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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE5E9 it is the complementary color #551A16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE5E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE5E9 shade: #AFE5E4, #C0F7F7, #D1FFFF, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE5E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE5E9 shade: #AAE5E9, #99D3D6, #88C1C3, #77AFB0 and #669D9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE5E9 shade: #AAE5E9, #AAD4E9, #AAC3E9, #AAB2E9 and #B3AAE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE5E9 shade: #AAE5E9, #AAD4E9, #AAC3E9, #AAB2E9 and #AAAAE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE5E9 shade matches the following richer shades: #AAE5E9, #A1EDF2 and #99F4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE5E9 shade: #AAE5E9, #B3DDE0, #BBD6D8, #C4CECF and #CDC7C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE5E9 shade: #AAE9CB, #AAE9DB, #AAE6E9, #AAD5E9 and #AAC4E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE5E9 shade: #68D1D8, #89DBE1, #AAE5E9, #CBEFF2 and #EBF9FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE5E9 shade: #AAE5E9, #BAAAE9 and #E9D3AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE5E9 shade: #AAE5E9, #E9AAE6 and #E6E9AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE5E9 shade: #AAE5E9, #BAAAE9, #E9ADAA and #D9E9AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE5E9 shade: #AAE5E9, #CDAAE9, #E9ADAA and #C6E9AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

Complementary color

CMYK 0 / 69 / 74 / 67

HEX #551A16

RGB 85 26 22

HSL 3.81, 0.59%, 0.21%

LAB 18.92, 27.1, 17.49

 

CMYK 24 / 0 / 0 / 10

HEX #AFE5E4

RGB 175 229 228

HSL 178.89, 0.51%, 0.79%

LAB 87.37, -17.33, -5.15

 

CMYK 22 / 0 / 0 / 3

HEX #C0F7F7

RGB 192 247 247

HSL 180, 0.77%, 0.86%

LAB 93.64, -17.25, -5.7

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 29 / 1 / 0 / 16

HEX #99D3D6

RGB 153 211 214

HSL 182.95, 0.43%, 0.72%

LAB 80.86, -17.76, -7.48

 

CMYK 30 / 1 / 0 / 24

HEX #88C1C3

RGB 136 193 195

HSL 182.03, 0.33%, 0.65%

LAB 74.39, -17.83, -6.93

 

CMYK 32 / 1 / 0 / 31

HEX #77AFB0

RGB 119 175 176

HSL 181.05, 0.27%, 0.58%

LAB 67.81, -17.92, -6.36

 

CMYK 35 / 0 / 0 / 38

HEX #669D9D

RGB 102 157 157

HSL 180, 0.22%, 0.51%

LAB 61.11, -18.01, -5.76

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 27 / 9 / 0 / 9

HEX #AAD4E9

RGB 170 212 233

HSL 200, 0.59%, 0.79%

LAB 82.66, -9.01, -14.83

 

CMYK 27 / 16 / 0 / 9

HEX #AAC3E9

RGB 170 195 233

HSL 216.19, 0.59%, 0.79%

LAB 78.15, -0.03, -21.64

 

CMYK 27 / 24 / 0 / 9

HEX #AAB2E9

RGB 170 178 233

HSL 232.38, 0.59%, 0.79%

LAB 73.72, 9.24, -28.4

 

CMYK 23 / 27 / 0 / 9

HEX #B3AAE9

RGB 179 170 233

HSL 248.57, 0.59%, 0.79%

LAB 72.37, 16.35, -30.41

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 27 / 9 / 0 / 9

HEX #AAD4E9

RGB 170 212 233

HSL 200, 0.59%, 0.79%

LAB 82.66, -9.01, -14.83

 

CMYK 27 / 16 / 0 / 9

HEX #AAC3E9

RGB 170 195 233

HSL 216.19, 0.59%, 0.79%

LAB 78.15, -0.03, -21.64

 

CMYK 27 / 24 / 0 / 9

HEX #AAB2E9

RGB 170 178 233

HSL 232.38, 0.59%, 0.79%

LAB 73.72, 9.24, -28.4

 

CMYK 27 / 27 / 0 / 9

HEX #AAAAE9

RGB 170 170 233

HSL 240, 0.59%, 0.79%

LAB 71.68, 13.68, -31.55

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 33 / 2 / 0 / 5

HEX #A1EDF2

RGB 161 237 242

HSL 183.7, 0.76%, 0.79%

LAB 89.18, -22.07, -9.88

 

CMYK 39 / 2 / 0 / 2

HEX #99F4FA

RGB 153 244 250

HSL 183.71, 0.91%, 0.79%

LAB 90.95, -25.64, -11.46

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 20 / 1 / 0 / 12

HEX #B3DDE0

RGB 179 221 224

HSL 184, 0.42%, 0.79%

LAB 85.34, -12.96, -6

 

