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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB44AD it is the complementary color #54BB52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB44AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB44AD shade: #B044A8, #C156BB, #D268CE, #E37AE1 and #F48CF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB44AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB44AD shade: #AB44AD, #9A329A, #892087, #780E74 and #670061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB44AD shade: #AB43AD, #AD4392, #AD4376, #AD4359 and #AD4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB44AD shade: #AB43AD, #8E43AD, #7243AD, #5543AD and #4343AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB44AD shade matches the following richer shades: #AB43AD, #BD30C0, #D01CD3 and #E309E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB44AD shade: #AB43AD, #985799, #856A86, #737D72 and #60915F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB44AD shade: #7143AD, #8D43AD, #A943AD, #AD4394 and #AD4378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB44AD shade: #702C71, #8D388F, #AB43AD, #BD5ABF and #C978CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB44AD shade: #AB44AD, #AD5543 and #43AD7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB44AD shade: #AB44AD, #ADA943 and #43ADA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB44AD shade: #AB44AD, #AD5543, #47AD43 and #439BAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB44AD shade: #AB44AD, #AD7443, #47AD43 and #437BAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 61 / 0 / 32

HEX #AB44AD

RGB 171 68 173

HSL 298.86, 0.44%, 0.47%

LAB 46.72, 55.89, -36.51

 

Complementary color

CMYK 55 / 0 / 56 / 27

HEX #54BB52

RGB 84 187 82

HSL 118.86, 0.44%, 0.53%

LAB 68.05, -50.92, 43.69

 

CMYK 0 / 61 / 5 / 31

HEX #B044A8

RGB 176 68 168

HSL 304.44, 0.44%, 0.48%

LAB 47.22, 56.32, -32.72

 

CMYK 0 / 55 / 3 / 24

HEX #C156BB

RGB 193 86 187

HSL 303.36, 0.46%, 0.55%

LAB 53.58, 56.03, -33.69

 

CMYK 0 / 50 / 2 / 18

HEX #D268CE

RGB 210 104 206

HSL 302.26, 0.54%, 0.62%

LAB 59.94, 55.52, -34.44

 

CMYK 0 / 46 / 1 / 11

HEX #E37AE1

RGB 227 122 225

HSL 301.14, 0.65%, 0.68%

LAB 66.28, 54.88, -35.06

 

CMYK 0 / 43 / 0 / 4

HEX #F48CF4

RGB 244 140 244

HSL 300, 0.83%, 0.75%

LAB 72.58, 54.2, -35.58

 

CMYK 1 / 61 / 0 / 32

HEX #AB44AD

RGB 171 68 173

HSL 298.86, 0.44%, 0.47%

LAB 46.72, 55.89, -36.51

 

CMYK 0 / 68 / 0 / 40

HEX #9A329A

RGB 154 50 154

HSL 300, 0.51%, 0.4%

LAB 40.38, 55.84, -35.37

 

CMYK 0 / 77 / 1 / 46

HEX #892087

RGB 137 32 135

HSL 301.14, 0.62%, 0.33%

LAB 34.19, 55.09, -33.74

 

CMYK 0 / 88 / 3 / 53

HEX #780E74

RGB 120 14 116

HSL 302.26, 0.79%, 0.26%

LAB 28.3, 53.14, -31.35

 

CMYK 0 / 100 / 6 / 60

HEX #670061

RGB 103 0 97

HSL 303.5, 1%, 0.2%

LAB 22.82, 49.52, -27.95

 

CMYK 1 / 61 / 0 / 32

HEX #AB43AD

RGB 171 67 173

HSL 298.87, 0.44%, 0.47%

LAB 46.56, 56.33, -36.76

 

CMYK 0 / 61 / 16 / 32

HEX #AD4392

RGB 173 67 146

HSL 315.28, 0.44%, 0.47%

LAB 45.6, 52.39, -22.17

 

CMYK 0 / 61 / 32 / 32

HEX #AD4376

RGB 173 67 118

HSL 331.13, 0.44%, 0.47%

LAB 44.53, 48.46, -6.8

 

