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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB4BB5 it is the complementary color #54B44A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB4BB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB4BB5 shade: #B04BB0, #C15DC3, #D26FD6, #E381E9 and #F493FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB4BB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB4BB5 shade: #AB4BB5, #9A39A2, #89278F, #78157C and #670369

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB4BB5 shade: #AB4AB5, #B54AA2, #B54A85, #B54A69 and #B54A4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB4BB5 shade: #AB4AB5, #8E4AB5, #714AB5, #544AB5 and #4A4AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB4BB5 shade matches the following richer shades: #AB4AB5, #BC35CA, #CC21DE and #DD0CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB4BB5 shade: #AB4AB5, #9A5FA0, #89738C, #798877 and #689C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB4BB5 shade: #714AB5, #8E4AB5, #AA4AB5, #B54AA3 and #B54A87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB4BB5 shade: #74327A, #8F3E98, #AB4AB5, #B967C1 and #C685CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB4BB5 shade: #AB4BB5, #B5554A and #4AB580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB4BB5 shade: #AB4BB5, #B5AA4A and #4AB5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB4BB5 shade: #AB4BB5, #B5554A, #55B54A and #4AAAB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB4BB5 shade: #AB4BB5, #B5754A, #55B54A and #4A8AB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 59 / 0 / 29

HEX #AB4BB5

RGB 171 75 181

HSL 294.34, 0.42%, 0.5%

LAB 48.29, 54.18, -38.72

 

Complementary color

CMYK 53 / 0 / 59 / 29

HEX #54B44A

RGB 84 180 74

HSL 114.34, 0.42%, 0.5%

LAB 65.77, -49.15, 44.77

 

CMYK 0 / 57 / 0 / 31

HEX #B04BB0

RGB 176 75 176

HSL 300, 0.4%, 0.49%

LAB 48.76, 54.59, -35.02

 

CMYK 1 / 52 / 0 / 24

HEX #C15DC3

RGB 193 93 195

HSL 298.82, 0.46%, 0.56%

LAB 55.18, 54.13, -35.78

 

CMYK 2 / 48 / 0 / 16

HEX #D26FD6

RGB 210 111 214

HSL 297.67, 0.56%, 0.64%

LAB 61.59, 53.52, -36.38

 

CMYK 3 / 45 / 0 / 9

HEX #E381E9

RGB 227 129 233

HSL 296.54, 0.7%, 0.71%

LAB 67.96, 52.83, -36.87

 

CMYK 3 / 42 / 0 / 1

HEX #F493FC

RGB 244 147 252

HSL 295.43, 0.95%, 0.78%

LAB 74.27, 52.12, -37.3

 

CMYK 6 / 59 / 0 / 29

HEX #AB4BB5

RGB 171 75 181

HSL 294.34, 0.42%, 0.5%

LAB 48.29, 54.18, -38.72

 

CMYK 5 / 65 / 0 / 36

HEX #9A39A2

RGB 154 57 162

HSL 295.43, 0.48%, 0.43%

LAB 41.85, 54.39, -37.85

 

CMYK 4 / 73 / 0 / 44

HEX #89278F

RGB 137 39 143

HSL 296.54, 0.57%, 0.36%

LAB 35.5, 54.08, -36.59

 

CMYK 3 / 83 / 0 / 51

HEX #78157C

RGB 120 21 124

HSL 297.67, 0.71%, 0.28%

LAB 29.37, 52.81, -34.71

 

CMYK 2 / 97 / 0 / 59

HEX #670369

RGB 103 3 105

HSL 298.82, 0.94%, 0.21%

LAB 23.57, 50.17, -32

 

CMYK 6 / 59 / 0 / 29

HEX #AB4AB5

RGB 171 74 181

HSL 294.39, 0.42%, 0.5%

LAB 48.12, 54.64, -38.99

 

CMYK 0 / 59 / 10 / 29

HEX #B54AA2

RGB 181 74 162

HSL 310.65, 0.42%, 0.5%

LAB 48.67, 54.03, -26.86

 

