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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB483900 it is the complementary color #54B7C600. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB483900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB483900 shade: #B0483400, #C15A4700, #D26C5A00, #E37E6D00 and #F4908000

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB483900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB483900 shade: #AB483900, #9A362600, #89241300, #78120000 and #67000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB483900 shade: #AC4839 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB483900 shade: #AC4839, #AC6739, #AC8639, #ACA539 and #94AC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB483900 shade matches the following richer shades: #AC4839, #BF3B27, #D12D14 and #E41F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB483900 shade: #AC4839, #9A564C, #87645F, #747271 and #627F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB483900 shade: #AC3969, #AC394B, #AC4739, #AC6539 and #AC8439

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB483900 shade: #6E2E25, #8D3B2F, #AC4839, #C35B4C and #CE786B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB483900 shade: #AB4839, #88AC39 and #395AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB483900 shade: #AB4839, #39AC47 and #4739AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB483900 shade: #AB4839, #88AC39, #399FAC and #5E39AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB483900 shade: #AB4839, #65AC39, #399FAC and #8039AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AB483900

RGBA 171 72 57 0

HSLA 7.89, 0.5%, 0.45%, 0

LABA 43.64, 39.6, 29.13, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #54B7C600

RGBA 84 183 198 0

HSLA 187.89, 0.5%, 0.55%, 0

LABA 69.35, -24.51, -16.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B0483400

RGBA 176 72 52 0

HSLA 9.68, 0.54%, 0.45%, 0

LABA 44.39, 41.19, 33.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C15A4700

RGBA 193 90 71 0

HSLA 9.34, 0.5%, 0.52%, 0

LABA 50.81, 39.84, 30.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D26C5A00

RGBA 210 108 90 0

HSLA 9, 0.57%, 0.59%, 0

LABA 57.24, 38.52, 28.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E37E6D00

RGBA 227 126 109 0

HSLA 8.64, 0.68%, 0.66%, 0

LABA 63.64, 37.27, 26.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4908000

RGBA 244 144 128 0

HSLA 8.28, 0.84%, 0.73%, 0

LABA 69.99, 36.12, 24.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AB483900

RGBA 171 72 57 0

HSLA 7.89, 0.5%, 0.45%, 0

LABA 43.64, 39.6, 29.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9A362600

RGBA 154 54 38 0

HSLA 8.28, 0.6%, 0.38%, 0

LABA 37.2, 40.85, 31.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #89241300

RGBA 137 36 19 0

HSLA 8.64, 0.76%, 0.31%, 0

LABA 30.94, 41.8, 35.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #78120000

RGBA 120 18 0 0

HSLA 9, 1%, 0.24%, 0

LABA 25.03, 41.92, 36.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #67000000

RGBA 103 0 0 0

HSLA 0, 1%, 0.2%, 0

LABA 19.57, 41.16, 30, 0

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 40 / 67 / 33

HEX #AC6739

RGB 172 103 57

HSL 24, 0.5%, 0.45%

LAB 50.41, 23.51, 37.14

 

CMYK 0 / 22 / 67 / 33

HEX #AC8639

RGB 172 134 57

HSL 40.17, 0.5%, 0.45%

LAB 58.15, 6.12, 45.76

 

CMYK 0 / 4 / 67 / 33

HEX #ACA539

RGB 172 165 57

HSL 56.35, 0.5%, 0.45%

LAB 66.5, -10.67, 54.58

 

CMYK 14 / 0 / 67 / 33

HEX #94AC39

RGB 148 172 57

HSL 72.52, 0.5%, 0.45%

LAB 66.59, -24.49, 54.08

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 69 / 80 / 25

HEX #BF3B27

RGB 191 59 39

HSL 7.89, 0.66%, 0.45%

LAB 44.73, 51.67, 41.39

 

CMYK 0 / 78 / 90 / 18

HEX #D12D14

RGB 209 45 20

HSL 7.94, 0.83%, 0.45%

LAB 46.29, 61.65, 52.85

 

CMYK 0 / 86 / 99 / 11

HEX #E41F02

RGB 228 31 2

HSL 7.7, 0.98%, 0.45%

LAB 48.86, 70.07, 61.66

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 44 / 51 / 40

HEX #9A564C

RGB 154 86 76

HSL 7.69, 0.34%, 0.45%

LAB 44.3, 26.99, 18.15

 

CMYK 0 / 26 / 30 / 47

HEX #87645F

RGB 135 100 95

HSL 7.5, 0.17%, 0.45%

LAB 45.76, 13.36, 8.34

 

CMYK 0 / 2 / 3 / 55

HEX #747271

RGB 116 114 113

HSL 20, 0.01%, 0.45%

LAB 48.18, 0.57, 0.82

 

