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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB23B2 it is the complementary color #54DC4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB23B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB23B2 shade: #B023AD, #C135C0, #D247D3, #E359E6 and #F46BF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB23B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB23B2 shade: #AB23B2, #9A119F, #89008C, #780079 and #670066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB23B2 shade: #AB23B2, #B22393, #B2236C, #B22345 and #B22323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB23B2 shade: #AB23B2, #8523B2, #5E23B2, #3723B2 and #2323B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB23B2 shade matches the following richer shades: #AB23B2, #BB12C4 and #CB00D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB23B2 shade: #AB23B2, #9C34A1, #8C4690, #7C577E and #6D686D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB23B2 shade: #5F23B2, #8523B2, #AB23B2, #B22393 and #B2236D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB23B2 shade: #69156D, #8A1C90, #AB23B2, #CC2AD5 and #D44CDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB23B2 shade: #AB23B2, #B23823 and #23B272

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB23B2 shade: #AB23B2, #B2AB23 and #23B2AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB23B2 shade: #AB23B2, #B23823, #2AB223 and #239DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB23B2 shade: #AB23B2, #B26323, #2AB223 and #2372B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

Complementary color

CMYK 62 / 0 / 65 / 14

HEX #54DC4D

RGB 84 220 77

HSL 117.06, 0.67%, 0.58%

LAB 78.23, -63.53, 57.47

 

CMYK 0 / 80 / 2 / 31

HEX #B023AD

RGB 176 35 173

HSL 301.28, 0.67%, 0.41%

LAB 43.43, 68.6, -41.67

 

CMYK 0 / 73 / 1 / 24

HEX #C135C0

RGB 193 53 192

HSL 300.43, 0.57%, 0.48%

LAB 49.12, 69.96, -43.61

 

CMYK 0 / 66 / 0 / 17

HEX #D247D3

RGB 210 71 211

HSL 299.57, 0.61%, 0.55%

LAB 54.98, 70.57, -45.08

 

CMYK 1 / 61 / 0 / 10

HEX #E359E6

RGB 227 89 230

HSL 298.72, 0.74%, 0.63%

LAB 60.95, 70.7, -46.2

 

CMYK 2 / 57 / 0 / 2

HEX #F46BF9

RGB 244 107 249

HSL 297.89, 0.92%, 0.7%

LAB 66.97, 70.5, -47.08

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 3 / 89 / 0 / 38

HEX #9A119F

RGB 154 17 159

HSL 297.89, 0.81%, 0.35%

LAB 37.43, 66.01, -43.08

 

CMYK 2 / 100 / 0 / 45

HEX #89008C

RGB 137 0 140

HSL 298.71, 1%, 0.27%

LAB 32.28, 62.38, -39.88

 

CMYK 1 / 100 / 0 / 53

HEX #780079

RGB 120 0 121

HSL 299.5, 1%, 0.24%

LAB 27.77, 56.43, -35.37

 

CMYK 0 / 100 / 1 / 60

HEX #670066

RGB 103 0 102

HSL 300.58, 1%, 0.2%

LAB 23.15, 50.32, -30.71

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 0 / 80 / 17 / 30

HEX #B22393

RGB 178 35 147

HSL 313.01, 0.67%, 0.42%

LAB 42.42, 65.21, -27.65

 

CMYK 0 / 80 / 39 / 30

HEX #B2236C

RGB 178 35 108

HSL 329.37, 0.67%, 0.42%

LAB 40.82, 60.55, -6.05

 

CMYK 0 / 80 / 61 / 30

HEX #B22345

RGB 178 35 69

HSL 345.73, 0.67%, 0.42%

LAB 39.74, 57.3, 17.09

 

CMYK 0 / 80 / 80 / 30

HEX #B22323

RGB 178 35 35

HSL 0, 0.67%, 0.42%

LAB 39.22, 55.68, 37.2

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 25 / 80 / 0 / 30

HEX #8523B2

RGB 133 35 178

HSL 281.12, 0.67%, 0.42%

LAB 36.75, 61.4, -55.75

 

CMYK 47 / 80 / 0 / 30

HEX #5E23B2

RGB 94 35 178

HSL 264.76, 0.67%, 0.42%

LAB 31.34, 55.23, -64.81

 

CMYK 69 / 80 / 0 / 30

HEX #3723B2

RGB 55 35 178

HSL 248.39, 0.67%, 0.42%

LAB 27.38, 50.74, -71.48

 

CMYK 80 / 80 / 0 / 30

HEX #2323B2

RGB 35 35 178

HSL 240, 0.67%, 0.42%

LAB 26.08, 49.27, -73.67

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 5 / 91 / 0 / 23

HEX #BB12C4

RGB 187 18 196

HSL 296.97, 0.83%, 0.42%

LAB 45.61, 77.4, -51.59

 

