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Color name
HEX #AB106A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB106A it is the complementary color #54EF95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB106A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB106A shade: #B01065, #C12278, #D2348B, #E3469E and #F458B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB106A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB106A shade: #AB106A, #9A0057, #890044, #780031 and #67001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB106A shade: #AD106B, #AD1041, #AD1017 and #AD1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB106A shade: #AD106B, #AD1095, #9A10AD, #7010AD and #4510AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB106A shade matches the following richer shades: #AD106B and #BC016D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB106A shade: #AD106B, #9D1F69, #8E2F66, #7F3E64 and #704D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB106A shade: #9A10AD, #AD1095, #AD106B, #AD1042 and #AD1018

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB106A shade: #61093C, #870D54, #AD106B, #D21482 and #EB2598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB106A shade: #AB106A, #AD7110 and #10AAAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB106A shade: #AB106A, #6BAD10 and #106BAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB106A shade: #AB106A, #AD7110, #10AD51 and #104CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB106A shade: #AB106A, #ADA010, #10AD51 and #101DAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 38 / 33

HEX #AB106A

RGB 171 16 106

HSL 325.16, 0.83%, 0.37%

LAB 37.97, 62.69, -9.2

 

Complementary color

CMYK 65 / 0 / 38 / 6

HEX #54EF95

RGB 84 239 149

HSL 145.16, 0.83%, 0.63%

LAB 84.89, -60.33, 31.88

 

CMYK 0 / 91 / 43 / 31

HEX #B01065

RGB 176 16 101

HSL 328.13, 0.83%, 0.38%

LAB 38.8, 63.37, -4.68

 

CMYK 0 / 82 / 38 / 24

HEX #C12278

RGB 193 34 120

HSL 327.55, 0.7%, 0.45%

LAB 44, 65.77, -8.46

 

CMYK 0 / 75 / 34 / 18

HEX #D2348B

RGB 210 52 139

HSL 326.96, 0.64%, 0.51%

LAB 49.52, 67.09, -11.42

 

CMYK 0 / 69 / 30 / 11

HEX #E3469E

RGB 227 70 158

HSL 326.37, 0.74%, 0.58%

LAB 55.26, 67.68, -13.77

 

CMYK 0 / 64 / 27 / 4

HEX #F458B1

RGB 244 88 177

HSL 325.77, 0.88%, 0.65%

LAB 61.12, 67.77, -15.67

 

CMYK 0 / 91 / 38 / 33

HEX #AB106A

RGB 171 16 106

HSL 325.16, 0.83%, 0.37%

LAB 37.97, 62.69, -9.2

 

CMYK 0 / 100 / 44 / 40

HEX #9A0057

RGB 154 0 87

HSL 326.1, 1%, 0.3%

LAB 33.05, 59.08, -4.71

 

CMYK 0 / 100 / 50 / 46

HEX #890044

RGB 137 0 68

HSL 330.22, 1%, 0.27%

LAB 28.74, 53.47, 1.12

 

CMYK 0 / 100 / 59 / 53

HEX #780031

RGB 120 0 49

HSL 335.5, 1%, 0.24%

LAB 24.37, 47.82, 7.36

 

CMYK 0 / 100 / 71 / 60

HEX #67001E

RGB 103 0 30

HSL 342.52, 1%, 0.2%

LAB 19.95, 42.19, 14.09

 

CMYK 0 / 91 / 38 / 32

HEX #AD106B

RGB 173 16 107

HSL 325.22, 0.83%, 0.37%

LAB 38.4, 63.25, -9.13

 

CMYK 0 / 91 / 62 / 32

HEX #AD1041

RGB 173 16 65

HSL 341.27, 0.83%, 0.37%

LAB 37.18, 59.87, 16.04

 

CMYK 0 / 91 / 87 / 32

HEX #AD1017

RGB 173 16 23

HSL 357.32, 0.83%, 0.37%

LAB 36.59, 58.18, 40.85

 

CMYK 0 / 91 / 91 / 32

HEX #AD1010

RGB 173 16 16

HSL 0, 0.83%, 0.37%

LAB 36.54, 58.05, 44.17

 

CMYK 0 / 91 / 38 / 32

HEX #AD106B

RGB 173 16 107

HSL 325.22, 0.83%, 0.37%

LAB 38.4, 63.25, -9.13

 

CMYK 0 / 91 / 14 / 32

HEX #AD1095

RGB 173 16 149

HSL 309.17, 0.83%, 0.37%

LAB 40.29, 68.25, -32.27

 

CMYK 11 / 91 / 0 / 32

HEX #9A10AD

RGB 154 16 173

HSL 292.74, 0.83%, 0.37%

LAB 38.3, 68.48, -50.1

 

CMYK 35 / 91 / 0 / 32

HEX #7010AD

RGB 112 16 173

HSL 276.69, 0.83%, 0.37%

LAB 31.42, 62.21, -61.59

 

CMYK 60 / 91 / 0 / 32

HEX #4510AD

RGB 69 16 173

HSL 260.25, 0.83%, 0.37%

LAB 25.72, 57.63, -71.18

 

CMYK 0 / 91 / 38 / 32

HEX #AD106B

RGB 173 16 107

HSL 325.22, 0.83%, 0.37%

LAB 38.4, 63.25, -9.13

 

CMYK 0 / 99 / 42 / 26

HEX #BC016D

RGB 188 1 109

HSL 325.35, 0.99%, 0.37%

LAB 40.92, 68.5, -6.31

 

CMYK 0 / 91 / 38 / 32

HEX #AD106B

RGB 173 16 107

HSL 325.22, 0.83%, 0.37%

LAB 38.4, 63.25, -9.13

 

