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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB6231 it is the complementary color #549DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB6231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB6231 shade: #B0622C, #C1743F, #D28652, #E39865 and #F4AA78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB6231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB6231 shade: #AB6231, #9A501E, #893E0B, #782C00 and #671A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB6231 shade: #AA6231, #AA4131 and #AA3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB6231 shade: #AA6231, #AA8231, #AAA331, #91AA31 and #70AA31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB6231 shade matches the following richer shades: #AA6231, #BC5E20 and #CD5B0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB6231 shade: #AA6231, #986543, #866955, #756C67 and #637078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB6231 shade: #AA3141, #AA4131, #AA6231, #AA8231 and #AAA231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB6231 shade: #6A3D1F, #8A4F28, #AA6231, #C7753E and #D08C5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB6231 shade: #AB6231, #62AA31 and #3131AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB6231 shade: #AB6231, #31AA62 and #6231AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB6231 shade: #AB6231, #62AA31, #317AAA and #7A31AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB6231 shade: #AB6231, #3DAA31, #317AAA and #9E31AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 71 / 33

HEX #AB6231

RGB 171 98 49

HSL 24.1, 0.55%, 0.43%

LAB 49.03, 25.39, 39.73

 

Complementary color

CMYK 59 / 24 / 0 / 19

HEX #549DCE

RGB 84 157 206

HSL 204.1, 0.55%, 0.57%

LAB 62.04, -8.31, -31.97

 

CMYK 0 / 44 / 75 / 31

HEX #B0622C

RGB 176 98 44

HSL 24.55, 0.6%, 0.43%

LAB 49.67, 27.26, 43.13

 

CMYK 0 / 40 / 67 / 24

HEX #C1743F

RGB 193 116 63

HSL 24.46, 0.51%, 0.5%

LAB 56.27, 25.6, 41.42

 

CMYK 0 / 36 / 61 / 18

HEX #D28652

RGB 210 134 82

HSL 24.38, 0.59%, 0.57%

LAB 62.81, 24.15, 39.71

 

CMYK 0 / 33 / 56 / 11

HEX #E39865

RGB 227 152 101

HSL 24.29, 0.69%, 0.64%

LAB 69.27, 22.87, 38.09

 

CMYK 0 / 30 / 51 / 4

HEX #F4AA78

RGB 244 170 120

HSL 24.19, 0.85%, 0.71%

LAB 75.66, 21.75, 36.57

 

CMYK 0 / 43 / 71 / 33

HEX #AB6231

RGB 171 98 49

HSL 24.1, 0.55%, 0.43%

LAB 49.03, 25.39, 39.73

 

CMYK 0 / 48 / 81 / 40

HEX #9A501E

RGB 154 80 30

HSL 24.19, 0.67%, 0.36%

LAB 42.31, 27.19, 41.4

 

CMYK 0 / 55 / 92 / 46

HEX #893E0B

RGB 137 62 11

HSL 24.29, 0.85%, 0.29%

LAB 35.57, 29.23, 42.34

 

CMYK 0 / 63 / 100 / 53

HEX #782C00

RGB 120 44 0

HSL 22, 1%, 0.24%

LAB 28.89, 31.39, 40.33

 

CMYK 0 / 75 / 100 / 60

HEX #671A00

RGB 103 26 0

HSL 15.15, 1%, 0.2%

LAB 22.38, 33.24, 33.08

 

CMYK 0 / 42 / 71 / 33

HEX #AA6231

RGB 170 98 49

HSL 24.3, 0.55%, 0.43%

LAB 48.89, 24.96, 39.54

 

CMYK 0 / 62 / 71 / 33

HEX #AA4131

RGB 170 65 49

HSL 7.93, 0.55%, 0.43%

LAB 42.07, 42.15, 31.89

 

CMYK 0 / 71 / 71 / 33

HEX #AA3131

RGB 170 49 49

HSL 0, 0.55%, 0.43%

LAB 39.52, 49.04, 28.9

 

CMYK 0 / 42 / 71 / 33

HEX #AA6231

RGB 170 98 49

HSL 24.3, 0.55%, 0.43%

LAB 48.89, 24.96, 39.54

 

CMYK 0 / 24 / 71 / 33

HEX #AA8231

RGB 170 130 49

HSL 40.17, 0.55%, 0.43%

LAB 56.81, 6.99, 47.96

 

CMYK 0 / 4 / 71 / 33

HEX #AAA331

RGB 170 163 49

HSL 56.53, 0.55%, 0.43%

LAB 65.72, -10.94, 56.92

 

CMYK 15 / 0 / 71 / 33

HEX #91AA31

RGB 145 170 49

HSL 72.4, 0.55%, 0.43%

LAB 65.74, -25.26, 56.28

 

CMYK 34 / 0 / 71 / 33

HEX #70AA31

RGB 112 170 49

HSL 88.76, 0.55%, 0.43%

LAB 63.69, -38.29, 53.54

 

CMYK 0 / 42 / 71 / 33

HEX #AA6231

RGB 170 98 49

HSL 24.3, 0.55%, 0.43%

LAB 48.89, 24.96, 39.54

 

CMYK 0 / 50 / 83 / 26

HEX #BC5E20

RGB 188 94 32

HSL 23.85, 0.71%, 0.43%

LAB 50.45, 33.93, 49.93

 

CMYK 0 / 56 / 93 / 20

HEX #CD5B0E

RGB 205 91 14

HSL 24.19, 0.87%, 0.43%

LAB 52.39, 41.81, 58.58

 

CMYK 0 / 42 / 71 / 33

HEX #AA6231

RGB 170 98 49

HSL 24.3, 0.55%, 0.43%

LAB 48.89, 24.96, 39.54

 

