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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB0EA5 it is the complementary color #54F15A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB0EA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB0EA5 shade: #B00EA0, #C120B3, #D232C6, #E344D9 and #F456EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB0EA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB0EA5 shade: #AB0EA5, #9A0092, #89007F, #78006C and #670059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB0EA5 shade: #AA0EA4, #AA0E7A, #AA0E50, #AA0E26 and #AA0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB0EA5 shade: #AA0EA4, #860EAA, #5C0EAA, #320EAA and #0E0EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB0EA5 shade matches the following richer shades: #AA0EA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB0EA5 shade: #AA0EA4, #9B1D96, #8C2B88, #7D3A7B and #6E496D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB0EA5 shade: #5C0EAA, #850EAA, #AA0EA5, #AA0E7B and #AA0E51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB0EA5 shade: #5E085A, #840B7F, #AA0EA4, #D011C9 and #ED1DE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB0EA5 shade: #AB0EA5, #AA320E and #0EAA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB0EA5 shade: #AB0EA5, #A5AA0E and #0EA5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB0EA5 shade: #AB0EA5, #AA320E, #0EAA13 and #0E85AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB0EA5 shade: #AB0EA5, #AA610E, #0EAA13 and #0E57AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 4 / 33

HEX #AB0EA5

RGB 171 14 165

HSL 302.29, 0.85%, 0.36%

LAB 40.72, 70.43, -41.28

 

Complementary color

CMYK 65 / 0 / 63 / 5

HEX #54F15A

RGB 84 241 90

HSL 122.29, 0.85%, 0.64%

LAB 84.76, -69.36, 59.33

 

CMYK 0 / 92 / 9 / 31

HEX #B00EA0

RGB 176 14 160

HSL 305.93, 0.85%, 0.37%

LAB 41.35, 70.62, -37.22

 

CMYK 0 / 83 / 7 / 24

HEX #C120B3

RGB 193 32 179

HSL 305.22, 0.72%, 0.44%

LAB 46.48, 73.55, -40.2

 

CMYK 0 / 76 / 6 / 18

HEX #D232C6

RGB 210 50 198

HSL 304.5, 0.64%, 0.51%

LAB 51.91, 75.36, -42.49

 

CMYK 0 / 70 / 4 / 11

HEX #E344D9

RGB 227 68 217

HSL 303.77, 0.74%, 0.58%

LAB 57.54, 76.37, -44.27

 

CMYK 0 / 65 / 3 / 4

HEX #F456EC

RGB 244 86 236

HSL 303.04, 0.88%, 0.65%

LAB 63.3, 76.81, -45.67

 

CMYK 0 / 92 / 4 / 33

HEX #AB0EA5

RGB 171 14 165

HSL 302.29, 0.85%, 0.36%

LAB 40.72, 70.43, -41.28

 

CMYK 0 / 100 / 5 / 40

HEX #9A0092

RGB 154 0 146

HSL 303.12, 1%, 0.3%

LAB 35.88, 66.23, -37.65

 

CMYK 0 / 100 / 7 / 46

HEX #89007F

RGB 137 0 127

HSL 304.38, 1%, 0.27%

LAB 31.46, 60.39, -33.08

 

CMYK 0 / 100 / 10 / 53

HEX #78006C

RGB 120 0 108

HSL 306, 1%, 0.24%

LAB 26.95, 54.42, -28.35

 

CMYK 0 / 100 / 14 / 60

HEX #670059

RGB 103 0 89

HSL 308.16, 1%, 0.2%

LAB 22.32, 48.3, -23.43

 

CMYK 0 / 92 / 4 / 33

HEX #AA0EA4

RGB 170 14 164

HSL 302.31, 0.85%, 0.36%

LAB 40.48, 70.1, -41.07

 

CMYK 0 / 92 / 28 / 33

HEX #AA0E7A

RGB 170 14 122

HSL 318.46, 0.85%, 0.36%

LAB 38.31, 64.5, -18.75

 

