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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAEF61 it is the complementary color #55109E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAEF61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAEF61 shade: #AFEF5C, #C0FF6F, #D1FF82, #E2FF95 and #F3FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAEF61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAEF61 shade: #AAEF61, #99DD4E, #88CB3B, #77B928 and #66A715

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAEF61 shade: #AAEF61, #D1EF61, #EFE861, #EFC161 and #EF9B61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAEF61 shade: #AAEF61, #84EF61, #61EF65, #61EF8B and #61EFB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAEF61 shade matches the following richer shades: #AAEF61 and #ABFD53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAEF61 shade: #AAEF61, #AAE16F, #AAD37D, #A9C58B and #A9B799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAEF61 shade: #EFE861, #D1EF61, #ABEF61, #85EF61 and #61EF64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAEF61 shade: #82E717, #96EC3C, #AAEF61, #BEF387 and #D3F7AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAEF61 shade: #AAEF61, #61EFC2 and #EF61E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAEF61 shade: #AAEF61, #61ABEF and #EF61AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAEF61 shade: #AAEF61, #61EFC2, #A661EF and #EF618E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAEF61 shade: #AAEF61, #61EFED, #A661EF and #EF6164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

Complementary color

CMYK 46 / 90 / 0 / 38

HEX #55109E

RGB 85 16 158

HSL 269.15, 0.82%, 0.34%

LAB 26.07, 55.51, -61.45

 

CMYK 27 / 0 / 62 / 6

HEX #AFEF5C

RGB 175 239 92

HSL 86.12, 0.82%, 0.65%

LAB 87.79, -42.44, 62.86

 

CMYK 25 / 0 / 56 / 0

HEX #C0FF6F

RGB 192 255 111

HSL 86.25, 1%, 0.72%

LAB 93.4, -41.74, 61.36

 

CMYK 18 / 0 / 49 / 0

HEX #D1FF82

RGB 209 255 130

HSL 82.08, 1%, 0.75%

LAB 94.61, -33.8, 54.52

 

CMYK 11 / 0 / 42 / 0

HEX #E2FF95

RGB 226 255 149

HSL 76.42, 1%, 0.79%

LAB 95.94, -25.54, 47.46

 

CMYK 5 / 0 / 34 / 0

HEX #F3FFA8

RGB 243 255 168

HSL 68.28, 1%, 0.83%

LAB 97.39, -17.08, 40.31

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 31 / 0 / 65 / 13

HEX #99DD4E

RGB 153 221 78

HSL 88.53, 0.68%, 0.59%

LAB 81.31, -43.6, 61.2

 

CMYK 33 / 0 / 71 / 20

HEX #88CB3B

RGB 136 203 59

HSL 87.92, 0.58%, 0.51%

LAB 74.99, -43.28, 61.66

 

CMYK 36 / 0 / 78 / 27

HEX #77B928

RGB 119 185 40

HSL 87.31, 0.64%, 0.44%

LAB 68.59, -42.79, 61.53

 

CMYK 39 / 0 / 87 / 35

HEX #66A715

RGB 102 167 21

HSL 86.71, 0.78%, 0.37%

LAB 62.1, -42.07, 60.38

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 13 / 0 / 59 / 6

HEX #D1EF61

RGB 209 239 97

HSL 72.68, 0.82%, 0.66%

LAB 89.93, -29.3, 63.73

 

CMYK 0 / 3 / 59 / 6

HEX #EFE861

RGB 239 232 97

HSL 57.04, 0.82%, 0.66%

LAB 90.29, -14.01, 64.76

 

CMYK 0 / 19 / 59 / 6

HEX #EFC161

RGB 239 193 97

HSL 40.56, 0.82%, 0.66%

LAB 80.38, 5.79, 53.66

 

CMYK 0 / 35 / 59 / 6

HEX #EF9B61

RGB 239 155 97

HSL 24.51, 0.82%, 0.66%

LAB 71.32, 25.83, 43

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 45 / 0 / 59 / 6

HEX #84EF61

RGB 132 239 97

HSL 105.21, 0.82%, 0.66%

LAB 85.76, -56.14, 57.91

 

CMYK 59 / 0 / 58 / 6

HEX #61EF65

RGB 97 239 101

HSL 121.69, 0.82%, 0.66%

LAB 84.59, -64.78, 54.52

 

CMYK 59 / 0 / 42 / 6

HEX #61EF8B

RGB 97 239 139

HSL 137.75, 0.82%, 0.66%

LAB 85.07, -59.52, 37.17

 

CMYK 59 / 0 / 26 / 6

HEX #61EFB1

RGB 97 239 177

HSL 153.8, 0.82%, 0.66%

LAB 85.73, -52.49, 18.76

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 32 / 0 / 67 / 1

HEX #ABFD53

RGB 171 253 83

HSL 88.94, 0.98%, 0.66%

LAB 91.47, -50.47, 70.27

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 24 / 0 / 51 / 12

HEX #AAE16F

RGB 170 225 111

HSL 88.95, 0.66%, 0.66%

LAB 83.73, -36.24, 49.71

 

