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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE690 it is the complementary color #55196F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE690 shade: #AFE68B, #C0F89E, #D1FFB1, #E2FFC4 and #F3FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE690 shade: #AAE690, #99D47D, #88C26A, #77B057 and #669E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE690 shade: #A9E68F, #C0E68F, #D8E68F, #E6DC8F and #E6C48F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE690 shade: #A9E68F, #92E68F, #8FE6A3, #8FE6BB and #8FE6D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE690 shade matches the following richer shades: #A9E68F, #A5F184 and #A0FC78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE690 shade: #A9E68F, #ADDA9A, #B2CFA5, #B6C4B0 and #BBB9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE690 shade: #D9E68F, #C1E68F, #AAE68F, #93E68F and #8FE6A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE690 shade: #75D64C, #8FDE6D, #A9E68F, #C3EDB0 and #DDF5D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE690 shade: #AAE690, #8FE6DB and #E68FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE690 shade: #AAE690, #8FAAE6 and #E68FAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE690 shade: #AAE690, #8FE6DB, #CA8FE6 and #E68F99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE690 shade: #AAE690, #8FD6E6, #CA8FE6 and #E69F8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 37 / 10

HEX #AAE690

RGB 170 230 144

HSL 101.86, 0.63%, 0.73%

LAB 85.58, -34.47, 35.93

 

Complementary color

CMYK 23 / 77 / 0 / 56

HEX #55196F

RGB 85 25 111

HSL 281.86, 0.63%, 0.27%

LAB 22.91, 41.5, -37.12

 

CMYK 24 / 0 / 40 / 10

HEX #AFE68B

RGB 175 230 139

HSL 96.26, 0.65%, 0.72%

LAB 85.79, -33.43, 38.76

 

CMYK 23 / 0 / 36 / 3

HEX #C0F89E

RGB 192 248 158

HSL 97.33, 0.87%, 0.8%

LAB 92.05, -33.31, 37.64

 

CMYK 18 / 0 / 31 / 0

HEX #D1FFB1

RGB 209 255 177

HSL 95.38, 1%, 0.85%

LAB 95.27, -28.08, 32.61

 

CMYK 11 / 0 / 23 / 0

HEX #E2FFC4

RGB 226 255 196

HSL 89.49, 1%, 0.88%

LAB 96.69, -19.43, 25.15

 

CMYK 5 / 0 / 16 / 0

HEX #F3FFD7

RGB 243 255 215

HSL 78, 1%, 0.92%

LAB 98.23, -10.65, 17.8

 

CMYK 26 / 0 / 37 / 10

HEX #AAE690

RGB 170 230 144

HSL 101.86, 0.63%, 0.73%

LAB 85.58, -34.47, 35.93

 

CMYK 28 / 0 / 41 / 17

HEX #99D47D

RGB 153 212 125

HSL 100.69, 0.5%, 0.66%

LAB 79.24, -34.62, 37.09

 

CMYK 30 / 0 / 45 / 24

HEX #88C26A

RGB 136 194 106

HSL 99.55, 0.42%, 0.59%

LAB 72.8, -34.75, 38.28

 

CMYK 32 / 0 / 51 / 31

HEX #77B057

RGB 119 176 87

HSL 98.43, 0.36%, 0.52%

LAB 66.26, -34.84, 39.48

 

CMYK 35 / 0 / 57 / 38

HEX #669E44

RGB 102 158 68

HSL 97.33, 0.4%, 0.44%

LAB 59.61, -34.85, 40.66

 

CMYK 27 / 0 / 38 / 10

HEX #A9E68F

RGB 169 230 143

HSL 102.07, 0.64%, 0.73%

LAB 85.51, -34.95, 36.33

 

CMYK 17 / 0 / 38 / 10

HEX #C0E68F

RGB 192 230 143

HSL 86.21, 0.64%, 0.73%

LAB 86.89, -26.85, 38.39

 

CMYK 6 / 0 / 38 / 10

HEX #D8E68F

RGB 216 230 143

HSL 69.66, 0.64%, 0.73%

LAB 88.53, -17.93, 40.83

 

