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Color name
HEX #AB641F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB641F it is the complementary color #549BE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB641F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB641F shade: #B0641A, #C1762D, #D28840, #E39A53 and #F4AC66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB641F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB641F shade: #AB641F, #9A520C, #894000, #782E00 and #671C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB641F shade: #AC6520, #AC3F20 and #AC2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB641F shade: #AC6520, #AC8B20, #A8AC20, #82AC20 and #5CAC20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB641F shade matches the following richer shades: #AC6520 and #BD650F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB641F shade: #AC6520, #9C6530, #8B6541, #7B6651 and #6A6662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB641F shade: #AC2027, #AC3E20, #AC6420, #AC8920 and #AAAC20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB641F shade: #673C13, #8A5119, #AC6520, #CF7926 and #DC8E42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB641F shade: #AB641F, #4CAC20 and #2B20AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB641F shade: #AB641F, #20AC64 and #6420AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB641F shade: #AB641F, #4CAC20, #2068AC and #8020AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB641F shade: #AB641F, #22AC20, #2068AC and #AA20AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 82 / 33

HEX #AB641F

RGB 171 100 31

HSL 29.57, 0.69%, 0.4%

LAB 49.34, 23.48, 48.42

 

Complementary color

CMYK 63 / 31 / 0 / 12

HEX #549BE0

RGB 84 155 224

HSL 209.57, 0.69%, 0.6%

LAB 62.26, -1.38, -41.64

 

CMYK 0 / 43 / 85 / 31

HEX #B0641A

RGB 176 100 26

HSL 29.6, 0.74%, 0.4%

LAB 50, 25.5, 51.19

 

CMYK 0 / 39 / 77 / 24

HEX #C1762D

RGB 193 118 45

HSL 29.59, 0.62%, 0.47%

LAB 56.57, 23.59, 50.38

 

CMYK 0 / 35 / 70 / 18

HEX #D28840

RGB 210 136 64

HSL 29.59, 0.62%, 0.54%

LAB 63.08, 21.94, 49.05

 

CMYK 0 / 32 / 63 / 11

HEX #E39A53

RGB 227 154 83

HSL 29.58, 0.72%, 0.61%

LAB 69.52, 20.5, 47.58

 

CMYK 0 / 30 / 58 / 4

HEX #F4AC66

RGB 244 172 102

HSL 29.58, 0.87%, 0.68%

LAB 75.88, 19.24, 46.09

 

CMYK 0 / 42 / 82 / 33

HEX #AB641F

RGB 171 100 31

HSL 29.57, 0.69%, 0.4%

LAB 49.34, 23.48, 48.42

 

CMYK 0 / 47 / 92 / 40

HEX #9A520C

RGB 154 82 12

HSL 29.58, 0.86%, 0.33%

LAB 42.66, 25.57, 48.55

 

CMYK 0 / 53 / 100 / 46

HEX #894000

RGB 137 64 0

HSL 28.03, 1%, 0.27%

LAB 35.96, 27.93, 46.42

 

CMYK 0 / 62 / 100 / 53

HEX #782E00

RGB 120 46 0

HSL 23, 1%, 0.24%

LAB 29.28, 30.37, 40.64

 

CMYK 0 / 73 / 100 / 60

HEX #671C00

RGB 103 28 0

HSL 16.31, 1%, 0.2%

LAB 22.7, 32.36, 33.42

 

CMYK 0 / 41 / 81 / 33

HEX #AC6520

RGB 172 101 32

HSL 29.57, 0.69%, 0.4%

LAB 49.72, 23.4, 48.41

 

CMYK 0 / 63 / 81 / 33

HEX #AC3F20

RGB 172 63 32

HSL 13.29, 0.69%, 0.4%

LAB 41.89, 43.09, 41.05

 

CMYK 0 / 81 / 81 / 33

HEX #AC2020

RGB 172 32 32

HSL 0, 0.69%, 0.4%

LAB 37.68, 54.65, 36.93

 

CMYK 0 / 41 / 81 / 33

HEX #AC6520

RGB 172 101 32

HSL 29.57, 0.69%, 0.4%

LAB 49.72, 23.4, 48.41

 

CMYK 0 / 19 / 81 / 33

HEX #AC8B20

RGB 172 139 32

HSL 45.86, 0.69%, 0.4%

LAB 59.29, 2.15, 57.03

 

CMYK 2 / 0 / 81 / 33

HEX #A8AC20

RGB 168 172 32

HSL 61.71, 0.69%, 0.4%

LAB 67.97, -17.18, 64.48

 

CMYK 24 / 0 / 81 / 33

HEX #82AC20

RGB 130 172 32

HSL 78, 0.69%, 0.4%

LAB 65.24, -33.2, 61.03

 

CMYK 47 / 0 / 81 / 33

HEX #5CAC20

RGB 92 172 32

HSL 94.29, 0.69%, 0.4%

LAB 63.25, -47.06, 58.48

 

CMYK 0 / 41 / 81 / 33

HEX #AC6520

RGB 172 101 32

HSL 29.57, 0.69%, 0.4%

LAB 49.72, 23.4, 48.41

 

CMYK 0 / 47 / 92 / 26

HEX #BD650F

RGB 189 101 15

HSL 29.66, 0.85%, 0.4%

LAB 52.02, 30.25, 56.95

 

CMYK 0 / 41 / 81 / 33

HEX #AC6520

RGB 172 101 32

HSL 29.57, 0.69%, 0.4%

LAB 49.72, 23.4, 48.41

 

