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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2B7B it is the complementary color #54D484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2B7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2B7B shade: #B02B76, #C13D89, #D24F9C, #E361AF and #F473C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2B7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2B7B shade: #AB2B7B, #9A1968, #890755, #780042 and #67002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2B7B shade: #AB2B7B, #AB2B59, #AB2B36 and #AB2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2B7B shade: #AB2B7B, #AB2B9E, #962BAB, #742BAB and #512BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2B7B shade matches the following richer shades: #AB2B7B, #BD1A7F and #CE0884

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2B7B shade: #AB2B7B, #9A3C77, #894D73, #775F6E and #66706A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2B7B shade: #962BAB, #AB2B9F, #AB2B7C, #AB2B5A and #AB2B38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2B7B shade: #691A4C, #8A2363, #AB2B7B, #CC3393 and #D454A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2B7B shade: #AB2B7B, #AB742B and #2BABA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2B7B shade: #AB2B7B, #7CAB2B and #2B7CAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2B7B shade: #AB2B7B, #AB742B, #2BAB5A and #2B63AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2B7B shade: #AB2B7B, #AB9A2B, #2BAB5A and #2B3CAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

Complementary color

CMYK 60 / 0 / 38 / 17

HEX #54D484

RGB 84 212 132

HSL 142.5, 0.6%, 0.58%

LAB 76.46, -53.01, 29.34

 

CMYK 0 / 76 / 33 / 31

HEX #B02B76

RGB 176 43 118

HSL 326.17, 0.61%, 0.43%

LAB 41.64, 58.74, -11.09

 

CMYK 0 / 68 / 29 / 24

HEX #C13D89

RGB 193 61 137

HSL 325.45, 0.52%, 0.5%

LAB 47.6, 59.25, -13.4

 

CMYK 0 / 62 / 26 / 18

HEX #D24F9C

RGB 210 79 156

HSL 324.73, 0.59%, 0.57%

LAB 53.7, 59.22, -15.21

 

CMYK 0 / 57 / 23 / 11

HEX #E361AF

RGB 227 97 175

HSL 324, 0.7%, 0.64%

LAB 59.87, 58.87, -16.67

 

CMYK 0 / 53 / 20 / 4

HEX #F473C2

RGB 244 115 194

HSL 323.26, 0.85%, 0.7%

LAB 66.05, 58.33, -17.88

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 84 / 32 / 40

HEX #9A1968

RGB 154 25 104

HSL 323.26, 0.72%, 0.35%

LAB 35.13, 56.67, -12.54

 

CMYK 0 / 95 / 38 / 46

HEX #890755

RGB 137 7 85

HSL 324, 0.9%, 0.28%

LAB 29.73, 53.95, -8.74

 

CMYK 0 / 100 / 45 / 53

HEX #780042

RGB 120 0 66

HSL 327, 1%, 0.24%

LAB 24.91, 49.25, -3.58

 

CMYK 0 / 100 / 54 / 60

HEX #67002F

RGB 103 0 47

HSL 332.62, 1%, 0.2%

LAB 20.4, 43.38, 2.59

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 75 / 48 / 33

HEX #AB2B59

RGB 171 43 89

HSL 338.44, 0.6%, 0.42%

LAB 39.76, 54.36, 4.22

 

CMYK 0 / 75 / 68 / 33

HEX #AB2B36

RGB 171 43 54

HSL 354.84, 0.6%, 0.42%

LAB 38.99, 51.83, 25.25

 

CMYK 0 / 75 / 75 / 33

HEX #AB2B2B

RGB 171 43 43

HSL 0, 0.6%, 0.42%

LAB 38.83, 51.3, 31.74

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 75 / 8 / 33

HEX #AB2B9E

RGB 171 43 158

HSL 306.09, 0.6%, 0.42%

LAB 42.54, 62.94, -34.18

 

CMYK 12 / 75 / 0 / 33

HEX #962BAB

RGB 150 43 171

HSL 290.16, 0.6%, 0.42%

LAB 39.84, 60.6, -46.47

 

CMYK 32 / 75 / 0 / 33

HEX #742BAB

RGB 116 43 171

HSL 274.22, 0.6%, 0.42%

LAB 34.76, 53.87, -54.91

 

CMYK 53 / 75 / 0 / 33

HEX #512BAB

RGB 81 43 171

HSL 257.81, 0.6%, 0.42%

LAB 30.44, 47.89, -62.15

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 86 / 33 / 26

HEX #BD1A7F

RGB 189 26 127

HSL 322.82, 0.76%, 0.42%

LAB 42.9, 67.28, -14.51

 