CMYK 0 / 59 / 27 / 29

HEX #B54A85

RGB 181 74 133

HSL 326.92, 0.42%, 0.5%

LAB 47.51, 49.72, -11.31

 

CMYK 0 / 59 / 42 / 29

HEX #B54A69

RGB 181 74 105

HSL 342.62, 0.42%, 0.5%

LAB 46.63, 46.3, 4.39

 

CMYK 0 / 59 / 58 / 29

HEX #B54A4C

RGB 181 74 76

HSL 358.88, 0.42%, 0.5%

LAB 45.97, 43.62, 21.1

 

CMYK 6 / 59 / 0 / 29

HEX #AB4AB5

RGB 171 74 181

HSL 294.39, 0.42%, 0.5%

LAB 48.12, 54.64, -38.99

 

CMYK 22 / 59 / 0 / 29

HEX #8E4AB5

RGB 142 74 181

HSL 278.13, 0.42%, 0.5%

LAB 44.21, 47.21, -45.45

 

CMYK 38 / 59 / 0 / 29

HEX #714AB5

RGB 113 74 181

HSL 261.87, 0.42%, 0.5%

LAB 40.81, 40.13, -51.09

 

CMYK 54 / 59 / 0 / 29

HEX #544AB5

RGB 84 74 181

HSL 245.61, 0.42%, 0.5%

LAB 38.05, 33.84, -55.68

 

CMYK 59 / 59 / 0 / 29

HEX #4A4AB5

RGB 74 74 181

HSL 240, 0.42%, 0.5%

LAB 37.28, 31.95, -56.97

 

CMYK 6 / 59 / 0 / 29

HEX #AB4AB5

RGB 171 74 181

HSL 294.39, 0.42%, 0.5%

LAB 48.12, 54.64, -38.99

 

CMYK 7 / 74 / 0 / 21

HEX #BC35CA

RGB 188 53 202

HSL 294.36, 0.58%, 0.5%

LAB 48.89, 70.57, -49.82

 

CMYK 8 / 85 / 0 / 13

HEX #CC21DE

RGB 204 33 222

HSL 294.29, 0.74%, 0.5%

LAB 50.92, 81.92, -57.87

 

CMYK 9 / 95 / 0 / 5

HEX #DD0CF3

RGB 221 12 243

HSL 294.29, 0.91%, 0.5%

LAB 54.14, 90.6, -64.39

 

CMYK 6 / 59 / 0 / 29

HEX #AB4AB5

RGB 171 74 181

HSL 294.39, 0.42%, 0.5%

LAB 48.12, 54.64, -38.99

 

CMYK 4 / 41 / 0 / 37

HEX #9A5FA0

RGB 154 95 160

HSL 294.46, 0.25%, 0.5%

LAB 49, 34.83, -25.46

 

CMYK 2 / 18 / 0 / 45

HEX #89738C

RGB 137 115 140

HSL 292.8, 0.1%, 0.5%

LAB 51.24, 13.32, -10.43

 

CMYK 11 / 0 / 13 / 47

HEX #798877

RGB 121 136 119

HSL 112.94, 0.07%, 0.5%

LAB 55.08, -8.88, 7.29

 

CMYK 33 / 0 / 37 / 39

HEX #689C63

RGB 104 156 99

HSL 114.74, 0.22%, 0.5%

LAB 59.54, -28.98, 24.51

 

CMYK 38 / 59 / 0 / 29

HEX #714AB5

RGB 113 74 181

HSL 261.87, 0.42%, 0.5%

LAB 40.81, 40.13, -51.09

 

CMYK 22 / 59 / 0 / 29

HEX #8E4AB5

RGB 142 74 181

HSL 278.13, 0.42%, 0.5%

LAB 44.21, 47.21, -45.45

 

CMYK 6 / 59 / 0 / 29

HEX #AA4AB5

RGB 170 74 181

HSL 293.83, 0.42%, 0.5%

LAB 47.98, 54.38, -39.23

 

CMYK 0 / 59 / 10 / 29

HEX #B54AA3

RGB 181 74 163

HSL 310.09, 0.42%, 0.5%

LAB 48.72, 54.2, -27.38

 

