

HSL 276.43, 0.58%, 0.62%

LAB 55.34, 47.11, -47.1

 

Complementary color

CMYK 45 / 0 / 74 / 40

HEX #549828

RGB 84 152 40

HSL 96.43, 0.58%, 0.38%

LAB 56.58, -41.05, 49.32

 

CMYK 16 / 51 / 0 / 18

HEX #B067D2

RGB 176 103 210

HSL 280.93, 0.54%, 0.61%

LAB 55.67, 47.36, -43.72

 

CMYK 16 / 47 / 0 / 10

HEX #C179E5

RGB 193 121 229

HSL 280, 0.68%, 0.69%

LAB 62.23, 46.57, -43.91

 

CMYK 15 / 44 / 0 / 3

HEX #D28BF8

RGB 210 139 248

HSL 279.08, 0.89%, 0.76%

LAB 68.71, 45.77, -44.08

 

CMYK 11 / 38 / 0 / 0

HEX #E39DFF

RGB 227 157 255

HSL 282.86, 1%, 0.81%

LAB 74.61, 42.56, -38.53

 

CMYK 4 / 31 / 0 / 0

HEX #F4AFFF

RGB 244 175 255

HSL 291.75, 1%, 0.84%

LAB 80.24, 38.17, -29.7

 

CMYK 20 / 52 / 0 / 16

HEX #AB67D7

RGB 171 103 215

HSL 276.43, 0.58%, 0.62%

LAB 55.34, 47.11, -47.1

 

CMYK 21 / 57 / 0 / 23

HEX #9A55C4

RGB 154 85 196

HSL 277.3, 0.48%, 0.55%

LAB 48.7, 47.92, -46.93

 

CMYK 23 / 62 / 0 / 31

HEX #8943B1

RGB 137 67 177

HSL 278.18, 0.45%, 0.48%

LAB 42.01, 48.63, -46.65

 

CMYK 24 / 69 / 0 / 38

HEX #78319E

RGB 120 49 158

HSL 279.08, 0.53%, 0.41%

LAB 35.32, 49.1, -46.17

 

CMYK 26 / 78 / 0 / 45

HEX #671F8B

RGB 103 31 139

HSL 280, 0.64%, 0.33%

LAB 28.71, 49.02, -45.32

 

CMYK 21 / 52 / 0 / 16

HEX #AA66D6

RGB 170 102 214

HSL 276.43, 0.58%, 0.62%

LAB 54.97, 47.15, -47.13

 

CMYK 7 / 52 / 0 / 16

HEX #C866D6

RGB 200 102 214

HSL 292.5, 0.58%, 0.62%

LAB 58.64, 55.18, -41.1

 

CMYK 0 / 52 / 7 / 16

HEX #D666C6

RGB 214 102 198

HSL 308.57, 0.58%, 0.62%

LAB 59.78, 56.25, -30.12

 

CMYK 0 / 52 / 21 / 16

HEX #D666A8

RGB 214 102 168

HSL 324.64, 0.58%, 0.62%

LAB 58.63, 51.62, -14.69

 

CMYK 0 / 52 / 36 / 16

HEX #D66689

RGB 214 102 137

HSL 341.25, 0.58%, 0.62%

LAB 57.66, 47.58, 1.88

 

CMYK 21 / 52 / 0 / 16

HEX #AA66D6

RGB 170 102 214

HSL 276.43, 0.58%, 0.62%

LAB 54.97, 47.15, -47.13

 

CMYK 35 / 52 / 0 / 16

HEX #8C66D6

RGB 140 102 214

HSL 260.36, 0.58%, 0.62%

LAB 51.76, 39.44, -52.44

 

CMYK 49 / 52 / 0 / 16

HEX #6E66D6

RGB 110 102 214

HSL 244.29, 0.58%, 0.62%

LAB 49.1, 32.42, -56.85

 

CMYK 52 / 52 / 0 / 16

HEX #6666D6

RGB 102 102 214

HSL 240, 0.58%, 0.62%

LAB 48.49, 30.73, -57.86

 

CMYK 21 / 52 / 0 / 16

HEX #AA66D6

RGB 170 102 214

HSL 276.43, 0.58%, 0.62%

LAB 54.97, 47.15, -47.13

 

CMYK 24 / 63 / 0 / 10

HEX #AE56E6

RGB 174 86 230

HSL 276.67, 0.74%, 0.62%

LAB 53.35, 59.69, -58.73

 

CMYK 28 / 71 / 0 / 4

HEX #B147F6

RGB 177 71 246

HSL 276.34, 0.91%, 0.62%

LAB 52.41, 70.29, -69.19

 

CMYK 21 / 52 / 0 / 16

HEX #AA66D6

RGB 170 102 214

HSL 276.43, 0.58%, 0.62%

LAB 54.97, 47.15, -47.13

 

CMYK 16 / 41 / 0 / 22

HEX #A776C7

RGB 167 118 199

HSL 276.3, 0.42%, 0.62%

LAB 57.36, 34.22, -34.88

 

CMYK 11 / 27 / 0 / 28

HEX #A385B7

RGB 163 133 183

HSL 276, 0.26%, 0.62%

LAB 59.87, 20.95, -21.94

 

