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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB62EB it is the complementary color #549D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB62EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB62EB shade: #B062E6, #C174F9, #D286FF, #E398FF and #F4AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB62EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB62EB shade: #AB62EB, #9A50D8, #893EC5, #782CB2 and #671A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB62EB shade: #AA61EA, #CF61EA, #EA61E1, #EA61BB and #EA6196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB62EB shade: #AA61EA, #8561EA and #6161EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB62EB shade matches the following richer shades: #AA61EA and #AB53F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB62EB shade: #AA61EA, #A96FDC, #A87ECE, #A78CBF and #A69BB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB62EB shade: #6163EA, #8361EA, #A861EA, #CD61EA and #EA61E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB62EB shade: #831DDC, #973DE6, #AA61EA, #BE86EF and #D1AAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB62EB shade: #AB62EB, #EA6188 and #61EA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB62EB shade: #AB62EB, #EAA861 and #61EAA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB62EB shade: #AB62EB, #EA6188, #A3EA61 and #61EAC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB62EB shade: #AB62EB, #EA6361, #A3EA61 and #61E8EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 58 / 0 / 8

HEX #AB62EB

RGB 171 98 235

HSL 271.97, 0.77%, 0.65%

LAB 55.47, 54.22, -58.14

 

Complementary color

CMYK 46 / 0 / 87 / 38

HEX #549D14

RGB 84 157 20

HSL 91.97, 0.77%, 0.35%

LAB 58.08, -44.18, 56.81

 

CMYK 23 / 57 / 0 / 10

HEX #B062E6

RGB 176 98 230

HSL 275.45, 0.73%, 0.64%

LAB 55.76, 54.28, -54.84

 

CMYK 22 / 53 / 0 / 2

HEX #C174F9

RGB 193 116 249

HSL 274.74, 0.92%, 0.72%

LAB 62.23, 53.49, -54.99

 

CMYK 18 / 47 / 0 / 0

HEX #D286FF

RGB 210 134 255

HSL 277.69, 1%, 0.76%

LAB 68, 49.87, -49.02

 

CMYK 11 / 40 / 0 / 0

HEX #E398FF

RGB 227 152 255

HSL 283.69, 1%, 0.8%

LAB 73.55, 45.19, -40.19

 

CMYK 4 / 33 / 0 / 0

HEX #F4AAFF

RGB 244 170 255

HSL 292.24, 1%, 0.83%

LAB 79.16, 40.8, -31.36

 

CMYK 27 / 58 / 0 / 8

HEX #AB62EB

RGB 171 98 235

HSL 271.97, 0.77%, 0.65%

LAB 55.47, 54.22, -58.14

 

CMYK 29 / 63 / 0 / 15

HEX #9A50D8

RGB 154 80 216

HSL 272.65, 0.64%, 0.58%

LAB 48.96, 54.99, -57.98

 

CMYK 30 / 69 / 0 / 23

HEX #893EC5

RGB 137 62 197

HSL 273.33, 0.54%, 0.51%

LAB 42.45, 55.59, -57.65

 

CMYK 33 / 75 / 0 / 30

HEX #782CB2

RGB 120 44 178

HSL 274.03, 0.6%, 0.44%

LAB 36, 55.8, -57.05

 

CMYK 35 / 84 / 0 / 38

HEX #671A9F

RGB 103 26 159

HSL 274.74, 0.72%, 0.36%

LAB 29.73, 55.26, -55.96

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 12 / 59 / 0 / 8

HEX #CF61EA

RGB 207 97 234

HSL 288.18, 0.77%, 0.65%

LAB 59.67, 63.14, -50.64

 

CMYK 0 / 59 / 4 / 8

HEX #EA61E1

RGB 234 97 225

HSL 303.94, 0.77%, 0.65%

LAB 62.91, 68.28, -40.25

 

CMYK 0 / 59 / 20 / 8

HEX #EA61BB

RGB 234 97 187

HSL 320.58, 0.77%, 0.65%

LAB 61.33, 62.55, -21.22

 

CMYK 0 / 59 / 36 / 8

HEX #EA6196

RGB 234 97 150

HSL 336.79, 0.77%, 0.65%

LAB 60.11, 57.89, -1.75

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 43 / 59 / 0 / 8

HEX #8561EA

RGB 133 97 234

HSL 255.77, 0.77%, 0.65%

LAB 51.24, 46, -64.6

 

CMYK 59 / 59 / 0 / 8

HEX #6161EA

RGB 97 97 234

HSL 240, 0.77%, 0.65%

LAB 48.3, 39.12, -69.51

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 31 / 67 / 0 / 2

HEX #AB53F9

RGB 171 83 249

HSL 271.81, 0.93%, 0.65%

LAB 53.69, 64.65, -68.82

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 23 / 50 / 0 / 14

HEX #A96FDC

RGB 169 111 220

HSL 271.93, 0.61%, 0.65%

LAB 57.05, 43.4, -47.23

 

CMYK 18 / 39 / 0 / 19

HEX #A87ECE

RGB 168 126 206

HSL 271.5, 0.45%, 0.65%

LAB 59.62, 31.58, -35.31

 

