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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2FD0 it is the complementary color #54D02F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2FD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2FD0 shade: #B02FCB, #C141DE, #D253F1, #E365FF and #F477FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2FD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2FD0 shade: #AB2FD0, #9A1DBD, #890BAA, #780097 and #670084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2FD0 shade: #AB2FD0, #D02FC9, #D02F9E, #D02F73 and #D02F47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2FD0 shade: #AB2FD0, #802FD0, #542FD0 and #2F2FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2FD0 shade matches the following richer shades: #AB2FD0, #B61BE4 and #C106F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2FD0 shade: #AB2FD0, #A044BB, #9558A7, #896D92 and #7E827D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2FD0 shade: #552FD0, #802FD0, #AA2FD0, #D02FCA and #D02FA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2FD0 shade: #74208D, #8F28AE, #AB2FD0, #B951D7 and #C672DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2FD0 shade: #AB2FD0, #D02F35 and #2FD06A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2FD0 shade: #AB2FD0, #D0AA2F and #2FD0AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2FD0 shade: #AB2FD0, #D02F35, #55D02F and #2FD0CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2FD0 shade: #AB2FD0, #D05A2F, #55D02F and #2FA5D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

Complementary color

CMYK 60 / 0 / 77 / 18

HEX #54D02F

RGB 84 208 47

HSL 106.21, 0.63%, 0.5%

LAB 74.32, -61.74, 64.32

 

CMYK 13 / 77 / 0 / 20

HEX #B02FCB

RGB 176 47 203

HSL 289.62, 0.62%, 0.49%

LAB 46.41, 70.28, -54.46

 

CMYK 13 / 71 / 0 / 13

HEX #C141DE

RGB 193 65 222

HSL 288.92, 0.7%, 0.56%

LAB 52.28, 71, -55.79

 

CMYK 13 / 66 / 0 / 5

HEX #D253F1

RGB 210 83 241

HSL 288.23, 0.85%, 0.64%

LAB 58.26, 71.18, -56.75

 

CMYK 11 / 60 / 0 / 0

HEX #E365FF

RGB 227 101 255

HSL 289.09, 1%, 0.7%

LAB 64.05, 70.06, -55.15

 

CMYK 4 / 53 / 0 / 0

HEX #F477FF

RGB 244 119 255

HSL 295.15, 1%, 0.73%

LAB 69.22, 66.21, -46.83

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 19 / 85 / 0 / 26

HEX #9A1DBD

RGB 154 29 189

HSL 286.88, 0.73%, 0.43%

LAB 40.28, 68.75, -56.37

 

CMYK 19 / 94 / 0 / 33

HEX #890BAA

RGB 137 11 170

HSL 287.55, 0.88%, 0.35%

LAB 34.92, 65.99, -53.91

 

CMYK 21 / 100 / 0 / 41

HEX #780097

RGB 120 0 151

HSL 287.68, 1%, 0.3%

LAB 29.98, 61.6, -50.54

 

CMYK 22 / 100 / 0 / 48

HEX #670084

RGB 103 0 132

HSL 286.82, 1%, 0.26%

LAB 25.41, 55.63, -46.3

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 0 / 77 / 3 / 18

HEX #D02FC9

RGB 208 47 201

HSL 302.61, 0.63%, 0.5%

LAB 51.45, 76.22, -44.96

 

CMYK 0 / 77 / 24 / 18

HEX #D02F9E

RGB 208 47 158

HSL 318.63, 0.63%, 0.5%

LAB 49.39, 70.28, -23.02

 

CMYK 0 / 77 / 45 / 18

HEX #D02F73

RGB 208 47 115

HSL 334.66, 0.63%, 0.5%

LAB 47.86, 65.66, 0.63

 

CMYK 0 / 77 / 66 / 18

HEX #D02F47

RGB 208 47 71

HSL 351.06, 0.63%, 0.5%

LAB 46.84, 62.49, 26.2

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 38 / 77 / 0 / 18

HEX #802FD0

RGB 128 47 208

HSL 270.19, 0.63%, 0.5%

LAB 39.88, 62.88, -68.27

 

CMYK 60 / 77 / 0 / 18

HEX #542FD0

RGB 84 47 208

HSL 253.79, 0.63%, 0.5%

LAB 34.95, 56.81, -76.55

 

CMYK 77 / 77 / 0 / 18

HEX #2F2FD0

RGB 47 47 208

HSL 240, 0.63%, 0.5%

LAB 32.24, 53.43, -81.11

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 20 / 88 / 0 / 11

HEX #B61BE4

RGB 182 27 228

HSL 286.27, 0.79%, 0.5%

LAB 47.4, 80.55, -67.13

 

