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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB54BC it is the complementary color #54AB43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB54BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB54BC shade: #B054B7, #C166CA, #D278DD, #E38AF0 and #F49CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB54BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB54BC shade: #AB54BC, #9A42A9, #893096, #781E83 and #670C70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB54BC shade: #AB52BC, #BC52B1, #BC5294, #BC5278 and #BC525B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB54BC shade: #AB52BC, #8E52BC, #7252BC, #5552BC and #5252BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB54BC shade matches the following richer shades: #AB52BC, #B83FCF, #C52CE3 and #D218F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB54BC shade: #AB52BC, #9E66A8, #917995, #838D82 and #76A06E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB54BC shade: #7252BC, #8E52BC, #AA52BC, #BC52B1 and #BC5295

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB54BC shade: #7A3587, #9440A5, #AB52BC, #B970C7 and #C88ED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB54BC shade: #AB54BC, #BC5652 and #52BC80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB54BC shade: #AB54BC, #BCAA52 and #52BCAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB54BC shade: #AB54BC, #BC5652, #64BC52 and #52B8BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB54BC shade: #AB54BC, #BC7652, #64BC52 and #5299BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 55 / 0 / 26

HEX #AB54BC

RGB 171 84 188

HSL 290.19, 0.44%, 0.53%

LAB 50.25, 51.21, -39.71

 

Complementary color

CMYK 51 / 0 / 61 / 33

HEX #54AB43

RGB 84 171 67

HSL 110.19, 0.44%, 0.47%

LAB 62.86, -46.36, 44.65

 

CMYK 4 / 54 / 0 / 28

HEX #B054B7

RGB 176 84 183

HSL 295.76, 0.41%, 0.52%

LAB 50.68, 51.6, -36.09

 

CMYK 4 / 50 / 0 / 21

HEX #C166CA

RGB 193 102 202

HSL 294.6, 0.49%, 0.6%

LAB 57.18, 50.99, -36.66

 

CMYK 5 / 46 / 0 / 13

HEX #D278DD

RGB 210 120 221

HSL 293.47, 0.6%, 0.67%

LAB 63.64, 50.29, -37.11

 

CMYK 5 / 43 / 0 / 6

HEX #E38AF0

RGB 227 138 240

HSL 292.35, 0.77%, 0.74%

LAB 70.03, 49.56, -37.49

 

CMYK 4 / 39 / 0 / 0

HEX #F49CFF

RGB 244 156 255

HSL 293.33, 1%, 0.81%

LAB 76.21, 48.08, -35.91

 

CMYK 9 / 55 / 0 / 26

HEX #AB54BC

RGB 171 84 188

HSL 290.19, 0.44%, 0.53%

LAB 50.25, 51.21, -39.71

 

CMYK 9 / 61 / 0 / 34

HEX #9A42A9

RGB 154 66 169

HSL 291.26, 0.44%, 0.46%

LAB 43.7, 51.69, -39.09

 

CMYK 9 / 68 / 0 / 41

HEX #893096

RGB 137 48 150

HSL 292.35, 0.52%, 0.39%

LAB 37.18, 51.83, -38.2

 

CMYK 8 / 77 / 0 / 49

HEX #781E83

RGB 120 30 131

HSL 293.47, 0.63%, 0.32%

LAB 30.78, 51.3, -36.86

 

CMYK 8 / 89 / 0 / 56

HEX #670C70

RGB 103 12 112

HSL 294.6, 0.81%, 0.24%

LAB 24.69, 49.51, -34.73

 

CMYK 9 / 56 / 0 / 26

HEX #AB52BC

RGB 171 82 188

HSL 290.38, 0.44%, 0.53%

LAB 49.89, 52.19, -40.28

 

CMYK 0 / 56 / 6 / 26

HEX #BC52B1

RGB 188 82 177

HSL 306.23, 0.44%, 0.53%

LAB 51.72, 54.8, -30.83

 

CMYK 0 / 56 / 21 / 26

HEX #BC5294

RGB 188 82 148

HSL 322.64, 0.44%, 0.53%

LAB 50.53, 50.24, -15.62

 

