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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5E68 it is the complementary color #54A197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5E68 shade: #B05E63, #C17076, #D28289, #E3949C and #F4A6AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5E68 shade: #AB5E68, #9A4C55, #893A42, #78282F and #67161C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5E68 shade: #AA5E68 and #AA5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5E68 shade: #AA5E68, #AA5E7C, #AA5E91, #AA5EA5 and #9A5EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5E68 shade matches the following richer shades: #AA5E68, #BE4A59, #D2374B, #E5233C and #F90F2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5E68 shade: #AA5E68, #967277, #828685, #6F9A94 and #5BADA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5E68 shade: #AA5E91, #AA5E7D, #AA5E68, #AA685E and #AA7D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5E68 shade: #773F46, #924D56, #AA5E68, #B87981 and #C7949B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5E68 shade: #AB5E68, #A5AA5E and #5E87AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5E68 shade: #AB5E68, #68AA5E and #5E68AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5E68 shade: #AB5E68, #A5AA5E, #5EAAA0 and #635EAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5E68 shade: #AB5E68, #8EAA5E, #5EAAA0 and #7A5EAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 39 / 33

HEX #AB5E68

RGB 171 94 104

HSL 352.21, 0.31%, 0.52%

LAB 49.08, 32.37, 8.29

 

Complementary color

CMYK 48 / 0 / 6 / 37

HEX #54A197

RGB 84 161 151

HSL 172.21, 0.31%, 0.48%

LAB 61.32, -26.32, -2.16

 

CMYK 0 / 47 / 44 / 31

HEX #B05E63

RGB 176 94 99

HSL 356.34, 0.34%, 0.53%

LAB 49.66, 33.71, 12.19

 

CMYK 0 / 42 / 39 / 24

HEX #C17076

RGB 193 112 118

HSL 355.56, 0.4%, 0.6%

LAB 56.32, 32.65, 10.66

 

CMYK 0 / 38 / 35 / 18

HEX #D28289

RGB 210 130 137

HSL 354.75, 0.47%, 0.67%

LAB 62.9, 31.68, 9.34

 

CMYK 0 / 35 / 31 / 11

HEX #E3949C

RGB 227 148 156

HSL 353.92, 0.59%, 0.74%

LAB 69.41, 30.79, 8.18

 

CMYK 0 / 32 / 28 / 4

HEX #F4A6AF

RGB 244 166 175

HSL 353.08, 0.78%, 0.8%

LAB 75.82, 29.96, 7.12

 

CMYK 0 / 45 / 39 / 33

HEX #AB5E68

RGB 171 94 104

HSL 352.21, 0.31%, 0.52%

LAB 49.08, 32.37, 8.29

 

CMYK 0 / 51 / 45 / 40

HEX #9A4C55

RGB 154 76 85

HSL 353.08, 0.34%, 0.45%

LAB 42.3, 33.43, 9.92

 

CMYK 0 / 58 / 52 / 46

HEX #893A42

RGB 137 58 66

HSL 353.92, 0.41%, 0.38%

LAB 35.47, 34.5, 11.95

 

CMYK 0 / 67 / 61 / 53

HEX #78282F

RGB 120 40 47

HSL 354.75, 0.5%, 0.31%

LAB 28.68, 35.44, 14.58

 

CMYK 0 / 79 / 73 / 60

HEX #67161C

RGB 103 22 28

HSL 355.56, 0.65%, 0.25%

LAB 22.09, 35.88, 18.15

 

CMYK 0 / 45 / 39 / 33

HEX #AA5E68

RGB 170 94 104

HSL 352.11, 0.31%, 0.52%

LAB 48.95, 31.99, 8.07

 

CMYK 0 / 45 / 45 / 33

HEX #AA5E5E

RGB 170 94 94

HSL 0, 0.31%, 0.52%

LAB 48.71, 30.84, 13.72

 

