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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB48B4 it is the complementary color #54B74B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB48B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB48B4 shade: #B048AF, #C15AC2, #D26CD5, #E37EE8 and #F490FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB48B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB48B4 shade: #AB48B4, #9A36A1, #89248E, #78127B and #670068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB48B4 shade: #AA47B3, #B3479F, #B34782, #B34765 and #B34748

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB48B4 shade: #AA47B3, #8D47B3, #7047B3, #5347B3 and #4747B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB48B4 shade matches the following richer shades: #AA47B3, #BB33C7, #CB1FDB and #DC0BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB48B4 shade: #AA47B3, #995B9E, #88708A, #778476 and #669862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB48B4 shade: #7047B3, #8D47B3, #AA47B3, #B3479F and #B34782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB48B4 shade: #723078, #8E3B95, #AA47B3, #B963C1 and #C680CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB48B4 shade: #AB48B4, #B35447 and #47B37F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB48B4 shade: #AB48B4, #B3AA47 and #47B3AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB48B4 shade: #AB48B4, #B35447, #50B347 and #47A6B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB48B4 shade: #AB48B4, #B37447, #50B347 and #4786B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 60 / 0 / 29

HEX #AB48B4

RGB 171 72 180

HSL 295, 0.43%, 0.49%

LAB 47.74, 55.37, -39.02

 

Complementary color

CMYK 54 / 0 / 59 / 28

HEX #54B74B

RGB 84 183 75

HSL 115, 0.43%, 0.51%

LAB 66.72, -50.2, 45.41

 

CMYK 0 / 59 / 1 / 31

HEX #B048AF

RGB 176 72 175

HSL 300.58, 0.42%, 0.49%

LAB 48.21, 55.77, -35.29

 

CMYK 1 / 54 / 0 / 24

HEX #C15AC2

RGB 193 90 194

HSL 299.42, 0.46%, 0.56%

LAB 54.6, 55.38, -36.12

 

CMYK 1 / 49 / 0 / 16

HEX #D26CD5

RGB 210 108 213

HSL 298.29, 0.56%, 0.63%

LAB 60.98, 54.82, -36.76

 

CMYK 2 / 46 / 0 / 9

HEX #E37EE8

RGB 227 126 232

HSL 297.17, 0.7%, 0.7%

LAB 67.34, 54.15, -37.29

 

CMYK 3 / 43 / 0 / 2

HEX #F490FB

RGB 244 144 251

HSL 296.07, 0.93%, 0.77%

LAB 73.64, 53.45, -37.74

 

CMYK 5 / 60 / 0 / 29

HEX #AB48B4

RGB 171 72 180

HSL 295, 0.43%, 0.49%

LAB 47.74, 55.37, -39.02

 

CMYK 4 / 66 / 0 / 37

HEX #9A36A1

RGB 154 54 161

HSL 296.07, 0.5%, 0.42%

LAB 41.35, 55.47, -38.05

 

CMYK 4 / 75 / 0 / 44

HEX #89248E

RGB 137 36 142

HSL 297.17, 0.6%, 0.35%

LAB 35.07, 54.97, -36.67

 

CMYK 2 / 85 / 0 / 52

HEX #78127B

RGB 120 18 123

HSL 298.29, 0.74%, 0.28%

LAB 29.05, 53.4, -34.61

 

CMYK 1 / 100 / 0 / 59

HEX #670068

RGB 103 0 104

HSL 299.42, 1%, 0.2%

LAB 23.28, 50.65, -31.81

 

CMYK 5 / 60 / 0 / 30

HEX #AA47B3

RGB 170 71 179

HSL 295, 0.43%, 0.49%

LAB 47.37, 55.38, -39.01

 

CMYK 0 / 60 / 11 / 30

HEX #B3479F

RGB 179 71 159

HSL 311.11, 0.43%, 0.49%

LAB 47.74, 54.34, -26.54

 

CMYK 0 / 60 / 27 / 30

HEX #B34782

RGB 179 71 130

HSL 327.22, 0.43%, 0.49%

LAB 46.58, 50.07, -10.93

 

