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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADFC4 it is the complementary color #55203B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADFC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADFC4 shade: #AFDFBF, #C0F1D2, #D1FFE5, #E2FFF8 and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADFC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADFC4 shade: #AADFC4, #99CDB1, #88BB9E, #77A98B and #669778

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADFC4 shade: #AADFC4, #AADFB6, #ADDFAA, #BBDFAA and #C9DFAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADFC4 shade: #AADFC4, #AADFD2, #AADDDF, #AACFDF and #AAC1DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADFC4 shade matches the following richer shades: #AADFC4, #A0E8C4, #97F2C3 and #8DFBC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADFC4 shade: #AADFC4, #B3D5C4, #BDCCC4, #C6C2C4 and #D0B9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADFC4 shade: #ADDFAA, #AADFB5, #AADFC3, #AADFD2 and #AADEDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADFC4 shade: #6EC89A, #8CD3AF, #AADFC4, #C8EAD9 and #E6F5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADFC4 shade: #AADFC4, #AABBDF and #DFAEAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADFC4 shade: #AADFC4, #C3AADF and #DFC3AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADFC4 shade: #AADFC4, #AABBDF, #DFAAC5 and #DFCEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADFC4 shade: #AADFC4, #AAABDF, #DFAAC5 and #DFDEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

Complementary color

CMYK 0 / 62 / 31 / 67

HEX #55203B

RGB 85 32 59

HSL 329.43, 0.45%, 0.23%

LAB 21.13, 27.94, -5.15

 

CMYK 22 / 0 / 14 / 13

HEX #AFDFBF

RGB 175 223 191

HSL 140, 0.43%, 0.78%

LAB 84.82, -21.8, 10.64

 

CMYK 20 / 0 / 13 / 5

HEX #C0F1D2

RGB 192 241 210

HSL 142.04, 0.64%, 0.85%

LAB 91.13, -21.64, 9.85

 

CMYK 18 / 0 / 10 / 0

HEX #D1FFE5

RGB 209 255 229

HSL 146.09, 1%, 0.91%

LAB 96.3, -19.57, 7.59

 

CMYK 11 / 0 / 3 / 0

HEX #E2FFF8

RGB 226 255 248

HSL 165.52, 1%, 0.94%

LAB 97.82, -10.65, 0.16

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 25 / 0 / 14 / 20

HEX #99CDB1

RGB 153 205 177

HSL 147.69, 0.34%, 0.7%

LAB 78.23, -22.63, 8.5

 

CMYK 27 / 0 / 16 / 27

HEX #88BB9E

RGB 136 187 158

HSL 145.88, 0.27%, 0.63%

LAB 71.72, -22.84, 9.33

 

CMYK 30 / 0 / 18 / 34

HEX #77A98B

RGB 119 169 139

HSL 144, 0.23%, 0.56%

LAB 65.09, -23.07, 10.21

 

CMYK 32 / 0 / 21 / 41

HEX #669778

RGB 102 151 120

HSL 142.04, 0.19%, 0.5%

LAB 58.33, -23.33, 11.16

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 24 / 0 / 18 / 13

HEX #AADFB6

RGB 170 223 182

HSL 133.58, 0.45%, 0.77%

LAB 84.33, -25.07, 14.64

 

CMYK 22 / 0 / 24 / 13

HEX #ADDFAA

RGB 173 223 170

HSL 116.6, 0.45%, 0.77%

LAB 84.26, -26.17, 20.84

 

CMYK 16 / 0 / 24 / 13

HEX #BBDFAA

RGB 187 223 170

HSL 100.75, 0.45%, 0.77%

LAB 85.12, -21.4, 22.17

 

CMYK 10 / 0 / 24 / 13

HEX #C9DFAA

RGB 201 223 170

HSL 84.91, 0.45%, 0.77%

LAB 86.05, -16.45, 23.6

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 24 / 0 / 6 / 13

HEX #AADFD2

RGB 170 223 210

HSL 165.28, 0.45%, 0.77%

LAB 84.98, -19.63, 0.82

 

CMYK 24 / 1 / 0 / 13

HEX #AADDDF

RGB 170 221 223

HSL 182.26, 0.45%, 0.77%

LAB 84.79, -15.87, -6.35

 

CMYK 24 / 7 / 0 / 13

HEX #AACFDF

RGB 170 207 223

HSL 198.11, 0.45%, 0.77%

LAB 81.02, -8.68, -11.95

 

CMYK 24 / 13 / 0 / 13

HEX #AAC1DF

RGB 170 193 223

HSL 213.96, 0.45%, 0.77%

LAB 77.29, -1.28, -17.55

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 31 / 0 / 16 / 9

HEX #A0E8C4

RGB 160 232 196

HSL 150, 0.61%, 0.77%

LAB 86.59, -29.83, 10.43

 

CMYK 38 / 0 / 19 / 5

HEX #97F2C3

RGB 151 242 195

HSL 149.01, 0.78%, 0.77%

LAB 88.93, -37.25, 14.22

 

