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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1CB8 it is the complementary color #54E347. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1CB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1CB8 shade: #B01CB3, #C12EC6, #D240D9, #E352EC and #F464FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1CB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1CB8 shade: #AB1CB8, #9A0AA5, #890092, #78007F and #67006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1CB8 shade: #AD1CBA, #BA1C9D, #BA1C72, #BA1C47 and #BA1C1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1CB8 shade: #AD1CBA, #821CBA, #581CBA, #2D1CBA and #1C1CBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1CB8 shade matches the following richer shades: #AD1CBA and #BC0BCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1CB8 shade: #AD1CBA, #9F2DA9, #903F98, #825086 and #736175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1CB8 shade: #591CBA, #831CBA, #AD1CBA, #BA1C9D and #BA1C73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1CB8 shade: #6A1173, #8C1696, #AD1CBA, #CE22DE and #D645E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1CB8 shade: #AB1CB8, #BA2E1C and #1CBA6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1CB8 shade: #AB1CB8, #BAAD1C and #1CBAAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1CB8 shade: #AB1CB8, #BA2E1C, #29BA1C and #1CA8BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1CB8 shade: #AB1CB8, #BA5E1C, #29BA1C and #1C78BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 85 / 0 / 28

HEX #AB1CB8

RGB 171 28 184

HSL 295, 0.74%, 0.42%

LAB 42.69, 71.04, -49.41

 

Complementary color

CMYK 63 / 0 / 69 / 11

HEX #54E347

RGB 84 227 71

HSL 115, 0.74%, 0.58%

LAB 80.34, -66.46, 62.08

 

CMYK 2 / 84 / 0 / 30

HEX #B01CB3

RGB 176 28 179

HSL 298.81, 0.73%, 0.41%

LAB 43.23, 71.14, -45.54

 

CMYK 3 / 77 / 0 / 22

HEX #C12EC6

RGB 193 46 198

HSL 298.03, 0.62%, 0.48%

LAB 48.72, 73.03, -47.72

 

CMYK 3 / 71 / 0 / 15

HEX #D240D9

RGB 210 64 217

HSL 297.25, 0.67%, 0.55%

LAB 54.43, 74.03, -49.37

 

CMYK 4 / 65 / 0 / 7

HEX #E352EC

RGB 227 82 236

HSL 296.49, 0.8%, 0.62%

LAB 60.27, 74.45, -50.63

 

CMYK 4 / 61 / 0 / 0

HEX #F464FF

RGB 244 100 255

HSL 295.74, 1%, 0.7%

LAB 66.19, 74.46, -51.6

 

CMYK 7 / 85 / 0 / 28

HEX #AB1CB8

RGB 171 28 184

HSL 295, 0.74%, 0.42%

LAB 42.69, 71.04, -49.41

 

CMYK 7 / 94 / 0 / 35

HEX #9A0AA5

RGB 154 10 165

HSL 295.74, 0.89%, 0.34%

LAB 37.49, 67.96, -46.62

 

CMYK 6 / 100 / 0 / 43

HEX #890092

RGB 137 0 146

HSL 296.3, 1%, 0.29%

LAB 32.69, 63.34, -42.94

 

CMYK 6 / 100 / 0 / 50

HEX #78007F

RGB 120 0 127

HSL 296.69, 1%, 0.25%

LAB 28.18, 57.41, -38.52

 

CMYK 5 / 100 / 0 / 58

HEX #67006C

RGB 103 0 108

HSL 297.22, 1%, 0.21%

LAB 23.56, 51.32, -33.96

 

CMYK 7 / 85 / 0 / 27

HEX #AD1CBA

RGB 173 28 186

HSL 295.06, 0.74%, 0.42%

LAB 43.15, 71.72, -49.82

 

CMYK 0 / 85 / 16 / 27

HEX #BA1C9D

RGB 186 28 157

HSL 311.01, 0.74%, 0.42%

LAB 43.81, 69.89, -31.41

 

