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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5E4C it is the complementary color #54A1B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5E4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5E4C shade: #B05E47, #C1705A, #D2826D, #E39480 and #F4A693

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5E4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5E4C shade: #AB5E4C, #9A4C39, #893A26, #782813 and #671600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5E4C shade: #A95E4C and #A94C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5E4C shade: #A95E4C, #A9774C, #A9904C, #A9A94C and #90A94C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5E4C shade matches the following richer shades: #A95E4C, #BD5138, #D14524 and #E43910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5E4C shade: #A95E4C, #956A60, #817673, #6D8287 and #5A8F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5E4C shade: #A94C6C, #A94C54, #A95D4C, #A9764C and #A98F4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5E4C shade: #703E32, #8C4E3F, #A95E4C, #BA7564 and #C68E81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5E4C shade: #AB5E4C, #85A94C and #4C60A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5E4C shade: #AB5E4C, #4CA95D and #5D4CA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5E4C shade: #AB5E4C, #85A94C, #4C98A9 and #704CA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5E4C shade: #AB5E4C, #69A94C, #4C98A9 and #8B4CA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 56 / 33

HEX #AB5E4C

RGB 171 94 76

HSL 11.37, 0.38%, 0.48%

LAB 48.49, 29.48, 24.11

 

Complementary color

CMYK 53 / 10 / 0 / 30

HEX #54A1B3

RGB 84 161 179

HSL 191.37, 0.38%, 0.52%

LAB 62.19, -18.67, -16.62

 

CMYK 0 / 47 / 60 / 31

HEX #B05E47

RGB 176 94 71

HSL 13.14, 0.43%, 0.48%

LAB 49.12, 31.1, 27.95

 

CMYK 0 / 42 / 53 / 24

HEX #C1705A

RGB 193 112 90

HSL 12.82, 0.45%, 0.55%

LAB 55.75, 29.77, 26.04

 

CMYK 0 / 38 / 48 / 18

HEX #D2826D

RGB 210 130 109

HSL 12.48, 0.53%, 0.63%

LAB 62.31, 28.58, 24.37

 

CMYK 0 / 35 / 44 / 11

HEX #E39480

RGB 227 148 128

HSL 12.12, 0.64%, 0.7%

LAB 68.8, 27.51, 22.88

 

CMYK 0 / 32 / 40 / 4

HEX #F4A693

RGB 244 166 147

HSL 11.75, 0.82%, 0.77%

LAB 75.21, 26.55, 21.54

 

CMYK 0 / 45 / 56 / 33

HEX #AB5E4C

RGB 171 94 76

HSL 11.37, 0.38%, 0.48%

LAB 48.49, 29.48, 24.11

 

CMYK 0 / 51 / 63 / 40

HEX #9A4C39

RGB 154 76 57

HSL 11.75, 0.46%, 0.41%

LAB 41.74, 30.87, 26.19

 

CMYK 0 / 58 / 72 / 46

HEX #893A26

RGB 137 58 38

HSL 12.12, 0.57%, 0.34%

LAB 34.97, 32.37, 28.64

 

CMYK 0 / 67 / 84 / 53

HEX #782813

RGB 120 40 19

HSL 12.48, 0.73%, 0.27%

LAB 28.27, 33.85, 31.39

 

CMYK 0 / 79 / 100 / 60

HEX #671600

RGB 103 22 0

HSL 12.82, 1%, 0.2%

LAB 21.79, 34.87, 32.46

 

CMYK 0 / 44 / 55 / 34

HEX #A95E4C

RGB 169 94 76

HSL 11.61, 0.38%, 0.48%

LAB 48.21, 28.67, 23.69

 

CMYK 0 / 55 / 55 / 34

HEX #A94C4C

RGB 169 76 76

HSL 0, 0.38%, 0.48%

LAB 44.41, 38.24, 18.69

 

CMYK 0 / 44 / 55 / 34

HEX #A95E4C

RGB 169 94 76

HSL 11.61, 0.38%, 0.48%

LAB 48.21, 28.67, 23.69

 

CMYK 0 / 30 / 55 / 34

HEX #A9774C

RGB 169 119 76

HSL 27.74, 0.38%, 0.48%

LAB 54.19, 14.65, 31.28

 

CMYK 0 / 15 / 55 / 34

HEX #A9904C

RGB 169 144 76

HSL 43.87, 0.38%, 0.48%

LAB 60.7, 0.67, 39.2

 

CMYK 0 / 0 / 55 / 34

HEX #A9A94C

RGB 169 169 76

HSL 60, 0.38%, 0.48%

LAB 67.53, -12.72, 47.16

 

CMYK 15 / 0 / 55 / 34

HEX #90A94C

RGB 144 169 76

HSL 76.13, 0.38%, 0.48%

LAB 65.61, -23.12, 44.46

 

CMYK 0 / 44 / 55 / 34

HEX #A95E4C

RGB 169 94 76

HSL 11.61, 0.38%, 0.48%

LAB 48.21, 28.67, 23.69

 

CMYK 0 / 57 / 70 / 26

HEX #BD5138

RGB 189 81 56

HSL 11.28, 0.54%, 0.48%

LAB 48.25, 41.9, 35.86

 

CMYK 0 / 67 / 83 / 18

HEX #D14524

RGB 209 69 36

HSL 11.45, 0.71%, 0.48%

LAB 49.42, 53.61, 48.51

 

CMYK 0 / 75 / 93 / 11

HEX #E43910

RGB 228 57 16

HSL 11.6, 0.87%, 0.48%

LAB 51.22, 63.63, 59.22

 

CMYK 0 / 44 / 55 / 34

HEX #A95E4C

RGB 169 94 76

HSL 11.61, 0.38%, 0.48%

LAB 48.21, 28.67, 23.69

 

