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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1C71 it is the complementary color #54E38E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1C71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1C71 shade: #B01C6C, #C12E7F, #D24092, #E352A5 and #F464B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1C71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1C71 shade: #AB1C71, #9A0A5E, #89004B, #780038 and #670025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1C71 shade: #AB1C71, #AB1C4A, #AB1C24 and #AB1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1C71 shade: #AB1C71, #AB1C98, #981CAB, #711CAB and #4B1CAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1C71 shade matches the following richer shades: #AB1C71 and #BB0C74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1C71 shade: #AB1C71, #9B2C6E, #8B3C6B, #7B4C68 and #6B5C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1C71 shade: #981CAB, #AB1C98, #AB1C72, #AB1C4C and #AB1C25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1C71 shade: #641042, #88165A, #AB1C71, #CF2288 and #DF3A9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1C71 shade: #AB1C71, #AB721C and #1CABAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1C71 shade: #AB1C71, #72AB1C and #1C72AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1C71 shade: #AB1C71, #AB721C, #1CAB55 and #1C55AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1C71 shade: #AB1C71, #AB9D1C, #1CAB55 and #1C2AAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

Complementary color

CMYK 63 / 0 / 37 / 11

HEX #54E38E

RGB 84 227 142

HSL 144.34, 0.72%, 0.61%

LAB 81.17, -57.04, 30.48

 

CMYK 0 / 84 / 39 / 31

HEX #B01C6C

RGB 176 28 108

HSL 327.57, 0.73%, 0.4%

LAB 39.82, 61.79, -7.58

 

CMYK 0 / 76 / 34 / 24

HEX #C12E7F

RGB 193 46 127

HSL 326.94, 0.62%, 0.47%

LAB 45.39, 63.25, -10.66

 

CMYK 0 / 70 / 30 / 18

HEX #D24092

RGB 210 64 146

HSL 326.3, 0.62%, 0.54%

LAB 51.2, 63.87, -13.07

 

CMYK 0 / 64 / 27 / 11

HEX #E352A5

RGB 227 82 165

HSL 325.66, 0.72%, 0.61%

LAB 57.16, 63.96, -14.99

 

CMYK 0 / 59 / 25 / 4

HEX #F464B8

RGB 244 100 184

HSL 325, 0.87%, 0.67%

LAB 63.18, 63.7, -16.56

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 94 / 39 / 40

HEX #9A0A5E

RGB 154 10 94

HSL 325, 0.88%, 0.32%

LAB 33.76, 58.41, -8.19

 

CMYK 0 / 100 / 45 / 46

HEX #89004B

RGB 137 0 75

HSL 327.15, 1%, 0.27%

LAB 28.97, 54.08, -3.23

 

CMYK 0 / 100 / 53 / 53

HEX #780038

RGB 120 0 56

HSL 332, 1%, 0.24%

LAB 24.57, 48.36, 2.8

 

CMYK 0 / 100 / 64 / 60

HEX #670025

RGB 103 0 37

HSL 338.45, 1%, 0.2%

LAB 20.11, 42.62, 9.32

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 84 / 57 / 33

HEX #AB1C4A

RGB 171 28 74

HSL 340.7, 0.72%, 0.39%

LAB 37.81, 57.54, 11.04

 

CMYK 0 / 84 / 79 / 33

HEX #AB1C24

RGB 171 28 36

HSL 356.64, 0.72%, 0.39%

LAB 37.14, 55.53, 34.03

 

CMYK 0 / 84 / 84 / 33

HEX #AB1C1C

RGB 171 28 28

HSL 0, 0.72%, 0.39%

LAB 37.06, 55.29, 38.47

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 84 / 11 / 33

HEX #AB1C98

RGB 171 28 152

HSL 307.97, 0.72%, 0.39%

LAB 40.82, 66.09, -33.27

 

CMYK 11 / 84 / 0 / 33

HEX #981CAB

RGB 152 28 171

HSL 292.03, 0.72%, 0.39%

LAB 38.63, 65.42, -48.39

 

CMYK 34 / 84 / 0 / 33

HEX #711CAB

RGB 113 28 171

HSL 275.66, 0.72%, 0.39%

LAB 32.44, 58.84, -58.72

 

CMYK 56 / 84 / 0 / 33

HEX #4B1CAB

RGB 75 28 171

HSL 259.72, 0.72%, 0.39%

LAB 27.48, 53.76, -67.05

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 94 / 38 / 27

HEX #BB0C74

RGB 187 12 116

HSL 324.34, 0.88%, 0.39%

LAB 41.36, 67.82, -10.06

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 72 / 29 / 39

HEX #9B2C6E

RGB 155 44 110

HSL 324.32, 0.56%, 0.39%

LAB 37.65, 51.72, -12.49

 