CMYK 0 / 61 / 49 / 32

HEX #AD4359

RGB 173 67 89

HSL 347.55, 0.44%, 0.47%

LAB 43.68, 45.23, 9.84

 

CMYK 0 / 61 / 61 / 32

HEX #AD4343

RGB 173 67 67

HSL 0, 0.44%, 0.47%

LAB 43.22, 43.4, 22.71

 

CMYK 1 / 61 / 0 / 32

HEX #AB43AD

RGB 171 67 173

HSL 298.87, 0.44%, 0.47%

LAB 46.56, 56.33, -36.76

 

CMYK 18 / 61 / 0 / 32

HEX #8E43AD

RGB 142 67 173

HSL 282.45, 0.44%, 0.47%

LAB 42.43, 48.98, -43.57

 

CMYK 34 / 61 / 0 / 32

HEX #7243AD

RGB 114 67 173

HSL 266.6, 0.44%, 0.47%

LAB 38.91, 42.17, -49.41

 

CMYK 51 / 61 / 0 / 32

HEX #5543AD

RGB 85 67 173

HSL 250.19, 0.44%, 0.47%

LAB 35.91, 35.8, -54.41

 

CMYK 61 / 61 / 0 / 32

HEX #4343AD

RGB 67 67 173

HSL 240, 0.44%, 0.47%

LAB 34.45, 32.44, -56.85

 

CMYK 1 / 61 / 0 / 32

HEX #AB43AD

RGB 171 67 173

HSL 298.87, 0.44%, 0.47%

LAB 46.56, 56.33, -36.76

 

CMYK 2 / 75 / 0 / 25

HEX #BD30C0

RGB 189 48 192

HSL 298.75, 0.6%, 0.47%

LAB 47.93, 70.67, -45.54

 

CMYK 1 / 87 / 0 / 17

HEX #D01CD3

RGB 208 28 211

HSL 299.02, 0.77%, 0.47%

LAB 50.62, 81.78, -52.03

 

CMYK 2 / 96 / 0 / 9

HEX #E309E7

RGB 227 9 231

HSL 298.92, 0.93%, 0.47%

LAB 54.34, 89.94, -57.27

 

CMYK 1 / 61 / 0 / 32

HEX #AB43AD

RGB 171 67 173

HSL 298.87, 0.44%, 0.47%

LAB 46.56, 56.33, -36.76

 

CMYK 1 / 43 / 0 / 40

HEX #985799

RGB 152 87 153

HSL 299.09, 0.28%, 0.47%

LAB 46.7, 37.23, -24.9

 

CMYK 1 / 21 / 0 / 47

HEX #856A86

RGB 133 106 134

HSL 297.86, 0.12%, 0.47%

LAB 48.28, 15.95, -11.36

 

CMYK 8 / 0 / 9 / 51

HEX #737D72

RGB 115 125 114

HSL 114.55, 0.05%, 0.47%

LAB 51.3, -5.95, 4.72

 

CMYK 34 / 0 / 34 / 43

HEX #60915F

RGB 96 145 95

HSL 118.8, 0.21%, 0.47%

LAB 55.65, -27.03, 21.45

 

CMYK 35 / 61 / 0 / 32

HEX #7143AD

RGB 113 67 173

HSL 266.04, 0.44%, 0.47%

LAB 38.8, 41.93, -49.6

 

CMYK 18 / 61 / 0 / 32

HEX #8D43AD

RGB 141 67 173

HSL 281.89, 0.44%, 0.47%

LAB 42.3, 48.73, -43.79

 

CMYK 2 / 61 / 0 / 32

HEX #A943AD

RGB 169 67 173

HSL 297.74, 0.44%, 0.47%

LAB 46.27, 55.82, -37.25

 

CMYK 0 / 61 / 14 / 32

HEX #AD4394

RGB 173 67 148

HSL 314.15, 0.44%, 0.47%

LAB 45.68, 52.7, -23.24

 

