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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAFC9ACE it is the complementary color #550365CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAFC9ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAFC9ACE shade: #AFFC95CE, #C0FFA8CE, #D1FFBBCE, #E2FFCECE and #F3FFE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAFC9ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAFC9ACE shade: #AAFC9ACE, #99EA87CE, #88D874CE, #77C661CE and #66B44ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAFC9ACE shade: #ACFC9C, #C6FC9C, #DFFC9C, #F9FC9C and #FCE59C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAFC9ACE shade: #ACFC9C, #9CFCA6, #9CFCC0, #9CFCDA and #9CFCF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAFC9ACE shade matches the following richer shades: #ACFC9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAFC9ACE shade: #ACFC9C, #B1F4A4, #B7EBAD, #BCE3B5 and #C2DBBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAFC9ACE shade: #DFFC9C, #C6FC9C, #ACFC9C, #9CFCA6 and #9CFCBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAFC9ACE shade: #68F94C, #8AFB74, #ACFC9C, #CDFDC4 and #EFFEEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAFC9ACE shade: #AAFC9A, #9CF9FC and #FC9CD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAFC9ACE shade: #AAFC9A, #9CACFC and #FC9CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAFC9ACE shade: #AAFC9A, #9CF9FC, #EC9CFC and #FC9F9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAFC9ACE shade: #AAFC9A, #9CDCFC, #EC9CFC and #FCBC9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 32 / 1

HEX #AAFC9ACE

RGBA 170 252 154 0.81

HSLA 110.2, 0.94%, 0.8%, 0.81

LABA 91.91, -42.93, 39.21, 0.81

 

Complementary color

CMYK 13 / 79 / 0 / 49

HEX #550365CE

RGBA 85 3 101 0.81

HSLA 290.2, 0.94%, 0.2%, 0.81

LABA 19.79, 46.24, -35.65, 0.81

 

CMYK 25 / 0 / 33 / 1

HEX #AFFC95CE

RGBA 175 252 149 0.81

HSLA 104.85, 0.94%, 0.79%, 0.81

LABA 92.09, -42.01, 41.94, 0.81

 

CMYK 20 / 0 / 28 / 0

HEX #C0FFA8CE

RGBA 192 255 168 0.81

HSLA 103.45, 1%, 0.83%, 0.81

LABA 94.12, -35.13, 35.4, 0.81

 

CMYK 15 / 0 / 22 / 0

HEX #D1FFBBCE

RGBA 209 255 187 0.81

HSLA 100.59, 1%, 0.87%, 0.81

LABA 95.44, -26.62, 27.82, 0.81

 

CMYK 9 / 0 / 16 / 0

HEX #E2FFCECE

RGBA 226 255 206 0.81

HSLA 95.51, 1%, 0.9%, 0.81

LABA 96.88, -17.9, 20.33, 0.81

 

CMYK 4 / 0 / 10 / 0

HEX #F3FFE1CE

RGBA 243 255 225 0.81

HSLA 84, 1%, 0.94%, 0.81

LABA 98.44, -9.07, 12.99, 0.81

 

CMYK 26 / 0 / 32 / 1

HEX #AAFC9ACE

RGBA 170 252 154 0.81

HSLA 110.2, 0.94%, 0.8%, 0.81

LABA 91.91, -42.93, 39.21, 0.81

 

CMYK 28 / 0 / 34 / 7

HEX #99EA87CE

RGBA 153 234 135 0.81

HSLA 109.09, 0.7%, 0.72%, 0.81

LABA 85.69, -43.12, 40.37, 0.81

 

CMYK 30 / 0 / 38 / 12

HEX #88D874CE

RGBA 136 216 116 0.81

HSLA 108, 0.56%, 0.65%, 0.81

LABA 79.39, -43.27, 41.57, 0.81

 

CMYK 32 / 0 / 41 / 18

HEX #77C661CE

RGBA 119 198 97 0.81

HSLA 106.93, 0.47%, 0.58%, 0.81

LABA 73.01, -43.37, 42.79, 0.81

 