CMYK 13 / 1 / 0 / 15

HEX #BBD6D8

RGB 187 214 216

HSL 184.14, 0.27%, 0.79%

LAB 83.77, -8.54, -4.03

 

CMYK 5 / 0 / 0 / 19

HEX #C4CECF

RGB 196 206 207

HSL 185.45, 0.1%, 0.79%

LAB 82.05, -3.2, -1.68

 

CMYK 0 / 3 / 3 / 20

HEX #CDC7C6

RGB 205 199 198

HSL 8.57, 0.07%, 0.79%

LAB 80.68, 1.9, 1.23

 

CMYK 27 / 0 / 13 / 9

HEX #AAE9CB

RGB 170 233 203

HSL 151.43, 0.59%, 0.79%

LAB 87.55, -25.94, 8.21

 

CMYK 27 / 0 / 6 / 9

HEX #AAE9DB

RGB 170 233 219

HSL 166.67, 0.59%, 0.79%

LAB 87.94, -22.69, 0.39

 

CMYK 27 / 1 / 0 / 9

HEX #AAE6E9

RGB 170 230 233

HSL 182.86, 0.59%, 0.79%

LAB 87.5, -18.18, -7.61

 

CMYK 27 / 9 / 0 / 9

HEX #AAD5E9

RGB 170 213 233

HSL 199.05, 0.59%, 0.79%

LAB 82.92, -9.53, -14.43

 

CMYK 27 / 16 / 0 / 9

HEX #AAC4E9

RGB 170 196 233

HSL 215.24, 0.59%, 0.79%

LAB 78.41, -0.57, -21.24

 

CMYK 52 / 3 / 0 / 15

HEX #68D1D8

RGB 104 209 216

HSL 183.75, 0.59%, 0.63%

LAB 78.17, -28.41, -12.79

 

CMYK 39 / 3 / 0 / 12

HEX #89DBE1

RGB 137 219 225

HSL 184.09, 0.59%, 0.71%

LAB 82.6, -23.44, -10.84

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 16 / 1 / 0 / 5

HEX #CBEFF2

RGB 203 239 242

HSL 184.62, 0.6%, 0.87%

LAB 92.06, -11, -5.36

 

CMYK 6 / 0 / 0 / 2

HEX #EBF9FA

RGB 235 249 250

HSL 184, 0.6%, 0.95%

LAB 96.95, -4.39, -2.07

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 20 / 27 / 0 / 9

HEX #BAAAE9

RGB 186 170 233

HSL 255.24, 0.59%, 0.79%

LAB 72.94, 18.46, -29.5

 

CMYK 0 / 9 / 27 / 9

HEX #E9D3AA

RGB 233 211 170

HSL 39.05, 0.59%, 0.79%

LAB 85.41, 1.48, 23.11

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 0 / 27 / 1 / 9

HEX #E9AAE6

RGB 233 170 230

HSL 302.86, 0.59%, 0.79%

LAB 77.15, 32.72, -21.04

 

CMYK 1 / 0 / 27 / 9

HEX #E6E9AA

RGB 230 233 170

HSL 62.86, 0.59%, 0.79%

LAB 90.78, -10.83, 30.38

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 20 / 27 / 0 / 9

HEX #BAAAE9

RGB 186 170 233

HSL 255.24, 0.59%, 0.79%

LAB 72.94, 18.46, -29.5

 

CMYK 0 / 26 / 27 / 9

HEX #E9ADAA

RGB 233 173 170

HSL 2.86, 0.59%, 0.79%

LAB 76.14, 21.53, 10.15

 

CMYK 7 / 0 / 27 / 9

HEX #D9E9AA

RGB 217 233 170

HSL 75.24, 0.59%, 0.79%

LAB 89.83, -15.62, 28.93

 

CMYK 27 / 2 / 0 / 9

HEX #AAE5E9

RGB 170 229 233

HSL 183.81, 0.59%, 0.79%

LAB 87.23, -17.68, -8.01

 

CMYK 12 / 27 / 0 / 9

HEX #CDAAE9

RGB 205 170 233

HSL 273.33, 0.59%, 0.79%

LAB 74.58, 24.35, -26.84

 

CMYK 0 / 26 / 27 / 9

HEX #E9ADAA

RGB 233 173 170

HSL 2.86, 0.59%, 0.79%

LAB 76.14, 21.53, 10.15

 

CMYK 15 / 0 / 27 / 9

HEX #C6E9AA

RGB 198 233 170

HSL 93.33, 0.59%, 0.79%

LAB 88.54, -22.43, 26.96

 

Description

Color code: HEX #AAE5E9 | qconv.com Color code: HEX #AAE5E9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 229 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 229 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 2 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 2% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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