CMYK 0 / 45 / 39 / 33

HEX #AA5E68

RGB 170 94 104

HSL 352.11, 0.31%, 0.52%

LAB 48.95, 31.99, 8.07

 

CMYK 0 / 45 / 27 / 33

HEX #AA5E7C

RGB 170 94 124

HSL 336.32, 0.31%, 0.52%

LAB 49.5, 34.64, -3.1

 

CMYK 0 / 45 / 15 / 33

HEX #AA5E91

RGB 170 94 145

HSL 319.74, 0.31%, 0.52%

LAB 50.21, 37.89, -14.56

 

CMYK 0 / 45 / 3 / 33

HEX #AA5EA5

RGB 170 94 165

HSL 303.95, 0.31%, 0.52%

LAB 51, 41.4, -25.14

 

CMYK 9 / 45 / 0 / 33

HEX #9A5EAA

RGB 154 94 170

HSL 287.37, 0.31%, 0.52%

LAB 49.23, 37.43, -30.98

 

CMYK 0 / 45 / 39 / 33

HEX #AA5E68

RGB 170 94 104

HSL 352.11, 0.31%, 0.52%

LAB 48.95, 31.99, 8.07

 

CMYK 0 / 61 / 53 / 25

HEX #BE4A59

RGB 190 74 89

HSL 352.24, 0.47%, 0.52%

LAB 47.71, 47.82, 15.84

 

CMYK 0 / 74 / 64 / 18

HEX #D2374B

RGB 210 55 75

HSL 352.26, 0.63%, 0.52%

LAB 48.19, 60.77, 25.57

 

CMYK 0 / 85 / 74 / 10

HEX #E5233C

RGB 229 35 60

HSL 352.27, 0.79%, 0.52%

LAB 49.72, 70.71, 37.17

 

CMYK 0 / 94 / 82 / 2

HEX #F90F2D

RGB 249 15 45

HSL 352.31, 0.95%, 0.52%

LAB 52.59, 78.16, 49.73

 

CMYK 0 / 45 / 39 / 33

HEX #AA5E68

RGB 170 94 104

HSL 352.11, 0.31%, 0.52%

LAB 48.95, 31.99, 8.07

 

CMYK 0 / 24 / 21 / 41

HEX #967277

RGB 150 114 119

HSL 351.67, 0.15%, 0.52%

LAB 51.67, 14.97, 2.74

 

CMYK 3 / 0 / 1 / 47

HEX #828685

RGB 130 134 133

HSL 165, 0.02%, 0.52%

LAB 55.57, -1.67, 0.02

 

CMYK 28 / 0 / 4 / 40

HEX #6F9A94

RGB 111 154 148

HSL 171.63, 0.18%, 0.52%

LAB 60.45, -15.91, -1.58

 

CMYK 47 / 0 / 6 / 32

HEX #5BADA3

RGB 91 173 163

HSL 172.68, 0.33%, 0.52%

LAB 65.56, -27.51, -2.62

 

CMYK 0 / 45 / 15 / 33

HEX #AA5E91

RGB 170 94 145

HSL 319.74, 0.31%, 0.52%

LAB 50.21, 37.89, -14.56

 

CMYK 0 / 45 / 26 / 33

HEX #AA5E7D

RGB 170 94 125

HSL 335.53, 0.31%, 0.52%

LAB 49.54, 34.78, -3.66

 

CMYK 0 / 45 / 39 / 33

HEX #AA5E68

RGB 170 94 104

HSL 352.11, 0.31%, 0.52%

LAB 48.95, 31.99, 8.07

 

CMYK 0 / 39 / 45 / 33

HEX #AA685E

RGB 170 104 94

HSL 7.89, 0.31%, 0.52%

LAB 50.98, 25.31, 16.84

 

CMYK 0 / 26 / 45 / 33

HEX #AA7D5E

RGB 170 125 94

HSL 24.47, 0.31%, 0.52%

LAB 56.11, 13.47, 23.72

 

