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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE841 it is the complementary color #5517BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE841 shade: #AFE83C, #C0FA4F, #D1FF62, #E2FF75 and #F3FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE841 shade: #AAE841, #99D62E, #88C41B, #77B208 and #66A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE841 shade: #A9E740, #D6E740, #E7CB40, #E79E40 and #E77140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE841 shade: #A9E740, #7CE740, #4FE740, #40E75E and #40E78C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE841 shade matches the following richer shades: #A9E740 and #AEF92F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE841 shade: #A9E740, #A5D652, #A0C563, #9CB374 and #98A286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE841 shade: #E7CC40, #D7E740, #AAE740, #7EE740 and #51E740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE841 shade: #80BE17, #99E31C, #A9E740, #BAEC65 and #CAF18A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE841 shade: #AAE841, #40E79F and #E240E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE841 shade: #AAE841, #40AAE7 and #E740AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE841 shade: #AAE841, #40E79F, #7E40E7 and #E74089

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE841 shade: #AAE841, #40E7D1, #7E40E7 and #E74057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 72 / 9

HEX #AAE841

RGB 170 232 65

HSL 82.28, 0.78%, 0.58%

LAB 85.32, -43.07, 70.45

 

Complementary color

CMYK 55 / 88 / 0 / 25

HEX #5517BE

RGB 85 23 190

HSL 262.28, 0.78%, 0.42%

LAB 30.06, 61.34, -74.07

 

CMYK 25 / 0 / 74 / 9

HEX #AFE83C

RGB 175 232 60

HSL 79.88, 0.79%, 0.57%

LAB 85.58, -41.48, 72.44

 

CMYK 23 / 0 / 68 / 2

HEX #C0FA4F

RGB 192 250 79

HSL 80.35, 0.94%, 0.65%

LAB 91.75, -41.96, 72.38

 

CMYK 18 / 0 / 62 / 0

HEX #D1FF62

RGB 209 255 98

HSL 77.58, 1%, 0.69%

LAB 94.29, -36.57, 68.09

 

CMYK 11 / 0 / 54 / 0

HEX #E2FF75

RGB 226 255 117

HSL 72.61, 1%, 0.73%

LAB 95.57, -28.65, 61.79

 

CMYK 5 / 0 / 47 / 0

HEX #F3FF88

RGB 243 255 136

HSL 66.05, 1%, 0.77%

LAB 96.96, -20.47, 55.14

 

CMYK 27 / 0 / 72 / 9

HEX #AAE841

RGB 170 232 65

HSL 82.28, 0.78%, 0.58%

LAB 85.32, -43.07, 70.45

 

CMYK 29 / 0 / 79 / 16

HEX #99D62E

RGB 153 214 46

HSL 81.79, 0.67%, 0.51%

LAB 79.08, -42.52, 70.14

 

CMYK 31 / 0 / 86 / 23

HEX #88C41B

RGB 136 196 27

HSL 81.3, 0.76%, 0.44%

LAB 72.76, -41.79, 68.92

 

CMYK 33 / 0 / 96 / 30

HEX #77B208

RGB 119 178 8

HSL 80.82, 0.91%, 0.36%

LAB 66.35, -40.82, 66.33

 

CMYK 36 / 0 / 100 / 37

HEX #66A000

RGB 102 160 0

HSL 81.75, 1%, 0.31%

LAB 59.86, -39.58, 61.92

 

CMYK 27 / 0 / 72 / 9

HEX #A9E740

RGB 169 231 64

HSL 82.28, 0.78%, 0.58%

LAB 84.97, -43.06, 70.42

 

CMYK 7 / 0 / 72 / 9

HEX #D6E740

RGB 214 231 64

HSL 66.11, 0.78%, 0.58%

LAB 87.88, -25.54, 74.24

 

CMYK 0 / 12 / 72 / 9

HEX #E7CB40

RGB 231 203 64

HSL 49.94, 0.78%, 0.58%

LAB 81.88, -4.63, 68.94

 

CMYK 0 / 32 / 72 / 9

HEX #E79E40

RGB 231 158 64

HSL 33.77, 0.78%, 0.58%

LAB 70.74, 18.98, 57.87

 

CMYK 0 / 51 / 72 / 9

HEX #E77140

RGB 231 113 64

HSL 17.6, 0.78%, 0.58%

LAB 60.93, 42.43, 47.55

 

CMYK 27 / 0 / 72 / 9

HEX #A9E740

RGB 169 231 64

HSL 82.28, 0.78%, 0.58%

LAB 84.97, -43.06, 70.42

 

CMYK 46 / 0 / 72 / 9

HEX #7CE740

RGB 124 231 64

HSL 98.44, 0.78%, 0.58%

LAB 82.81, -58.17, 67.56

 

CMYK 66 / 0 / 72 / 9

HEX #4FE740

RGB 79 231 64

HSL 114.61, 0.78%, 0.58%

LAB 81.39, -69.35, 65.67

 

CMYK 72 / 0 / 59 / 9

HEX #40E75E

RGB 64 231 94

HSL 130.78, 0.78%, 0.58%

LAB 81.32, -69.09, 53.61

 

CMYK 72 / 0 / 39 / 9

HEX #40E78C

RGB 64 231 140

HSL 147.31, 0.78%, 0.58%

LAB 81.91, -62.21, 32.4

 

CMYK 27 / 0 / 72 / 9

HEX #A9E740

RGB 169 231 64

HSL 82.28, 0.78%, 0.58%

LAB 84.97, -43.06, 70.42

 

CMYK 30 / 0 / 81 / 2

HEX #AEF92F

RGB 174 249 47

HSL 82.28, 0.94%, 0.58%

LAB 90.3, -49.66, 80.42

 

