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Color name
HEX #AB1F27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1F27 it is the complementary color #54E0D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1F27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1F27 shade: #B01F22, #C13135, #D24348, #E3555B and #F4676E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1F27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1F27 shade: #AB1F27, #9A0D14, #890001, #780000 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1F27 shade: #AC1F27 and #AC1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1F27 shade: #AC1F27, #AC1F4D, #AC1F73, #AC1F99 and #991FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1F27 shade matches the following richer shades: #AC1F27 and #BC0F19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1F27 shade: #AC1F27, #9B3036, #8B4044, #7A5153 and #6A6162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1F27 shade: #AC1F74, #AC1F4E, #AC1F29, #AC3B1F and #AC611F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1F27 shade: #661217, #89191F, #AC1F27, #CF262F and #DC424A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1F27 shade: #AB1F27, #99AC1F and #1F61AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1F27 shade: #AB1F27, #29AC1F and #1F29AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1F27 shade: #AB1F27, #99AC1F, #1FACA2 and #321FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1F27 shade: #AB1F27, #6FAC1F, #1FACA2 and #5C1FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 77 / 33

HEX #AB1F27

RGB 171 31 39

HSL 356.57, 0.69%, 0.4%

LAB 37.45, 54.86, 32.59

 

Complementary color

CMYK 63 / 0 / 4 / 12

HEX #54E0D8

RGB 84 224 216

HSL 176.57, 0.69%, 0.6%

LAB 81.92, -39.12, -7.27

 

CMYK 0 / 82 / 81 / 31

HEX #B01F22

RGB 176 31 34

HSL 358.76, 0.7%, 0.41%

LAB 38.42, 56.15, 36.82

 

CMYK 0 / 75 / 73 / 24

HEX #C13135

RGB 193 49 53

HSL 358.33, 0.6%, 0.47%

LAB 43.93, 56.53, 32.78

 

CMYK 0 / 68 / 66 / 18

HEX #D24348

RGB 210 67 72

HSL 357.9, 0.61%, 0.54%

LAB 49.72, 56.24, 29.29

 

CMYK 0 / 63 / 60 / 11

HEX #E3555B

RGB 227 85 91

HSL 357.46, 0.72%, 0.61%

LAB 55.67, 55.56, 26.34

 

CMYK 0 / 58 / 55 / 4

HEX #F4676E

RGB 244 103 110

HSL 357.02, 0.87%, 0.68%

LAB 61.71, 54.68, 23.84

 

CMYK 0 / 82 / 77 / 33

HEX #AB1F27

RGB 171 31 39

HSL 356.57, 0.69%, 0.4%

LAB 37.45, 54.86, 32.59

 

CMYK 0 / 92 / 87 / 40

HEX #9A0D14

RGB 154 13 20

HSL 357.02, 0.84%, 0.33%

LAB 32.28, 53.41, 37.1

 

CMYK 0 / 100 / 99 / 46

HEX #890001

RGB 137 0 1

HSL 359.56, 1%, 0.27%

LAB 27.63, 50.49, 40.32

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 82 / 77 / 33

HEX #AC1F27

RGB 172 31 39

HSL 356.6, 0.69%, 0.4%

LAB 37.66, 55.16, 32.87

 

CMYK 0 / 82 / 82 / 33

HEX #AC1F1F

RGB 172 31 31

HSL 0, 0.69%, 0.4%

LAB 37.57, 54.89, 37.38

 

CMYK 0 / 82 / 77 / 33

HEX #AC1F27

RGB 172 31 39

HSL 356.6, 0.69%, 0.4%

LAB 37.66, 55.16, 32.87

 

CMYK 0 / 82 / 55 / 33

HEX #AC1F4D

RGB 172 31 77

HSL 340.43, 0.69%, 0.4%

LAB 38.35, 57.27, 9.9

 

CMYK 0 / 82 / 33 / 33

HEX #AC1F73

RGB 172 31 115

HSL 324.26, 0.69%, 0.4%

LAB 39.56, 60.84, -12.44

 

CMYK 0 / 82 / 11 / 33

HEX #AC1F99

RGB 172 31 153

HSL 308.09, 0.69%, 0.4%

LAB 41.3, 65.75, -33.12

 

CMYK 11 / 82 / 0 / 33

HEX #991FAC

RGB 153 31 172

HSL 291.91, 0.69%, 0.4%

LAB 39.12, 65.02, -48.19

 

CMYK 0 / 82 / 77 / 33

HEX #AC1F27

RGB 172 31 39

HSL 356.6, 0.69%, 0.4%

LAB 37.66, 55.16, 32.87

 

CMYK 0 / 92 / 87 / 26

HEX #BC0F19

RGB 188 15 25

HSL 356.53, 0.85%, 0.4%

LAB 39.75, 62.36, 43.79

 

CMYK 0 / 82 / 77 / 33

HEX #AC1F27

RGB 172 31 39

HSL 356.6, 0.69%, 0.4%

LAB 37.66, 55.16, 32.87

 

CMYK 0 / 69 / 65 / 39

HEX #9B3036

RGB 155 48 54

HSL 356.64, 0.53%, 0.4%

LAB 36.65, 44.71, 21.67

 

CMYK 0 / 54 / 51 / 45

HEX #8B4044

RGB 139 64 68

HSL 356.8, 0.37%, 0.4%

LAB 37.07, 32.3, 12.91

 

