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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADECE it is the complementary color #552131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADECE shade: #AFDEC9, #C0F0DC, #D1FFEF, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADECE shade: #AADECE, #99CCBB, #88BAA8, #77A895 and #669682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADECE shade: #AADECE, #AADEC0, #AADEB2, #B0DEAA and #BEDEAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADECE shade: #AADECE, #AADEDC, #AAD2DE, #AAC4DE and #AAB6DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADECE shade matches the following richer shades: #AADECE, #A1E7D1, #97F1D5 and #8EFAD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADECE shade: #AADECE, #B4D4CA, #BDCBC6, #C7C1C3 and #D0B8BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADECE shade: #AADEB2, #AADEC0, #AADECD, #AADEDB and #AAD2DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADECE shade: #6FC7AC, #8CD2BD, #AADECE, #C8E9DF and #E5F5F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADECE shade: #AADECE, #AAB0DE and #DEB9AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADECE shade: #AADECE, #CDAADE and #DECDAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADECE shade: #AADECE, #AAB0DE, #DEAABA and #DED8AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADECE shade: #AADECE, #B4AADE, #DEAABA and #D4DEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

Complementary color

CMYK 0 / 61 / 42 / 67

HEX #552131

RGB 85 33 49

HSL 341.54, 0.44%, 0.23%

LAB 20.98, 25.97, 1.56

 

CMYK 21 / 0 / 9 / 13

HEX #AFDEC9

RGB 175 222 201

HSL 153.19, 0.42%, 0.78%

LAB 84.78, -19.4, 5.31

 

CMYK 20 / 0 / 8 / 6

HEX #C0F0DC

RGB 192 240 220

HSL 155, 0.62%, 0.85%

LAB 91.1, -19.27, 4.61

 

CMYK 18 / 0 / 6 / 0

HEX #D1FFEF

RGB 209 255 239

HSL 159.13, 1%, 0.91%

LAB 96.54, -17.69, 2.79

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 25 / 0 / 8 / 20

HEX #99CCBB

RGB 153 204 187

HSL 160, 0.33%, 0.7%

LAB 78.2, -20.11, 3.08

 

CMYK 27 / 0 / 10 / 27

HEX #88BAA8

RGB 136 186 168

HSL 158.4, 0.27%, 0.63%

LAB 71.68, -20.29, 3.81

 

CMYK 29 / 0 / 11 / 34

HEX #77A895

RGB 119 168 149

HSL 156.73, 0.22%, 0.56%

LAB 65.04, -20.48, 4.58

 

CMYK 32 / 0 / 13 / 41

HEX #669682

RGB 102 150 130

HSL 155, 0.19%, 0.49%

LAB 58.27, -20.7, 5.41

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 23 / 0 / 14 / 13

HEX #AADEC0

RGB 170 222 192

HSL 145.38, 0.44%, 0.77%

LAB 84.27, -22.72, 9.3

 

CMYK 23 / 0 / 20 / 13

HEX #AADEB2

RGB 170 222 178

HSL 129.23, 0.44%, 0.77%

LAB 83.97, -25.3, 16.23

 

CMYK 21 / 0 / 23 / 13

HEX #B0DEAA

RGB 176 222 170

HSL 113.08, 0.44%, 0.77%

LAB 84.16, -24.68, 20.74

 

CMYK 14 / 0 / 23 / 13

HEX #BEDEAA

RGB 190 222 170

HSL 96.92, 0.44%, 0.77%

LAB 85.04, -19.86, 22.09

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 23 / 0 / 1 / 13

HEX #AADEDC

RGB 170 222 220

HSL 177.69, 0.44%, 0.77%

LAB 84.97, -17.02, -4.49

 

CMYK 23 / 5 / 0 / 13

HEX #AAD2DE

RGB 170 210 222

HSL 193.85, 0.44%, 0.77%

LAB 81.79, -10.46, -10.26

 

CMYK 23 / 12 / 0 / 13

HEX #AAC4DE

RGB 170 196 222

HSL 210, 0.44%, 0.77%

LAB 78.05, -3.11, -15.86

 

CMYK 23 / 18 / 0 / 13

HEX #AAB6DE

RGB 170 182 222

HSL 226.15, 0.44%, 0.77%

LAB 74.37, 4.45, -21.44

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 30 / 0 / 10 / 9

HEX #A1E7D1

RGB 161 231 209

HSL 161.14, 0.59%, 0.77%

LAB 86.67, -26.43, 3.73

 

CMYK 37 / 0 / 12 / 5

HEX #97F1D5

RGB 151 241 213

HSL 161.33, 0.76%, 0.77%

LAB 89.06, -33.12, 5.04

 