CMYK 35 / 0 / 46 / 24

HEX #66B44ECE

RGBA 102 180 78 0.81

HSLA 105.88, 0.4%, 0.51%, 0.81

LABA 66.53, -43.38, 43.97, 0.81

 

CMYK 32 / 0 / 38 / 1

HEX #ACFC9C

RGB 172 252 156

HSL 110, 0.94%, 0.8%

LAB 92.04, -42.02, 38.41

 

CMYK 21 / 0 / 38 / 1

HEX #C6FC9C

RGB 198 252 156

HSL 93.75, 0.94%, 0.8%

LAB 93.46, -33.35, 40.54

 

CMYK 12 / 0 / 38 / 1

HEX #DFFC9C

RGB 223 252 156

HSL 78.13, 0.94%, 0.8%

LAB 95.04, -24.42, 42.88

 

CMYK 1 / 0 / 38 / 1

HEX #F9FC9C

RGB 249 252 156

HSL 61.88, 0.94%, 0.8%

LAB 96.89, -14.73, 45.62

 

CMYK 0 / 9 / 38 / 1

HEX #FCE59C

RGB 252 229 156

HSL 45.63, 0.94%, 0.8%

LAB 91.3, -2.16, 38.46

 

CMYK 32 / 0 / 38 / 1

HEX #ACFC9C

RGB 172 252 156

HSL 110, 0.94%, 0.8%

LAB 92.04, -42.02, 38.41

 

CMYK 38 / 0 / 34 / 1

HEX #9CFCA6

RGB 156 252 166

HSL 126.25, 0.94%, 0.8%

LAB 91.43, -45.4, 32.5

 

CMYK 38 / 0 / 24 / 1

HEX #9CFCC0

RGB 156 252 192

HSL 142.5, 0.94%, 0.8%

LAB 91.91, -40.93, 19.97

 

CMYK 38 / 0 / 13 / 1

HEX #9CFCDA

RGB 156 252 218

HSL 158.75, 0.94%, 0.8%

LAB 92.46, -35.82, 7.38

 

CMYK 38 / 0 / 3 / 1

HEX #9CFCF4

RGB 156 252 244

HSL 175, 0.94%, 0.8%

LAB 93.11, -30.13, -5.13

 

CMYK 32 / 0 / 38 / 1

HEX #ACFC9C

RGB 172 252 156

HSL 110, 0.94%, 0.8%

LAB 92.04, -42.02, 38.41

 

CMYK 32 / 0 / 38 / 1

HEX #ACFC9C

RGB 172 252 156

HSL 110, 0.94%, 0.8%

LAB 92.04, -42.02, 38.41

 

CMYK 27 / 0 / 33 / 4

HEX #B1F4A4

RGB 177 244 164

HSL 110.25, 0.78%, 0.8%

LAB 90.2, -35.65, 32.03

 

CMYK 22 / 0 / 26 / 8

HEX #B7EBAD

RGB 183 235 173

HSL 110.32, 0.61%, 0.8%

LAB 88.21, -28.08, 24.82

 

CMYK 17 / 0 / 20 / 11

HEX #BCE3B5

RGB 188 227 181

HSL 110.87, 0.45%, 0.8%

LAB 86.49, -21.22, 18.35

 

CMYK 11 / 0 / 14 / 14

HEX #C2DBBD

RGB 194 219 189

HSL 110, 0.29%, 0.8%

LAB 84.9, -13.84, 11.97

 

CMYK 12 / 0 / 38 / 1

HEX #DFFC9C

RGB 223 252 156

HSL 78.13, 0.94%, 0.8%

LAB 95.04, -24.42, 42.88

 

CMYK 21 / 0 / 38 / 1

HEX #C6FC9C

RGB 198 252 156

HSL 93.75, 0.94%, 0.8%

LAB 93.46, -33.35, 40.54

 

CMYK 32 / 0 / 38 / 1

HEX #ACFC9C

RGB 172 252 156

HSL 110, 0.94%, 0.8%

LAB 92.04, -42.02, 38.41

 

CMYK 38 / 0 / 34 / 1

HEX #9CFCA6

RGB 156 252 166

HSL 126.25, 0.94%, 0.8%

LAB 91.43, -45.4, 32.5

 

