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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB57D6 it is the complementary color #54A829. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB57D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB57D6 shade: #B057D1, #C169E4, #D27BF7, #E38DFF and #F49FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB57D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB57D6 shade: #AB57D6, #9A45C3, #8933B0, #78219D and #670F8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB57D6 shade: #AB57D6, #CD57D6, #D657BD, #D6579A and #D65778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB57D6 shade: #AB57D6, #8957D6, #6657D6 and #5757D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB57D6 shade matches the following richer shades: #AB57D6, #B146E7 and #B635F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB57D6 shade: #AB57D6, #A668C5, #A079B4, #9B89A3 and #959A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB57D6 shade: #6657D6, #8857D6, #AA57D6, #CC57D6 and #D657BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB57D6 shade: #832BB0, #9A35CE, #AB57D6, #BC78DE and #CC99E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB57D6 shade: #AB57D6, #D6576A and #57D677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB57D6 shade: #AB57D6, #D6AA57 and #57D6AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB57D6 shade: #AB57D6, #D6576A, #83D657 and #57D6C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB57D6 shade: #AB57D6, #D66A57, #83D657 and #57C3D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

Complementary color

CMYK 50 / 0 / 76 / 34

HEX #54A829

RGB 84 168 41

HSL 99.69, 0.61%, 0.41%

LAB 61.7, -47.46, 54.05

 

CMYK 16 / 58 / 0 / 18

HEX #B057D1

RGB 176 87 209

HSL 283.77, 0.57%, 0.58%

LAB 52.56, 55.25, -48.07

 

CMYK 15 / 54 / 0 / 11

HEX #C169E4

RGB 193 105 228

HSL 282.93, 0.69%, 0.65%

LAB 59.01, 54.6, -48.43

 

CMYK 15 / 50 / 0 / 3

HEX #D27BF7

RGB 210 123 247

HSL 282.1, 0.89%, 0.73%

LAB 65.42, 53.87, -48.7

 

CMYK 11 / 45 / 0 / 0

HEX #E38DFF

RGB 227 141 255

HSL 285.26, 1%, 0.78%

LAB 71.28, 50.91, -43.73

 

CMYK 4 / 38 / 0 / 0

HEX #F49FFF

RGB 244 159 255

HSL 293.13, 1%, 0.81%

LAB 76.83, 46.53, -34.95

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 21 / 65 / 0 / 24

HEX #9A45C3

RGB 154 69 195

HSL 280.48, 0.51%, 0.52%

LAB 45.73, 55.6, -51.11

 

CMYK 22 / 71 / 0 / 31

HEX #8933B0

RGB 137 51 176

HSL 281.28, 0.55%, 0.45%

LAB 39.28, 55.81, -50.45

 

CMYK 24 / 79 / 0 / 38

HEX #78219D

RGB 120 33 157

HSL 282.1, 0.65%, 0.37%

LAB 32.95, 55.4, -49.39

 

CMYK 25 / 89 / 0 / 46

HEX #670F8A

RGB 103 15 138

HSL 282.93, 0.8%, 0.3%

LAB 26.91, 53.84, -47.63

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 4 / 59 / 0 / 16

HEX #CD57D6

RGB 205 87 214

HSL 295.75, 0.61%, 0.59%

LAB 56.73, 63.43, -44.06

 

CMYK 0 / 59 / 12 / 16

HEX #D657BD

RGB 214 87 189

HSL 311.81, 0.61%, 0.59%

LAB 56.87, 61.62, -29.49

 

CMYK 0 / 59 / 28 / 16

HEX #D6579A

RGB 214 87 154

HSL 328.35, 0.61%, 0.59%

LAB 55.53, 56.68, -11.22

 

CMYK 0 / 59 / 44 / 16

HEX #D65778

RGB 214 87 120

HSL 344.41, 0.61%, 0.59%

LAB 54.52, 52.8, 7.36

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 36 / 59 / 0 / 16

HEX #8957D6

RGB 137 87 214

HSL 263.62, 0.61%, 0.59%

LAB 48.25, 47.07, -58.09

 

CMYK 52 / 59 / 0 / 16

HEX #6657D6

RGB 102 87 214

HSL 247.09, 0.61%, 0.59%

LAB 44.94, 39.74, -63.61

 

CMYK 59 / 59 / 0 / 16

HEX #5757D6

RGB 87 87 214

HSL 240, 0.61%, 0.59%

LAB 43.8, 37.03, -65.51

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 23 / 70 / 0 / 9

HEX #B146E7

RGB 177 70 231

HSL 279.88, 0.77%, 0.59%

LAB 51.26, 67.58, -62.62

 