CMYK 0 / 34 / 32 / 52

HEX #7A5153

RGB 122 81 83

HSL 357.07, 0.2%, 0.4%

LAB 38.98, 17.49, 5.84

 

CMYK 0 / 8 / 8 / 58

HEX #6A6162

RGB 106 97 98

HSL 353.33, 0.04%, 0.4%

LAB 41.99, 3.78, 0.72

 

CMYK 0 / 82 / 33 / 33

HEX #AC1F74

RGB 172 31 116

HSL 323.83, 0.69%, 0.4%

LAB 39.6, 60.95, -13

 

CMYK 0 / 82 / 55 / 33

HEX #AC1F4E

RGB 172 31 78

HSL 340, 0.69%, 0.4%

LAB 38.38, 57.35, 9.29

 

CMYK 0 / 82 / 76 / 33

HEX #AC1F29

RGB 172 31 41

HSL 355.74, 0.69%, 0.4%

LAB 37.68, 55.23, 31.7

 

CMYK 0 / 66 / 82 / 33

HEX #AC3B1F

RGB 172 59 31

HSL 11.91, 0.69%, 0.4%

LAB 41.21, 44.85, 40.9

 

CMYK 0 / 44 / 82 / 33

HEX #AC611F

RGB 172 97 31

HSL 28.09, 0.69%, 0.4%

LAB 48.78, 25.58, 47.96

 

CMYK 0 / 82 / 77 / 60

HEX #661217

RGB 102 18 23

HSL 356.43, 0.7%, 0.24%

LAB 21.28, 36.73, 20.48

 

CMYK 0 / 82 / 77 / 46

HEX #89191F

RGB 137 25 31

HSL 356.79, 0.69%, 0.32%

LAB 29.69, 46.05, 26.9

 

CMYK 0 / 82 / 77 / 33

HEX #AC1F27

RGB 172 31 39

HSL 356.6, 0.69%, 0.4%

LAB 37.66, 55.16, 32.87

 

CMYK 0 / 82 / 77 / 19

HEX #CF262F

RGB 207 38 47

HSL 356.8, 0.69%, 0.48%

LAB 45.44, 63.62, 38.69

 

CMYK 0 / 70 / 66 / 14

HEX #DC424A

RGB 220 66 74

HSL 356.88, 0.69%, 0.56%

LAB 51.39, 59.88, 30.58

 

CMYK 0 / 82 / 77 / 33

HEX #AB1F27

RGB 171 31 39

HSL 356.57, 0.69%, 0.4%

LAB 37.45, 54.86, 32.59

 

CMYK 11 / 0 / 82 / 33

HEX #99AC1F

RGB 153 172 31

HSL 68.09, 0.69%, 0.4%

LAB 66.81, -23.69, 63.29

 

CMYK 82 / 44 / 0 / 33

HEX #1F61AC

RGB 31 97 172

HSL 211.91, 0.69%, 0.4%

LAB 40.93, 7.43, -45.88

 

CMYK 0 / 82 / 77 / 33

HEX #AB1F27

RGB 171 31 39

HSL 356.57, 0.69%, 0.4%

LAB 37.45, 54.86, 32.59

 

CMYK 76 / 0 / 82 / 33

HEX #29AC1F

RGB 41 172 31

HSL 115.74, 0.69%, 0.4%

LAB 61.72, -59.41, 56.8

 

CMYK 82 / 76 / 0 / 33

HEX #1F29AC

RGB 31 41 172

HSL 235.74, 0.69%, 0.4%

LAB 26.32, 43.82, -69.68

 

CMYK 0 / 82 / 77 / 33

HEX #AB1F27

RGB 171 31 39

HSL 356.57, 0.69%, 0.4%

LAB 37.45, 54.86, 32.59

 

CMYK 11 / 0 / 82 / 33

HEX #99AC1F

RGB 153 172 31

HSL 68.09, 0.69%, 0.4%

LAB 66.81, -23.69, 63.29

 

CMYK 82 / 0 / 6 / 33

HEX #1FACA2

RGB 31 172 162

HSL 175.74, 0.69%, 0.4%

LAB 63.68, -37.19, -5.01

 

CMYK 71 / 82 / 0 / 33

HEX #321FAC

RGB 50 31 172

HSL 248.09, 0.69%, 0.4%

LAB 25.67, 50.38, -70.71

 

CMYK 0 / 82 / 77 / 33

HEX #AB1F27

RGB 171 31 39

HSL 356.57, 0.69%, 0.4%

LAB 37.45, 54.86, 32.59

 

CMYK 35 / 0 / 82 / 33

HEX #6FAC1F

RGB 111 172 31

HSL 85.96, 0.69%, 0.4%

LAB 64.15, -40.55, 59.91

 

CMYK 82 / 0 / 6 / 33

HEX #1FACA2

RGB 31 172 162

HSL 175.74, 0.69%, 0.4%

LAB 63.68, -37.19, -5.01

 

CMYK 47 / 82 / 0 / 33

HEX #5C1FAC

RGB 92 31 172

HSL 265.96, 0.69%, 0.4%

LAB 29.99, 54.99, -63.44

 

Description

Color code: HEX #AB1F27 | qconv.com Color code: HEX #AB1F27 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 31 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 31 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 77 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 77% 33% C M Y K

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