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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE5E2 it is the complementary color #551A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE5E2 shade: #AFE5DD, #C0F7F0, #D1FFFF, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE5E2 shade: #AAE5E2, #99D3CF, #88C1BC, #77AFA9 and #669D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE5E2 shade: #A9E4E1, #A9E4D1, #A9E4C1, #A9E4B1 and #B0E4A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE5E2 shade: #A9E4E1, #A9D7E4, #A9C7E4, #A9B7E4 and #A9A9E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE5E2 shade matches the following richer shades: #A9E4E1, #A0EDE9 and #97F6F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE5E2 shade: #A9E4E1, #B2DBD9, #BBD2D1, #C4C9C9 and #CDC0C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE5E2 shade: #A9E4C0, #A9E4D0, #A9E4E0, #A9D8E4 and #A9C8E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE5E2 shade: #6AD1CB, #89DAD6, #A9E4E1, #C8EEEC and #E8F8F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE5E2 shade: #AAE5E2, #B1A9E4 and #E4C8A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE5E2 shade: #AAE5E2, #E0A9E4 and #E4E0A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE5E2 shade: #AAE5E2, #B1A9E4, #E4A9AD and #DCE4A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE5E2 shade: #AAE5E2, #C2A9E4, #E4A9AD and #CAE4A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 1 / 10

HEX #AAE5E2

RGB 170 229 226

HSL 176.95, 0.53%, 0.78%

LAB 87.03, -19.22, -4.62

 

Complementary color

CMYK 0 / 69 / 66 / 67

HEX #551A1D

RGB 85 26 29

HSL 356.95, 0.53%, 0.22%

LAB 19.05, 27.6, 12.85

 

CMYK 24 / 0 / 3 / 10

HEX #AFE5DD

RGB 175 229 221

HSL 171.11, 0.51%, 0.79%

LAB 87.18, -18.82, -1.74

 

CMYK 22 / 0 / 3 / 3

HEX #C0F7F0

RGB 192 247 240

HSL 172.36, 0.77%, 0.86%

LAB 93.46, -18.71, -2.34

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 26 / 0 / 1 / 10

HEX #AAE5E2

RGB 170 229 226

HSL 176.95, 0.53%, 0.78%

LAB 87.03, -19.22, -4.62

 

CMYK 27 / 0 / 2 / 17

HEX #99D3CF

RGB 153 211 207

HSL 175.86, 0.4%, 0.71%

LAB 80.66, -19.33, -4.03

 

CMYK 30 / 0 / 3 / 24

HEX #88C1BC

RGB 136 193 188

HSL 174.74, 0.31%, 0.65%

LAB 74.19, -19.45, -3.42

 

CMYK 32 / 0 / 3 / 31

HEX #77AFA9

RGB 119 175 169

HSL 173.57, 0.26%, 0.58%

LAB 67.61, -19.58, -2.78

 

CMYK 35 / 0 / 4 / 38

HEX #669D96

RGB 102 157 150

HSL 172.36, 0.22%, 0.51%

LAB 60.91, -19.72, -2.1

 

CMYK 26 / 0 / 1 / 11

HEX #A9E4E1

RGB 169 228 225

HSL 176.95, 0.52%, 0.78%

LAB 86.68, -19.23, -4.62

 

CMYK 26 / 0 / 8 / 11

HEX #A9E4D1

RGB 169 228 209

HSL 160.68, 0.52%, 0.78%

LAB 86.27, -22.61, 3.21

 

CMYK 26 / 0 / 15 / 11

HEX #A9E4C1

RGB 169 228 193

HSL 144.41, 0.52%, 0.78%

LAB 85.89, -25.76, 11.07

 

CMYK 26 / 0 / 22 / 11

HEX #A9E4B1

RGB 169 228 177

HSL 128.14, 0.52%, 0.78%

LAB 85.55, -28.68, 18.96

 