CMYK 26 / 4 / 0 / 48

HEX #627F84

RGB 98 127 132

HSL 188.82, 0.15%, 0.45%

LAB 51.2, -9.1, -6.11

 

CMYK 0 / 67 / 39 / 33

HEX #AC3969

RGB 172 57 105

HSL 334.96, 0.5%, 0.45%

LAB 42.33, 50.96, -2.05

 

CMYK 0 / 67 / 56 / 33

HEX #AC394B

RGB 172 57 75

HSL 350.61, 0.5%, 0.45%

LAB 41.54, 48.12, 15.54

 

CMYK 0 / 59 / 67 / 33

HEX #AC4739

RGB 172 71 57

HSL 7.3, 0.5%, 0.45%

LAB 43.61, 40.47, 29.14

 

CMYK 0 / 41 / 67 / 33

HEX #AC6539

RGB 172 101 57

HSL 22.96, 0.5%, 0.45%

LAB 49.95, 24.62, 36.61

 

CMYK 0 / 23 / 67 / 33

HEX #AC8439

RGB 172 132 57

HSL 39.13, 0.5%, 0.45%

LAB 57.63, 7.24, 45.19

 

CMYK 0 / 58 / 66 / 57

HEX #6E2E25

RGB 110 46 37

HSL 7.4, 0.5%, 0.29%

LAB 27.85, 27.72, 19.65

 

CMYK 0 / 58 / 67 / 45

HEX #8D3B2F

RGB 141 59 47

HSL 7.66, 0.5%, 0.37%

LAB 35.98, 33.99, 24.62

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 53 / 61 / 24

HEX #C35B4C

RGB 195 91 76

HSL 7.56, 0.5%, 0.53%

LAB 51.39, 40.44, 28.52

 

CMYK 0 / 42 / 48 / 19

HEX #CE786B

RGB 206 120 107

HSL 7.88, 0.5%, 0.61%

LAB 59.54, 32.17, 21.7

 

CMYK 0 / 58 / 67 / 33

HEX #AB4839

RGB 171 72 57

HSL 7.89, 0.5%, 0.45%

LAB 43.64, 39.6, 29.13

 

CMYK 21 / 0 / 67 / 33

HEX #88AC39

RGB 136 172 57

HSL 78.78, 0.5%, 0.45%

LAB 65.78, -29.39, 52.97

 

CMYK 67 / 48 / 0 / 33

HEX #395AAC

RGB 57 90 172

HSL 222.78, 0.5%, 0.45%

LAB 39.85, 15.49, -47.55

 

CMYK 0 / 58 / 67 / 33

HEX #AB4839

RGB 171 72 57

HSL 7.89, 0.5%, 0.45%

LAB 43.64, 39.6, 29.13

 

CMYK 67 / 0 / 59 / 33

HEX #39AC47

RGB 57 172 71

HSL 127.3, 0.5%, 0.45%

LAB 62.36, -52.91, 42

 

CMYK 59 / 67 / 0 / 33

HEX #4739AC

RGB 71 57 172

HSL 247.3, 0.5%, 0.45%

LAB 32.36, 38.92, -59.65

 

CMYK 0 / 58 / 67 / 33

HEX #AB4839

RGB 171 72 57

HSL 7.89, 0.5%, 0.45%

LAB 43.64, 39.6, 29.13

 

CMYK 21 / 0 / 67 / 33

HEX #88AC39

RGB 136 172 57

HSL 78.78, 0.5%, 0.45%

LAB 65.78, -29.39, 52.97

 

CMYK 67 / 8 / 0 / 33

HEX #399FAC

RGB 57 159 172

HSL 186.78, 0.5%, 0.45%

LAB 60.47, -24.8, -15.38

 

CMYK 45 / 67 / 0 / 33

HEX #5E39AC

RGB 94 57 172

HSL 259.3, 0.5%, 0.45%

LAB 34.57, 43.07, -55.95

 

CMYK 0 / 58 / 67 / 33

HEX #AB4839

RGB 171 72 57

HSL 7.89, 0.5%, 0.45%

LAB 43.64, 39.6, 29.13

 

CMYK 41 / 0 / 67 / 33

HEX #65AC39

RGB 101 172 57

HSL 97.04, 0.5%, 0.45%

LAB 63.81, -42.42, 50.29

 

CMYK 67 / 8 / 0 / 33

HEX #399FAC

RGB 57 159 172

HSL 186.78, 0.5%, 0.45%

LAB 60.47, -24.8, -15.38

 

CMYK 26 / 67 / 0 / 33

HEX #8039AC

RGB 128 57 172

HSL 277.04, 0.5%, 0.45%

LAB 38.71, 50.29, -49.04

 

Description

Color code: HEX #AB483900 | qconv.com Color code: HEX #AB483900 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 72 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 72 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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