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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5259 it is the complementary color #54ADA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5259 shade: #B05254, #C16467, #D2767A, #E3888D and #F49AA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5259 shade: #AB5259, #9A4046, #892E33, #781C20 and #670A0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5259 shade: #AC535A and #AC5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5259 shade: #AC535A, #AC5372, #AC538A, #AC53A2 and #9E53AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5259 shade matches the following richer shades: #AC535A, #C13E49, #D52A37, #EA1526 and #FF0014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5259 shade: #AC535A, #97686B, #837C7D, #6E918E and #5AA59F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5259 shade: #AC538A, #AC5372, #AC535A, #AC6353 and #AC7B53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5259 shade: #74383D, #90454B, #AC535A, #BA6F75 and #C78B8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5259 shade: #AB5259, #A2AC53 and #537EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5259 shade: #AB5259, #5AAC53 and #535AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5259 shade: #AB5259, #A2AC53, #53ACA5 and #5D53AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5259 shade: #AB5259, #87AC53, #53ACA5 and #7853AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 48 / 33

HEX #AB5259

RGB 171 82 89

HSL 355.28, 0.35%, 0.5%

LAB 46.2, 37.11, 13.28

 

Complementary color

CMYK 51 / 0 / 4 / 32

HEX #54ADA6

RGB 84 173 166

HSL 175.28, 0.35%, 0.5%

LAB 65.38, -28.36, -4.58

 

CMYK 0 / 53 / 52 / 31

HEX #B05254

RGB 176 82 84

HSL 358.72, 0.37%, 0.51%

LAB 46.85, 38.5, 17.32

 

CMYK 0 / 48 / 47 / 24

HEX #C16467

RGB 193 100 103

HSL 358.06, 0.43%, 0.57%

LAB 53.42, 37.38, 15.39

 

CMYK 0 / 44 / 42 / 18

HEX #D2767A

RGB 210 118 122

HSL 357.39, 0.51%, 0.64%

LAB 59.95, 36.31, 13.76

 

CMYK 0 / 40 / 38 / 11

HEX #E3888D

RGB 227 136 141

HSL 356.7, 0.62%, 0.71%

LAB 66.41, 35.3, 12.34

 

CMYK 0 / 37 / 34 / 4

HEX #F49AA0

RGB 244 154 160

HSL 356, 0.8%, 0.78%

LAB 72.81, 34.36, 11.08

 

CMYK 0 / 52 / 48 / 33

HEX #AB5259

RGB 171 82 89

HSL 355.28, 0.35%, 0.5%

LAB 46.2, 37.11, 13.28

 

CMYK 0 / 58 / 55 / 40

HEX #9A4046

RGB 154 64 70

HSL 356, 0.41%, 0.43%

LAB 39.55, 38.18, 15.43

 

CMYK 0 / 66 / 63 / 46

HEX #892E33

RGB 137 46 51

HSL 356.7, 0.5%, 0.36%

LAB 32.94, 39.11, 18.15

 

CMYK 0 / 77 / 73 / 53

HEX #781C20

RGB 120 28 32

HSL 357.39, 0.62%, 0.29%

LAB 26.53, 39.6, 21.69

 

CMYK 0 / 90 / 87 / 60

HEX #670A0D

RGB 103 10 13

HSL 358.06, 0.82%, 0.22%

LAB 20.56, 38.99, 25.71

 

CMYK 0 / 52 / 48 / 33

HEX #AC535A

RGB 172 83 90

HSL 355.28, 0.35%, 0.5%

LAB 46.57, 37.06, 13.22

 

CMYK 0 / 52 / 52 / 33

HEX #AC5353

RGB 172 83 83

HSL 0, 0.35%, 0.5%

LAB 46.42, 36.39, 17.24

 

CMYK 0 / 52 / 48 / 33

HEX #AC535A

RGB 172 83 90

HSL 355.28, 0.35%, 0.5%

LAB 46.57, 37.06, 13.22

 

CMYK 0 / 52 / 34 / 33

HEX #AC5372

RGB 172 83 114

HSL 339.1, 0.35%, 0.5%

LAB 47.2, 39.81, -0.44

 

CMYK 0 / 52 / 20 / 33

HEX #AC538A

RGB 172 83 138

HSL 322.92, 0.35%, 0.5%

LAB 48, 43.2, -13.72

 

CMYK 0 / 52 / 6 / 33

HEX #AC53A2

RGB 172 83 162

HSL 306.74, 0.35%, 0.5%

LAB 48.97, 47.15, -26.5

 

CMYK 8 / 52 / 0 / 33

HEX #9E53AC

RGB 158 83 172

HSL 290.56, 0.35%, 0.5%

LAB 47.54, 44.94, -34.76

 

CMYK 0 / 52 / 48 / 33

HEX #AC535A

RGB 172 83 90

HSL 355.28, 0.35%, 0.5%

LAB 46.57, 37.06, 13.22

 

CMYK 0 / 68 / 62 / 24

HEX #C13E49

RGB 193 62 73

HSL 354.96, 0.51%, 0.5%

LAB 45.99, 52.79, 23.34

 

CMYK 0 / 80 / 74 / 16

HEX #D52A37

RGB 213 42 55

HSL 355.44, 0.67%, 0.5%

LAB 47.08, 64.56, 36.23

 

CMYK 0 / 91 / 84 / 8

HEX #EA1526

RGB 234 21 38

HSL 355.21, 0.84%, 0.5%

LAB 49.7, 73.65, 49.57

 

CMYK 0 / 100 / 92 / 0

HEX #FF0014

RGB 255 0 20

HSL 355.29, 1%, 0.5%

LAB 53.29, 80.26, 61.91

 