CMYK 43 / 0 / 13 / 2

HEX #8EFAD9

RGB 142 250 217

HSL 161.67, 0.92%, 0.77%

LAB 91.29, -38.7, 6.14

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 15 / 0 / 5 / 17

HEX #B4D4CA

RGB 180 212 202

HSL 161.25, 0.27%, 0.77%

LAB 82.41, -12.56, 1.38

 

CMYK 7 / 0 / 2 / 20

HEX #BDCBC6

RGB 189 203 198

HSL 158.57, 0.12%, 0.77%

LAB 80.52, -5.7, 0.84

 

CMYK 0 / 3 / 2 / 22

HEX #C7C1C3

RGB 199 193 195

HSL 340, 0.05%, 0.77%

LAB 78.59, 2.46, -0.27

 

CMYK 0 / 12 / 8 / 18

HEX #D0B8BF

RGB 208 184 191

HSL 342.5, 0.2%, 0.77%

LAB 76.95, 9.74, -0.41

 

CMYK 23 / 0 / 20 / 13

HEX #AADEB2

RGB 170 222 178

HSL 129.23, 0.44%, 0.77%

LAB 83.97, -25.3, 16.23

 

CMYK 23 / 0 / 14 / 13

HEX #AADEC0

RGB 170 222 192

HSL 145.38, 0.44%, 0.77%

LAB 84.27, -22.72, 9.3

 

CMYK 23 / 0 / 8 / 13

HEX #AADECD

RGB 170 222 205

HSL 160.38, 0.44%, 0.77%

LAB 84.58, -20.16, 2.88

 

CMYK 23 / 0 / 1 / 13

HEX #AADEDB

RGB 170 222 219

HSL 176.54, 0.44%, 0.77%

LAB 84.95, -17.24, -4

 

CMYK 23 / 5 / 0 / 13

HEX #AAD2DE

RGB 170 210 222

HSL 193.85, 0.44%, 0.77%

LAB 81.79, -10.46, -10.26

 

CMYK 44 / 0 / 14 / 22

HEX #6FC7AC

RGB 111 199 172

HSL 161.59, 0.44%, 0.61%

LAB 74.32, -32.9, 5.3

 

CMYK 33 / 0 / 10 / 18

HEX #8CD2BD

RGB 140 210 189

HSL 162, 0.44%, 0.69%

LAB 79.24, -26.53, 3.43

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 14 / 0 / 4 / 9

HEX #C8E9DF

RGB 200 233 223

HSL 161.82, 0.43%, 0.85%

LAB 89.81, -12.68, 1.23

 

CMYK 7 / 0 / 2 / 4

HEX #E5F5F0

RGB 229 245 240

HSL 161.25, 0.44%, 0.93%

LAB 95.27, -6.16, 0.58

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 23 / 21 / 0 / 13

HEX #AAB0DE

RGB 170 176 222

HSL 233.08, 0.44%, 0.77%

LAB 72.81, 7.74, -23.81

 

CMYK 0 / 17 / 23 / 13

HEX #DEB9AA

RGB 222 185 170

HSL 17.31, 0.44%, 0.77%

LAB 77.95, 11.01, 12.57

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 8 / 23 / 0 / 13

HEX #CDAADE

RGB 205 170 222

HSL 280.38, 0.44%, 0.77%

LAB 74.19, 22.1, -21.44

 

CMYK 0 / 8 / 23 / 13

HEX #DECDAA

RGB 222 205 170

HSL 40.38, 0.44%, 0.77%

LAB 82.96, 0.46, 19.59

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 23 / 21 / 0 / 13

HEX #AAB0DE

RGB 170 176 222

HSL 233.08, 0.44%, 0.77%

LAB 72.81, 7.74, -23.81

 

CMYK 0 / 23 / 16 / 13

HEX #DEAABA

RGB 222 170 186

HSL 341.54, 0.44%, 0.77%

LAB 74.71, 21.47, -0.8

 

CMYK 0 / 3 / 23 / 13

HEX #DED8AA

RGB 222 216 170

HSL 53.08, 0.44%, 0.77%

LAB 85.78, -5.22, 23.47

 

CMYK 23 / 0 / 7 / 13

HEX #AADECE

RGB 170 222 206

HSL 161.54, 0.44%, 0.77%

LAB 84.61, -19.96, 2.39

 

CMYK 19 / 23 / 0 / 13

HEX #B4AADE

RGB 180 170 222

HSL 251.54, 0.44%, 0.77%

LAB 72.05, 14.14, -24.91

 

CMYK 0 / 23 / 16 / 13

HEX #DEAABA

RGB 222 170 186

HSL 341.54, 0.44%, 0.77%

LAB 74.71, 21.47, -0.8

 

CMYK 5 / 0 / 23 / 13

HEX #D4DEAA

RGB 212 222 170

HSL 71.54, 0.44%, 0.77%

LAB 86.57, -11.96, 24.44

 

Description

Color code: HEX #AADECE | qconv.com Color code: HEX #AADECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 222 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 222 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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