CMYK 0 / 80 / 33 / 38

HEX #9D1F69

RGB 157 31 105

HSL 324.76, 0.67%, 0.37%

LAB 36.31, 55.95, -11.34

 

CMYK 0 / 67 / 28 / 44

HEX #8E2F66

RGB 142 47 102

HSL 325.26, 0.5%, 0.37%

LAB 35.48, 45.68, -10.94

 

CMYK 0 / 51 / 21 / 50

HEX #7F3E64

RGB 127 62 100

HSL 324.92, 0.34%, 0.37%

LAB 35.75, 33.07, -9.51

 

CMYK 0 / 31 / 13 / 56

HEX #704D61

RGB 112 77 97

HSL 325.71, 0.19%, 0.37%

LAB 37.14, 18.19, -5.73

 

CMYK 11 / 91 / 0 / 32

HEX #9A10AD

RGB 154 16 173

HSL 292.74, 0.83%, 0.37%

LAB 38.3, 68.48, -50.1

 

CMYK 0 / 91 / 14 / 32

HEX #AD1095

RGB 173 16 149

HSL 309.17, 0.83%, 0.37%

LAB 40.29, 68.25, -32.27

 

CMYK 0 / 91 / 38 / 32

HEX #AD106B

RGB 173 16 107

HSL 325.22, 0.83%, 0.37%

LAB 38.4, 63.25, -9.13

 

CMYK 0 / 91 / 62 / 32

HEX #AD1042

RGB 173 16 66

HSL 340.89, 0.83%, 0.37%

LAB 37.2, 59.93, 15.43

 

CMYK 0 / 91 / 86 / 32

HEX #AD1018

RGB 173 16 24

HSL 356.94, 0.83%, 0.37%

LAB 36.59, 58.2, 40.34

 

CMYK 0 / 91 / 38 / 62

HEX #61093C

RGB 97 9 60

HSL 325.23, 0.83%, 0.21%

LAB 20.29, 40.89, -6.87

 

CMYK 0 / 90 / 38 / 47

HEX #870D54

RGB 135 13 84

HSL 325.08, 0.82%, 0.29%

LAB 29.61, 52.38, -8.3

 

CMYK 0 / 91 / 38 / 32

HEX #AD106B

RGB 173 16 107

HSL 325.22, 0.83%, 0.37%

LAB 38.4, 63.25, -9.13

 

CMYK 0 / 90 / 38 / 18

HEX #D21482

RGB 210 20 130

HSL 325.26, 0.83%, 0.45%

LAB 46.73, 73.26, -10.17

 

CMYK 0 / 84 / 35 / 8

HEX #EB2598

RGB 235 37 152

HSL 325.15, 0.83%, 0.53%

LAB 53.22, 78.15, -13.16

 

CMYK 0 / 91 / 38 / 33

HEX #AB106A

RGB 171 16 106

HSL 325.16, 0.83%, 0.37%

LAB 37.97, 62.69, -9.2

 

CMYK 0 / 35 / 91 / 32

HEX #AD7110

RGB 173 113 16

HSL 37.07, 0.83%, 0.37%

LAB 52.65, 16.7, 56.22

 

CMYK 91 / 2 / 0 / 32

HEX #10AAAD

RGB 16 170 173

HSL 181.15, 0.83%, 0.37%

LAB 63.24, -33.95, -11.82

 

CMYK 0 / 91 / 38 / 33

HEX #AB106A

RGB 171 16 106

HSL 325.16, 0.83%, 0.37%

LAB 37.97, 62.69, -9.2

 

CMYK 38 / 0 / 91 / 32

HEX #6BAD10

RGB 107 173 16

HSL 85.22, 0.83%, 0.37%

LAB 64.2, -42.94, 63.21

 

CMYK 91 / 38 / 0 / 32

HEX #106BAD

RGB 16 107 173

HSL 205.22, 0.83%, 0.37%

LAB 43.72, 0.31, -42.03

 

CMYK 0 / 91 / 38 / 33

HEX #AB106A

RGB 171 16 106

HSL 325.16, 0.83%, 0.37%

LAB 37.97, 62.69, -9.2

 

CMYK 0 / 35 / 91 / 32

HEX #AD7110

RGB 173 113 16

HSL 37.07, 0.83%, 0.37%

LAB 52.65, 16.7, 56.22

 

CMYK 91 / 0 / 53 / 32

HEX #10AD51

RGB 16 173 81

HSL 144.84, 0.83%, 0.37%

LAB 62.16, -57.18, 36.76

 

CMYK 91 / 56 / 0 / 32

HEX #104CAD

RGB 16 76 173

HSL 217.07, 0.83%, 0.37%

LAB 34.59, 20.63, -56.71

 

CMYK 0 / 91 / 38 / 33

HEX #AB106A

RGB 171 16 106

HSL 325.16, 0.83%, 0.37%

LAB 37.97, 62.69, -9.2

 

CMYK 0 / 8 / 91 / 32

HEX #ADA010

RGB 173 160 16

HSL 55.03, 0.83%, 0.37%

LAB 65.01, -9.15, 65.79

 

CMYK 91 / 0 / 53 / 32

HEX #10AD51

RGB 16 173 81

HSL 144.84, 0.83%, 0.37%

LAB 62.16, -57.18, 36.76

 

CMYK 91 / 83 / 0 / 32

HEX #101DAD

RGB 16 29 173

HSL 235.03, 0.83%, 0.37%

LAB 23.69, 49.81, -74.66

 

Description

Color code: HEX #AB106A | qconv.com Color code: HEX #AB106A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 16 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 16 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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