CMYK 0 / 52 / 48 / 33

HEX #AC535A

RGB 172 83 90

HSL 355.28, 0.35%, 0.5%

LAB 46.57, 37.06, 13.22

 

CMYK 0 / 31 / 29 / 41

HEX #97686B

RGB 151 104 107

HSL 356.17, 0.18%, 0.5%

LAB 48.94, 19.31, 5.93

 

CMYK 0 / 5 / 5 / 49

HEX #837C7D

RGB 131 124 125

HSL 351.43, 0.03%, 0.5%

LAB 52.64, 2.85, 0.4

 

CMYK 24 / 0 / 2 / 43

HEX #6E918E

RGB 110 145 142

HSL 174.86, 0.14%, 0.5%

LAB 57.58, -12.78, -2.39

 

CMYK 45 / 0 / 4 / 35

HEX #5AA59F

RGB 90 165 159

HSL 175.2, 0.29%, 0.5%

LAB 63, -24.8, -4.15

 

CMYK 0 / 52 / 20 / 33

HEX #AC538A

RGB 172 83 138

HSL 322.92, 0.35%, 0.5%

LAB 48, 43.2, -13.72

 

CMYK 0 / 52 / 34 / 33

HEX #AC5372

RGB 172 83 114

HSL 339.1, 0.35%, 0.5%

LAB 47.2, 39.81, -0.44

 

CMYK 0 / 52 / 48 / 33

HEX #AC535A

RGB 172 83 90

HSL 355.28, 0.35%, 0.5%

LAB 46.57, 37.06, 13.22

 

CMYK 0 / 42 / 52 / 33

HEX #AC6353

RGB 172 99 83

HSL 10.79, 0.35%, 0.5%

LAB 49.88, 27.77, 21.86

 

CMYK 0 / 28 / 52 / 33

HEX #AC7B53

RGB 172 123 83

HSL 26.97, 0.35%, 0.5%

LAB 55.65, 14.33, 29.32

 

CMYK 0 / 52 / 47 / 55

HEX #74383D

RGB 116 56 61

HSL 355, 0.35%, 0.34%

LAB 31.53, 26.84, 9.18

 

CMYK 0 / 52 / 48 / 44

HEX #90454B

RGB 144 69 75

HSL 355.2, 0.35%, 0.42%

LAB 39.06, 32.27, 11.39

 

CMYK 0 / 52 / 48 / 33

HEX #AC535A

RGB 172 83 90

HSL 355.28, 0.35%, 0.5%

LAB 46.57, 37.06, 13.22

 

CMYK 0 / 40 / 37 / 27

HEX #BA6F75

RGB 186 111 117

HSL 355.2, 0.35%, 0.58%

LAB 55.17, 30.41, 9.49

 

CMYK 0 / 30 / 28 / 22

HEX #C78B8F

RGB 199 139 143

HSL 356, 0.35%, 0.66%

LAB 63.83, 23.43, 7.08

 

CMYK 0 / 52 / 48 / 33

HEX #AB5259

RGB 171 82 89

HSL 355.28, 0.35%, 0.5%

LAB 46.2, 37.11, 13.28

 

CMYK 6 / 0 / 52 / 33

HEX #A2AC53

RGB 162 172 83

HSL 66.74, 0.35%, 0.5%

LAB 67.88, -16.59, 44.07

 

CMYK 52 / 27 / 0 / 33

HEX #537EAC

RGB 83 126 172

HSL 211.01, 0.35%, 0.5%

LAB 51.54, -1.49, -28.98

 

CMYK 0 / 52 / 48 / 33

HEX #AB5259

RGB 171 82 89

HSL 355.28, 0.35%, 0.5%

LAB 46.2, 37.11, 13.28

 

CMYK 48 / 0 / 52 / 33

HEX #5AAC53

RGB 90 172 83

HSL 115.28, 0.35%, 0.5%

LAB 63.59, -43.07, 37.9

 

CMYK 52 / 48 / 0 / 33

HEX #535AAC

RGB 83 90 172

HSL 235.28, 0.35%, 0.5%

LAB 41.42, 20.7, -44.95

 

CMYK 0 / 52 / 48 / 33

HEX #AB5259

RGB 171 82 89

HSL 355.28, 0.35%, 0.5%

LAB 46.2, 37.11, 13.28

 

CMYK 6 / 0 / 52 / 33

HEX #A2AC53

RGB 162 172 83

HSL 66.74, 0.35%, 0.5%

LAB 67.88, -16.59, 44.07

 

CMYK 52 / 0 / 4 / 33

HEX #53ACA5

RGB 83 172 165

HSL 175.28, 0.35%, 0.5%

LAB 65.01, -28.35, -4.57

 

CMYK 46 / 52 / 0 / 33

HEX #5D53AC

RGB 93 83 172

HSL 246.74, 0.35%, 0.5%

LAB 40.4, 27.43, -46.54

 

CMYK 0 / 52 / 48 / 33

HEX #AB5259

RGB 171 82 89

HSL 355.28, 0.35%, 0.5%

LAB 46.2, 37.11, 13.28

 

CMYK 22 / 0 / 52 / 33

HEX #87AC53

RGB 135 172 83

HSL 84.94, 0.35%, 0.5%

LAB 65.97, -27.46, 41.33

 

CMYK 52 / 0 / 4 / 33

HEX #53ACA5

RGB 83 172 165

HSL 175.28, 0.35%, 0.5%

LAB 65.01, -28.35, -4.57

 

CMYK 30 / 52 / 0 / 33

HEX #7853AC

RGB 120 83 172

HSL 264.94, 0.35%, 0.5%

LAB 43, 34.33, -42.23

 

Description

Color code: HEX #AB5259 | qconv.com Color code: HEX #AB5259 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 82 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 82 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 48 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 48% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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