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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB3246 it is the complementary color #54CDB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB3246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB3246 shade: #B03241, #C14454, #D25667, #E3687A and #F47A8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB3246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB3246 shade: #AB3246, #9A2033, #890E20, #78000D and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB3246 shade: #AA3145 and #AA3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB3246 shade: #AA3145, #AA3166, #AA3186, #AA31A7 and #8D31AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB3246 shade matches the following richer shades: #AA3145, #BC2039 and #CD0E2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB3246 shade: #AA3145, #984351, #86555D, #756769 and #637875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB3246 shade: #AA3186, #AA3166, #AA3145, #AA3D31 and #AA5E31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB3246 shade: #6A1F2B, #8A2838, #AA3145, #C73E54 and #D05E71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB3246 shade: #AB3246, #A6AA31 and #3176AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB3246 shade: #AB3246, #45AA31 and #3145AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB3246 shade: #AB3246, #A6AA31, #31AA96 and #3531AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB3246 shade: #AB3246, #82AA31, #31AA96 and #5A31AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 59 / 33

HEX #AB3246

RGB 171 50 70

HSL 350.08, 0.55%, 0.43%

LAB 40.22, 50.25, 16.85

 

Complementary color

CMYK 59 / 0 / 10 / 20

HEX #54CDB9

RGB 84 205 185

HSL 170.08, 0.55%, 0.57%

LAB 75.48, -38.54, -0.15

 

CMYK 0 / 72 / 63 / 31

HEX #B03241

RGB 176 50 65

HSL 352.86, 0.56%, 0.44%

LAB 41.05, 51.51, 21.23

 

CMYK 0 / 65 / 56 / 24

HEX #C14454

RGB 193 68 84

HSL 352.32, 0.5%, 0.51%

LAB 47.12, 51.08, 18.16

 

CMYK 0 / 59 / 51 / 18

HEX #D25667

RGB 210 86 103

HSL 351.77, 0.58%, 0.58%

LAB 53.32, 50.34, 15.66

 

CMYK 0 / 54 / 46 / 11

HEX #E3687A

RGB 227 104 122

HSL 351.22, 0.69%, 0.65%

LAB 59.56, 49.45, 13.57

 

CMYK 0 / 50 / 42 / 4

HEX #F47A8D

RGB 244 122 141

HSL 350.66, 0.85%, 0.72%

LAB 65.81, 48.51, 11.8

 

CMYK 0 / 71 / 59 / 33

HEX #AB3246

RGB 171 50 70

HSL 350.08, 0.55%, 0.43%

LAB 40.22, 50.25, 16.85

 

CMYK 0 / 79 / 67 / 40

HEX #9A2033

RGB 154 32 51

HSL 350.66, 0.66%, 0.36%

LAB 34.28, 50.09, 20.52

 

CMYK 0 / 90 / 77 / 46

HEX #890E20

RGB 137 14 32

HSL 351.22, 0.81%, 0.3%

LAB 28.74, 48.85, 25.19

 

CMYK 0 / 100 / 89 / 53

HEX #78000D

RGB 120 0 13

HSL 353.5, 1%, 0.24%

LAB 23.74, 46.14, 30.28

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 71 / 59 / 33

HEX #AA3145

RGB 170 49 69

HSL 350.08, 0.55%, 0.43%

LAB 39.87, 50.25, 16.98

 

CMYK 0 / 71 / 71 / 33

HEX #AA3131

RGB 170 49 49

HSL 0, 0.55%, 0.43%

LAB 39.52, 49.04, 28.9

 

CMYK 0 / 71 / 59 / 33

HEX #AA3145

RGB 170 49 69

HSL 350.08, 0.55%, 0.43%

LAB 39.87, 50.25, 16.98

 

CMYK 0 / 71 / 40 / 33

HEX #AA3166

RGB 170 49 102

HSL 333.72, 0.55%, 0.43%

LAB 40.74, 53.2, -2.57

 

CMYK 0 / 71 / 21 / 33

HEX #AA3186

RGB 170 49 134

HSL 317.85, 0.55%, 0.43%

LAB 41.94, 57.14, -20.58

 

CMYK 0 / 71 / 2 / 33

HEX #AA31A7

RGB 170 49 167

HSL 301.49, 0.55%, 0.43%

LAB 43.56, 62.16, -37.97

 

CMYK 17 / 71 / 0 / 33

HEX #8D31AA

RGB 141 49 170

HSL 285.62, 0.55%, 0.43%

LAB 39.18, 56.25, -47.01

 

CMYK 0 / 71 / 59 / 33

HEX #AA3145

RGB 170 49 69

HSL 350.08, 0.55%, 0.43%

LAB 39.87, 50.25, 16.98

 

CMYK 0 / 83 / 70 / 26

HEX #BC2039

RGB 188 32 57

HSL 350.38, 0.71%, 0.43%

LAB 41.25, 60.21, 26.93

 

CMYK 0 / 93 / 78 / 20

HEX #CD0E2E

RGB 205 14 46

HSL 349.95, 0.87%, 0.43%

LAB 43.49, 67.42, 37.06

 

CMYK 0 / 71 / 59 / 33

HEX #AA3145

RGB 170 49 69

HSL 350.08, 0.55%, 0.43%

LAB 39.87, 50.25, 16.98

 

CMYK 0 / 56 / 47 / 40

HEX #984351

RGB 152 67 81

HSL 350.12, 0.39%, 0.43%

LAB 40.05, 36.98, 9.22

 

