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Color name
HEX #AB1655

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1655 it is the complementary color #54E9AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1655. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1655 shade: #B01650, #C12863, #D23A76, #E34C89 and #F45E9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1655. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1655 shade: #AB1655, #9A0442, #89002F, #78001C and #670009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1655 shade: #AC1655, #AC162D and #AC1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1655 shade: #AC1655, #AC167E, #AC16A6, #8916AC and #6116AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1655 shade matches the following richer shades: #AC1655 and #BB0753

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1655 shade: #AC1655, #9C2658, #8C365A, #7C455D and #6D555F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1655 shade: #AC16A7, #AC167F, #AC1657, #AC162F and #AC2516

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1655 shade: #620D31, #871243, #AC1655, #D01B68 and #E4307C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1655 shade: #AB1655, #AC8916 and #1693AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1655 shade: #AB1655, #57AC16 and #1657AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1655 shade: #AB1655, #AC8916, #16AC6B and #1639AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1655 shade: #AB1655, #A2AC16, #16AC6B and #2016AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 50 / 33

HEX #AB1655

RGB 171 22 85

HSL 334.63, 0.77%, 0.38%

LAB 37.64, 59.71, 3.73

 

Complementary color

CMYK 64 / 0 / 27 / 9

HEX #54E9AA

RGB 84 233 170

HSL 154.63, 0.77%, 0.62%

LAB 83.48, -53.93, 19.2

 

CMYK 0 / 88 / 55 / 31

HEX #B01650

RGB 176 22 80

HSL 337.4, 0.78%, 0.39%

LAB 38.52, 60.59, 8.33

 

CMYK 0 / 79 / 49 / 24

HEX #C12863

RGB 193 40 99

HSL 336.86, 0.66%, 0.46%

LAB 43.88, 62.27, 4.4

 

CMYK 0 / 72 / 44 / 18

HEX #D23A76

RGB 210 58 118

HSL 336.32, 0.63%, 0.53%

LAB 49.54, 63.01, 1.3

 

CMYK 0 / 67 / 40 / 11

HEX #E34C89

RGB 227 76 137

HSL 335.76, 0.73%, 0.59%

LAB 55.39, 63.14, -1.19

 

CMYK 0 / 61 / 36 / 4

HEX #F45E9C

RGB 244 94 156

HSL 335.2, 0.87%, 0.66%

LAB 61.34, 62.89, -3.24

 

CMYK 0 / 87 / 50 / 33

HEX #AB1655

RGB 171 22 85

HSL 334.63, 0.77%, 0.38%

LAB 37.64, 59.71, 3.73

 

CMYK 0 / 97 / 57 / 40

HEX #9A0442

RGB 154 4 66

HSL 335.2, 0.95%, 0.31%

LAB 32.59, 56.82, 8.45

 

CMYK 0 / 100 / 66 / 46

HEX #89002F

RGB 137 0 47

HSL 339.42, 1%, 0.27%

LAB 28.18, 51.98, 14.55

 

CMYK 0 / 100 / 77 / 53

HEX #78001C

RGB 120 0 28

HSL 346, 1%, 0.24%

LAB 23.92, 46.63, 21.25

 

CMYK 0 / 100 / 91 / 60

HEX #670009

RGB 103 0 9

HSL 354.76, 1%, 0.2%

LAB 19.65, 41.38, 26.43

 

CMYK 0 / 87 / 51 / 33

HEX #AC1655

RGB 172 22 85

HSL 334.8, 0.77%, 0.38%

LAB 37.84, 59.96, 4.05

 

CMYK 0 / 87 / 74 / 33

HEX #AC162D

RGB 172 22 45

HSL 350.8, 0.77%, 0.38%

LAB 36.99, 57.51, 28.47

 

CMYK 0 / 87 / 87 / 33

HEX #AC1616

RGB 172 22 22

HSL 0, 0.77%, 0.38%

LAB 36.75, 56.79, 41.41

 

CMYK 0 / 87 / 51 / 33

HEX #AC1655

RGB 172 22 85

HSL 334.8, 0.77%, 0.38%

LAB 37.84, 59.96, 4.05

 

CMYK 0 / 87 / 27 / 33

HEX #AC167E

RGB 172 22 126

HSL 318.4, 0.77%, 0.38%

LAB 39.33, 64.1, -19.65

 

CMYK 0 / 87 / 3 / 33

HEX #AC16A6

RGB 172 22 166

HSL 302.4, 0.77%, 0.38%

LAB 41.37, 69.54, -40.82

 

CMYK 20 / 87 / 0 / 33

HEX #8916AC

RGB 137 22 172

HSL 286, 0.77%, 0.38%

LAB 35.73, 64.4, -53.79

 

CMYK 44 / 87 / 0 / 33

HEX #6116AC

RGB 97 22 172

HSL 270, 0.77%, 0.38%

LAB 29.65, 58.61, -63.98

 

CMYK 0 / 87 / 51 / 33

HEX #AC1655

RGB 172 22 85

HSL 334.8, 0.77%, 0.38%

LAB 37.84, 59.96, 4.05

 

CMYK 0 / 96 / 56 / 27

HEX #BB0753

RGB 187 7 83

HSL 334.67, 0.93%, 0.38%

LAB 40.15, 65.58, 9.03

 

CMYK 0 / 87 / 51 / 33

HEX #AC1655

RGB 172 22 85

HSL 334.8, 0.77%, 0.38%

LAB 37.84, 59.96, 4.05

 

