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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB0AC8 it is the complementary color #54F537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB0AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB0AC8 shade: #B00AC3, #C11CD6, #D22EE9, #E340FC and #F452FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB0AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB0AC8 shade: #AB0AC8, #9A00B5, #8900A2, #78008F and #67007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB0AC8 shade: #AA0AC7, #C70AB1, #C70A7E, #C70A4B and #C70A18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB0AC8 shade: #AA0AC7, #770AC7, #440AC7, #120AC7 and #0A0AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB0AC8 shade matches the following richer shades: #AA0AC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB0AC8 shade: #AA0AC7, #9E1BB6, #922CA5, #873D94 and #7B4E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB0AC8 shade: #430AC7, #750AC7, #A70AC7, #C70AB4 and #C70A82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB0AC8 shade: #670678, #88089F, #AA0AC7, #CB0DEE and #D630F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB0AC8 shade: #AB0AC8, #C7110A and #0AC75C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB0AC8 shade: #AB0AC8, #C7A70A and #0AC7A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB0AC8 shade: #AB0AC8, #C7110A, #2AC70A and #0AC0C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB0AC8 shade: #AB0AC8, #C7490A, #2AC70A and #0A88C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 95 / 0 / 22

HEX #AB0AC8

RGB 171 10 200

HSL 290.84, 0.9%, 0.41%

LAB 42.83, 76.43, -58.54

 

Complementary color

CMYK 66 / 0 / 78 / 4

HEX #54F537

RGB 84 245 55

HSL 110.84, 0.9%, 0.59%

LAB 85.74, -73.45, 72.84

 

CMYK 10 / 95 / 0 / 24

HEX #B00AC3

RGB 176 10 195

HSL 293.84, 0.9%, 0.4%

LAB 43.34, 76.37, -54.76

 

CMYK 10 / 87 / 0 / 16

HEX #C11CD6

RGB 193 28 214

HSL 293.23, 0.77%, 0.47%

LAB 48.29, 79.72, -57.63

 

CMYK 10 / 80 / 0 / 9

HEX #D22EE9

RGB 210 46 233

HSL 292.62, 0.81%, 0.55%

LAB 53.53, 81.92, -59.84

 

CMYK 10 / 75 / 0 / 1

HEX #E340FC

RGB 227 64 252

HSL 292.02, 0.97%, 0.62%

LAB 59, 83.25, -61.55

 

CMYK 4 / 68 / 0 / 0

HEX #F452FF

RGB 244 82 255

HSL 296.18, 1%, 0.66%

LAB 63.74, 81.29, -55.48

 

CMYK 15 / 95 / 0 / 22

HEX #AB0AC8

RGB 171 10 200

HSL 290.84, 0.9%, 0.41%

LAB 42.83, 76.43, -58.54

 

CMYK 15 / 100 / 0 / 29

HEX #9A00B5

RGB 154 0 181

HSL 291.05, 1%, 0.35%

LAB 38.21, 71.77, -55

 

CMYK 15 / 100 / 0 / 36

HEX #8900A2

RGB 137 0 162

HSL 290.74, 1%, 0.32%

LAB 33.83, 66.03, -50.86

 

CMYK 16 / 100 / 0 / 44

HEX #78008F

RGB 120 0 143

HSL 290.35, 1%, 0.28%

LAB 29.35, 60.16, -46.63

 

CMYK 17 / 100 / 0 / 51

HEX #67007C

RGB 103 0 124

HSL 289.84, 1%, 0.24%

LAB 24.76, 54.14, -42.3

 

CMYK 15 / 95 / 0 / 22

HEX #AA0AC7

RGB 170 10 199

HSL 290.79, 0.9%, 0.41%

LAB 42.59, 76.11, -58.35

 

CMYK 0 / 95 / 11 / 22

HEX #C70AB1

RGB 199 10 177

HSL 306.98, 0.9%, 0.41%

LAB 46.36, 77.59, -39.14

 

CMYK 0 / 95 / 37 / 22

HEX #C70A7E

RGB 199 10 126

HSL 323.17, 0.9%, 0.41%

LAB 44.04, 71.62, -11.98

 

CMYK 0 / 95 / 62 / 22

HEX #C70A4B

RGB 199 10 75

HSL 339.37, 0.9%, 0.41%

LAB 42.56, 67.64, 17.81

 

CMYK 0 / 95 / 88 / 22

HEX #C70A18

RGB 199 10 24

HSL 355.56, 0.9%, 0.41%

LAB 41.88, 65.77, 46.97

 

CMYK 15 / 95 / 0 / 22

HEX #AA0AC7

RGB 170 10 199

HSL 290.79, 0.9%, 0.41%

LAB 42.59, 76.11, -58.35

 

CMYK 40 / 95 / 0 / 22

HEX #770AC7

RGB 119 10 199

HSL 274.6, 0.9%, 0.41%

LAB 34.52, 69.49, -71.86

 

CMYK 66 / 95 / 0 / 22

HEX #440AC7

RGB 68 10 199

HSL 258.41, 0.9%, 0.41%

LAB 28.3, 65.35, -82.35

 

CMYK 91 / 95 / 0 / 22

HEX #120AC7

RGB 18 10 199

HSL 242.54, 0.9%, 0.41%

LAB 25.17, 63.74, -87.66

 

CMYK 95 / 95 / 0 / 22

HEX #0A0AC7

RGB 10 10 199

HSL 240, 0.9%, 0.41%

LAB 24.97, 63.65, -87.99

 

