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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE171 it is the complementary color #551E8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE171 shade: #AFE16C, #C0F37F, #D1FF92, #E2FFA5 and #F3FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE171 shade: #AAE171, #99CF5E, #88BD4B, #77AB38 and #669925

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE171 shade: #A9E170, #C8E170, #E1DB70, #E1BD70 and #E19E70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE171 shade: #A9E170, #8BE170, #70E173, #70E192 and #70E1B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE171 shade matches the following richer shades: #A9E170, #AAEF62 and #AAFD54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE171 shade: #A9E170, #A9D37E, #A9C58C, #A9B79A and #A8A9A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE171 shade: #E1DB70, #C8E170, #AAE170, #8CE170 and #70E172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE171 shade: #81D22C, #95D94E, #A9E170, #BEE892 and #D2EFB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE171 shade: #AAE171, #70E1BD and #E170D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE171 shade: #AAE171, #70AAE1 and #E170AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE171 shade: #AAE171, #70E1BD, #A670E1 and #E17094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE171 shade: #AAE171, #70E1DF, #A670E1 and #E17072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 50 / 12

HEX #AAE171

RGB 170 225 113

HSL 89.46, 0.65%, 0.66%

LAB 83.75, -36.03, 48.79

 

Complementary color

CMYK 40 / 79 / 0 / 44

HEX #551E8E

RGB 85 30 142

HSL 269.46, 0.65%, 0.34%

LAB 26.19, 46.81, -51.4

 

CMYK 22 / 0 / 52 / 12

HEX #AFE16C

RGB 175 225 108

HSL 85.64, 0.66%, 0.65%

LAB 83.99, -34.73, 51.49

 

CMYK 21 / 0 / 48 / 5

HEX #C0F37F

RGB 192 243 127

HSL 86.38, 0.83%, 0.73%

LAB 90.25, -34.8, 50.39

 

CMYK 18 / 0 / 43 / 0

HEX #D1FF92

RGB 209 255 146

HSL 85.32, 1%, 0.79%

LAB 94.8, -32.07, 47.24

 

CMYK 11 / 0 / 35 / 0

HEX #E2FFA5

RGB 226 255 165

HSL 79.33, 1%, 0.82%

LAB 96.16, -23.67, 39.96

 

CMYK 5 / 0 / 28 / 0

HEX #F3FFB8

RGB 243 255 184

HSL 70.14, 1%, 0.86%

LAB 97.65, -15.08, 32.7

 

CMYK 24 / 0 / 50 / 12

HEX #AAE171

RGB 170 225 113

HSL 89.46, 0.65%, 0.66%

LAB 83.75, -36.03, 48.79

 

CMYK 26 / 0 / 55 / 19

HEX #99CF5E

RGB 153 207 94

HSL 88.67, 0.54%, 0.59%

LAB 77.4, -35.98, 49.89

 

CMYK 28 / 0 / 60 / 26

HEX #88BD4B

RGB 136 189 75

HSL 87.89, 0.46%, 0.52%

LAB 70.97, -35.86, 50.88

 

CMYK 30 / 0 / 67 / 33

HEX #77AB38

RGB 119 171 56

HSL 87.13, 0.51%, 0.45%

LAB 64.43, -35.63, 51.65

 

CMYK 33 / 0 / 76 / 40

HEX #669925

RGB 102 153 37

HSL 86.38, 0.61%, 0.37%

LAB 57.79, -35.22, 51.92

 

CMYK 25 / 0 / 50 / 12

HEX #A9E170

RGB 169 225 112

HSL 89.73, 0.65%, 0.66%

LAB 83.68, -36.5, 49.17

 

CMYK 11 / 0 / 50 / 12

HEX #C8E170

RGB 200 225 112

HSL 73.27, 0.65%, 0.66%

LAB 85.66, -24.9, 52

 

CMYK 0 / 3 / 50 / 12

HEX #E1DB70

RGB 225 219 112

HSL 56.81, 0.65%, 0.66%

LAB 85.93, -12.08, 52.78

 