CMYK 0 / 85 / 39 / 27

HEX #BA1C72

RGB 186 28 114

HSL 327.34, 0.74%, 0.42%

LAB 41.98, 64.82, -7.9

 

CMYK 0 / 85 / 62 / 27

HEX #BA1C47

RGB 186 28 71

HSL 343.67, 0.74%, 0.42%

LAB 40.77, 61.35, 17.48

 

CMYK 0 / 85 / 84 / 27

HEX #BA1C1D

RGB 186 28 29

HSL 359.62, 0.74%, 0.42%

LAB 40.18, 59.58, 41.94

 

CMYK 7 / 85 / 0 / 27

HEX #AD1CBA

RGB 173 28 186

HSL 295.06, 0.74%, 0.42%

LAB 43.15, 71.72, -49.82

 

CMYK 30 / 85 / 0 / 27

HEX #821CBA

RGB 130 28 186

HSL 278.73, 0.74%, 0.42%

LAB 36.22, 64.61, -61.38

 

CMYK 53 / 85 / 0 / 27

HEX #581CBA

RGB 88 28 186

HSL 262.78, 0.74%, 0.42%

LAB 30.52, 59.08, -70.94

 

CMYK 76 / 85 / 0 / 27

HEX #2D1CBA

RGB 45 28 186

HSL 246.46, 0.74%, 0.42%

LAB 26.54, 55.46, -77.65

 

CMYK 85 / 85 / 0 / 27

HEX #1C1CBA

RGB 28 28 186

HSL 240, 0.74%, 0.42%

LAB 25.63, 54.67, -79.19

 

CMYK 7 / 85 / 0 / 27

HEX #AD1CBA

RGB 173 28 186

HSL 295.06, 0.74%, 0.42%

LAB 43.15, 71.72, -49.82

 

CMYK 8 / 95 / 0 / 20

HEX #BC0BCC

RGB 188 11 204

HSL 295.03, 0.9%, 0.42%

LAB 46.03, 79.59, -55.55

 

CMYK 7 / 85 / 0 / 27

HEX #AD1CBA

RGB 173 28 186

HSL 295.06, 0.74%, 0.42%

LAB 43.15, 71.72, -49.82

 

CMYK 6 / 73 / 0 / 34

HEX #9F2DA9

RGB 159 45 169

HSL 295.16, 0.58%, 0.42%

LAB 41.39, 61.45, -42.71

 

CMYK 5 / 59 / 0 / 40

HEX #903F98

RGB 144 63 152

HSL 294.61, 0.41%, 0.42%

LAB 40.82, 47.17, -33.58

 

CMYK 3 / 40 / 0 / 47

HEX #825086

RGB 130 80 134

HSL 295.56, 0.25%, 0.42%

LAB 41.54, 30.22, -21.69

 

CMYK 2 / 17 / 0 / 54

HEX #736175

RGB 115 97 117

HSL 294, 0.09%, 0.42%

LAB 43.48, 11.15, -8.56

 

CMYK 52 / 85 / 0 / 27

HEX #591CBA

RGB 89 28 186

HSL 263.16, 0.74%, 0.42%

LAB 30.64, 59.19, -70.74

 

CMYK 30 / 85 / 0 / 27

HEX #831CBA

RGB 131 28 186

HSL 279.11, 0.74%, 0.42%

LAB 36.37, 64.76, -61.13

 

CMYK 7 / 85 / 0 / 27

HEX #AD1CBA

RGB 173 28 186

HSL 295.06, 0.74%, 0.42%

LAB 43.15, 71.72, -49.82

 

CMYK 0 / 85 / 16 / 27

HEX #BA1C9D

RGB 186 28 157

HSL 311.01, 0.74%, 0.42%

LAB 43.81, 69.89, -31.41

 

CMYK 0 / 85 / 38 / 27

HEX #BA1C73

RGB 186 28 115

HSL 326.96, 0.74%, 0.42%

LAB 42.01, 64.92, -8.47

 