CMYK 0 / 56 / 36 / 26

HEX #BC5278

RGB 188 82 120

HSL 338.49, 0.44%, 0.53%

LAB 49.6, 46.54, -0.27

 

CMYK 0 / 56 / 52 / 26

HEX #BC525B

RGB 188 82 91

HSL 354.91, 0.44%, 0.53%

LAB 48.86, 43.52, 16.15

 

CMYK 9 / 56 / 0 / 26

HEX #AB52BC

RGB 171 82 188

HSL 290.38, 0.44%, 0.53%

LAB 49.89, 52.19, -40.28

 

CMYK 24 / 56 / 0 / 26

HEX #8E52BC

RGB 142 82 188

HSL 273.96, 0.44%, 0.53%

LAB 46.2, 44.6, -46.37

 

CMYK 39 / 56 / 0 / 26

HEX #7252BC

RGB 114 82 188

HSL 258.11, 0.44%, 0.53%

LAB 43.13, 37.67, -51.46

 

CMYK 55 / 56 / 0 / 26

HEX #5552BC

RGB 85 82 188

HSL 241.7, 0.44%, 0.53%

LAB 40.57, 31.33, -55.71

 

CMYK 56 / 56 / 0 / 26

HEX #5252BC

RGB 82 82 188

HSL 240, 0.44%, 0.53%

LAB 40.34, 30.75, -56.09

 

CMYK 9 / 56 / 0 / 26

HEX #AB52BC

RGB 171 82 188

HSL 290.38, 0.44%, 0.53%

LAB 49.89, 52.19, -40.28

 

CMYK 11 / 70 / 0 / 19

HEX #B83FCF

RGB 184 63 207

HSL 290.42, 0.6%, 0.53%

LAB 49.8, 67.12, -51.27

 

CMYK 13 / 81 / 0 / 11

HEX #C52CE3

RGB 197 44 227

HSL 290.16, 0.77%, 0.53%

LAB 50.94, 79.13, -60.73

 

CMYK 15 / 90 / 0 / 4

HEX #D218F6

RGB 210 24 246

HSL 290.27, 0.93%, 0.53%

LAB 52.96, 88.2, -68.07

 

CMYK 9 / 56 / 0 / 26

HEX #AB52BC

RGB 171 82 188

HSL 290.38, 0.44%, 0.53%

LAB 49.89, 52.19, -40.28

 

CMYK 6 / 39 / 0 / 34

HEX #9E66A8

RGB 158 102 168

HSL 290.91, 0.28%, 0.53%

LAB 51.38, 33.81, -26.42

 

CMYK 3 / 19 / 0 / 42

HEX #917995

RGB 145 121 149

HSL 291.43, 0.12%, 0.53%

LAB 53.88, 14.54, -11.64

 

CMYK 7 / 0 / 8 / 45

HEX #838D82

RGB 131 141 130

HSL 114.55, 0.05%, 0.53%

LAB 57.55, -5.82, 4.61

 

CMYK 26 / 0 / 31 / 37

HEX #76A06E

RGB 118 160 110

HSL 110.4, 0.21%, 0.53%

LAB 61.76, -24.23, 21.6

 

CMYK 39 / 56 / 0 / 26

HEX #7252BC

RGB 114 82 188

HSL 258.11, 0.44%, 0.53%

LAB 43.13, 37.67, -51.46

 

CMYK 24 / 56 / 0 / 26

HEX #8E52BC

RGB 142 82 188

HSL 273.96, 0.44%, 0.53%

LAB 46.2, 44.6, -46.37

 

CMYK 10 / 56 / 0 / 26

HEX #AA52BC

RGB 170 82 188

HSL 289.81, 0.44%, 0.53%

LAB 49.75, 51.92, -40.5

 

CMYK 0 / 56 / 6 / 26

HEX #BC52B1

RGB 188 82 177

HSL 306.23, 0.44%, 0.53%

LAB 51.72, 54.8, -30.83

 