CMYK 4 / 11 / 0 / 35

HEX #A095A7

RGB 160 149 167

HSL 276.67, 0.09%, 0.62%

LAB 63.14, 7.5, -7.96

 

CMYK 5 / 0 / 8 / 35

HEX #9DA598

RGB 157 165 152

HSL 96.92, 0.07%, 0.62%

LAB 66.78, -5.3, 5.75

 

CMYK 49 / 52 / 0 / 16

HEX #6D66D6

RGB 109 102 214

HSL 243.75, 0.58%, 0.62%

LAB 49.02, 32.21, -56.99

 

CMYK 35 / 52 / 0 / 16

HEX #8B66D6

RGB 139 102 214

HSL 259.82, 0.58%, 0.62%

LAB 51.66, 39.19, -52.6

 

CMYK 21 / 52 / 0 / 16

HEX #A966D6

RGB 169 102 214

HSL 275.89, 0.58%, 0.62%

LAB 54.86, 46.89, -47.32

 

CMYK 7 / 52 / 0 / 16

HEX #C766D6

RGB 199 102 214

HSL 291.96, 0.58%, 0.62%

LAB 58.51, 54.91, -41.31

 

CMYK 0 / 52 / 7 / 16

HEX #D666C7

RGB 214 102 199

HSL 308.04, 0.58%, 0.62%

LAB 59.82, 56.41, -30.62

 

CMYK 29 / 74 / 0 / 27

HEX #8331B9

RGB 131 49 185

HSL 276.18, 0.58%, 0.46%

LAB 38.77, 57.38, -56.63

 

CMYK 26 / 67 / 0 / 19

HEX #9845CE

RGB 152 69 206

HSL 276.35, 0.58%, 0.54%

LAB 46.16, 57.54, -56.78

 

CMYK 21 / 52 / 0 / 16

HEX #AA66D6

RGB 170 102 214

HSL 276.43, 0.58%, 0.62%

LAB 54.97, 47.15, -47.13

 

CMYK 16 / 40 / 0 / 13

HEX #BC86DF

RGB 188 134 223

HSL 276.4, 0.58%, 0.7%

LAB 64.22, 36.83, -37.5

 

CMYK 11 / 28 / 0 / 9

HEX #CEA7E8

RGB 206 167 232

HSL 276, 0.59%, 0.78%

LAB 73.92, 26.1, -27.29

 

CMYK 20 / 52 / 0 / 16

HEX #AB67D7

RGB 171 103 215

HSL 276.43, 0.58%, 0.62%

LAB 55.34, 47.11, -47.1

 

CMYK 0 / 52 / 42 / 16

HEX #D6667C

RGB 214 102 124

HSL 348.21, 0.58%, 0.62%

LAB 57.32, 46.12, 8.99

 

CMYK 52 / 0 / 42 / 16

HEX #66D67C

RGB 102 214 124

HSL 131.79, 0.58%, 0.62%

LAB 77.5, -51.03, 34.9

 

CMYK 20 / 52 / 0 / 16

HEX #AB67D7

RGB 171 103 215

HSL 276.43, 0.58%, 0.62%

LAB 55.34, 47.11, -47.1

 

CMYK 0 / 21 / 52 / 16

HEX #D6A966

RGB 214 169 102

HSL 35.89, 0.58%, 0.62%

LAB 71.98, 8.49, 40.61

 

CMYK 52 / 0 / 21 / 16

HEX #66D6A9

RGB 102 214 169

HSL 155.89, 0.58%, 0.62%

LAB 78.33, -42.56, 12.59

 

CMYK 20 / 52 / 0 / 16

HEX #AB67D7

RGB 171 103 215

HSL 276.43, 0.58%, 0.62%

LAB 55.34, 47.11, -47.1

 

CMYK 0 / 52 / 42 / 16

HEX #D6667C

RGB 214 102 124

HSL 348.21, 0.58%, 0.62%

LAB 57.32, 46.12, 8.99

 

CMYK 31 / 0 / 52 / 16

HEX #93D666

RGB 147 214 102

HSL 95.89, 0.58%, 0.62%

LAB 79.19, -40.42, 48.18

 

CMYK 52 / 0 / 10 / 16

HEX #66D6C0

RGB 102 214 192

HSL 168.21, 0.58%, 0.62%

LAB 78.88, -37.3, 1.12

 

CMYK 20 / 52 / 0 / 16

HEX #AB67D7

RGB 171 103 215

HSL 276.43, 0.58%, 0.62%

LAB 55.34, 47.11, -47.1

 

CMYK 0 / 47 / 52 / 16

HEX #D67166

RGB 214 113 102

HSL 5.89, 0.58%, 0.62%

LAB 59.04, 38.45, 24.06

 

CMYK 31 / 0 / 52 / 16

HEX #93D666

RGB 147 214 102

HSL 95.89, 0.58%, 0.62%

LAB 79.19, -40.42, 48.18

 

CMYK 52 / 5 / 0 / 16

HEX #66CBD6

RGB 102 203 214

HSL 185.89, 0.58%, 0.62%

LAB 76.31, -26.42, -14.51

 

Description

Color code: HEX #AB67D7 | qconv.com Color code: HEX #AB67D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 103 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 103 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 52 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 52% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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