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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB3C8A it is the complementary color #54C375. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB3C8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB3C8A shade: #B03C85, #C14E98, #D260AB, #E372BE and #F484D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB3C8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB3C8A shade: #AB3C8A, #9A2A77, #891864, #780651 and #67003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB3C8A shade: #AA3C89, #AA3C6B, #AA3C4E and #AA3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB3C8A shade: #AA3C89, #AA3CA7, #8F3CAA, #713CAA and #543CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB3C8A shade matches the following richer shades: #AA3C89, #BC2991, #CF1798 and #E204A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB3C8A shade: #AA3C89, #974E82, #85617A, #727372 and #60866B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB3C8A shade: #8E3CAA, #AA3CA8, #AA3C8B, #AA3C6D and #AA3C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB3C8A shade: #6D2658, #8B3170, #AA3C89, #C14E9F and #CC6CAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB3C8A shade: #AB3C8A, #AA713C and #3CAA9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB3C8A shade: #AB3C8A, #8BAA3C and #3C8BAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB3C8A shade: #AB3C8A, #AA713C, #3CAA5B and #3C75AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB3C8A shade: #AB3C8A, #AA923C, #3CAA5B and #3C54AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 19 / 33

HEX #AB3C8A

RGB 171 60 138

HSL 317.84, 0.48%, 0.45%

LAB 43.84, 53.66, -20.09

 

Complementary color

CMYK 57 / 0 / 40 / 24

HEX #54C375

RGB 84 195 117

HSL 137.84, 0.48%, 0.55%

LAB 71.01, -48.88, 29.9

 

CMYK 0 / 66 / 24 / 31

HEX #B03C85

RGB 176 60 133

HSL 322.24, 0.49%, 0.46%

LAB 44.45, 54.36, -16.03

 

CMYK 0 / 60 / 21 / 24

HEX #C14E98

RGB 193 78 152

HSL 321.39, 0.48%, 0.53%

LAB 50.75, 54.17, -17.58

 

CMYK 0 / 54 / 19 / 18

HEX #D260AB

RGB 210 96 171

HSL 320.53, 0.56%, 0.6%

LAB 57.08, 53.69, -18.82

 

CMYK 0 / 50 / 16 / 11

HEX #E372BE

RGB 227 114 190

HSL 319.65, 0.67%, 0.67%

LAB 63.41, 53.07, -19.85

 

CMYK 0 / 46 / 14 / 4

HEX #F484D1

RGB 244 132 209

HSL 318.75, 0.84%, 0.74%

LAB 69.71, 52.37, -20.71

 

CMYK 0 / 65 / 19 / 33

HEX #AB3C8A

RGB 171 60 138

HSL 317.84, 0.48%, 0.45%

LAB 43.84, 53.66, -20.09

 

CMYK 0 / 73 / 23 / 40

HEX #9A2A77

RGB 154 42 119

HSL 318.75, 0.57%, 0.38%

LAB 37.59, 53.39, -18.25

 

CMYK 0 / 82 / 27 / 46

HEX #891864

RGB 137 24 100

HSL 319.65, 0.7%, 0.32%

LAB 31.56, 52.24, -15.73

 

CMYK 0 / 95 / 33 / 53

HEX #780651

RGB 120 6 81

HSL 320.53, 0.9%, 0.25%

LAB 25.91, 49.7, -12.21

 

CMYK 0 / 100 / 40 / 60

HEX #67003E

RGB 103 0 62

HSL 323.88, 1%, 0.2%

LAB 20.95, 44.82, -7.15

 

CMYK 0 / 65 / 19 / 33

HEX #AA3C89

RGB 170 60 137

HSL 318, 0.48%, 0.45%

LAB 43.63, 53.23, -19.81

 

CMYK 0 / 65 / 37 / 33

HEX #AA3C6B

RGB 170 60 107

HSL 334.36, 0.48%, 0.45%

LAB 42.52, 49.29, -3.06

 