CMYK 0 / 56 / 21 / 26

HEX #BC5295

RGB 188 82 149

HSL 322.08, 0.44%, 0.53%

LAB 50.57, 50.39, -16.15

 

CMYK 10 / 61 / 0 / 47

HEX #7A3587

RGB 122 53 135

HSL 290.49, 0.44%, 0.37%

LAB 34.87, 42.72, -32.82

 

CMYK 10 / 61 / 0 / 35

HEX #9440A5

RGB 148 64 165

HSL 289.9, 0.44%, 0.45%

LAB 42.28, 50.3, -39.02

 

CMYK 9 / 56 / 0 / 26

HEX #AB52BC

RGB 171 82 188

HSL 290.38, 0.44%, 0.53%

LAB 49.89, 52.19, -40.28

 

CMYK 7 / 44 / 0 / 22

HEX #B970C7

RGB 185 112 199

HSL 290.34, 0.44%, 0.61%

LAB 58.06, 42.9, -33.64

 

CMYK 5 / 33 / 0 / 17

HEX #C88ED3

RGB 200 142 211

HSL 290.43, 0.44%, 0.69%

LAB 66.77, 33.65, -26.77

 

CMYK 9 / 55 / 0 / 26

HEX #AB54BC

RGB 171 84 188

HSL 290.19, 0.44%, 0.53%

LAB 50.25, 51.21, -39.71

 

CMYK 0 / 54 / 56 / 26

HEX #BC5652

RGB 188 86 82

HSL 2.26, 0.44%, 0.53%

LAB 49.44, 40.78, 22.3

 

CMYK 56 / 0 / 32 / 26

HEX #52BC80

RGB 82 188 128

HSL 146.04, 0.44%, 0.53%

LAB 68.98, -44.41, 21.38

 

CMYK 9 / 55 / 0 / 26

HEX #AB54BC

RGB 171 84 188

HSL 290.19, 0.44%, 0.53%

LAB 50.25, 51.21, -39.71

 

CMYK 0 / 10 / 56 / 26

HEX #BCAA52

RGB 188 170 82

HSL 49.81, 0.44%, 0.53%

LAB 69.51, -4.67, 47

 

CMYK 56 / 0 / 10 / 26

HEX #52BCAA

RGB 82 188 170

HSL 169.81, 0.44%, 0.53%

LAB 69.94, -34.91, -0.1

 

CMYK 9 / 55 / 0 / 26

HEX #AB54BC

RGB 171 84 188

HSL 290.19, 0.44%, 0.53%

LAB 50.25, 51.21, -39.71

 

CMYK 0 / 54 / 56 / 26

HEX #BC5652

RGB 188 86 82

HSL 2.26, 0.44%, 0.53%

LAB 49.44, 40.78, 22.3

 

CMYK 47 / 0 / 56 / 26

HEX #64BC52

RGB 100 188 82

HSL 109.81, 0.44%, 0.53%

LAB 68.96, -46.86, 44.91

 

CMYK 56 / 2 / 0 / 26

HEX #52B8BC

RGB 82 184 188

HSL 182.26, 0.44%, 0.53%

LAB 69.26, -28.21, -10.99

 

CMYK 9 / 55 / 0 / 26

HEX #AB54BC

RGB 171 84 188

HSL 290.19, 0.44%, 0.53%

LAB 50.25, 51.21, -39.71

 

CMYK 0 / 37 / 56 / 26

HEX #BC7652

RGB 188 118 82

HSL 20.38, 0.44%, 0.53%

LAB 56.34, 23.77, 31.16

 

CMYK 47 / 0 / 56 / 26

HEX #64BC52

RGB 100 188 82

HSL 109.81, 0.44%, 0.53%

LAB 68.96, -46.86, 44.91

 

CMYK 56 / 19 / 0 / 26

HEX #5299BC

RGB 82 153 188

HSL 199.81, 0.44%, 0.53%

LAB 60.08, -12.11, -24.92

 

Description

Color code: HEX #AB54BC | qconv.com Color code: HEX #AB54BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 84 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 84 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 55 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 55% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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