CMYK 23 / 0 / 26 / 11

HEX #B0E4A9

RGB 176 228 169

HSL 112.88, 0.52%, 0.78%

LAB 85.8, -27.73, 23.51

 

CMYK 26 / 0 / 1 / 11

HEX #A9E4E1

RGB 169 228 225

HSL 176.95, 0.52%, 0.78%

LAB 86.68, -19.23, -4.62

 

CMYK 26 / 6 / 0 / 11

HEX #A9D7E4

RGB 169 215 228

HSL 193.22, 0.52%, 0.78%

LAB 83.25, -12, -11.29

 

CMYK 26 / 13 / 0 / 11

HEX #A9C7E4

RGB 169 199 228

HSL 209.49, 0.52%, 0.78%

LAB 78.97, -3.63, -17.71

 

CMYK 26 / 20 / 0 / 11

HEX #A9B7E4

RGB 169 183 228

HSL 225.76, 0.52%, 0.78%

LAB 74.76, 5, -24.1

 

CMYK 26 / 26 / 0 / 11

HEX #A9A9E4

RGB 169 169 228

HSL 240, 0.52%, 0.78%

LAB 71.15, 12.74, -29.63

 

CMYK 26 / 0 / 1 / 11

HEX #A9E4E1

RGB 169 228 225

HSL 176.95, 0.52%, 0.78%

LAB 86.68, -19.23, -4.62

 

CMYK 32 / 0 / 2 / 7

HEX #A0EDE9

RGB 160 237 233

HSL 176.88, 0.68%, 0.78%

LAB 88.89, -24.4, -5.61

 

CMYK 39 / 0 / 2 / 4

HEX #97F6F1

RGB 151 246 241

HSL 176.84, 0.84%, 0.78%

LAB 91.16, -29.22, -6.48

 

CMYK 26 / 0 / 1 / 11

HEX #A9E4E1

RGB 169 228 225

HSL 176.95, 0.52%, 0.78%

LAB 86.68, -19.23, -4.62

 

CMYK 19 / 0 / 1 / 14

HEX #B2DBD9

RGB 178 219 217

HSL 177.07, 0.36%, 0.78%

LAB 84.55, -13.72, -3.46

 

CMYK 11 / 0 / 0 / 18

HEX #BBD2D1

RGB 187 210 209

HSL 177.39, 0.2%, 0.78%

LAB 82.52, -7.87, -2.13

 

CMYK 2 / 0 / 0 / 21

HEX #C4C9C9

RGB 196 201 201

HSL 180, 0.04%, 0.78%

LAB 80.59, -1.71, -0.61

 

CMYK 0 / 6 / 6 / 20

HEX #CDC0C0

RGB 205 192 192

HSL 0, 0.12%, 0.78%

LAB 78.74, 4.56, 1.63

 

CMYK 26 / 0 / 16 / 11

HEX #A9E4C0

RGB 169 228 192

HSL 143.39, 0.52%, 0.78%

LAB 85.87, -25.95, 11.56

 

CMYK 26 / 0 / 9 / 11

HEX #A9E4D0

RGB 169 228 208

HSL 159.66, 0.52%, 0.78%

LAB 86.24, -22.81, 3.7

 

CMYK 26 / 0 / 2 / 11

HEX #A9E4E0

RGB 169 228 224

HSL 175.93, 0.52%, 0.78%

LAB 86.65, -19.45, -4.13

 

CMYK 26 / 5 / 0 / 11

HEX #A9D8E4

RGB 169 216 228

HSL 192.2, 0.52%, 0.78%

LAB 83.52, -12.51, -10.89

 

CMYK 26 / 12 / 0 / 11

HEX #A9C8E4

RGB 169 200 228

HSL 208.47, 0.52%, 0.78%

LAB 79.24, -4.16, -17.31

 