CMYK 0 / 76 / 44 / 39

HEX #9C2658

RGB 156 38 88

HSL 334.58, 0.61%, 0.38%

LAB 36.29, 51.64, -0.53

 

CMYK 0 / 61 / 36 / 45

HEX #8C365A

RGB 140 54 90

HSL 334.88, 0.44%, 0.38%

LAB 35.89, 40.26, -2.72

 

CMYK 0 / 44 / 25 / 51

HEX #7C455D

RGB 124 69 93

HSL 333.82, 0.28%, 0.38%

LAB 36.62, 26.91, -3.83

 

CMYK 0 / 22 / 13 / 57

HEX #6D555F

RGB 109 85 95

HSL 335, 0.12%, 0.38%

LAB 38.85, 11.72, -1.99

 

CMYK 0 / 87 / 3 / 33

HEX #AC16A7

RGB 172 22 167

HSL 302, 0.77%, 0.38%

LAB 41.43, 69.69, -41.33

 

CMYK 0 / 87 / 26 / 33

HEX #AC167F

RGB 172 22 127

HSL 318, 0.77%, 0.38%

LAB 39.37, 64.23, -20.2

 

CMYK 0 / 87 / 49 / 33

HEX #AC1657

RGB 172 22 87

HSL 334, 0.77%, 0.38%

LAB 37.9, 60.13, 2.85

 

CMYK 0 / 87 / 73 / 33

HEX #AC162F

RGB 172 22 47

HSL 350, 0.77%, 0.38%

LAB 37.02, 57.59, 27.26

 

CMYK 0 / 78 / 87 / 33

HEX #AC2516

RGB 172 37 22

HSL 6, 0.77%, 0.38%

LAB 38.11, 52.92, 42.55

 

CMYK 0 / 87 / 50 / 62

HEX #620D31

RGB 98 13 49

HSL 334.59, 0.77%, 0.22%

LAB 20.46, 38.94, 1.13

 

CMYK 0 / 87 / 50 / 47

HEX #871243

RGB 135 18 67

HSL 334.87, 0.76%, 0.3%

LAB 29.38, 49.66, 2.67

 

CMYK 0 / 87 / 51 / 33

HEX #AC1655

RGB 172 22 85

HSL 334.8, 0.77%, 0.38%

LAB 37.84, 59.96, 4.05

 

CMYK 0 / 87 / 50 / 18

HEX #D01B68

RGB 208 27 104

HSL 334.48, 0.77%, 0.46%

LAB 45.9, 69.43, 4.57

 

CMYK 0 / 79 / 46 / 11

HEX #E4307C

RGB 228 48 124

HSL 334.67, 0.77%, 0.54%

LAB 51.91, 71.35, 1.52

 

CMYK 0 / 87 / 50 / 33

HEX #AB1655

RGB 171 22 85

HSL 334.63, 0.77%, 0.38%

LAB 37.64, 59.71, 3.73

 

CMYK 0 / 20 / 87 / 33

HEX #AC8916

RGB 172 137 22

HSL 46, 0.77%, 0.38%

LAB 58.71, 2.96, 59.46

 

CMYK 87 / 15 / 0 / 33

HEX #1693AC

RGB 22 147 172

HSL 190, 0.77%, 0.38%

LAB 56.1, -22.55, -22.08

 

CMYK 0 / 87 / 50 / 33

HEX #AB1655

RGB 171 22 85

HSL 334.63, 0.77%, 0.38%

LAB 37.64, 59.71, 3.73

 

CMYK 49 / 0 / 87 / 33

HEX #57AC16

RGB 87 172 22

HSL 94, 0.77%, 0.38%

LAB 63, -49.06, 60.68

 

CMYK 87 / 49 / 0 / 33

HEX #1657AC

RGB 22 87 172

HSL 214, 0.77%, 0.38%

LAB 37.78, 13.21, -50.95

 

CMYK 0 / 87 / 50 / 33

HEX #AB1655

RGB 171 22 85

HSL 334.63, 0.77%, 0.38%

LAB 37.64, 59.71, 3.73

 

CMYK 0 / 20 / 87 / 33

HEX #AC8916

RGB 172 137 22

HSL 46, 0.77%, 0.38%

LAB 58.71, 2.96, 59.46

 

CMYK 87 / 0 / 38 / 33

HEX #16AC6B

RGB 22 172 107

HSL 154, 0.77%, 0.38%

LAB 62.29, -51.71, 23.39

 

CMYK 87 / 67 / 0 / 33

HEX #1639AC

RGB 22 57 172

HSL 226, 0.77%, 0.38%

LAB 29.6, 33.35, -64.28

 

CMYK 0 / 87 / 50 / 33

HEX #AB1655

RGB 171 22 85

HSL 334.63, 0.77%, 0.38%

LAB 37.64, 59.71, 3.73

 

CMYK 6 / 0 / 87 / 33

HEX #A2AC16

RGB 162 172 22

HSL 64, 0.77%, 0.38%

LAB 67.46, -20.08, 66.23

 

CMYK 87 / 0 / 38 / 33

HEX #16AC6B

RGB 22 172 107

HSL 154, 0.77%, 0.38%

LAB 62.29, -51.71, 23.39

 

CMYK 81 / 87 / 0 / 33

HEX #2016AC

RGB 32 22 172

HSL 244, 0.77%, 0.38%

LAB 23.2, 53.11, -74.85

 

Description

Color code: HEX #AB1655 | qconv.com Color code: HEX #AB1655 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 22 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 22 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 50 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 50% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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