CMYK 0 / 57 / 23 / 45

HEX #8B3C6B

RGB 139 60 107

HSL 324.3, 0.4%, 0.39%

LAB 37.45, 39.32, -11.17

 

CMYK 0 / 38 / 15 / 52

HEX #7B4C68

RGB 123 76 104

HSL 324.26, 0.24%, 0.39%

LAB 38.51, 24.29, -7.91

 

CMYK 0 / 14 / 6 / 58

HEX #6B5C65

RGB 107 92 101

HSL 324, 0.08%, 0.39%

LAB 40.77, 7.8, -2.9

 

CMYK 11 / 84 / 0 / 33

HEX #981CAB

RGB 152 28 171

HSL 292.03, 0.72%, 0.39%

LAB 38.63, 65.42, -48.39

 

CMYK 0 / 84 / 11 / 33

HEX #AB1C98

RGB 171 28 152

HSL 307.97, 0.72%, 0.39%

LAB 40.82, 66.09, -33.27

 

CMYK 0 / 84 / 33 / 33

HEX #AB1C72

RGB 171 28 114

HSL 323.92, 0.72%, 0.39%

LAB 39.08, 61.22, -12.56

 

CMYK 0 / 84 / 56 / 33

HEX #AB1C4C

RGB 171 28 76

HSL 339.86, 0.72%, 0.39%

LAB 37.86, 57.68, 9.82

 

CMYK 0 / 84 / 78 / 33

HEX #AB1C25

RGB 171 28 37

HSL 356.22, 0.72%, 0.39%

LAB 37.16, 55.57, 33.45

 

CMYK 0 / 84 / 34 / 61

HEX #641042

RGB 100 16 66

HSL 324.29, 0.72%, 0.23%

LAB 21.85, 40.54, -8.61

 

CMYK 0 / 84 / 34 / 47

HEX #88165A

RGB 136 22 90

HSL 324.21, 0.72%, 0.31%

LAB 30.75, 51.3, -10.49

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 84 / 34 / 19

HEX #CF2288

RGB 207 34 136

HSL 324.62, 0.72%, 0.47%

LAB 47.22, 70.74, -13.14

 

CMYK 0 / 74 / 30 / 13

HEX #DF3A9C

RGB 223 58 156

HSL 324.36, 0.72%, 0.55%

LAB 53.07, 70.43, -15.96

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 33 / 84 / 33

HEX #AB721C

RGB 171 114 28

HSL 36.08, 0.72%, 0.39%

LAB 52.7, 15.54, 52.55

 

CMYK 84 / 0 / 0 / 33

HEX #1CABAB

RGB 28 171 171

HSL 180, 0.72%, 0.39%

LAB 63.6, -34.3, -10.15

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 33 / 0 / 84 / 33

HEX #72AB1C

RGB 114 171 28

HSL 83.92, 0.72%, 0.39%

LAB 63.99, -39.13, 60.63

 

CMYK 84 / 33 / 0 / 33

HEX #1C72AB

RGB 28 114 171

HSL 203.92, 0.72%, 0.39%

LAB 45.94, -3.88, -37.33

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 33 / 84 / 33

HEX #AB721C

RGB 171 114 28

HSL 36.08, 0.72%, 0.39%

LAB 52.7, 15.54, 52.55

 

CMYK 84 / 0 / 50 / 33

HEX #1CAB55

RGB 28 171 85

HSL 143.92, 0.72%, 0.39%

LAB 61.68, -54.88, 34.17

 

CMYK 84 / 50 / 0 / 33

HEX #1C55AB

RGB 28 85 171

HSL 216.08, 0.72%, 0.39%

LAB 37.27, 14.63, -51.17

 

CMYK 0 / 84 / 34 / 33

HEX #AB1C71

RGB 171 28 113

HSL 324.34, 0.72%, 0.39%

LAB 39.04, 61.11, -11.99

 

CMYK 0 / 8 / 84 / 33

HEX #AB9D1C

RGB 171 157 28

HSL 54.13, 0.72%, 0.39%

LAB 64.04, -8.17, 62.29

 

CMYK 84 / 0 / 50 / 33

HEX #1CAB55

RGB 28 171 85

HSL 143.92, 0.72%, 0.39%

LAB 61.68, -54.88, 34.17

 

CMYK 84 / 75 / 0 / 33

HEX #1C2AAB

RGB 28 42 171

HSL 234.13, 0.72%, 0.39%

LAB 26.28, 42.71, -69.14

 

Description

Color code: HEX #AB1C71 | qconv.com Color code: HEX #AB1C71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 28 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 28 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 34 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 34% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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