CMYK 0 / 59 / 25 / 29

HEX #B54A87

RGB 181 74 135

HSL 325.79, 0.42%, 0.5%

LAB 47.59, 49.99, -12.41

 

CMYK 5 / 59 / 0 / 52

HEX #74327A

RGB 116 50 122

HSL 295, 0.42%, 0.34%

LAB 32.7, 39.91, -28.22

 

CMYK 6 / 59 / 0 / 40

HEX #8F3E98

RGB 143 62 152

HSL 294, 0.42%, 0.42%

LAB 40.49, 47.39, -34.09

 

CMYK 6 / 59 / 0 / 29

HEX #AB4AB5

RGB 171 74 181

HSL 294.39, 0.42%, 0.5%

LAB 48.12, 54.64, -38.99

 

CMYK 4 / 47 / 0 / 24

HEX #B967C1

RGB 185 103 193

HSL 294.67, 0.42%, 0.58%

LAB 55.95, 46.47, -33.51

 

CMYK 3 / 35 / 0 / 20

HEX #C685CD

RGB 198 133 205

HSL 294.17, 0.42%, 0.66%

LAB 64.31, 36.75, -27.22

 

CMYK 6 / 59 / 0 / 29

HEX #AB4BB5

RGB 171 75 181

HSL 294.34, 0.42%, 0.5%

LAB 48.29, 54.18, -38.72

 

CMYK 0 / 53 / 59 / 29

HEX #B5554A

RGB 181 85 74

HSL 6.17, 0.42%, 0.5%

LAB 48.03, 38.02, 24.97

 

CMYK 59 / 0 / 29 / 29

HEX #4AB580

RGB 74 181 128

HSL 150.28, 0.42%, 0.5%

LAB 66.57, -43.22, 18.03

 

CMYK 6 / 59 / 0 / 29

HEX #AB4BB5

RGB 171 75 181

HSL 294.34, 0.42%, 0.5%

LAB 48.29, 54.18, -38.72

 

CMYK 0 / 6 / 59 / 29

HEX #B5AA4A

RGB 181 170 74

HSL 53.83, 0.42%, 0.5%

LAB 68.8, -8.28, 49.81

 

CMYK 59 / 0 / 6 / 29

HEX #4AB5AA

RGB 74 181 170

HSL 173.83, 0.42%, 0.5%

LAB 67.58, -33.19, -3.59

 

CMYK 6 / 59 / 0 / 29

HEX #AB4BB5

RGB 171 75 181

HSL 294.34, 0.42%, 0.5%

LAB 48.29, 54.18, -38.72

 

CMYK 0 / 53 / 59 / 29

HEX #B5554A

RGB 181 85 74

HSL 6.17, 0.42%, 0.5%

LAB 48.03, 38.02, 24.97

 

CMYK 53 / 0 / 59 / 29

HEX #55B54A

RGB 85 181 74

HSL 113.83, 0.42%, 0.5%

LAB 66.12, -49.27, 45.18

 

CMYK 59 / 6 / 0 / 29

HEX #4AAAB5

RGB 74 170 181

HSL 186.17, 0.42%, 0.5%

LAB 64.6, -24.75, -14.14

 

CMYK 6 / 59 / 0 / 29

HEX #AB4BB5

RGB 171 75 181

HSL 294.34, 0.42%, 0.5%

LAB 48.29, 54.18, -38.72

 

CMYK 0 / 35 / 59 / 29

HEX #B5754A

RGB 181 117 74

HSL 24.11, 0.42%, 0.5%

LAB 55.11, 20.74, 33.84

 

CMYK 53 / 0 / 59 / 29

HEX #55B54A

RGB 85 181 74

HSL 113.83, 0.42%, 0.5%

LAB 66.12, -49.27, 45.18

 

CMYK 59 / 24 / 0 / 29

HEX #4A8AB5

RGB 74 138 181

HSL 204.11, 0.42%, 0.5%

LAB 55.04, -7.56, -28.75

 

Description

Color code: HEX #AB4BB5 | qconv.com Color code: HEX #AB4BB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 75 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 75 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 59 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 59% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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