CMYK 0 / 16 / 50 / 12

HEX #E1BD70

RGB 225 189 112

HSL 40.88, 0.65%, 0.66%

LAB 78.21, 3.31, 43.46

 

CMYK 0 / 30 / 50 / 12

HEX #E19E70

RGB 225 158 112

HSL 24.42, 0.65%, 0.66%

LAB 70.62, 19.8, 33.91

 

CMYK 25 / 0 / 50 / 12

HEX #A9E170

RGB 169 225 112

HSL 89.73, 0.65%, 0.66%

LAB 83.68, -36.5, 49.17

 

CMYK 38 / 0 / 50 / 12

HEX #8BE170

RGB 139 225 112

HSL 105.66, 0.65%, 0.66%

LAB 82.11, -46.67, 46.9

 

CMYK 50 / 0 / 49 / 12

HEX #70E173

RGB 112 225 115

HSL 121.59, 0.65%, 0.66%

LAB 81.03, -54.15, 43.89

 

CMYK 50 / 0 / 35 / 12

HEX #70E192

RGB 112 225 146

HSL 138.05, 0.65%, 0.66%

LAB 81.49, -49.34, 29.02

 

CMYK 50 / 0 / 22 / 12

HEX #70E1B0

RGB 112 225 176

HSL 153.98, 0.65%, 0.66%

LAB 82.07, -43.57, 14.22

 

CMYK 25 / 0 / 50 / 12

HEX #A9E170

RGB 169 225 112

HSL 89.73, 0.65%, 0.66%

LAB 83.68, -36.5, 49.17

 

CMYK 29 / 0 / 59 / 6

HEX #AAEF62

RGB 170 239 98

HSL 89.36, 0.82%, 0.66%

LAB 87.56, -43.71, 60.01

 

CMYK 33 / 0 / 67 / 1

HEX #AAFD54

RGB 170 253 84

HSL 89.47, 0.98%, 0.66%

LAB 91.43, -50.74, 69.84

 

CMYK 25 / 0 / 50 / 12

HEX #A9E170

RGB 169 225 112

HSL 89.73, 0.65%, 0.66%

LAB 83.68, -36.5, 49.17

 

CMYK 20 / 0 / 40 / 17

HEX #A9D37E

RGB 169 211 126

HSL 89.65, 0.49%, 0.66%

LAB 79.91, -28.33, 37.64

 

CMYK 14 / 0 / 29 / 23

HEX #A9C58C

RGB 169 197 140

HSL 89.47, 0.33%, 0.66%

LAB 76.23, -19.56, 25.56

 

CMYK 8 / 0 / 16 / 28

HEX #A9B79A

RGB 169 183 154

HSL 88.97, 0.17%, 0.66%

LAB 72.65, -10.16, 13.12

 

CMYK 1 / 0 / 1 / 34

HEX #A8A9A8

RGB 168 169 168

HSL 120, 0.01%, 0.66%

LAB 69.13, -0.54, 0.38

 

CMYK 0 / 3 / 50 / 12

HEX #E1DB70

RGB 225 219 112

HSL 56.81, 0.65%, 0.66%

LAB 85.93, -12.08, 52.78

 

CMYK 11 / 0 / 50 / 12

HEX #C8E170

RGB 200 225 112

HSL 73.27, 0.65%, 0.66%

LAB 85.66, -24.9, 52

 

CMYK 24 / 0 / 50 / 12

HEX #AAE170

RGB 170 225 112

HSL 89.2, 0.65%, 0.66%

LAB 83.74, -36.14, 49.25

 

CMYK 38 / 0 / 50 / 12

HEX #8CE170

RGB 140 225 112

HSL 105.13, 0.65%, 0.66%

LAB 82.16, -46.35, 46.97

 

CMYK 50 / 0 / 49 / 12

HEX #70E172

RGB 112 225 114

HSL 121.06, 0.65%, 0.66%

LAB 81.02, -54.29, 44.35

 