CMYK 0 / 92 / 53 / 33

HEX #AA0E50

RGB 170 14 80

HSL 334.62, 0.85%, 0.36%

LAB 36.82, 60.44, 5.74

 

CMYK 0 / 92 / 78 / 33

HEX #AA0E26

RGB 170 14 38

HSL 350.77, 0.85%, 0.36%

LAB 35.98, 58.11, 31.52

 

CMYK 0 / 92 / 92 / 33

HEX #AA0E0E

RGB 170 14 14

HSL 0, 0.85%, 0.36%

LAB 35.78, 57.51, 44.2

 

CMYK 0 / 92 / 4 / 33

HEX #AA0EA4

RGB 170 14 164

HSL 302.31, 0.85%, 0.36%

LAB 40.48, 70.1, -41.07

 

CMYK 21 / 92 / 0 / 33

HEX #860EAA

RGB 134 14 170

HSL 286.15, 0.85%, 0.36%

LAB 34.57, 65.09, -54.51

 

CMYK 46 / 92 / 0 / 33

HEX #5C0EAA

RGB 92 14 170

HSL 270, 0.85%, 0.36%

LAB 28.09, 59.57, -65.37

 

CMYK 71 / 92 / 0 / 33

HEX #320EAA

RGB 50 14 170

HSL 253.85, 0.85%, 0.36%

LAB 23.32, 56.1, -73.42

 

CMYK 92 / 92 / 0 / 33

HEX #0E0EAA

RGB 14 14 170

HSL 240, 0.85%, 0.36%

LAB 21.24, 54.82, -76.93

 

CMYK 0 / 92 / 4 / 33

HEX #AA0EA4

RGB 170 14 164

HSL 302.31, 0.85%, 0.36%

LAB 40.48, 70.1, -41.07

 

CMYK 0 / 92 / 4 / 33

HEX #AA0EA4

RGB 170 14 164

HSL 302.31, 0.85%, 0.36%

LAB 40.48, 70.1, -41.07

 

CMYK 0 / 81 / 3 / 39

HEX #9B1D96

RGB 155 29 150

HSL 302.38, 0.68%, 0.36%

LAB 37.93, 62.24, -36.82

 

CMYK 0 / 69 / 3 / 45

HEX #8C2B88

RGB 140 43 136

HSL 302.47, 0.53%, 0.36%

LAB 36.14, 52.04, -31.24

 

CMYK 0 / 54 / 2 / 51

HEX #7D3A7B

RGB 125 58 123

HSL 301.79, 0.37%, 0.36%

LAB 35.63, 38.64, -24.16

 

CMYK 0 / 34 / 1 / 57

HEX #6E496D

RGB 110 73 109

HSL 301.62, 0.2%, 0.36%

LAB 36.34, 22.23, -14.49

 

CMYK 46 / 92 / 0 / 33

HEX #5C0EAA

RGB 92 14 170

HSL 270, 0.85%, 0.36%

LAB 28.09, 59.57, -65.37

 

CMYK 22 / 92 / 0 / 33

HEX #850EAA

RGB 133 14 170

HSL 285.77, 0.85%, 0.36%

LAB 34.4, 64.94, -54.79

 

CMYK 0 / 92 / 3 / 33

HEX #AA0EA5

RGB 170 14 165

HSL 301.92, 0.85%, 0.36%

LAB 40.54, 70.25, -41.58

 

CMYK 0 / 92 / 28 / 33

HEX #AA0E7B

RGB 170 14 123

HSL 318.08, 0.85%, 0.36%

LAB 38.36, 64.62, -19.31

 

CMYK 0 / 92 / 52 / 33

HEX #AA0E51

RGB 170 14 81

HSL 334.23, 0.85%, 0.36%

LAB 36.84, 60.52, 5.14

 