CMYK 0 / 34 / 56 / 40

HEX #986543

RGB 152 101 67

HSL 24, 0.39%, 0.43%

LAB 47.48, 16.75, 27.49

 

CMYK 0 / 22 / 37 / 47

HEX #866955

RGB 134 105 85

HSL 24.49, 0.22%, 0.43%

LAB 46.75, 8.59, 15.67

 

CMYK 0 / 8 / 12 / 54

HEX #756C67

RGB 117 108 103

HSL 21.43, 0.06%, 0.43%

LAB 46.29, 2.58, 4.06

 

CMYK 18 / 7 / 0 / 53

HEX #637078

RGB 99 112 120

HSL 202.86, 0.1%, 0.43%

LAB 46.44, -3.03, -6.08

 

CMYK 0 / 71 / 62 / 33

HEX #AA3141

RGB 170 49 65

HSL 352.07, 0.55%, 0.43%

LAB 39.79, 49.97, 19.38

 

CMYK 0 / 62 / 71 / 33

HEX #AA4131

RGB 170 65 49

HSL 7.93, 0.55%, 0.43%

LAB 42.07, 42.15, 31.89

 

CMYK 0 / 42 / 71 / 33

HEX #AA6231

RGB 170 98 49

HSL 24.3, 0.55%, 0.43%

LAB 48.89, 24.96, 39.54

 

CMYK 0 / 24 / 71 / 33

HEX #AA8231

RGB 170 130 49

HSL 40.17, 0.55%, 0.43%

LAB 56.81, 6.99, 47.96

 

CMYK 0 / 5 / 71 / 33

HEX #AAA231

RGB 170 162 49

HSL 56.03, 0.55%, 0.43%

LAB 65.44, -10.42, 56.64

 

CMYK 0 / 42 / 71 / 58

HEX #6A3D1F

RGB 106 61 31

HSL 24, 0.55%, 0.27%

LAB 30.64, 16.79, 26.47

 

CMYK 0 / 43 / 71 / 46

HEX #8A4F28

RGB 138 79 40

HSL 23.88, 0.55%, 0.35%

LAB 39.83, 21.26, 33.04

 

CMYK 0 / 42 / 71 / 33

HEX #AA6231

RGB 170 98 49

HSL 24.3, 0.55%, 0.43%

LAB 48.89, 24.96, 39.54

 

CMYK 0 / 41 / 69 / 22

HEX #C7753E

RGB 199 117 62

HSL 24.09, 0.55%, 0.51%

LAB 57.28, 27.5, 43.28

 

CMYK 0 / 33 / 55 / 18

HEX #D08C5E

RGB 208 140 94

HSL 24.21, 0.55%, 0.59%

LAB 64.14, 21, 34.92

 

CMYK 0 / 43 / 71 / 33

HEX #AB6231

RGB 171 98 49

HSL 24.1, 0.55%, 0.43%

LAB 49.03, 25.39, 39.73

 

CMYK 42 / 0 / 71 / 33

HEX #62AA31

RGB 98 170 49

HSL 95.7, 0.55%, 0.43%

LAB 62.98, -43.22, 52.6

 

CMYK 71 / 71 / 0 / 33

HEX #3131AA

RGB 49 49 170

HSL 240, 0.55%, 0.43%

LAB 28.78, 40.01, -64.39

 

CMYK 0 / 43 / 71 / 33

HEX #AB6231

RGB 171 98 49

HSL 24.1, 0.55%, 0.43%

LAB 49.03, 25.39, 39.73

 

CMYK 71 / 0 / 42 / 33

HEX #31AA62

RGB 49 170 98

HSL 144.3, 0.55%, 0.43%

LAB 61.9, -49.46, 27.77

 

CMYK 42 / 71 / 0 / 33

HEX #6231AA

RGB 98 49 170

HSL 264.3, 0.55%, 0.43%

LAB 33.34, 47.5, -56.73

 

CMYK 0 / 43 / 71 / 33

HEX #AB6231

RGB 171 98 49

HSL 24.1, 0.55%, 0.43%

LAB 49.03, 25.39, 39.73

 

CMYK 42 / 0 / 71 / 33

HEX #62AA31

RGB 98 170 49

HSL 95.7, 0.55%, 0.43%

LAB 62.98, -43.22, 52.6

 

CMYK 71 / 28 / 0 / 33

HEX #317AAA

RGB 49 122 170

HSL 203.8, 0.55%, 0.43%

LAB 48.85, -6.47, -32.12

 

CMYK 28 / 71 / 0 / 33

HEX #7A31AA

RGB 122 49 170

HSL 276.2, 0.55%, 0.43%

LAB 36.44, 52.23, -51.57

 

CMYK 0 / 43 / 71 / 33

HEX #AB6231

RGB 171 98 49

HSL 24.1, 0.55%, 0.43%

LAB 49.03, 25.39, 39.73

 

CMYK 64 / 0 / 71 / 33

HEX #3DAA31

RGB 61 170 49

HSL 114.05, 0.55%, 0.43%

LAB 61.62, -53.68, 50.77

 

CMYK 71 / 28 / 0 / 33

HEX #317AAA

RGB 49 122 170

HSL 203.8, 0.55%, 0.43%

LAB 48.85, -6.47, -32.12

 

CMYK 7 / 71 / 0 / 33

HEX #9E31AA

RGB 158 49 170

HSL 294.05, 0.55%, 0.43%

LAB 41.8, 59.98, -42.67

 

Description

Color code: HEX #AB6231 | qconv.com Color code: HEX #AB6231 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 98 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 98 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 71 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 71% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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