CMYK 19 / 0 / 41 / 17

HEX #AAD37D

RGB 170 211 125

HSL 88.6, 0.49%, 0.66%

LAB 79.96, -28.1, 38.22

 

CMYK 14 / 0 / 29 / 23

HEX #A9C58B

RGB 169 197 139

HSL 88.97, 0.33%, 0.66%

LAB 76.21, -19.71, 26.07

 

CMYK 8 / 0 / 16 / 28

HEX #A9B799

RGB 169 183 153

HSL 88, 0.17%, 0.66%

LAB 72.63, -10.33, 13.64

 

CMYK 0 / 3 / 59 / 6

HEX #EFE861

RGB 239 232 97

HSL 57.04, 0.82%, 0.66%

LAB 90.29, -14.01, 64.76

 

CMYK 13 / 0 / 59 / 6

HEX #D1EF61

RGB 209 239 97

HSL 72.68, 0.82%, 0.66%

LAB 89.93, -29.3, 63.73

 

CMYK 28 / 0 / 59 / 6

HEX #ABEF61

RGB 171 239 97

HSL 88.73, 0.82%, 0.66%

LAB 87.61, -43.45, 60.5

 

CMYK 44 / 0 / 59 / 6

HEX #85EF61

RGB 133 239 97

HSL 104.79, 0.82%, 0.66%

LAB 85.8, -55.85, 57.97

 

CMYK 59 / 0 / 58 / 6

HEX #61EF64

RGB 97 239 100

HSL 121.27, 0.82%, 0.66%

LAB 84.58, -64.9, 54.95

 

CMYK 44 / 0 / 90 / 9

HEX #82E717

RGB 130 231 23

HSL 89.13, 0.82%, 0.5%

LAB 82.89, -58.12, 78.01

 

CMYK 36 / 0 / 75 / 7

HEX #96EC3C

RGB 150 236 60

HSL 89.32, 0.82%, 0.58%

LAB 85.4, -52.09, 71.81

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 22 / 0 / 44 / 5

HEX #BEF387

RGB 190 243 135

HSL 89.44, 0.82%, 0.74%

LAB 90.23, -34.62, 46.53

 

CMYK 15 / 0 / 30 / 3

HEX #D3F7AC

RGB 211 247 172

HSL 88.8, 0.82%, 0.82%

LAB 93.17, -24.3, 32.33

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 59 / 0 / 19 / 6

HEX #61EFC2

RGB 97 239 194

HSL 160.99, 0.82%, 0.66%

LAB 86.09, -48.81, 10.43

 

CMYK 0 / 59 / 5 / 6

HEX #EF61E4

RGB 239 97 228

HSL 304.65, 0.82%, 0.66%

LAB 63.76, 70.02, -40.55

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 59 / 28 / 0 / 6

HEX #61ABEF

RGB 97 171 239

HSL 208.73, 0.82%, 0.66%

LAB 67.95, -3.21, -40.94

 

CMYK 0 / 59 / 28 / 6

HEX #EF61AB

RGB 239 97 171

HSL 328.73, 0.82%, 0.66%

LAB 61.52, 61.89, -11.71

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 59 / 0 / 19 / 6

HEX #61EFC2

RGB 97 239 194

HSL 160.99, 0.82%, 0.66%

LAB 86.09, -48.81, 10.43

 

CMYK 31 / 59 / 0 / 6

HEX #A661EF

RGB 166 97 239

HSL 269.15, 0.82%, 0.66%

LAB 54.96, 54.5, -61.24

 

CMYK 0 / 59 / 41 / 6

HEX #EF618E

RGB 239 97 142

HSL 340.99, 0.82%, 0.66%

LAB 60.65, 58.59, 3.77

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF61

RGB 170 239 97

HSL 89.15, 0.82%, 0.66%

LAB 87.55, -43.8, 60.43

 

CMYK 59 / 0 / 1 / 6

HEX #61EFED

RGB 97 239 237

HSL 179.15, 0.82%, 0.66%

LAB 87.19, -38.25, -10.49

 

CMYK 31 / 59 / 0 / 6

HEX #A661EF

RGB 166 97 239

HSL 269.15, 0.82%, 0.66%

LAB 54.96, 54.5, -61.24

 

CMYK 0 / 59 / 58 / 6

HEX #EF6164

RGB 239 97 100

HSL 358.73, 0.82%, 0.66%

LAB 59.73, 54.95, 26.8

 

Description

Color code: HEX #AAEF61 | qconv.com Color code: HEX #AAEF61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 239 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 239 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 59 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 59% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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