CMYK 27 / 0 / 72 / 9

HEX #A9E740

RGB 169 231 64

HSL 82.28, 0.78%, 0.58%

LAB 84.97, -43.06, 70.42

 

CMYK 23 / 0 / 62 / 16

HEX #A5D652

RGB 165 214 82

HSL 82.27, 0.62%, 0.58%

LAB 80.01, -35.79, 58.35

 

CMYK 19 / 0 / 50 / 23

HEX #A0C563

RGB 160 197 99

HSL 82.65, 0.46%, 0.58%

LAB 75.02, -28.17, 44.79

 

CMYK 13 / 0 / 35 / 30

HEX #9CB374

RGB 156 179 116

HSL 81.9, 0.29%, 0.58%

LAB 69.87, -18.78, 29.61

 

CMYK 6 / 0 / 17 / 36

HEX #98A286

RGB 152 162 134

HSL 81.43, 0.13%, 0.58%

LAB 65.15, -8.7, 13.38

 

CMYK 0 / 12 / 72 / 9

HEX #E7CC40

RGB 231 204 64

HSL 50.3, 0.78%, 0.58%

LAB 82.13, -5.14, 69.19

 

CMYK 7 / 0 / 72 / 9

HEX #D7E740

RGB 215 231 64

HSL 65.75, 0.78%, 0.58%

LAB 87.95, -25.14, 74.33

 

CMYK 26 / 0 / 72 / 9

HEX #AAE740

RGB 170 231 64

HSL 81.92, 0.78%, 0.58%

LAB 85.03, -42.69, 70.5

 

CMYK 45 / 0 / 72 / 9

HEX #7EE740

RGB 126 231 64

HSL 97.72, 0.78%, 0.58%

LAB 82.89, -57.57, 67.67

 

CMYK 65 / 0 / 72 / 9

HEX #51E740

RGB 81 231 64

HSL 113.89, 0.78%, 0.58%

LAB 81.44, -68.95, 65.73

 

CMYK 33 / 0 / 88 / 25

HEX #80BE17

RGB 128 190 23

HSL 82.28, 0.78%, 0.42%

LAB 70.51, -42.3, 67.65

 

CMYK 33 / 0 / 88 / 11

HEX #99E31C

RGB 153 227 28

HSL 82.31, 0.78%, 0.5%

LAB 82.8, -48.66, 77.56

 

CMYK 27 / 0 / 72 / 9

HEX #A9E740

RGB 169 231 64

HSL 82.28, 0.78%, 0.58%

LAB 84.97, -43.06, 70.42

 

CMYK 21 / 0 / 57 / 7

HEX #BAEC65

RGB 186 236 101

HSL 82.22, 0.78%, 0.66%

LAB 87.66, -36.34, 59.08

 

CMYK 16 / 0 / 43 / 5

HEX #CAF18A

RGB 202 241 138

HSL 82.72, 0.79%, 0.74%

LAB 90.46, -29.01, 45.54

 

CMYK 27 / 0 / 72 / 9

HEX #AAE841

RGB 170 232 65

HSL 82.28, 0.78%, 0.58%

LAB 85.32, -43.07, 70.45

 

CMYK 72 / 0 / 31 / 9

HEX #40E79F

RGB 64 231 159

HSL 154.13, 0.78%, 0.58%

LAB 82.24, -58.54, 23.13

 

CMYK 2 / 72 / 0 / 9

HEX #E240E7

RGB 226 64 231

HSL 298.2, 0.78%, 0.58%

LAB 57.66, 79.62, -51.98

 

CMYK 27 / 0 / 72 / 9

HEX #AAE841

RGB 170 232 65

HSL 82.28, 0.78%, 0.58%

LAB 85.32, -43.07, 70.45

 

CMYK 72 / 26 / 0 / 9

HEX #40AAE7

RGB 64 170 231

HSL 201.92, 0.78%, 0.58%

LAB 66.22, -10.55, -39.35

 

CMYK 0 / 72 / 26 / 9

HEX #E740AA

RGB 231 64 170

HSL 321.92, 0.78%, 0.58%

LAB 55.64, 72.17, -20.15

 

CMYK 27 / 0 / 72 / 9

HEX #AAE841

RGB 170 232 65

HSL 82.28, 0.78%, 0.58%

LAB 85.32, -43.07, 70.45

 

CMYK 72 / 0 / 31 / 9

HEX #40E79F

RGB 64 231 159

HSL 154.13, 0.78%, 0.58%

LAB 82.24, -58.54, 23.13

 

CMYK 45 / 72 / 0 / 9

HEX #7E40E7

RGB 126 64 231

HSL 262.28, 0.78%, 0.58%

LAB 44.05, 60.94, -74.63

 

CMYK 0 / 72 / 41 / 9

HEX #E74089

RGB 231 64 137

HSL 333.77, 0.78%, 0.58%

LAB 54.51, 68.57, -2.39

 

CMYK 27 / 0 / 72 / 9

HEX #AAE841

RGB 170 232 65

HSL 82.28, 0.78%, 0.58%

LAB 85.32, -43.07, 70.45

 

CMYK 72 / 0 / 10 / 9

HEX #40E7D1

RGB 64 231 209

HSL 172.1, 0.78%, 0.58%

LAB 83.36, -46.84, -1.49

 

CMYK 45 / 72 / 0 / 9

HEX #7E40E7

RGB 126 64 231

HSL 262.28, 0.78%, 0.58%

LAB 44.05, 60.94, -74.63

 

CMYK 0 / 72 / 62 / 9

HEX #E74057

RGB 231 64 87

HSL 351.74, 0.78%, 0.58%

LAB 53.32, 64.65, 25.78

 

Description

Color code: HEX #AAE841 | qconv.com Color code: HEX #AAE841 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 232 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 232 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 72% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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