CMYK 8 / 85 / 0 / 55

HEX #6A1173

RGB 106 17 115

HSL 294.49, 0.74%, 0.26%

LAB 25.87, 49.42, -34.74

 

CMYK 7 / 85 / 0 / 41

HEX #8C1696

RGB 140 22 150

HSL 295.31, 0.74%, 0.34%

LAB 34.7, 60.97, -42.13

 

CMYK 7 / 85 / 0 / 27

HEX #AD1CBA

RGB 173 28 186

HSL 295.06, 0.74%, 0.42%

LAB 43.15, 71.72, -49.82

 

CMYK 7 / 85 / 0 / 13

HEX #CE22DE

RGB 206 34 222

HSL 294.89, 0.74%, 0.5%

LAB 51.31, 82.07, -57.22

 

CMYK 6 / 70 / 0 / 11

HEX #D645E3

RGB 214 69 227

HSL 295.06, 0.74%, 0.58%

LAB 56.19, 74.83, -52.19

 

CMYK 7 / 85 / 0 / 28

HEX #AB1CB8

RGB 171 28 184

HSL 295, 0.74%, 0.42%

LAB 42.69, 71.04, -49.41

 

CMYK 0 / 75 / 85 / 27

HEX #BA2E1C

RGB 186 46 28

HSL 6.84, 0.74%, 0.42%

LAB 41.96, 54.5, 44.04

 

CMYK 85 / 0 / 41 / 27

HEX #1CBA6E

RGB 28 186 110

HSL 151.14, 0.74%, 0.42%

LAB 66.89, -55.74, 27.93

 

CMYK 7 / 85 / 0 / 28

HEX #AB1CB8

RGB 171 28 184

HSL 295, 0.74%, 0.42%

LAB 42.69, 71.04, -49.41

 

CMYK 0 / 7 / 85 / 27

HEX #BAAD1C

RGB 186 173 28

HSL 55.06, 0.74%, 0.42%

LAB 69.76, -9.91, 67.62

 

CMYK 85 / 0 / 7 / 27

HEX #1CBAAD

RGB 28 186 173

HSL 175.06, 0.74%, 0.42%

LAB 68.3, -40.55, -4.28

 

CMYK 7 / 85 / 0 / 28

HEX #AB1CB8

RGB 171 28 184

HSL 295, 0.74%, 0.42%

LAB 42.69, 71.04, -49.41

 

CMYK 0 / 75 / 85 / 27

HEX #BA2E1C

RGB 186 46 28

HSL 6.84, 0.74%, 0.42%

LAB 41.96, 54.5, 44.04

 

CMYK 78 / 0 / 85 / 27

HEX #29BA1C

RGB 41 186 28

HSL 115.06, 0.74%, 0.42%

LAB 66.27, -63.89, 61.73

 

CMYK 85 / 10 / 0 / 27

HEX #1CA8BA

RGB 28 168 186

HSL 186.84, 0.74%, 0.42%

LAB 63.18, -28.15, -19.18

 

CMYK 7 / 85 / 0 / 28

HEX #AB1CB8

RGB 171 28 184

HSL 295, 0.74%, 0.42%

LAB 42.69, 71.04, -49.41

 

CMYK 0 / 49 / 85 / 27

HEX #BA5E1C

RGB 186 94 28

HSL 25.06, 0.74%, 0.42%

LAB 50.13, 33, 51.13

 

CMYK 78 / 0 / 85 / 27

HEX #29BA1C

RGB 41 186 28

HSL 115.06, 0.74%, 0.42%

LAB 66.27, -63.89, 61.73

 

CMYK 85 / 35 / 0 / 27

HEX #1C78BA

RGB 28 120 186

HSL 205.06, 0.74%, 0.42%

LAB 48.54, -1.79, -41.91

 

Description

Color code: HEX #AB1CB8 | qconv.com Color code: HEX #AB1CB8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 28 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 28 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 85 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 85% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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