CMYK 49 / 0 / 3 / 18

HEX #6AD1CB

RGB 106 209 203

HSL 176.5, 0.53%, 0.62%

LAB 77.86, -31.37, -6.26

 

CMYK 37 / 0 / 2 / 15

HEX #89DAD6

RGB 137 218 214

HSL 177.04, 0.52%, 0.7%

LAB 82.01, -25.6, -5.87

 

CMYK 26 / 0 / 1 / 11

HEX #A9E4E1

RGB 169 228 225

HSL 176.95, 0.52%, 0.78%

LAB 86.68, -19.23, -4.62

 

CMYK 16 / 0 / 1 / 7

HEX #C8EEEC

RGB 200 238 236

HSL 176.84, 0.53%, 0.86%

LAB 91.45, -12.63, -3.15

 

CMYK 6 / 0 / 0 / 3

HEX #E8F8F7

RGB 232 248 247

HSL 176.25, 0.53%, 0.94%

LAB 96.41, -5.41, -1.34

 

CMYK 26 / 0 / 1 / 10

HEX #AAE5E2

RGB 170 229 226

HSL 176.95, 0.53%, 0.78%

LAB 87.03, -19.22, -4.62

 

CMYK 22 / 26 / 0 / 11

HEX #B1A9E4

RGB 177 169 228

HSL 248.14, 0.52%, 0.78%

LAB 71.77, 15.14, -28.62

 

CMYK 0 / 12 / 26 / 11

HEX #E4C8A9

RGB 228 200 169

HSL 31.53, 0.52%, 0.78%

LAB 82.2, 5.19, 19.14

 

CMYK 26 / 0 / 1 / 10

HEX #AAE5E2

RGB 170 229 226

HSL 176.95, 0.53%, 0.78%

LAB 87.03, -19.22, -4.62

 

CMYK 2 / 26 / 0 / 11

HEX #E0A9E4

RGB 224 169 228

HSL 295.93, 0.52%, 0.78%

LAB 75.96, 29.97, -21.85

 

CMYK 0 / 2 / 26 / 11

HEX #E4E0A9

RGB 228 224 169

HSL 55.93, 0.52%, 0.78%

LAB 88.29, -7.18, 27.5

 

CMYK 26 / 0 / 1 / 10

HEX #AAE5E2

RGB 170 229 226

HSL 176.95, 0.53%, 0.78%

LAB 87.03, -19.22, -4.62

 

CMYK 22 / 26 / 0 / 11

HEX #B1A9E4

RGB 177 169 228

HSL 248.14, 0.52%, 0.78%

LAB 71.77, 15.14, -28.62

 

CMYK 0 / 26 / 24 / 11

HEX #E4A9AD

RGB 228 169 173

HSL 355.93, 0.52%, 0.78%

LAB 74.75, 22.23, 6.46

 

CMYK 4 / 0 / 26 / 11

HEX #DCE4A9

RGB 220 228 169

HSL 68.14, 0.52%, 0.78%

LAB 88.72, -12.17, 27.97

 

CMYK 26 / 0 / 1 / 10

HEX #AAE5E2

RGB 170 229 226

HSL 176.95, 0.53%, 0.78%

LAB 87.03, -19.22, -4.62

 

CMYK 15 / 26 / 0 / 11

HEX #C2A9E4

RGB 194 169 228

HSL 265.42, 0.52%, 0.78%

LAB 73.19, 20.39, -26.34

 

CMYK 0 / 26 / 24 / 11

HEX #E4A9AD

RGB 228 169 173

HSL 355.93, 0.52%, 0.78%

LAB 74.75, 22.23, 6.46

 

CMYK 11 / 0 / 26 / 11

HEX #CAE4A9

RGB 202 228 169

HSL 86.44, 0.52%, 0.78%

LAB 87.44, -18.71, 26.03

 

Description

Color code: HEX #AAE5E2 | qconv.com Color code: HEX #AAE5E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 229 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 229 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 1 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 1% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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