CMYK 44 / 0 / 22 / 2

HEX #8DFBC3

RGB 141 251 195

HSL 149.45, 0.93%, 0.77%

LAB 91.05, -43.94, 17.14

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 16 / 0 / 8 / 16

HEX #B3D5C4

RGB 179 213 196

HSL 150, 0.29%, 0.77%

LAB 82.46, -14.56, 4.65

 

CMYK 7 / 0 / 4 / 20

HEX #BDCCC4

RGB 189 204 196

HSL 148, 0.13%, 0.77%

LAB 80.73, -6.6, 2.22

 

CMYK 0 / 2 / 1 / 22

HEX #C6C2C4

RGB 198 194 196

HSL 330, 0.03%, 0.77%

LAB 78.8, 1.76, -0.52

 

CMYK 0 / 11 / 5 / 18

HEX #D0B9C5

RGB 208 185 197

HSL 328.7, 0.2%, 0.77%

LAB 77.36, 10.25, -3.06

 

CMYK 22 / 0 / 24 / 13

HEX #ADDFAA

RGB 173 223 170

HSL 116.6, 0.45%, 0.77%

LAB 84.26, -26.17, 20.84

 

CMYK 24 / 0 / 19 / 13

HEX #AADFB5

RGB 170 223 181

HSL 132.45, 0.45%, 0.77%

LAB 84.31, -25.25, 15.13

 

CMYK 24 / 0 / 13 / 13

HEX #AADFC3

RGB 170 223 195

HSL 148.3, 0.45%, 0.77%

LAB 84.62, -22.63, 8.21

 

CMYK 24 / 0 / 6 / 13

HEX #AADFD2

RGB 170 223 210

HSL 165.28, 0.45%, 0.77%

LAB 84.98, -19.63, 0.82

 

CMYK 24 / 0 / 0 / 13

HEX #AADEDF

RGB 170 222 223

HSL 181.13, 0.45%, 0.77%

LAB 85.06, -16.37, -5.95

 

CMYK 45 / 0 / 23 / 22

HEX #6EC89A

RGB 110 200 154

HSL 149.33, 0.45%, 0.61%

LAB 74.16, -37.5, 14.76

 

CMYK 34 / 0 / 17 / 17

HEX #8CD3AF

RGB 140 211 175

HSL 149.58, 0.45%, 0.69%

LAB 79.19, -29.93, 10.84

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 15 / 0 / 7 / 8

HEX #C8EAD9

RGB 200 234 217

HSL 150, 0.45%, 0.85%

LAB 89.92, -14.32, 4.53

 

CMYK 6 / 0 / 3 / 4

HEX #E6F5ED

RGB 230 245 237

HSL 148, 0.43%, 0.93%

LAB 95.26, -6.37, 2.14

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 24 / 16 / 0 / 13

HEX #AABBDF

RGB 170 187 223

HSL 220.75, 0.45%, 0.77%

LAB 75.71, 1.95, -19.94

 

CMYK 0 / 22 / 24 / 13

HEX #DFAEAA

RGB 223 174 170

HSL 4.53, 0.45%, 0.77%

LAB 75.37, 17.27, 8.91

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 13 / 24 / 0 / 13

HEX #C3AADF

RGB 195 170 223

HSL 268.3, 0.45%, 0.77%

LAB 73.34, 19.09, -23.37

 

CMYK 0 / 13 / 24 / 13

HEX #DFC3AA

RGB 223 195 170

HSL 28.3, 0.45%, 0.77%

LAB 80.53, 6.08, 16.21

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 24 / 16 / 0 / 13

HEX #AABBDF

RGB 170 187 223

HSL 220.75, 0.45%, 0.77%

LAB 75.71, 1.95, -19.94

 

CMYK 0 / 24 / 12 / 13

HEX #DFAAC5

RGB 223 170 197

HSL 329.43, 0.45%, 0.77%

LAB 75.12, 23.61, -6.21

 

CMYK 0 / 8 / 24 / 13

HEX #DFCEAA

RGB 223 206 170

HSL 40.75, 0.45%, 0.77%

LAB 83.3, 0.32, 20.07

 

CMYK 24 / 0 / 12 / 13

HEX #AADFC4

RGB 170 223 196

HSL 149.43, 0.45%, 0.77%

LAB 84.64, -22.44, 7.71

 

CMYK 24 / 23 / 0 / 13

HEX #AAABDF

RGB 170 171 223

HSL 238.87, 0.45%, 0.77%

LAB 71.55, 10.74, -26.27

 

CMYK 0 / 24 / 12 / 13

HEX #DFAAC5

RGB 223 170 197

HSL 329.43, 0.45%, 0.77%

LAB 75.12, 23.61, -6.21

 

CMYK 0 / 0 / 24 / 13

HEX #DFDEAA

RGB 223 222 170

HSL 58.87, 0.45%, 0.77%

LAB 87.4, -7.9, 25.71

 

Description

Color code: HEX #AADFC4 | qconv.com Color code: HEX #AADFC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 223 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 223 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 12% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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