CMYK 0 / 35 / 69 / 39

HEX #9C6530

RGB 156 101 48

HSL 29.44, 0.53%, 0.4%

LAB 47.74, 17.1, 38.26

 

CMYK 0 / 27 / 53 / 45

HEX #8B6541

RGB 139 101 65

HSL 29.19, 0.36%, 0.4%

LAB 45.88, 10.83, 26.28

 

CMYK 0 / 17 / 34 / 52

HEX #7B6651

RGB 123 102 81

HSL 30, 0.21%, 0.4%

LAB 44.67, 5.07, 15.02

 

CMYK 0 / 4 / 8 / 58

HEX #6A6662

RGB 106 102 98

HSL 30, 0.04%, 0.4%

LAB 43.43, 0.78, 2.81

 

CMYK 0 / 81 / 77 / 33

HEX #AC2027

RGB 172 32 39

HSL 357, 0.69%, 0.4%

LAB 37.75, 54.88, 32.97

 

CMYK 0 / 64 / 81 / 33

HEX #AC3E20

RGB 172 62 32

HSL 12.86, 0.69%, 0.4%

LAB 41.72, 43.54, 40.89

 

CMYK 0 / 42 / 81 / 33

HEX #AC6420

RGB 172 100 32

HSL 29.14, 0.69%, 0.4%

LAB 49.48, 23.95, 48.19

 

CMYK 0 / 20 / 81 / 33

HEX #AC8920

RGB 172 137 32

HSL 45, 0.69%, 0.4%

LAB 58.76, 3.26, 56.56

 

CMYK 1 / 0 / 81 / 33

HEX #AAAC20

RGB 170 172 32

HSL 60.86, 0.69%, 0.4%

LAB 68.13, -16.3, 64.69

 

CMYK 0 / 42 / 82 / 60

HEX #673C13

RGB 103 60 19

HSL 29.29, 0.69%, 0.24%

LAB 29.82, 15.3, 31.93

 

CMYK 0 / 41 / 82 / 46

HEX #8A5119

RGB 138 81 25

HSL 29.73, 0.69%, 0.32%

LAB 40.18, 19.37, 40.82

 

CMYK 0 / 41 / 81 / 33

HEX #AC6520

RGB 172 101 32

HSL 29.57, 0.69%, 0.4%

LAB 49.72, 23.4, 48.41

 

CMYK 0 / 42 / 82 / 19

HEX #CF7926

RGB 207 121 38

HSL 29.47, 0.69%, 0.48%

LAB 59.05, 27.65, 56.25

 

CMYK 0 / 35 / 70 / 14

HEX #DC8E42

RGB 220 142 66

HSL 29.61, 0.69%, 0.56%

LAB 65.71, 23.02, 51.3

 

CMYK 0 / 42 / 82 / 33

HEX #AB641F

RGB 171 100 31

HSL 29.57, 0.69%, 0.4%

LAB 49.34, 23.48, 48.42

 

CMYK 56 / 0 / 81 / 33

HEX #4CAC20

RGB 76 172 32

HSL 101.14, 0.69%, 0.4%

LAB 62.63, -51.83, 57.69

 

CMYK 75 / 81 / 0 / 33

HEX #2B20AC

RGB 43 32 172

HSL 244.71, 0.69%, 0.4%

LAB 25.34, 49.38, -71.29

 

CMYK 0 / 42 / 82 / 33

HEX #AB641F

RGB 171 100 31

HSL 29.57, 0.69%, 0.4%

LAB 49.34, 23.48, 48.42

 

CMYK 81 / 0 / 42 / 33

HEX #20AC64

RGB 32 172 100

HSL 149.14, 0.69%, 0.4%

LAB 62.28, -52.17, 27.15

 

CMYK 42 / 81 / 0 / 33

HEX #6420AC

RGB 100 32 172

HSL 269.14, 0.69%, 0.4%

LAB 31.16, 55.76, -61.48

 

CMYK 0 / 42 / 82 / 33

HEX #AB641F

RGB 171 100 31

HSL 29.57, 0.69%, 0.4%

LAB 49.34, 23.48, 48.42

 

CMYK 56 / 0 / 81 / 33

HEX #4CAC20

RGB 76 172 32

HSL 101.14, 0.69%, 0.4%

LAB 62.63, -51.83, 57.69

 

CMYK 81 / 40 / 0 / 33

HEX #2068AC

RGB 32 104 172

HSL 209.14, 0.69%, 0.4%

LAB 43.04, 3.07, -42.5

 

CMYK 26 / 81 / 0 / 33

HEX #8020AC

RGB 128 32 172

HSL 281.14, 0.69%, 0.4%

LAB 35.2, 60.26, -54.72

 

CMYK 0 / 42 / 82 / 33

HEX #AB641F

RGB 171 100 31

HSL 29.57, 0.69%, 0.4%

LAB 49.34, 23.48, 48.42

 

CMYK 80 / 0 / 81 / 33

HEX #22AC20

RGB 34 172 32

HSL 119.14, 0.69%, 0.4%

LAB 61.61, -60.35, 56.37

 

CMYK 81 / 40 / 0 / 33

HEX #2068AC

RGB 32 104 172

HSL 209.14, 0.69%, 0.4%

LAB 43.04, 3.07, -42.5

 

CMYK 1 / 81 / 0 / 33

HEX #AA20AC

RGB 170 32 172

HSL 299.14, 0.69%, 0.4%

LAB 42.09, 68, -43.28

 

Description

Color code: HEX #AB641F | qconv.com Color code: HEX #AB641F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 100 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 100 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 82% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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