CMYK 0 / 4 / 38 / 10

HEX #E6DC8F

RGB 230 220 143

HSL 53.1, 0.64%, 0.73%

LAB 86.99, -7.56, 39.07

 

CMYK 0 / 15 / 38 / 10

HEX #E6C48F

RGB 230 196 143

HSL 36.55, 0.64%, 0.73%

LAB 80.9, 4.8, 31.09

 

CMYK 27 / 0 / 38 / 10

HEX #A9E68F

RGB 169 230 143

HSL 102.07, 0.64%, 0.73%

LAB 85.51, -34.95, 36.33

 

CMYK 37 / 0 / 38 / 10

HEX #92E68F

RGB 146 230 143

HSL 117.93, 0.64%, 0.73%

LAB 84.32, -42.41, 34.55

 

CMYK 38 / 0 / 29 / 10

HEX #8FE6A3

RGB 143 230 163

HSL 133.79, 0.64%, 0.73%

LAB 84.52, -40.06, 24.59

 

CMYK 38 / 0 / 19 / 10

HEX #8FE6BB

RGB 143 230 187

HSL 150.34, 0.64%, 0.73%

LAB 85.01, -35.57, 12.78

 

CMYK 38 / 0 / 9 / 10

HEX #8FE6D2

RGB 143 230 210

HSL 166.21, 0.64%, 0.73%

LAB 85.55, -30.72, 1.47

 

CMYK 27 / 0 / 38 / 10

HEX #A9E68F

RGB 169 230 143

HSL 102.07, 0.64%, 0.73%

LAB 85.51, -34.95, 36.33

 

CMYK 32 / 0 / 45 / 5

HEX #A5F184

RGB 165 241 132

HSL 101.83, 0.8%, 0.73%

LAB 88.25, -42.67, 45.2

 

CMYK 37 / 0 / 52 / 1

HEX #A0FC78

RGB 160 252 120

HSL 101.82, 0.96%, 0.73%

LAB 90.99, -50.38, 54.12

 

CMYK 27 / 0 / 38 / 10

HEX #A9E68F

RGB 169 230 143

HSL 102.07, 0.64%, 0.73%

LAB 85.51, -34.95, 36.33

 

CMYK 21 / 0 / 29 / 15

HEX #ADDA9A

RGB 173 218 154

HSL 102.19, 0.46%, 0.73%

LAB 82.57, -26.33, 26.86

 

CMYK 14 / 0 / 20 / 19

HEX #B2CFA5

RGB 178 207 165

HSL 101.43, 0.3%, 0.73%

LAB 80.07, -17.41, 17.71

 

CMYK 7 / 0 / 10 / 23

HEX #B6C4B0

RGB 182 196 176

HSL 102, 0.14%, 0.73%

LAB 77.61, -8.49, 8.4

 

CMYK 0 / 1 / 0 / 27

HEX #BBB9BB

RGB 187 185 187

HSL 300, 0.01%, 0.73%

LAB 75.36, 1.07, -0.77

 

CMYK 6 / 0 / 38 / 10

HEX #D9E68F

RGB 217 230 143

HSL 68.97, 0.64%, 0.73%

LAB 88.6, -17.55, 40.94

 

CMYK 16 / 0 / 38 / 10

HEX #C1E68F

RGB 193 230 143

HSL 85.52, 0.64%, 0.73%

LAB 86.95, -26.49, 38.49

 

CMYK 26 / 0 / 38 / 10

HEX #AAE68F

RGB 170 230 143

HSL 101.38, 0.64%, 0.73%

LAB 85.57, -34.61, 36.41

 

CMYK 36 / 0 / 38 / 10

HEX #93E68F

RGB 147 230 143

HSL 117.24, 0.64%, 0.73%

LAB 84.37, -42.1, 34.62

 

CMYK 38 / 0 / 30 / 10

HEX #8FE6A2

RGB 143 230 162

HSL 133.1, 0.64%, 0.73%

LAB 84.51, -40.23, 25.08

 