CMYK 0 / 91 / 4 / 63

HEX #5E085A

RGB 94 8 90

HSL 302.79, 0.84%, 0.2%

LAB 21.18, 44.74, -26.03

 

CMYK 0 / 92 / 4 / 48

HEX #840B7F

RGB 132 11 127

HSL 302.48, 0.85%, 0.28%

LAB 31.06, 57.81, -33.78

 

CMYK 0 / 92 / 4 / 33

HEX #AA0EA4

RGB 170 14 164

HSL 302.31, 0.85%, 0.36%

LAB 40.48, 70.1, -41.07

 

CMYK 0 / 92 / 3 / 18

HEX #D011C9

RGB 208 17 201

HSL 302.2, 0.85%, 0.44%

LAB 49.53, 81.82, -48.02

 

CMYK 0 / 88 / 3 / 7

HEX #ED1DE5

RGB 237 29 229

HSL 302.31, 0.85%, 0.52%

LAB 56.62, 89.26, -52.4

 

CMYK 0 / 92 / 4 / 33

HEX #AB0EA5

RGB 171 14 165

HSL 302.29, 0.85%, 0.36%

LAB 40.72, 70.43, -41.28

 

CMYK 0 / 71 / 92 / 33

HEX #AA320E

RGB 170 50 14

HSL 13.85, 0.85%, 0.36%

LAB 39.34, 47.51, 46.7

 

CMYK 92 / 0 / 34 / 33

HEX #0EAA71

RGB 14 170 113

HSL 158.08, 0.85%, 0.36%

LAB 61.68, -50.2, 19.32

 

CMYK 0 / 92 / 4 / 33

HEX #AB0EA5

RGB 171 14 165

HSL 302.29, 0.85%, 0.36%

LAB 40.72, 70.43, -41.28

 

CMYK 3 / 0 / 92 / 33

HEX #A5AA0E

RGB 165 170 14

HSL 61.92, 0.85%, 0.36%

LAB 67.11, -17.92, 67.46

 

CMYK 92 / 3 / 0 / 33

HEX #0EA5AA

RGB 14 165 170

HSL 181.92, 0.85%, 0.36%

LAB 61.57, -32.61, -12.65

 

CMYK 0 / 92 / 4 / 33

HEX #AB0EA5

RGB 171 14 165

HSL 302.29, 0.85%, 0.36%

LAB 40.72, 70.43, -41.28

 

CMYK 0 / 71 / 92 / 33

HEX #AA320E

RGB 170 50 14

HSL 13.85, 0.85%, 0.36%

LAB 39.34, 47.51, 46.7

 

CMYK 92 / 0 / 89 / 33

HEX #0EAA13

RGB 14 170 19

HSL 121.92, 0.85%, 0.36%

LAB 60.68, -62.31, 58.65

 

CMYK 92 / 22 / 0 / 33

HEX #0E85AA

RGB 14 133 170

HSL 194.23, 0.85%, 0.36%

LAB 51.58, -16.22, -27.93

 

CMYK 0 / 92 / 4 / 33

HEX #AB0EA5

RGB 171 14 165

HSL 302.29, 0.85%, 0.36%

LAB 40.72, 70.43, -41.28

 

CMYK 0 / 43 / 92 / 33

HEX #AA610E

RGB 170 97 14

HSL 31.92, 0.85%, 0.36%

LAB 48.42, 24.27, 53.34

 

CMYK 92 / 0 / 89 / 33

HEX #0EAA13

RGB 14 170 19

HSL 121.92, 0.85%, 0.36%

LAB 60.68, -62.31, 58.65

 

CMYK 92 / 49 / 0 / 33

HEX #0E57AA

RGB 14 87 170

HSL 211.92, 0.85%, 0.36%

LAB 37.5, 11.9, -50.22

 

Description

Color code: HEX #AB0EA5 | qconv.com Color code: HEX #AB0EA5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 14 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 14 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 4 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 4% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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