CMYK 15 / 95 / 0 / 22

HEX #AA0AC7

RGB 170 10 199

HSL 290.79, 0.9%, 0.41%

LAB 42.59, 76.11, -58.35

 

CMYK 15 / 95 / 0 / 22

HEX #AA0AC7

RGB 170 10 199

HSL 290.79, 0.9%, 0.41%

LAB 42.59, 76.11, -58.35

 

CMYK 13 / 85 / 0 / 29

HEX #9E1BB6

RGB 158 27 182

HSL 290.71, 0.74%, 0.41%

LAB 40.3, 68.63, -52.19

 

CMYK 12 / 73 / 0 / 35

HEX #922CA5

RGB 146 44 165

HSL 290.58, 0.58%, 0.41%

LAB 38.95, 58.28, -44.35

 

CMYK 9 / 59 / 0 / 42

HEX #873D94

RGB 135 61 148

HSL 291.03, 0.42%, 0.41%

LAB 38.94, 44.92, -34.2

 

CMYK 6 / 40 / 0 / 49

HEX #7B4E83

RGB 123 78 131

HSL 290.94, 0.25%, 0.41%

LAB 40.08, 28.42, -22.19

 

CMYK 66 / 95 / 0 / 22

HEX #430AC7

RGB 67 10 199

HSL 258.1, 0.9%, 0.41%

LAB 28.2, 65.3, -82.51

 

CMYK 41 / 95 / 0 / 22

HEX #750AC7

RGB 117 10 199

HSL 273.97, 0.9%, 0.41%

LAB 34.24, 69.28, -72.34

 

CMYK 16 / 95 / 0 / 22

HEX #A70AC7

RGB 167 10 199

HSL 289.84, 0.9%, 0.41%

LAB 42.09, 75.67, -59.2

 

CMYK 0 / 95 / 10 / 22

HEX #C70AB4

RGB 199 10 180

HSL 306.03, 0.9%, 0.41%

LAB 46.52, 78, -40.65

 

CMYK 0 / 95 / 35 / 22

HEX #C70A82

RGB 199 10 130

HSL 321.9, 0.9%, 0.41%

LAB 44.19, 72.02, -14.21

 

CMYK 14 / 95 / 0 / 53

HEX #670678

RGB 103 6 120

HSL 291.05, 0.9%, 0.25%

LAB 24.86, 52.19, -39.6

 

CMYK 14 / 95 / 0 / 38

HEX #88089F

RGB 136 8 159

HSL 290.86, 0.9%, 0.33%

LAB 33.8, 64.27, -49.1

 

CMYK 15 / 95 / 0 / 22

HEX #AA0AC7

RGB 170 10 199

HSL 290.79, 0.9%, 0.41%

LAB 42.59, 76.11, -58.35

 

CMYK 15 / 95 / 0 / 7

HEX #CB0DEE

RGB 203 13 238

HSL 290.67, 0.9%, 0.49%

LAB 50.87, 87.1, -67.01

 

CMYK 12 / 80 / 0 / 4

HEX #D630F4

RGB 214 48 244

HSL 290.82, 0.9%, 0.57%

LAB 55.01, 83.95, -63.61

 

CMYK 15 / 95 / 0 / 22

HEX #AB0AC8

RGB 171 10 200

HSL 290.84, 0.9%, 0.41%

LAB 42.83, 76.43, -58.54

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 95 / 0 / 54 / 22

HEX #0AC75C

RGB 10 199 92

HSL 146.03, 0.9%, 0.41%

LAB 70.65, -64.29, 41.74

 

CMYK 15 / 95 / 0 / 22

HEX #AB0AC8

RGB 171 10 200

HSL 290.84, 0.9%, 0.41%

LAB 42.83, 76.43, -58.54

 

CMYK 0 / 16 / 95 / 22

HEX #C7A70A

RGB 199 167 10

HSL 49.84, 0.9%, 0.41%

LAB 69.33, -1.31, 71.02

 

CMYK 95 / 0 / 16 / 22

HEX #0AC7A7

RGB 10 199 167

HSL 169.84, 0.9%, 0.41%

LAB 72.03, -48.64, 4.42

 

CMYK 15 / 95 / 0 / 22

HEX #AB0AC8

RGB 171 10 200

HSL 290.84, 0.9%, 0.41%

LAB 42.83, 76.43, -58.54

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 79 / 0 / 95 / 22

HEX #2AC70A

RGB 42 199 10

HSL 109.84, 0.9%, 0.41%

LAB 70.43, -68.2, 68.36

 

CMYK 95 / 4 / 0 / 22

HEX #0AC0C7

RGB 10 192 199

HSL 182.22, 0.9%, 0.41%

LAB 70.79, -36.41, -14.85

 

CMYK 15 / 95 / 0 / 22

HEX #AB0AC8

RGB 171 10 200

HSL 290.84, 0.9%, 0.41%

LAB 42.83, 76.43, -58.54

 

CMYK 0 / 63 / 95 / 22

HEX #C7490A

RGB 199 73 10

HSL 20, 0.9%, 0.41%

LAB 48.17, 47.94, 56.29

 

CMYK 79 / 0 / 95 / 22

HEX #2AC70A

RGB 42 199 10

HSL 109.84, 0.9%, 0.41%

LAB 70.43, -68.2, 68.36

 

CMYK 95 / 32 / 0 / 22

HEX #0A88C7

RGB 10 136 199

HSL 200, 0.9%, 0.41%

LAB 53.81, -7.34, -41.04

 

Description

Color code: HEX #AB0AC8 | qconv.com Color code: HEX #AB0AC8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 10 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 10 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 95 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 95% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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