CMYK 45 / 0 / 64 / 16

HEX #75D64C

RGB 117 214 76

HSL 102.17, 0.63%, 0.57%

LAB 77.52, -52.79, 57.42

 

CMYK 36 / 0 / 51 / 13

HEX #8FDE6D

RGB 143 222 109

HSL 101.95, 0.63%, 0.65%

LAB 81.39, -44.45, 47.49

 

CMYK 27 / 0 / 38 / 10

HEX #A9E68F

RGB 169 230 143

HSL 102.07, 0.64%, 0.73%

LAB 85.51, -34.95, 36.33

 

CMYK 18 / 0 / 26 / 7

HEX #C3EDB0

RGB 195 237 176

HSL 101.31, 0.63%, 0.81%

LAB 89.54, -24.49, 25.21

 

CMYK 10 / 0 / 14 / 4

HEX #DDF5D2

RGB 221 245 210

HSL 101.14, 0.64%, 0.89%

LAB 94.03, -14.06, 14.22

 

CMYK 26 / 0 / 37 / 10

HEX #AAE690

RGB 170 230 144

HSL 101.86, 0.63%, 0.73%

LAB 85.58, -34.47, 35.93

 

CMYK 38 / 0 / 5 / 10

HEX #8FE6DB

RGB 143 230 219

HSL 172.41, 0.64%, 0.73%

LAB 85.78, -28.69, -2.93

 

CMYK 0 / 38 / 11 / 10

HEX #E68FCD

RGB 230 143 205

HSL 317.24, 0.64%, 0.73%

LAB 70.09, 41.7, -18.08

 

CMYK 26 / 0 / 37 / 10

HEX #AAE690

RGB 170 230 144

HSL 101.86, 0.63%, 0.73%

LAB 85.58, -34.47, 35.93

 

CMYK 38 / 26 / 0 / 10

HEX #8FAAE6

RGB 143 170 230

HSL 221.38, 0.64%, 0.73%

LAB 69.68, 5.32, -33.14

 

CMYK 0 / 38 / 26 / 10

HEX #E68FAA

RGB 230 143 170

HSL 341.38, 0.64%, 0.73%

LAB 69.02, 36.39, -0.16

 

CMYK 26 / 0 / 37 / 10

HEX #AAE690

RGB 170 230 144

HSL 101.86, 0.63%, 0.73%

LAB 85.58, -34.47, 35.93

 

CMYK 38 / 0 / 5 / 10

HEX #8FE6DB

RGB 143 230 219

HSL 172.41, 0.64%, 0.73%

LAB 85.78, -28.69, -2.93

 

CMYK 12 / 38 / 0 / 10

HEX #CA8FE6

RGB 202 143 230

HSL 280.69, 0.64%, 0.73%

LAB 67.96, 37.56, -35.44

 

CMYK 0 / 38 / 33 / 10

HEX #E68F99

RGB 230 143 153

HSL 353.1, 0.64%, 0.73%

LAB 68.58, 34.16, 8.73

 

CMYK 26 / 0 / 37 / 10

HEX #AAE690

RGB 170 230 144

HSL 101.86, 0.63%, 0.73%

LAB 85.58, -34.47, 35.93

 

CMYK 38 / 7 / 0 / 10

HEX #8FD6E6

RGB 143 214 230

HSL 191.03, 0.64%, 0.73%

LAB 81.65, -18.18, -14.9

 

CMYK 12 / 38 / 0 / 10

HEX #CA8FE6

RGB 202 143 230

HSL 280.69, 0.64%, 0.73%

LAB 67.96, 37.56, -35.44

 

CMYK 0 / 31 / 38 / 10

HEX #E69F8F

RGB 230 159 143

HSL 11.03, 0.64%, 0.73%

LAB 71.96, 24.45, 19.01

 

Description

Color code: HEX #AAE690 | qconv.com Color code: HEX #AAE690 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 230 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 230 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 37 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 37% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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