CMYK 0 / 29 / 36 / 42

HEX #956A60

RGB 149 106 96

HSL 11.32, 0.22%, 0.48%

LAB 48.94, 15.8, 12.44

 

CMYK 0 / 9 / 11 / 49

HEX #817673

RGB 129 118 115

HSL 12.86, 0.06%, 0.48%

LAB 50.53, 3.68, 3.17

 

CMYK 19 / 4 / 0 / 47

HEX #6D8287

RGB 109 130 135

HSL 191.54, 0.11%, 0.48%

LAB 52.91, -6.42, -5.24

 

CMYK 42 / 8 / 0 / 39

HEX #5A8F9B

RGB 90 143 155

HSL 191.08, 0.27%, 0.48%

LAB 56.27, -14.35, -11.91

 

CMYK 0 / 55 / 36 / 34

HEX #A94C6C

RGB 169 76 108

HSL 339.35, 0.38%, 0.48%

LAB 45.2, 41.57, 0.24

 

CMYK 0 / 55 / 50 / 34

HEX #A94C54

RGB 169 76 84

HSL 354.84, 0.38%, 0.48%

LAB 44.58, 38.96, 14.05

 

CMYK 0 / 45 / 55 / 34

HEX #A95D4C

RGB 169 93 76

HSL 10.97, 0.38%, 0.48%

LAB 47.99, 29.22, 23.4

 

CMYK 0 / 30 / 55 / 34

HEX #A9764C

RGB 169 118 76

HSL 27.1, 0.38%, 0.48%

LAB 53.94, 15.22, 30.96

 

CMYK 0 / 15 / 55 / 34

HEX #A98F4C

RGB 169 143 76

HSL 43.23, 0.38%, 0.48%

LAB 60.43, 1.22, 38.88

 

CMYK 0 / 45 / 55 / 56

HEX #703E32

RGB 112 62 50

HSL 11.61, 0.38%, 0.32%

LAB 32.08, 20.49, 16.86

 

CMYK 0 / 44 / 55 / 45

HEX #8C4E3F

RGB 140 78 63

HSL 11.69, 0.38%, 0.4%

LAB 40.22, 24.46, 20.24

 

CMYK 0 / 44 / 55 / 34

HEX #A95E4C

RGB 169 94 76

HSL 11.61, 0.38%, 0.48%

LAB 48.21, 28.67, 23.69

 

CMYK 0 / 37 / 46 / 27

HEX #BA7564

RGB 186 117 100

HSL 11.86, 0.38%, 0.56%

LAB 56.17, 25.19, 20.72

 

CMYK 0 / 28 / 35 / 22

HEX #C68E81

RGB 198 142 129

HSL 11.3, 0.38%, 0.64%

LAB 64.11, 19.53, 15.36

 

CMYK 0 / 45 / 56 / 33

HEX #AB5E4C

RGB 171 94 76

HSL 11.37, 0.38%, 0.48%

LAB 48.49, 29.48, 24.11

 

CMYK 21 / 0 / 55 / 34

HEX #85A94C

RGB 133 169 76

HSL 83.23, 0.38%, 0.48%

LAB 64.87, -27.52, 43.41

 

CMYK 55 / 43 / 0 / 34

HEX #4C60A9

RGB 76 96 169

HSL 227.1, 0.38%, 0.48%

LAB 42.41, 14.32, -41.63

 

CMYK 0 / 45 / 56 / 33

HEX #AB5E4C

RGB 171 94 76

HSL 11.37, 0.38%, 0.48%

LAB 48.49, 29.48, 24.11

 

CMYK 55 / 0 / 45 / 34

HEX #4CA95D

RGB 76 169 93

HSL 130.97, 0.38%, 0.48%

LAB 62.26, -44.22, 31.01

 

CMYK 45 / 55 / 0 / 34

HEX #5D4CA9

RGB 93 76 169

HSL 250.97, 0.38%, 0.48%

LAB 38.48, 30.85, -47.84

 

CMYK 0 / 45 / 56 / 33

HEX #AB5E4C

RGB 171 94 76

HSL 11.37, 0.38%, 0.48%

LAB 48.49, 29.48, 24.11

 

CMYK 21 / 0 / 55 / 34

HEX #85A94C

RGB 133 169 76

HSL 83.23, 0.38%, 0.48%

LAB 64.87, -27.52, 43.41

 

CMYK 55 / 10 / 0 / 34

HEX #4C98A9

RGB 76 152 169

HSL 190.97, 0.38%, 0.48%

LAB 58.84, -18.56, -16.08

 

CMYK 34 / 55 / 0 / 34

HEX #704CA9

RGB 112 76 169

HSL 263.23, 0.38%, 0.48%

LAB 40.37, 35.52, -44.7

 

CMYK 0 / 45 / 56 / 33

HEX #AB5E4C

RGB 171 94 76

HSL 11.37, 0.38%, 0.48%

LAB 48.49, 29.48, 24.11

 

CMYK 38 / 0 / 55 / 34

HEX #69A94C

RGB 105 169 76

HSL 101.29, 0.38%, 0.48%

LAB 63.26, -37.85, 41.11

 

CMYK 55 / 10 / 0 / 34

HEX #4C98A9

RGB 76 152 169

HSL 190.97, 0.38%, 0.48%

LAB 58.84, -18.56, -16.08

 

CMYK 18 / 55 / 0 / 34

HEX #8B4CA9

RGB 139 76 169

HSL 280.65, 0.38%, 0.48%

LAB 43.54, 42.69, -39.47

 

Description

Color code: HEX #AB5E4C | qconv.com Color code: HEX #AB5E4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 94 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 94 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 56% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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