CMYK 0 / 61 / 31 / 32

HEX #AD4378

RGB 173 67 120

HSL 330, 0.44%, 0.47%

LAB 44.6, 48.71, -7.93

 

CMYK 1 / 61 / 0 / 56

HEX #702C71

RGB 112 44 113

HSL 299.13, 0.44%, 0.31%

LAB 30.49, 40, -26.05

 

CMYK 1 / 61 / 0 / 44

HEX #8D388F

RGB 141 56 143

HSL 298.62, 0.44%, 0.39%

LAB 38.68, 47.98, -31.52

 

CMYK 1 / 61 / 0 / 32

HEX #AB43AD

RGB 171 67 173

HSL 298.87, 0.44%, 0.47%

LAB 46.56, 56.33, -36.76

 

CMYK 1 / 53 / 0 / 25

HEX #BD5ABF

RGB 189 90 191

HSL 298.81, 0.44%, 0.55%

LAB 53.91, 53.75, -35.51

 

CMYK 0 / 41 / 0 / 21

HEX #C978CA

RGB 201 120 202

HSL 299.27, 0.44%, 0.63%

LAB 61.75, 44.07, -29.46

 

CMYK 1 / 61 / 0 / 32

HEX #AB44AD

RGB 171 68 173

HSL 298.86, 0.44%, 0.47%

LAB 46.72, 55.89, -36.51

 

CMYK 0 / 51 / 61 / 32

HEX #AD5543

RGB 173 85 67

HSL 10.19, 0.44%, 0.47%

LAB 46.69, 34.4, 27.12

 

CMYK 61 / 0 / 27 / 32

HEX #43AD7F

RGB 67 173 127

HSL 153.96, 0.44%, 0.47%

LAB 63.85, -41.47, 14.77

 

CMYK 1 / 61 / 0 / 32

HEX #AB44AD

RGB 171 68 173

HSL 298.86, 0.44%, 0.47%

LAB 46.72, 55.89, -36.51

 

CMYK 0 / 2 / 61 / 32

HEX #ADA943

RGB 173 169 67

HSL 57.74, 0.44%, 0.47%

LAB 67.77, -11.69, 51.65

 

CMYK 61 / 0 / 2 / 32

HEX #43ADA9

RGB 67 173 169

HSL 177.74, 0.44%, 0.47%

LAB 64.92, -30.93, -6.99

 

CMYK 1 / 61 / 0 / 32

HEX #AB44AD

RGB 171 68 173

HSL 298.86, 0.44%, 0.47%

LAB 46.72, 55.89, -36.51

 

CMYK 0 / 51 / 61 / 32

HEX #AD5543

RGB 173 85 67

HSL 10.19, 0.44%, 0.47%

LAB 46.69, 34.4, 27.12

 

CMYK 59 / 0 / 61 / 32

HEX #47AD43

RGB 71 173 67

HSL 117.74, 0.44%, 0.47%

LAB 63.04, -50.62, 44.74

 

CMYK 61 / 10 / 0 / 32

HEX #439BAD

RGB 67 155 173

HSL 190.19, 0.44%, 0.47%

LAB 59.57, -20.73, -17.27

 

CMYK 1 / 61 / 0 / 32

HEX #AB44AD

RGB 171 68 173

HSL 298.86, 0.44%, 0.47%

LAB 46.72, 55.89, -36.51

 

CMYK 0 / 33 / 61 / 32

HEX #AD7443

RGB 173 116 67

HSL 27.74, 0.44%, 0.47%

LAB 53.79, 17.34, 35.79

 

CMYK 59 / 0 / 61 / 32

HEX #47AD43

RGB 71 173 67

HSL 117.74, 0.44%, 0.47%

LAB 63.04, -50.62, 44.74

 

CMYK 61 / 29 / 0 / 32

HEX #437BAD

RGB 67 123 173

HSL 208.3, 0.44%, 0.47%

LAB 49.95, -2.88, -32.1

 

Description

Color code: HEX #AB44AD | qconv.com Color code: HEX #AB44AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 68 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 68 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 61 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 61% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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