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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1DF6 it is the complementary color #54E209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1DF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1DF6 shade: #B01DF1, #C12FFF, #D241FF, #E353FF and #F465FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1DF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1DF6 shade: #AB1DF6, #9A0BE3, #8900D0, #7800BD and #6700AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1DF6 shade: #AB1DF5, #E51DF5, #F51DCB, #F51D91 and #F51D57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1DF6 shade: #AB1DF5, #701DF5, #361DF5 and #1D1DF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1DF6 shade matches the following richer shades: #AB1DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1DF6 shade: #AB1DF5, #A530E2, #9F43CF, #9956BC and #9369A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1DF6 shade: #361DF5, #701DF5, #AA1DF5, #E31DF5 and #F51DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1DF6 shade: #7B07B9, #9609E0, #AB1DF5, #B945F7 and #C86DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1DF6 shade: #AB1DF6, #F51D3E and #1DF553

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1DF6 shade: #AB1DF6, #F5AA1D and #1DF5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1DF6 shade: #AB1DF6, #F51D3E, #69F51D and #1DF5D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1DF6 shade: #AB1DF6, #F53E1D, #69F51D and #1DD5F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 88 / 0 / 4

HEX #AB1DF6

RGB 171 29 246

HSL 279.26, 0.92%, 0.54%

LAB 47.22, 81.96, -77.66

 

Complementary color

CMYK 63 / 0 / 96 / 11

HEX #54E209

RGB 84 226 9

HSL 99.26, 0.92%, 0.46%

LAB 79.78, -69.05, 76.45

 

CMYK 27 / 88 / 0 / 5

HEX #B01DF1

RGB 176 29 241

HSL 281.6, 0.88%, 0.53%

LAB 47.57, 81.69, -74.25

 

CMYK 24 / 82 / 0 / 0

HEX #C12FFF

RGB 193 47 255

HSL 282.12, 1%, 0.59%

LAB 52.5, 82.72, -73.96

 

CMYK 18 / 75 / 0 / 0

HEX #D241FF

RGB 210 65 255

HSL 285.79, 1%, 0.63%

LAB 56.78, 80.31, -66.9

 

CMYK 11 / 67 / 0 / 0

HEX #E353FF

RGB 227 83 255

HSL 290.23, 1%, 0.66%

LAB 61.43, 77.34, -59.32

 

CMYK 4 / 60 / 0 / 0

HEX #F465FF

RGB 244 101 255

HSL 295.71, 1%, 0.7%

LAB 66.34, 74.05, -51.37

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF6

RGB 171 29 246

HSL 279.26, 0.92%, 0.54%

LAB 47.22, 81.96, -77.66

 

CMYK 32 / 95 / 0 / 11

HEX #9A0BE3

RGB 154 11 227

HSL 279.72, 0.91%, 0.47%

LAB 42.24, 78.91, -75.17

 

CMYK 34 / 100 / 0 / 18

HEX #8900D0

RGB 137 0 208

HSL 279.52, 1%, 0.41%

LAB 37.61, 74.51, -71.93

 

CMYK 37 / 100 / 0 / 26

HEX #7800BD

RGB 120 0 189

HSL 278.1, 1%, 0.37%

LAB 33.28, 68.92, -68.02

 

CMYK 39 / 100 / 0 / 33

HEX #6700AA

RGB 103 0 170

HSL 276.35, 1%, 0.33%

LAB 28.87, 63.23, -64.03

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF5

RGB 171 29 245

HSL 279.44, 0.92%, 0.54%

LAB 47.14, 81.77, -77.23

 

CMYK 7 / 88 / 0 / 4

HEX #E51DF5

RGB 229 29 245

HSL 295.56, 0.92%, 0.54%

LAB 56.22, 90.27, -62.1

 

CMYK 0 / 88 / 17 / 4

HEX #F51DCB

RGB 245 29 203

HSL 311.67, 0.92%, 0.54%

LAB 56.69, 87.27, -37.43

 

CMYK 0 / 88 / 41 / 4

HEX #F51D91

RGB 245 29 145

HSL 327.78, 0.92%, 0.54%

LAB 54.38, 81.08, -7.07

 

CMYK 0 / 88 / 64 / 4

HEX #F51D57

RGB 245 29 87

HSL 343.89, 0.92%, 0.54%

LAB 52.93, 77.02, 25.78

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF5

RGB 171 29 245

HSL 279.44, 0.92%, 0.54%

LAB 47.14, 81.77, -77.23

 

CMYK 54 / 88 / 0 / 4

HEX #701DF5

RGB 112 29 245

HSL 263.06, 0.92%, 0.54%

LAB 39.44, 75.32, -90.18

 

CMYK 78 / 88 / 0 / 4

HEX #361DF5

RGB 54 29 245

HSL 246.94, 0.92%, 0.54%

LAB 34.51, 71.75, -98.51

 

CMYK 88 / 88 / 0 / 4

HEX #1D1DF5

RGB 29 29 245

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.04, -100.35

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF5

RGB 171 29 245

HSL 279.44, 0.92%, 0.54%

LAB 47.14, 81.77, -77.23

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF5

RGB 171 29 245

HSL 279.44, 0.92%, 0.54%

LAB 47.14, 81.77, -77.23

 