CMYK 13 / 27 / 0 / 25

HEX #A78CBF

RGB 167 140 191

HSL 271.76, 0.28%, 0.65%

LAB 62.28, 20, -22.75

 

CMYK 6 / 12 / 0 / 31

HEX #A69BB1

RGB 166 155 177

HSL 270, 0.12%, 0.65%

LAB 65.53, 8.25, -9.97

 

CMYK 59 / 58 / 0 / 8

HEX #6163EA

RGB 97 99 234

HSL 239.12, 0.77%, 0.65%

LAB 48.77, 37.92, -68.75

 

CMYK 44 / 59 / 0 / 8

HEX #8361EA

RGB 131 97 234

HSL 254.89, 0.77%, 0.65%

LAB 51.05, 45.58, -64.91

 

CMYK 28 / 59 / 0 / 8

HEX #A861EA

RGB 168 97 234

HSL 271.09, 0.77%, 0.65%

LAB 54.88, 53.8, -58.55

 

CMYK 12 / 59 / 0 / 8

HEX #CD61EA

RGB 205 97 234

HSL 287.3, 0.77%, 0.65%

LAB 59.41, 62.65, -51.07

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E4

RGB 234 97 228

HSL 302.63, 0.77%, 0.65%

LAB 63.05, 68.77, -41.71

 

CMYK 40 / 87 / 0 / 14

HEX #831DDC

RGB 131 29 220

HSL 272.04, 0.77%, 0.49%

LAB 39.36, 71.66, -76.01

 

CMYK 34 / 73 / 0 / 10

HEX #973DE6

RGB 151 61 230

HSL 271.95, 0.77%, 0.57%

LAB 46.49, 66.16, -69.96

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 21 / 44 / 0 / 6

HEX #BE86EF

RGB 190 134 239

HSL 272, 0.77%, 0.73%

LAB 65.14, 40.92, -44.88

 

CMYK 14 / 30 / 0 / 4

HEX #D1AAF4

RGB 209 170 244

HSL 271.62, 0.77%, 0.81%

LAB 75.35, 27.9, -31.59

 

CMYK 27 / 58 / 0 / 8

HEX #AB62EB

RGB 171 98 235

HSL 271.97, 0.77%, 0.65%

LAB 55.47, 54.22, -58.14

 

CMYK 0 / 59 / 42 / 8

HEX #EA6188

RGB 234 97 136

HSL 342.92, 0.77%, 0.65%

LAB 59.73, 56.39, 5.83

 

CMYK 59 / 0 / 52 / 8

HEX #61EA71

RGB 97 234 113

HSL 127.01, 0.77%, 0.65%

LAB 83.22, -61.5, 47.41

 

CMYK 27 / 58 / 0 / 8

HEX #AB62EB

RGB 171 98 235

HSL 271.97, 0.77%, 0.65%

LAB 55.47, 54.22, -58.14

 

CMYK 0 / 28 / 59 / 8

HEX #EAA861

RGB 234 168 97

HSL 31.09, 0.77%, 0.65%

LAB 73.78, 16.9, 45.81

 

CMYK 59 / 0 / 28 / 8

HEX #61EAA8

RGB 97 234 168

HSL 151.09, 0.77%, 0.65%

LAB 84.08, -52.29, 21.12

 

CMYK 27 / 58 / 0 / 8

HEX #AB62EB

RGB 171 98 235

HSL 271.97, 0.77%, 0.65%

LAB 55.47, 54.22, -58.14

 

CMYK 0 / 59 / 42 / 8

HEX #EA6188

RGB 234 97 136

HSL 342.92, 0.77%, 0.65%

LAB 59.73, 56.39, 5.83

 

CMYK 30 / 0 / 59 / 8

HEX #A3EA61

RGB 163 234 97

HSL 91.09, 0.77%, 0.65%

LAB 85.75, -44.09, 58.3

 

CMYK 59 / 0 / 16 / 8

HEX #61EAC4

RGB 97 234 196

HSL 163.36, 0.77%, 0.65%

LAB 84.68, -46.23, 7.36

 

CMYK 27 / 58 / 0 / 8

HEX #AB62EB

RGB 171 98 235

HSL 271.97, 0.77%, 0.65%

LAB 55.47, 54.22, -58.14

 

CMYK 0 / 58 / 59 / 8

HEX #EA6361

RGB 234 99 97

HSL 0.88, 0.77%, 0.65%

LAB 59.23, 52.13, 27.72

 

CMYK 30 / 0 / 59 / 8

HEX #A3EA61

RGB 163 234 97

HSL 91.09, 0.77%, 0.65%

LAB 85.75, -44.09, 58.3

 

CMYK 59 / 1 / 0 / 8

HEX #61E8EA

RGB 97 232 234

HSL 180.88, 0.77%, 0.65%

LAB 85.1, -35.83, -12.03

 

Description

Color code: HEX #AB62EB | qconv.com Color code: HEX #AB62EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 98 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 98 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 58 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 58% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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