CMYK 0 / 65 / 54 / 33

HEX #AA3C4E

RGB 170 60 78

HSL 350.18, 0.48%, 0.45%

LAB 41.73, 46.39, 13.87

 

CMYK 0 / 65 / 65 / 33

HEX #AA3C3C

RGB 170 60 60

HSL 0, 0.48%, 0.45%

LAB 41.38, 45.07, 24.51

 

CMYK 0 / 65 / 19 / 33

HEX #AA3C89

RGB 170 60 137

HSL 318, 0.48%, 0.45%

LAB 43.63, 53.23, -19.81

 

CMYK 0 / 65 / 2 / 33

HEX #AA3CA7

RGB 170 60 167

HSL 301.64, 0.48%, 0.45%

LAB 45.04, 57.99, -35.63

 

CMYK 16 / 65 / 0 / 33

HEX #8F3CAA

RGB 143 60 170

HSL 285.27, 0.48%, 0.45%

LAB 41.17, 51.94, -43.79

 

CMYK 34 / 65 / 0 / 33

HEX #713CAA

RGB 113 60 170

HSL 268.91, 0.48%, 0.45%

LAB 37.2, 44.94, -50.4

 

CMYK 51 / 65 / 0 / 33

HEX #543CAA

RGB 84 60 170

HSL 253.09, 0.48%, 0.45%

LAB 34.02, 38.84, -55.69

 

CMYK 0 / 65 / 19 / 33

HEX #AA3C89

RGB 170 60 137

HSL 318, 0.48%, 0.45%

LAB 43.63, 53.23, -19.81

 

CMYK 0 / 78 / 23 / 26

HEX #BC2991

RGB 188 41 145

HSL 317.55, 0.64%, 0.45%

LAB 44.69, 65.63, -22.77

 

CMYK 0 / 89 / 27 / 19

HEX #CF1798

RGB 207 23 152

HSL 317.93, 0.8%, 0.45%

LAB 47.16, 74.51, -22.88

 

CMYK 0 / 98 / 29 / 11

HEX #E204A0

RGB 226 4 160

HSL 317.84, 0.97%, 0.45%

LAB 50.44, 81.14, -22.31

 

CMYK 0 / 65 / 19 / 33

HEX #AA3C89

RGB 170 60 137

HSL 318, 0.48%, 0.45%

LAB 43.63, 53.23, -19.81

 

CMYK 0 / 48 / 14 / 41

HEX #974E82

RGB 151 78 130

HSL 317.26, 0.32%, 0.45%

LAB 43.71, 37.6, -15.68

 

CMYK 0 / 27 / 8 / 48

HEX #85617A

RGB 133 97 122

HSL 318.33, 0.16%, 0.45%

LAB 45.55, 18.92, -8.27

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 28 / 0 / 20 / 47

HEX #60866B

RGB 96 134 107

HSL 137.37, 0.17%, 0.45%

LAB 52.51, -19.2, 10.33

 

CMYK 16 / 65 / 0 / 33

HEX #8E3CAA

RGB 142 60 170

HSL 284.73, 0.48%, 0.45%

LAB 41.03, 51.7, -44.03

 

CMYK 0 / 65 / 1 / 33

HEX #AA3CA8

RGB 170 60 168

HSL 301.09, 0.48%, 0.45%

LAB 45.09, 58.16, -36.14

 

CMYK 0 / 65 / 18 / 33

HEX #AA3C8B

RGB 170 60 139

HSL 316.91, 0.48%, 0.45%

LAB 43.71, 53.52, -20.89

 

CMYK 0 / 65 / 36 / 33

HEX #AA3C6D

RGB 170 60 109

HSL 333.27, 0.48%, 0.45%

LAB 42.58, 49.53, -4.2

 

CMYK 0 / 65 / 53 / 33

HEX #AA3C50

RGB 170 60 80

HSL 349.09, 0.48%, 0.45%

LAB 41.78, 46.56, 12.69

 

