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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAF52B it is the complementary color #550AD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAF52B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAF52B shade: #AFF526, #C0FF39, #D1FF4C, #E2FF5F and #F3FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAF52B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAF52B shade: #AAF52B, #99E318, #88D105, #77BF00 and #66AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAF52B shade: #A9F529, #E0F529, #F5D329, #F59C29 and #F56429

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAF52B shade: #A9F529, #72F529, #3BF529, #29F54E and #29F585

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAF52B shade matches the following richer shades: #A9F529

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAF52B shade: #A9F529, #A4E33B, #A0D14D, #9BBE5F and #96AC71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAF52B shade: #F5D329, #E0F529, #AAF529, #74F529 and #3DF529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAF52B shade: #7DC209, #97E90B, #A9F529, #B9F750 and #C9F978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAF52B shade: #AAF52B, #29F59C and #EE29F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAF52B shade: #AAF52B, #29AAF5 and #F529AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAF52B shade: #AAF52B, #29F59C, #7429F5 and #F52981

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAF52B shade: #AAF52B, #29F5DA, #7429F5 and #F52944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 82 / 4

HEX #AAF52B

RGB 170 245 43

HSL 82.28, 0.91%, 0.56%

LAB 88.93, -49.58, 80.08

 

Complementary color

CMYK 60 / 95 / 0 / 17

HEX #550AD4

RGB 85 10 212

HSL 262.28, 0.91%, 0.44%

LAB 31.58, 69.47, -84.43

 

CMYK 29 / 0 / 84 / 4

HEX #AFF526

RGB 175 245 38

HSL 80.29, 0.91%, 0.55%

LAB 89.19, -47.93, 81.49

 

CMYK 25 / 0 / 78 / 0

HEX #C0FF39

RGB 192 255 57

HSL 79.09, 1%, 0.61%

LAB 93.02, -45.26, 80.65

 

CMYK 18 / 0 / 70 / 0

HEX #D1FF4C

RGB 209 255 76

HSL 75.42, 1%, 0.65%

LAB 94.14, -37.96, 76.17

 

CMYK 11 / 0 / 63 / 0

HEX #E2FF5F

RGB 226 255 95

HSL 70.88, 1%, 0.69%

LAB 95.38, -30.29, 70.77

 

CMYK 5 / 0 / 55 / 0

HEX #F3FF72

RGB 243 255 114

HSL 65.11, 1%, 0.72%

LAB 96.73, -22.33, 64.74

 

CMYK 31 / 0 / 82 / 4

HEX #AAF52B

RGB 170 245 43

HSL 82.28, 0.91%, 0.56%

LAB 88.93, -49.58, 80.08

 

CMYK 33 / 0 / 89 / 11

HEX #99E318

RGB 153 227 24

HSL 81.87, 0.81%, 0.49%

LAB 82.79, -48.75, 78.22

 

CMYK 35 / 0 / 98 / 18

HEX #88D105

RGB 136 209 5

HSL 81.47, 0.95%, 0.42%

LAB 76.59, -47.72, 75.1

 

CMYK 38 / 0 / 100 / 25

HEX #77BF00

RGB 119 191 0

HSL 82.62, 1%, 0.37%

LAB 70.3, -46.44, 70.37

 

CMYK 41 / 0 / 100 / 32

HEX #66AD00

RGB 102 173 0

HSL 84.62, 1%, 0.34%

LAB 63.93, -45.04, 65.07

 

CMYK 31 / 0 / 83 / 4

HEX #A9F529

RGB 169 245 41

HSL 82.35, 0.91%, 0.56%

LAB 88.88, -50, 80.46

 

CMYK 9 / 0 / 83 / 4

HEX #E0F529

RGB 224 245 41

HSL 66.18, 0.91%, 0.56%

LAB 92.27, -28.91, 84.7

 

CMYK 0 / 14 / 83 / 4

HEX #F5D329

RGB 245 211 41

HSL 50, 0.91%, 0.56%

LAB 85.08, -3.57, 79.37

 

CMYK 0 / 36 / 83 / 4

HEX #F59C29

RGB 245 156 41

HSL 33.82, 0.91%, 0.56%

LAB 71.79, 25.07, 68.19

 

CMYK 0 / 59 / 83 / 4

HEX #F56429

RGB 245 100 41

HSL 17.35, 0.91%, 0.56%

LAB 60.5, 52.92, 58.47

 

CMYK 31 / 0 / 83 / 4

HEX #A9F529

RGB 169 245 41

HSL 82.35, 0.91%, 0.56%

LAB 88.88, -50, 80.46

 

CMYK 53 / 0 / 83 / 4

HEX #72F529

RGB 114 245 41

HSL 98.53, 0.91%, 0.56%

LAB 86.53, -67.25, 77.49

 

CMYK 76 / 0 / 83 / 4

HEX #3BF529

RGB 59 245 41

HSL 114.71, 0.91%, 0.56%

LAB 85.2, -78.3, 75.8

 

CMYK 83 / 0 / 68 / 4

HEX #29F54E

RGB 41 245 78

HSL 130.88, 0.91%, 0.56%

LAB 85.16, -77.86, 64.31

 

CMYK 83 / 0 / 46 / 4

HEX #29F585

RGB 41 245 133

HSL 147.06, 0.91%, 0.56%

LAB 85.74, -70.84, 40.77

 

CMYK 31 / 0 / 83 / 4

HEX #A9F529

RGB 169 245 41

HSL 82.35, 0.91%, 0.56%

LAB 88.88, -50, 80.46

 

CMYK 31 / 0 / 83 / 4

HEX #A9F529

RGB 169 245 41

HSL 82.35, 0.91%, 0.56%

LAB 88.88, -50, 80.46

 