CMYK 39 / 0 / 79 / 18

HEX #81D22C

RGB 129 210 44

HSL 89.28, 0.65%, 0.5%

LAB 76.64, -49.49, 68.02

 

CMYK 31 / 0 / 64 / 15

HEX #95D94E

RGB 149 217 78

HSL 89.35, 0.65%, 0.58%

LAB 79.93, -43.3, 59.66

 

CMYK 25 / 0 / 50 / 12

HEX #A9E170

RGB 169 225 112

HSL 89.73, 0.65%, 0.66%

LAB 83.68, -36.5, 49.17

 

CMYK 18 / 0 / 37 / 9

HEX #BEE892

RGB 190 232 146

HSL 89.3, 0.65%, 0.74%

LAB 87.36, -28.14, 37.47

 

CMYK 12 / 0 / 25 / 6

HEX #D2EFB4

RGB 210 239 180

HSL 89.49, 0.65%, 0.82%

LAB 91.11, -19.64, 25.48

 

CMYK 24 / 0 / 50 / 12

HEX #AAE171

RGB 170 225 113

HSL 89.46, 0.65%, 0.66%

LAB 83.75, -36.03, 48.79

 

CMYK 50 / 0 / 16 / 12

HEX #70E1BD

RGB 112 225 189

HSL 160.88, 0.65%, 0.66%

LAB 82.36, -40.76, 7.78

 

CMYK 0 / 50 / 4 / 12

HEX #E170D7

RGB 225 112 215

HSL 305.31, 0.65%, 0.66%

LAB 63.76, 57.45, -33.42

 

CMYK 24 / 0 / 50 / 12

HEX #AAE171

RGB 170 225 113

HSL 89.46, 0.65%, 0.66%

LAB 83.75, -36.03, 48.79

 

CMYK 50 / 24 / 0 / 12

HEX #70AAE1

RGB 112 170 225

HSL 209.2, 0.65%, 0.66%

LAB 67.75, -3.81, -33.54

 

CMYK 0 / 50 / 24 / 12

HEX #E170AA

RGB 225 112 170

HSL 329.2, 0.65%, 0.66%

LAB 62.08, 50.53, -10.49

 

CMYK 24 / 0 / 50 / 12

HEX #AAE171

RGB 170 225 113

HSL 89.46, 0.65%, 0.66%

LAB 83.75, -36.03, 48.79

 

CMYK 50 / 0 / 16 / 12

HEX #70E1BD

RGB 112 225 189

HSL 160.88, 0.65%, 0.66%

LAB 82.36, -40.76, 7.78

 

CMYK 26 / 50 / 0 / 12

HEX #A670E1

RGB 166 112 225

HSL 268.67, 0.65%, 0.66%

LAB 57.2, 43.23, -49.81

 

CMYK 0 / 50 / 34 / 12

HEX #E17094

RGB 225 112 148

HSL 340.88, 0.65%, 0.66%

LAB 61.42, 47.69, 1.17

 

CMYK 24 / 0 / 50 / 12

HEX #AAE171

RGB 170 225 113

HSL 89.46, 0.65%, 0.66%

LAB 83.75, -36.03, 48.79

 

CMYK 50 / 0 / 1 / 12

HEX #70E1DF

RGB 112 225 223

HSL 178.94, 0.65%, 0.66%

LAB 83.24, -32.59, -8.93

 

CMYK 26 / 50 / 0 / 12

HEX #A670E1

RGB 166 112 225

HSL 268.67, 0.65%, 0.66%

LAB 57.2, 43.23, -49.81

 

CMYK 0 / 50 / 49 / 12

HEX #E17072

RGB 225 112 114

HSL 358.94, 0.65%, 0.66%

LAB 60.61, 44.09, 19.59

 

Description

Color code: HEX #AAE171 | qconv.com Color code: HEX #AAE171 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 225 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 225 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 50 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 50% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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