CMYK 0 / 65 / 19 / 57

HEX #6D2658

RGB 109 38 88

HSL 317.75, 0.48%, 0.29%

LAB 27.69, 37.55, -14.31

 

CMYK 0 / 65 / 19 / 45

HEX #8B3170

RGB 139 49 112

HSL 318, 0.48%, 0.37%

LAB 35.7, 45.34, -16.97

 

CMYK 0 / 65 / 19 / 33

HEX #AA3C89

RGB 170 60 137

HSL 318, 0.48%, 0.45%

LAB 43.63, 53.23, -19.81

 

CMYK 0 / 60 / 18 / 24

HEX #C14E9F

RGB 193 78 159

HSL 317.74, 0.48%, 0.53%

LAB 51.02, 55.18, -21.3

 

CMYK 0 / 47 / 14 / 20

HEX #CC6CAF

RGB 204 108 175

HSL 318.13, 0.48%, 0.61%

LAB 58.66, 46.56, -18.81

 

CMYK 0 / 65 / 19 / 33

HEX #AB3C8A

RGB 171 60 138

HSL 317.84, 0.48%, 0.45%

LAB 43.84, 53.66, -20.09

 

CMYK 0 / 34 / 65 / 33

HEX #AA713C

RGB 170 113 60

HSL 28.91, 0.48%, 0.45%

LAB 52.6, 17.23, 38.01

 

CMYK 65 / 0 / 8 / 33

HEX #3CAA9D

RGB 60 170 157

HSL 172.91, 0.48%, 0.45%

LAB 63.46, -34.01, -2.47

 

CMYK 0 / 65 / 19 / 33

HEX #AB3C8A

RGB 171 60 138

HSL 317.84, 0.48%, 0.45%

LAB 43.84, 53.66, -20.09

 

CMYK 18 / 0 / 65 / 33

HEX #8BAA3C

RGB 139 170 60

HSL 76.91, 0.48%, 0.45%

LAB 65.41, -27, 51.39

 

CMYK 65 / 18 / 0 / 33

HEX #3C8BAA

RGB 60 139 170

HSL 196.91, 0.48%, 0.45%

LAB 54.37, -14.34, -23.53

 

CMYK 0 / 65 / 19 / 33

HEX #AB3C8A

RGB 171 60 138

HSL 317.84, 0.48%, 0.45%

LAB 43.84, 53.66, -20.09

 

CMYK 0 / 34 / 65 / 33

HEX #AA713C

RGB 170 113 60

HSL 28.91, 0.48%, 0.45%

LAB 52.6, 17.23, 38.01

 

CMYK 65 / 0 / 46 / 33

HEX #3CAA5B

RGB 60 170 91

HSL 136.91, 0.48%, 0.45%

LAB 62.05, -48.64, 31.69

 

CMYK 65 / 31 / 0 / 33

HEX #3C75AA

RGB 60 117 170

HSL 208.91, 0.48%, 0.45%

LAB 47.73, -1.66, -33.85

 

CMYK 0 / 65 / 19 / 33

HEX #AB3C8A

RGB 171 60 138

HSL 317.84, 0.48%, 0.45%

LAB 43.84, 53.66, -20.09

 

CMYK 0 / 14 / 65 / 33

HEX #AA923C

RGB 170 146 60

HSL 46.91, 0.48%, 0.45%

LAB 61.16, -1.19, 47.57

 

CMYK 65 / 0 / 46 / 33

HEX #3CAA5B

RGB 60 170 91

HSL 136.91, 0.48%, 0.45%

LAB 62.05, -48.64, 31.69

 

CMYK 65 / 51 / 0 / 33

HEX #3C54AA

RGB 60 84 170

HSL 226.91, 0.48%, 0.45%

LAB 38.21, 19.19, -49

 

Description

Color code: HEX #AB3C8A | qconv.com Color code: HEX #AB3C8A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 60 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 60 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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