CMYK 27 / 79 / 0 / 3

HEX #B635F8

RGB 182 53 248

HSL 279.69, 0.93%, 0.59%

LAB 51, 77.95, -72.56

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 16 / 47 / 0 / 23

HEX #A668C5

RGB 166 104 197

HSL 280, 0.44%, 0.59%

LAB 54.07, 41.24, -38.91

 

CMYK 11 / 33 / 0 / 29

HEX #A079B4

RGB 160 121 180

HSL 279.66, 0.28%, 0.59%

LAB 56.53, 26.18, -25.39

 

CMYK 5 / 16 / 0 / 36

HEX #9B89A3

RGB 155 137 163

HSL 281.54, 0.12%, 0.59%

LAB 59.44, 11.73, -11.27

 

CMYK 3 / 0 / 5 / 40

HEX #959A93

RGB 149 154 147

HSL 102.86, 0.03%, 0.59%

LAB 63.02, -3.15, 3.04

 

CMYK 52 / 59 / 0 / 16

HEX #6657D6

RGB 102 87 214

HSL 247.09, 0.61%, 0.59%

LAB 44.94, 39.74, -63.61

 

CMYK 36 / 59 / 0 / 16

HEX #8857D6

RGB 136 87 214

HSL 263.15, 0.61%, 0.59%

LAB 48.14, 46.85, -58.27

 

CMYK 21 / 59 / 0 / 16

HEX #AA57D6

RGB 170 87 214

HSL 279.21, 0.61%, 0.59%

LAB 52.08, 54.82, -51.73

 

CMYK 5 / 59 / 0 / 16

HEX #CC57D6

RGB 204 87 214

HSL 295.28, 0.61%, 0.59%

LAB 56.59, 63.18, -44.29

 

CMYK 0 / 59 / 11 / 16

HEX #D657BF

RGB 214 87 191

HSL 310.87, 0.61%, 0.59%

LAB 56.95, 61.93, -30.5

 

CMYK 26 / 76 / 0 / 31

HEX #832BB0

RGB 131 43 176

HSL 279.7, 0.61%, 0.43%

LAB 37.28, 57.82, -53.72

 

CMYK 25 / 74 / 0 / 19

HEX #9A35CE

RGB 154 53 206

HSL 279.61, 0.61%, 0.51%

LAB 44.05, 64.66, -60.17

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 15 / 46 / 0 / 13

HEX #BC78DE

RGB 188 120 222

HSL 280, 0.61%, 0.67%

LAB 61.13, 44.22, -41.77

 

CMYK 11 / 33 / 0 / 10

HEX #CC99E6

RGB 204 153 230

HSL 279.74, 0.61%, 0.75%

LAB 70.41, 32.72, -31.62

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 0 / 59 / 50 / 16

HEX #D6576A

RGB 214 87 106

HSL 351.02, 0.61%, 0.59%

LAB 54.19, 51.49, 15.18

 

CMYK 59 / 0 / 44 / 16

HEX #57D677

RGB 87 214 119

HSL 135.12, 0.61%, 0.59%

LAB 76.95, -55.35, 36.61

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 0 / 21 / 59 / 16

HEX #D6AA57

RGB 214 170 87

HSL 39.21, 0.61%, 0.59%

LAB 72.05, 6.75, 48.18

 

CMYK 59 / 0 / 21 / 16

HEX #57D6AA

RGB 87 214 170

HSL 159.21, 0.61%, 0.59%

LAB 77.89, -45.51, 11.36

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 0 / 59 / 50 / 16

HEX #D6576A

RGB 214 87 106

HSL 351.02, 0.61%, 0.59%

LAB 54.19, 51.49, 15.18

 

CMYK 39 / 0 / 59 / 16

HEX #83D657

RGB 131 214 87

HSL 99.21, 0.61%, 0.59%

LAB 78.23, -47.36, 53.7

 

CMYK 59 / 0 / 9 / 16

HEX #57D6C3

RGB 87 214 195

HSL 171.02, 0.61%, 0.59%

LAB 78.5, -39.53, -1.11

 

CMYK 20 / 59 / 0 / 16

HEX #AB57D6

RGB 171 87 214

HSL 279.69, 0.61%, 0.59%

LAB 52.21, 55.07, -51.52

 

CMYK 0 / 50 / 59 / 16

HEX #D66A57

RGB 214 106 87

HSL 8.98, 0.61%, 0.59%

LAB 57.36, 40.83, 30.39

 

CMYK 39 / 0 / 59 / 16

HEX #83D657

RGB 131 214 87

HSL 99.21, 0.61%, 0.59%

LAB 78.23, -47.36, 53.7

 

CMYK 59 / 9 / 0 / 16

HEX #57C3D6

RGB 87 195 214

HSL 188.98, 0.61%, 0.59%

LAB 73.49, -25.36, -18.82

 

Description

Color code: HEX #AB57D6 | qconv.com Color code: HEX #AB57D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 87 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 87 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 59 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 59% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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