CMYK 22 / 98 / 0 / 2

HEX #C106F9

RGB 193 6 249

HSL 286.17, 0.95%, 0.5%

LAB 49.87, 88.13, -74.89

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 14 / 64 / 0 / 27

HEX #A044BB

RGB 160 68 187

HSL 286.39, 0.47%, 0.5%

LAB 45.9, 55.81, -46.12

 

CMYK 11 / 47 / 0 / 35

HEX #9558A7

RGB 149 88 167

HSL 286.33, 0.31%, 0.5%

LAB 47.18, 38.6, -32.46

 

CMYK 6 / 25 / 0 / 43

HEX #896D92

RGB 137 109 146

HSL 285.41, 0.15%, 0.5%

LAB 49.9, 18.11, -15.99

 

CMYK 3 / 0 / 4 / 49

HEX #7E827D

RGB 126 130 125

HSL 108, 0.02%, 0.5%

LAB 53.9, -2.48, 2.18

 

CMYK 59 / 77 / 0 / 18

HEX #552FD0

RGB 85 47 208

HSL 254.16, 0.63%, 0.5%

LAB 35.04, 56.93, -76.39

 

CMYK 38 / 77 / 0 / 18

HEX #802FD0

RGB 128 47 208

HSL 270.19, 0.63%, 0.5%

LAB 39.88, 62.88, -68.27

 

CMYK 18 / 77 / 0 / 18

HEX #AA2FD0

RGB 170 47 208

HSL 285.84, 0.63%, 0.5%

LAB 45.82, 70.08, -58.36

 

CMYK 0 / 77 / 3 / 18

HEX #D02FCA

RGB 208 47 202

HSL 302.24, 0.63%, 0.5%

LAB 51.5, 76.37, -45.45

 

CMYK 0 / 77 / 23 / 18

HEX #D02FA0

RGB 208 47 160

HSL 317.89, 0.63%, 0.5%

LAB 49.47, 70.53, -24.08

 

CMYK 18 / 77 / 0 / 45

HEX #74208D

RGB 116 32 141

HSL 286.24, 0.63%, 0.34%

LAB 31.04, 51.69, -42.7

 

CMYK 18 / 77 / 0 / 32

HEX #8F28AE

RGB 143 40 174

HSL 286.12, 0.63%, 0.42%

LAB 38.57, 60.8, -50.35

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 14 / 62 / 0 / 16

HEX #B951D7

RGB 185 81 215

HSL 286.57, 0.63%, 0.58%

LAB 53.06, 61.42, -50.62

 

CMYK 11 / 49 / 0 / 13

HEX #C672DF

RGB 198 114 223

HSL 286.24, 0.63%, 0.66%

LAB 61.11, 50.37, -42.29

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 0 / 77 / 75 / 18

HEX #D02F35

RGB 208 47 53

HSL 357.76, 0.63%, 0.5%

LAB 46.58, 61.65, 36.56

 

CMYK 77 / 0 / 49 / 18

HEX #2FD06A

RGB 47 208 106

HSL 141.99, 0.63%, 0.5%

LAB 74.03, -62.14, 39.18

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 0 / 18 / 77 / 18

HEX #D0AA2F

RGB 208 170 47

HSL 45.84, 0.63%, 0.5%

LAB 71.12, 1.96, 64.03

 

CMYK 77 / 0 / 18 / 18

HEX #2FD0AA

RGB 47 208 170

HSL 165.84, 0.63%, 0.5%

LAB 75.21, -49.05, 7.43

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 0 / 77 / 75 / 18

HEX #D02F35

RGB 208 47 53

HSL 357.76, 0.63%, 0.5%

LAB 46.58, 61.65, 36.56

 

CMYK 59 / 0 / 77 / 18

HEX #55D02F

RGB 85 208 47

HSL 105.84, 0.63%, 0.5%

LAB 74.35, -61.5, 64.36

 

CMYK 77 / 0 / 3 / 18

HEX #2FD0CA

RGB 47 208 202

HSL 177.76, 0.63%, 0.5%

LAB 76.06, -40.51, -8.56

 

CMYK 18 / 77 / 0 / 18

HEX #AB2FD0

RGB 171 47 208

HSL 286.21, 0.63%, 0.5%

LAB 45.97, 70.26, -58.1

 

CMYK 0 / 57 / 77 / 18

HEX #D05A2F

RGB 208 90 47

HSL 16.02, 0.63%, 0.5%

LAB 52.87, 44.26, 46.47

 

CMYK 59 / 0 / 77 / 18

HEX #55D02F

RGB 85 208 47

HSL 105.84, 0.63%, 0.5%

LAB 74.35, -61.5, 64.36

 

CMYK 77 / 21 / 0 / 18

HEX #2FA5D0

RGB 47 165 208

HSL 196.02, 0.63%, 0.5%

LAB 63.4, -17.61, -31.07

 

Description

Color code: HEX #AB2FD0 | qconv.com Color code: HEX #AB2FD0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 47 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 47 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 77 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 77% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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