CMYK 28 / 0 / 74 / 11

HEX #A4E33B

RGB 164 227 59

HSL 82.5, 0.75%, 0.56%

LAB 83.52, -43.44, 70.57

 

CMYK 23 / 0 / 63 / 18

HEX #A0D14D

RGB 160 209 77

HSL 82.27, 0.59%, 0.56%

LAB 78.23, -35.79, 58.42

 

CMYK 18 / 0 / 50 / 25

HEX #9BBE5F

RGB 155 190 95

HSL 82.11, 0.42%, 0.56%

LAB 72.64, -27.15, 43.79

 

CMYK 13 / 0 / 34 / 33

HEX #96AC71

RGB 150 172 113

HSL 82.37, 0.26%, 0.56%

LAB 67.41, -17.93, 27.89

 

CMYK 0 / 14 / 83 / 4

HEX #F5D329

RGB 245 211 41

HSL 50, 0.91%, 0.56%

LAB 85.08, -3.57, 79.37

 

CMYK 9 / 0 / 83 / 4

HEX #E0F529

RGB 224 245 41

HSL 66.18, 0.91%, 0.56%

LAB 92.27, -28.91, 84.7

 

CMYK 31 / 0 / 83 / 4

HEX #AAF529

RGB 170 245 41

HSL 82.06, 0.91%, 0.56%

LAB 88.93, -49.64, 80.53

 

CMYK 53 / 0 / 83 / 4

HEX #74F529

RGB 116 245 41

HSL 97.94, 0.91%, 0.56%

LAB 86.59, -66.72, 77.58

 

CMYK 75 / 0 / 83 / 4

HEX #3DF529

RGB 61 245 41

HSL 114.12, 0.91%, 0.56%

LAB 85.23, -78.03, 75.84

 

CMYK 36 / 0 / 95 / 24

HEX #7DC209

RGB 125 194 9

HSL 82.38, 0.91%, 0.4%

LAB 71.53, -45.39, 70.47

 

CMYK 35 / 0 / 95 / 9

HEX #97E90B

RGB 151 233 11

HSL 82.16, 0.91%, 0.48%

LAB 84.42, -52.13, 81.06

 

CMYK 31 / 0 / 83 / 4

HEX #A9F529

RGB 169 245 41

HSL 82.35, 0.91%, 0.56%

LAB 88.88, -50, 80.46

 

CMYK 25 / 0 / 68 / 3

HEX #B9F750

RGB 185 247 80

HSL 82.28, 0.91%, 0.64%

LAB 90.51, -43.17, 70.62

 

CMYK 19 / 0 / 52 / 2

HEX #C9F978

RGB 201 249 120

HSL 82.33, 0.91%, 0.72%

LAB 92.36, -34.97, 56.3

 

CMYK 31 / 0 / 82 / 4

HEX #AAF52B

RGB 170 245 43

HSL 82.28, 0.91%, 0.56%

LAB 88.93, -49.58, 80.08

 

CMYK 83 / 0 / 36 / 4

HEX #29F59C

RGB 41 245 156

HSL 153.82, 0.91%, 0.56%

LAB 86.09, -66.72, 29.83

 

CMYK 3 / 83 / 0 / 4

HEX #EE29F5

RGB 238 41 245

HSL 297.94, 0.91%, 0.56%

LAB 58.37, 89.76, -58.56

 

CMYK 31 / 0 / 82 / 4

HEX #AAF52B

RGB 170 245 43

HSL 82.28, 0.91%, 0.56%

LAB 88.93, -49.58, 80.08

 

CMYK 83 / 31 / 0 / 4

HEX #29AAF5

RGB 41 170 245

HSL 202.06, 0.91%, 0.56%

LAB 66.38, -8.07, -46.79

 

CMYK 0 / 83 / 31 / 4

HEX #F529AA

RGB 245 41 170

HSL 322.06, 0.91%, 0.56%

LAB 55.99, 81.43, -19.4

 

CMYK 31 / 0 / 82 / 4

HEX #AAF52B

RGB 170 245 43

HSL 82.28, 0.91%, 0.56%

LAB 88.93, -49.58, 80.08

 

CMYK 83 / 0 / 36 / 4

HEX #29F59C

RGB 41 245 156

HSL 153.82, 0.91%, 0.56%

LAB 86.09, -66.72, 29.83

 

CMYK 53 / 83 / 0 / 4

HEX #7429F5

RGB 116 41 245

HSL 262.06, 0.91%, 0.56%

LAB 41.04, 72.23, -87.52

 

CMYK 0 / 83 / 47 / 4

HEX #F52981

RGB 245 41 129

HSL 334.12, 0.91%, 0.56%

LAB 54.64, 77.59, 2.87

 

CMYK 31 / 0 / 82 / 4

HEX #AAF52B

RGB 170 245 43

HSL 82.28, 0.91%, 0.56%

LAB 88.93, -49.58, 80.08

 

CMYK 83 / 0 / 11 / 4

HEX #29F5DA

RGB 41 245 218

HSL 172.06, 0.91%, 0.56%

LAB 87.41, -52.52, -0.34

 

CMYK 53 / 83 / 0 / 4

HEX #7429F5

RGB 116 41 245

HSL 262.06, 0.91%, 0.56%

LAB 41.04, 72.23, -87.52

 

CMYK 0 / 83 / 72 / 4

HEX #F52944

RGB 245 41 68

HSL 352.06, 0.91%, 0.56%

LAB 53.4, 73.96, 37.6

 

Description

Color code: HEX #AAF52B | qconv.com Color code: HEX #AAF52B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 245 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 245 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 82% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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