CMYK 0 / 47 / 41 / 53

HEX #773F46

RGB 119 63 70

HSL 352.5, 0.31%, 0.36%

LAB 33.81, 25.13, 6.65

 

CMYK 0 / 47 / 41 / 43

HEX #924D56

RGB 146 77 86

HSL 352.17, 0.31%, 0.44%

LAB 41.36, 29.91, 7.81

 

CMYK 0 / 45 / 39 / 33

HEX #AA5E68

RGB 170 94 104

HSL 352.11, 0.31%, 0.52%

LAB 48.95, 31.99, 8.07

 

CMYK 0 / 34 / 30 / 28

HEX #B87981

RGB 184 121 129

HSL 352.38, 0.31%, 0.6%

LAB 57.51, 25.7, 5.81

 

CMYK 0 / 26 / 22 / 22

HEX #C7949B

RGB 199 148 155

HSL 351.76, 0.31%, 0.68%

LAB 66.28, 20.22, 3.84

 

CMYK 0 / 45 / 39 / 33

HEX #AB5E68

RGB 171 94 104

HSL 352.21, 0.31%, 0.52%

LAB 49.08, 32.37, 8.29

 

CMYK 3 / 0 / 45 / 33

HEX #A5AA5E

RGB 165 170 94

HSL 63.95, 0.31%, 0.52%

LAB 67.69, -13.23, 38.41

 

CMYK 45 / 21 / 0 / 33

HEX #5E87AA

RGB 94 135 170

HSL 207.63, 0.31%, 0.52%

LAB 54.67, -4.58, -22.95

 

CMYK 0 / 45 / 39 / 33

HEX #AB5E68

RGB 171 94 104

HSL 352.21, 0.31%, 0.52%

LAB 49.08, 32.37, 8.29

 

CMYK 39 / 0 / 45 / 33

HEX #68AA5E

RGB 104 170 94

HSL 112.11, 0.31%, 0.52%

LAB 63.75, -36.29, 32.64

 

CMYK 45 / 39 / 0 / 33

HEX #5E68AA

RGB 94 104 170

HSL 232.11, 0.31%, 0.52%

LAB 45.88, 13.99, -36.63

 

CMYK 0 / 45 / 39 / 33

HEX #AB5E68

RGB 171 94 104

HSL 352.21, 0.31%, 0.52%

LAB 49.08, 32.37, 8.29

 

CMYK 3 / 0 / 45 / 33

HEX #A5AA5E

RGB 165 170 94

HSL 63.95, 0.31%, 0.52%

LAB 67.69, -13.23, 38.41

 

CMYK 45 / 0 / 6 / 33

HEX #5EAAA0

RGB 94 170 160

HSL 172.11, 0.31%, 0.52%

LAB 64.7, -26.05, -2.2

 

CMYK 42 / 45 / 0 / 33

HEX #635EAA

RGB 99 94 170

HSL 243.95, 0.31%, 0.52%

LAB 43.6, 21.5, -40.23

 

CMYK 0 / 45 / 39 / 33

HEX #AB5E68

RGB 171 94 104

HSL 352.21, 0.31%, 0.52%

LAB 49.08, 32.37, 8.29

 

CMYK 16 / 0 / 45 / 33

HEX #8EAA5E

RGB 142 170 94

HSL 82.11, 0.31%, 0.52%

LAB 65.99, -22.49, 35.92

 

CMYK 45 / 0 / 6 / 33

HEX #5EAAA0

RGB 94 170 160

HSL 172.11, 0.31%, 0.52%

LAB 64.7, -26.05, -2.2

 

CMYK 28 / 45 / 0 / 33

HEX #7A5EAA

RGB 122 94 170

HSL 262.11, 0.31%, 0.52%

LAB 45.7, 27.87, -36.77

 

Description

Color code: HEX #AB5E68 | qconv.com Color code: HEX #AB5E68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 94 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 94 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 39 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 39% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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