CMYK 27 / 79 / 0 / 11

HEX #A530E2

RGB 165 48 226

HSL 279.44, 0.75%, 0.54%

LAB 46.45, 72.38, -67.66

 

CMYK 23 / 68 / 0 / 19

HEX #9F43CF

RGB 159 67 207

HSL 279.43, 0.59%, 0.54%

LAB 46.83, 60.15, -56.23

 

CMYK 19 / 54 / 0 / 26

HEX #9956BC

RGB 153 86 188

HSL 279.41, 0.43%, 0.54%

LAB 48.33, 45.36, -42.89

 

CMYK 13 / 38 / 0 / 34

HEX #9369A9

RGB 147 105 169

HSL 279.38, 0.27%, 0.54%

LAB 50.89, 28.8, -27.87

 

CMYK 78 / 88 / 0 / 4

HEX #361DF5

RGB 54 29 245

HSL 246.94, 0.92%, 0.54%

LAB 34.51, 71.75, -98.51

 

CMYK 54 / 88 / 0 / 4

HEX #701DF5

RGB 112 29 245

HSL 263.06, 0.92%, 0.54%

LAB 39.44, 75.32, -90.18

 

CMYK 31 / 88 / 0 / 4

HEX #AA1DF5

RGB 170 29 245

HSL 279.17, 0.92%, 0.54%

LAB 47, 81.64, -77.48

 

CMYK 7 / 88 / 0 / 4

HEX #E31DF5

RGB 227 29 245

HSL 295, 0.92%, 0.54%

LAB 55.89, 89.96, -62.64

 

CMYK 0 / 88 / 16 / 4

HEX #F51DCE

RGB 245 29 206

HSL 310.83, 0.92%, 0.54%

LAB 56.83, 87.65, -38.92

 

CMYK 34 / 96 / 0 / 27

HEX #7B07B9

RGB 123 7 185

HSL 279.1, 0.93%, 0.38%

LAB 33.7, 67.49, -64.94

 

CMYK 33 / 96 / 0 / 12

HEX #9609E0

RGB 150 9 224

HSL 279.35, 0.92%, 0.46%

LAB 41.31, 78.07, -75

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF5

RGB 171 29 245

HSL 279.44, 0.92%, 0.54%

LAB 47.14, 81.77, -77.23

 

CMYK 25 / 72 / 0 / 3

HEX #B945F7

RGB 185 69 247

HSL 279.1, 0.92%, 0.62%

LAB 53.26, 72.77, -68.32

 

CMYK 19 / 56 / 0 / 3

HEX #C86DF8

RGB 200 109 248

HSL 279.28, 0.91%, 0.7%

LAB 61.65, 58.53, -55.31

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF6

RGB 171 29 246

HSL 279.26, 0.92%, 0.54%

LAB 47.22, 81.96, -77.66

 

CMYK 0 / 88 / 75 / 4

HEX #F51D3E

RGB 245 29 62

HSL 350.83, 0.92%, 0.54%

LAB 52.55, 75.95, 40.08

 

CMYK 88 / 0 / 66 / 4

HEX #1DF553

RGB 29 245 83

HSL 135, 0.92%, 0.54%

LAB 85.09, -78.32, 62.28

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF6

RGB 171 29 246

HSL 279.26, 0.92%, 0.54%

LAB 47.22, 81.96, -77.66

 

CMYK 0 / 31 / 88 / 4

HEX #F5AA1D

RGB 245 170 29

HSL 39.17, 0.92%, 0.54%

LAB 74.98, 17.43, 74.08

 

CMYK 88 / 0 / 31 / 4

HEX #1DF5AA

RGB 29 245 170

HSL 159.17, 0.92%, 0.54%

LAB 86.24, -64.7, 22.89

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF6

RGB 171 29 246

HSL 279.26, 0.92%, 0.54%

LAB 47.22, 81.96, -77.66

 

CMYK 0 / 88 / 75 / 4

HEX #F51D3E

RGB 245 29 62

HSL 350.83, 0.92%, 0.54%

LAB 52.55, 75.95, 40.08

 

CMYK 57 / 0 / 88 / 4

HEX #69F51D

RGB 105 245 29

HSL 98.89, 0.92%, 0.54%

LAB 86.2, -69.95, 79.47

 

CMYK 88 / 0 / 13 / 4

HEX #1DF5D5

RGB 29 245 213

HSL 171.11, 0.92%, 0.54%

LAB 87.18, -54.55, 1.93

 

CMYK 30 / 88 / 0 / 4

HEX #AB1DF6

RGB 171 29 246

HSL 279.26, 0.92%, 0.54%

LAB 47.22, 81.96, -77.66

 

CMYK 0 / 75 / 88 / 4

HEX #F53E1D

RGB 245 62 29

HSL 9.17, 0.92%, 0.54%

LAB 55.02, 67.33, 58.83

 

CMYK 57 / 0 / 88 / 4

HEX #69F51D

RGB 105 245 29

HSL 98.89, 0.92%, 0.54%

LAB 86.2, -69.95, 79.47

 

CMYK 88 / 13 / 0 / 4

HEX #1DD5F5

RGB 29 213 245

HSL 188.89, 0.92%, 0.54%

LAB 78.72, -31.15, -27.63

 

Description

Color code: HEX #AB1DF6 | qconv.com Color code: HEX #AB1DF6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 29 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 29 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 88 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 88% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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