CMYK 0 / 96 / 36 / 19

HEX #CE0884

RGB 206 8 132

HSL 322.42, 0.93%, 0.42%

LAB 45.58, 73.88, -13.2

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 61 / 23 / 40

HEX #9A3C77

RGB 154 60 119

HSL 322.34, 0.44%, 0.42%

LAB 40.3, 45.89, -14.09

 

CMYK 0 / 44 / 16 / 46

HEX #894D73

RGB 137 77 115

HSL 322, 0.28%, 0.42%

LAB 41, 30.76, -10.8

 

CMYK 0 / 20 / 8 / 53

HEX #775F6E

RGB 119 95 110

HSL 322.5, 0.11%, 0.42%

LAB 43.11, 12.47, -4.8

 

CMYK 9 / 0 / 5 / 56

HEX #66706A

RGB 102 112 106

HSL 144, 0.05%, 0.42%

LAB 46.25, -5.05, 2.04

 

CMYK 12 / 75 / 0 / 33

HEX #962BAB

RGB 150 43 171

HSL 290.16, 0.6%, 0.42%

LAB 39.84, 60.6, -46.47

 

CMYK 0 / 75 / 7 / 33

HEX #AB2B9F

RGB 171 43 159

HSL 305.63, 0.6%, 0.42%

LAB 42.6, 63.1, -34.7

 

CMYK 0 / 75 / 27 / 33

HEX #AB2B7C

RGB 171 43 124

HSL 322.03, 0.6%, 0.42%

LAB 40.96, 58.16, -15.92

 

CMYK 0 / 75 / 47 / 33

HEX #AB2B5A

RGB 171 43 90

HSL 337.97, 0.6%, 0.42%

LAB 39.79, 54.45, 3.63

 

CMYK 0 / 75 / 67 / 33

HEX #AB2B38

RGB 171 43 56

HSL 353.91, 0.6%, 0.42%

LAB 39.02, 51.94, 24.05

 

CMYK 0 / 75 / 28 / 59

HEX #691A4C

RGB 105 26 76

HSL 322.03, 0.6%, 0.26%

LAB 24.53, 39.78, -11.25

 

CMYK 0 / 75 / 28 / 46

HEX #8A2363

RGB 138 35 99

HSL 322.72, 0.6%, 0.34%

LAB 32.93, 48.89, -12.97

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 75 / 28 / 20

HEX #CC3393

RGB 204 51 147

HSL 322.35, 0.6%, 0.5%

LAB 48.65, 66.81, -17.65

 

CMYK 0 / 60 / 23 / 17

HEX #D454A4

RGB 212 84 164

HSL 322.5, 0.6%, 0.58%

LAB 55.09, 58.73, -17.76

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 32 / 75 / 33

HEX #AB742B

RGB 171 116 43

HSL 34.22, 0.6%, 0.42%

LAB 53.3, 15, 47.09

 

CMYK 75 / 0 / 2 / 33

HEX #2BABA7

RGB 43 171 167

HSL 178.13, 0.6%, 0.42%

LAB 63.7, -34.06, -7.75

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 27 / 0 / 75 / 33

HEX #7CAB2B

RGB 124 171 43

HSL 82.03, 0.6%, 0.42%

LAB 64.63, -34.58, 56.89

 

CMYK 75 / 27 / 0 / 33

HEX #2B7CAB

RGB 43 124 171

HSL 202.03, 0.6%, 0.42%

LAB 49.34, -8.13, -31.96

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 32 / 75 / 33

HEX #AB742B

RGB 171 116 43

HSL 34.22, 0.6%, 0.42%

LAB 53.3, 15, 47.09

 

CMYK 75 / 0 / 47 / 33

HEX #2BAB5A

RGB 43 171 90

HSL 142.03, 0.6%, 0.42%

LAB 61.98, -52.18, 32.03

 

CMYK 75 / 42 / 0 / 33

HEX #2B63AB

RGB 43 99 171

HSL 213.75, 0.6%, 0.42%

LAB 41.81, 7.17, -43.86

 

CMYK 0 / 75 / 28 / 33

HEX #AB2B7B

RGB 171 43 123

HSL 322.5, 0.6%, 0.42%

LAB 40.92, 58.04, -15.36

 

CMYK 0 / 10 / 75 / 33

HEX #AB9A2B

RGB 171 154 43

HSL 52.03, 0.6%, 0.42%

LAB 63.3, -6.02, 56.85

 

CMYK 75 / 0 / 47 / 33

HEX #2BAB5A

RGB 43 171 90

HSL 142.03, 0.6%, 0.42%

LAB 61.98, -52.18, 32.03

 

CMYK 75 / 65 / 0 / 33

HEX #2B3CAB

RGB 43 60 171

HSL 232.03, 0.6%, 0.42%

LAB 31.08, 32.82, -61.22

 

Description

Color code: HEX #AB2B7B | qconv.com Color code: HEX #AB2B7B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 43 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 43 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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