CMYK 5 / 100 / 0 / 16

HEX #CB00D5

RGB 203 0 213

HSL 297.18, 1%, 0.42%

LAB 48.88, 84.22, -56.01

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 3 / 68 / 0 / 37

HEX #9C34A1

RGB 156 52 161

HSL 297.25, 0.51%, 0.42%

LAB 41.37, 56.76, -37.99

 

CMYK 3 / 51 / 0 / 44

HEX #8C4690

RGB 140 70 144

HSL 296.76, 0.35%, 0.42%

LAB 41.17, 40.93, -28.23

 

CMYK 2 / 31 / 0 / 51

HEX #7C577E

RGB 124 87 126

HSL 296.92, 0.18%, 0.42%

LAB 42.17, 22.37, -15.92

 

CMYK 0 / 5 / 0 / 57

HEX #6D686D

RGB 109 104 109

HSL 300, 0.02%, 0.42%

LAB 44.6, 2.97, -2.11

 

CMYK 47 / 80 / 0 / 30

HEX #5F23B2

RGB 95 35 178

HSL 265.17, 0.67%, 0.42%

LAB 31.46, 55.37, -64.61

 

CMYK 25 / 80 / 0 / 30

HEX #8523B2

RGB 133 35 178

HSL 281.12, 0.67%, 0.42%

LAB 36.75, 61.4, -55.75

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 0 / 80 / 17 / 30

HEX #B22393

RGB 178 35 147

HSL 313.01, 0.67%, 0.42%

LAB 42.42, 65.21, -27.65

 

CMYK 0 / 80 / 39 / 30

HEX #B2236D

RGB 178 35 109

HSL 328.95, 0.67%, 0.42%

LAB 40.85, 60.65, -6.62

 

CMYK 4 / 81 / 0 / 57

HEX #69156D

RGB 105 21 109

HSL 297.27, 0.68%, 0.25%

LAB 25.69, 46.94, -31.17

 

CMYK 4 / 81 / 0 / 44

HEX #8A1C90

RGB 138 28 144

HSL 296.9, 0.67%, 0.34%

LAB 34.49, 58.04, -38.81

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 4 / 80 / 0 / 16

HEX #CC2AD5

RGB 204 42 213

HSL 296.84, 0.67%, 0.5%

LAB 51.03, 78.56, -52.56

 

CMYK 3 / 65 / 0 / 14

HEX #D44CDB

RGB 212 76 219

HSL 297.06, 0.67%, 0.58%

LAB 56.37, 70.48, -47.4

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 0 / 69 / 80 / 30

HEX #B23823

RGB 178 56 35

HSL 8.81, 0.67%, 0.42%

LAB 41.87, 48.35, 39.85

 

CMYK 80 / 0 / 36 / 30

HEX #23B272

RGB 35 178 114

HSL 153.15, 0.67%, 0.42%

LAB 64.49, -51.3, 22.62

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 0 / 4 / 80 / 30

HEX #B2AB23

RGB 178 171 35

HSL 57.06, 0.67%, 0.42%

LAB 68.54, -12.18, 64.47

 

CMYK 80 / 0 / 4 / 30

HEX #23B2AB

RGB 35 178 171

HSL 177.06, 0.67%, 0.42%

LAB 65.86, -36.96, -6.79

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 0 / 69 / 80 / 30

HEX #B23823

RGB 178 56 35

HSL 8.81, 0.67%, 0.42%

LAB 41.87, 48.35, 39.85

 

CMYK 76 / 0 / 80 / 30

HEX #2AB223

RGB 42 178 35

HSL 117.06, 0.67%, 0.42%

LAB 63.72, -60.91, 57.52

 

CMYK 80 / 12 / 0 / 30

HEX #239DB2

RGB 35 157 178

HSL 188.81, 0.67%, 0.42%

LAB 59.6, -24.64, -20.12

 

CMYK 4 / 80 / 0 / 30

HEX #AB23B2

RGB 171 35 178

HSL 297.06, 0.67%, 0.42%

LAB 42.88, 68.42, -45.57

 

CMYK 0 / 44 / 80 / 30

HEX #B26323

RGB 178 99 35

HSL 26.85, 0.67%, 0.42%

LAB 50.11, 27.19, 47.81

 

CMYK 76 / 0 / 80 / 30

HEX #2AB223

RGB 42 178 35

HSL 117.06, 0.67%, 0.42%

LAB 63.72, -60.91, 57.52

 

CMYK 80 / 36 / 0 / 30

HEX #2372B2

RGB 35 114 178

HSL 206.85, 0.67%, 0.42%

LAB 46.45, -0.53, -40.58

 

Description

Color code: HEX #AB23B2 | qconv.com Color code: HEX #AB23B2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 35 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 35 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 80 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 80% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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