CMYK 0 / 60 / 44 / 30

HEX #B34765

RGB 179 71 101

HSL 343.33, 0.43%, 0.49%

LAB 45.67, 46.6, 5.41

 

CMYK 0 / 60 / 60 / 30

HEX #B34748

RGB 179 71 72

HSL 359.44, 0.43%, 0.49%

LAB 45.02, 44.03, 22.22

 

CMYK 5 / 60 / 0 / 30

HEX #AA47B3

RGB 170 71 179

HSL 295, 0.43%, 0.49%

LAB 47.37, 55.38, -39.01

 

CMYK 21 / 60 / 0 / 30

HEX #8D47B3

RGB 141 71 179

HSL 278.89, 0.43%, 0.49%

LAB 43.4, 48.04, -45.58

 

CMYK 37 / 60 / 0 / 30

HEX #7047B3

RGB 112 71 179

HSL 262.78, 0.43%, 0.49%

LAB 39.93, 41.05, -51.34

 

CMYK 54 / 60 / 0 / 30

HEX #5347B3

RGB 83 71 179

HSL 246.67, 0.43%, 0.49%

LAB 37.12, 34.84, -56.02

 

CMYK 60 / 60 / 0 / 30

HEX #4747B3

RGB 71 71 179

HSL 240, 0.43%, 0.49%

LAB 36.18, 32.64, -57.59

 

CMYK 5 / 60 / 0 / 30

HEX #AA47B3

RGB 170 71 179

HSL 295, 0.43%, 0.49%

LAB 47.37, 55.38, -39.01

 

CMYK 6 / 74 / 0 / 22

HEX #BB33C7

RGB 187 51 199

HSL 295.14, 0.59%, 0.49%

LAB 48.33, 70.5, -48.98

 

CMYK 7 / 86 / 0 / 14

HEX #CB1FDB

RGB 203 31 219

HSL 294.89, 0.75%, 0.49%

LAB 50.44, 81.65, -56.94

 

CMYK 8 / 95 / 0 / 6

HEX #DC0BEF

RGB 220 11 239

HSL 295, 0.91%, 0.49%

LAB 53.69, 89.91, -62.88

 

CMYK 5 / 60 / 0 / 30

HEX #AA47B3

RGB 170 71 179

HSL 295, 0.43%, 0.49%

LAB 47.37, 55.38, -39.01

 

CMYK 3 / 42 / 0 / 38

HEX #995B9E

RGB 153 91 158

HSL 295.52, 0.27%, 0.49%

LAB 47.91, 36.33, -25.98

 

CMYK 1 / 19 / 0 / 46

HEX #88708A

RGB 136 112 138

HSL 295.38, 0.1%, 0.49%

LAB 50.28, 14.32, -10.69

 

CMYK 10 / 0 / 11 / 48

HEX #778476

RGB 119 132 118

HSL 115.71, 0.06%, 0.49%

LAB 53.74, -7.6, 5.94

 

CMYK 33 / 0 / 36 / 40

HEX #669862

RGB 102 152 98

HSL 115.56, 0.22%, 0.49%

LAB 58.19, -27.89, 23.24

 

CMYK 37 / 60 / 0 / 30

HEX #7047B3

RGB 112 71 179

HSL 262.78, 0.43%, 0.49%

LAB 39.93, 41.05, -51.34

 

CMYK 21 / 60 / 0 / 30

HEX #8D47B3

RGB 141 71 179

HSL 278.89, 0.43%, 0.49%

LAB 43.4, 48.04, -45.58

 

CMYK 5 / 60 / 0 / 30

HEX #AA47B3

RGB 170 71 179

HSL 295, 0.43%, 0.49%

LAB 47.37, 55.38, -39.01

 

CMYK 0 / 60 / 11 / 30

HEX #B3479F

RGB 179 71 159

HSL 311.11, 0.43%, 0.49%

LAB 47.74, 54.34, -26.54

 