CMYK 0 / 37 / 31 / 47

HEX #86555D

RGB 134 85 93

HSL 350.2, 0.22%, 0.43%

LAB 41.78, 21.5, 3.86

 

CMYK 0 / 12 / 10 / 54

HEX #756769

RGB 117 103 105

HSL 351.43, 0.06%, 0.43%

LAB 44.94, 5.91, 0.9

 

CMYK 18 / 0 / 3 / 53

HEX #637875

RGB 99 120 117

HSL 171.43, 0.1%, 0.43%

LAB 48.72, -8.34, -0.93

 

CMYK 0 / 71 / 21 / 33

HEX #AA3186

RGB 170 49 134

HSL 317.85, 0.55%, 0.43%

LAB 41.94, 57.14, -20.58

 

CMYK 0 / 71 / 40 / 33

HEX #AA3166

RGB 170 49 102

HSL 333.72, 0.55%, 0.43%

LAB 40.74, 53.2, -2.57

 

CMYK 0 / 71 / 59 / 33

HEX #AA3145

RGB 170 49 69

HSL 350.08, 0.55%, 0.43%

LAB 39.87, 50.25, 16.98

 

CMYK 0 / 64 / 71 / 33

HEX #AA3D31

RGB 170 61 49

HSL 5.95, 0.55%, 0.43%

LAB 41.38, 43.99, 31.09

 

CMYK 0 / 45 / 71 / 33

HEX #AA5E31

RGB 170 94 49

HSL 22.31, 0.55%, 0.43%

LAB 47.97, 27.17, 38.54

 

CMYK 0 / 71 / 59 / 58

HEX #6A1F2B

RGB 106 31 43

HSL 350.4, 0.55%, 0.27%

LAB 24.38, 34.22, 11.03

 

CMYK 0 / 71 / 59 / 46

HEX #8A2838

RGB 138 40 56

HSL 350.2, 0.55%, 0.35%

LAB 32.27, 42.44, 14.07

 

CMYK 0 / 71 / 59 / 33

HEX #AA3145

RGB 170 49 69

HSL 350.08, 0.55%, 0.43%

LAB 39.87, 50.25, 16.98

 

CMYK 0 / 69 / 58 / 22

HEX #C73E54

RGB 199 62 84

HSL 350.36, 0.55%, 0.51%

LAB 47.27, 55.46, 18.54

 

CMYK 0 / 55 / 46 / 18

HEX #D05E71

RGB 208 94 113

HSL 350, 0.55%, 0.59%

LAB 54.67, 46.81, 11.57

 

CMYK 0 / 71 / 59 / 33

HEX #AB3246

RGB 171 50 70

HSL 350.08, 0.55%, 0.43%

LAB 40.22, 50.25, 16.85

 

CMYK 2 / 0 / 71 / 33

HEX #A6AA31

RGB 166 170 49

HSL 61.98, 0.55%, 0.43%

LAB 67.34, -16.31, 58.38

 

CMYK 71 / 31 / 0 / 33

HEX #3176AA

RGB 49 118 170

HSL 205.79, 0.55%, 0.43%

LAB 47.64, -4.1, -34.02

 

CMYK 0 / 71 / 59 / 33

HEX #AB3246

RGB 171 50 70

HSL 350.08, 0.55%, 0.43%

LAB 40.22, 50.25, 16.85

 

CMYK 59 / 0 / 71 / 33

HEX #45AA31

RGB 69 170 49

HSL 110.08, 0.55%, 0.43%

LAB 61.86, -51.78, 51.08

 

CMYK 71 / 59 / 0 / 33

HEX #3145AA

RGB 49 69 170

HSL 230.08, 0.55%, 0.43%

LAB 33.59, 27.32, -56.51

 

CMYK 0 / 71 / 59 / 33

HEX #AB3246

RGB 171 50 70

HSL 350.08, 0.55%, 0.43%

LAB 40.22, 50.25, 16.85

 

CMYK 2 / 0 / 71 / 33

HEX #A6AA31

RGB 166 170 49

HSL 61.98, 0.55%, 0.43%

LAB 67.34, -16.31, 58.38

 

CMYK 71 / 0 / 12 / 33

HEX #31AA96

RGB 49 170 150

HSL 170.08, 0.55%, 0.43%

LAB 63.01, -37.61, 0.76

 

CMYK 69 / 71 / 0 / 33

HEX #3531AA

RGB 53 49 170

HSL 241.98, 0.55%, 0.43%

LAB 29.05, 40.47, -63.94

 

CMYK 0 / 71 / 59 / 33

HEX #AB3246

RGB 171 50 70

HSL 350.08, 0.55%, 0.43%

LAB 40.22, 50.25, 16.85

 

CMYK 24 / 0 / 71 / 33

HEX #82AA31

RGB 130 170 49

HSL 79.83, 0.55%, 0.43%

LAB 64.74, -31.38, 54.94

 

CMYK 71 / 0 / 12 / 33

HEX #31AA96

RGB 49 170 150

HSL 170.08, 0.55%, 0.43%

LAB 63.01, -37.61, 0.76

 

CMYK 47 / 71 / 0 / 33

HEX #5A31AA

RGB 90 49 170

HSL 260.33, 0.55%, 0.43%

LAB 32.42, 46.04, -58.28

 

Description

Color code: HEX #AB3246 | qconv.com Color code: HEX #AB3246 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 50 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 50 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 59% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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