CMYK 38 / 0 / 24 / 1

HEX #9CFCBF

RGB 156 252 191

HSL 141.88, 0.94%, 0.8%

LAB 91.89, -41.11, 20.45

 

CMYK 58 / 0 / 69 / 2

HEX #68F94C

RGB 104 249 76

HSL 110.29, 0.94%, 0.64%

LAB 87.59, -69.06, 67.97

 

CMYK 45 / 0 / 54 / 2

HEX #8AFB74

RGB 138 251 116

HSL 110.22, 0.94%, 0.72%

LAB 89.7, -57.07, 54.17

 

CMYK 32 / 0 / 38 / 1

HEX #ACFC9C

RGB 172 252 156

HSL 110, 0.94%, 0.8%

LAB 92.04, -42.02, 38.41

 

CMYK 19 / 0 / 23 / 1

HEX #CDFDC4

RGB 205 253 196

HSL 110.53, 0.93%, 0.88%

LAB 94.83, -25.61, 22.38

 

CMYK 6 / 0 / 7 / 0

HEX #EFFEEC

RGB 239 254 236

HSL 110, 0.9%, 0.96%

LAB 98.15, -8.09, 6.91

 

CMYK 33 / 0 / 39 / 1

HEX #AAFC9A

RGB 170 252 154

HSL 110.2, 0.94%, 0.8%

LAB 91.91, -42.93, 39.21

 

CMYK 38 / 1 / 0 / 1

HEX #9CF9FC

RGB 156 249 252

HSL 181.88, 0.94%, 0.8%

LAB 92.51, -26.84, -10.17

 

CMYK 0 / 38 / 17 / 1

HEX #FC9CD2

RGB 252 156 210

HSL 326.25, 0.94%, 0.8%

LAB 75.53, 42.96, -12.39

 

CMYK 33 / 0 / 39 / 1

HEX #AAFC9A

RGB 170 252 154

HSL 110.2, 0.94%, 0.8%

LAB 91.91, -42.93, 39.21

 

CMYK 38 / 32 / 0 / 1

HEX #9CACFC

RGB 156 172 252

HSL 230, 0.94%, 0.8%

LAB 71.96, 13.52, -41.5

 

CMYK 0 / 38 / 32 / 1

HEX #FC9CAC

RGB 252 156 172

HSL 350, 0.94%, 0.8%

LAB 74.48, 37.69, 6.96

 

CMYK 33 / 0 / 39 / 1

HEX #AAFC9A

RGB 170 252 154

HSL 110.2, 0.94%, 0.8%

LAB 91.91, -42.93, 39.21

 

CMYK 38 / 1 / 0 / 1

HEX #9CF9FC

RGB 156 249 252

HSL 181.88, 0.94%, 0.8%

LAB 92.51, -26.84, -10.17

 

CMYK 6 / 38 / 0 / 1

HEX #EC9CFC

RGB 236 156 252

HSL 290, 0.94%, 0.8%

LAB 75.23, 45.15, -35.89

 

CMYK 0 / 37 / 38 / 1

HEX #FC9F9C

RGB 252 159 156

HSL 1.87, 0.94%, 0.8%

LAB 74.76, 34.23, 16.15

 

CMYK 33 / 0 / 39 / 1

HEX #AAFC9A

RGB 170 252 154

HSL 110.2, 0.94%, 0.8%

LAB 91.91, -42.93, 39.21

 

CMYK 38 / 13 / 0 / 1

HEX #9CDCFC

RGB 156 220 252

HSL 200, 0.94%, 0.8%

LAB 84.63, -12.41, -22

 

CMYK 6 / 38 / 0 / 1

HEX #EC9CFC

RGB 236 156 252

HSL 290, 0.94%, 0.8%

LAB 75.23, 45.15, -35.89

 

CMYK 0 / 25 / 38 / 1

HEX #FCBC9C

RGB 252 188 156

HSL 20, 0.94%, 0.8%

LAB 81.33, 19.03, 25.2

 

Description

Color code: HEX #AAFC9ACE | qconv.com Color code: HEX #AAFC9ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 252 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 252 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 32 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 32% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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