CMYK 0 / 60 / 27 / 30

HEX #B34782

RGB 179 71 130

HSL 327.22, 0.43%, 0.49%

LAB 46.58, 50.07, -10.93

 

CMYK 5 / 60 / 0 / 53

HEX #723078

RGB 114 48 120

HSL 295, 0.43%, 0.33%

LAB 31.91, 39.96, -28.22

 

CMYK 5 / 60 / 0 / 42

HEX #8E3B95

RGB 142 59 149

HSL 295.33, 0.43%, 0.41%

LAB 39.66, 47.97, -33.61

 

CMYK 5 / 60 / 0 / 30

HEX #AA47B3

RGB 170 71 179

HSL 295, 0.43%, 0.49%

LAB 47.37, 55.38, -39.01

 

CMYK 4 / 49 / 0 / 24

HEX #B963C1

RGB 185 99 193

HSL 294.89, 0.43%, 0.57%

LAB 55.16, 48.53, -34.74

 

CMYK 3 / 37 / 0 / 20

HEX #C680CC

RGB 198 128 204

HSL 295.26, 0.43%, 0.65%

LAB 63.18, 39.26, -28.41

 

CMYK 5 / 60 / 0 / 29

HEX #AB48B4

RGB 171 72 180

HSL 295, 0.43%, 0.49%

LAB 47.74, 55.37, -39.02

 

CMYK 0 / 53 / 60 / 30

HEX #B35447

RGB 179 84 71

HSL 7.22, 0.43%, 0.49%

LAB 47.47, 37.55, 25.96

 

CMYK 60 / 0 / 29 / 30

HEX #47B37F

RGB 71 179 127

HSL 151.11, 0.43%, 0.49%

LAB 65.84, -43.21, 17.55

 

CMYK 5 / 60 / 0 / 29

HEX #AB48B4

RGB 171 72 180

HSL 295, 0.43%, 0.49%

LAB 47.74, 55.37, -39.02

 

CMYK 0 / 5 / 60 / 30

HEX #B3AA47

RGB 179 170 71

HSL 55, 0.43%, 0.49%

LAB 68.6, -9.35, 50.91

 

CMYK 60 / 0 / 5 / 30

HEX #47B3AA

RGB 71 179 170

HSL 175, 0.43%, 0.49%

LAB 66.89, -32.8, -4.62

 

CMYK 5 / 60 / 0 / 29

HEX #AB48B4

RGB 171 72 180

HSL 295, 0.43%, 0.49%

LAB 47.74, 55.37, -39.02

 

CMYK 0 / 53 / 60 / 30

HEX #B35447

RGB 179 84 71

HSL 7.22, 0.43%, 0.49%

LAB 47.47, 37.55, 25.96

 

CMYK 55 / 0 / 60 / 30

HEX #50B347

RGB 80 179 71

HSL 115, 0.43%, 0.49%

LAB 65.28, -50.17, 45.55

 

CMYK 60 / 7 / 0 / 30

HEX #47A6B3

RGB 71 166 179

HSL 187.22, 0.43%, 0.49%

LAB 63.23, -23.87, -15.09

 

CMYK 5 / 60 / 0 / 29

HEX #AB48B4

RGB 171 72 180

HSL 295, 0.43%, 0.49%

LAB 47.74, 55.37, -39.02

 

CMYK 0 / 35 / 60 / 30

HEX #B37447

RGB 179 116 71

HSL 25, 0.43%, 0.49%

LAB 54.58, 20.22, 34.77

 

CMYK 55 / 0 / 60 / 30

HEX #50B347

RGB 80 179 71

HSL 115, 0.43%, 0.49%

LAB 65.28, -50.17, 45.55

 

CMYK 60 / 25 / 0 / 30

HEX #4786B3

RGB 71 134 179

HSL 205, 0.43%, 0.49%

LAB 53.65, -6.52, -29.78

 

Description

Color code: HEX #AB48B4 | qconv.com Color code: HEX #AB48B4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 72 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 72 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 60 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 60% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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