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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADE84 it is the complementary color #55217B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADE84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADE84 shade: #AFDE7F, #C0F092, #D1FFA5, #E2FFB8 and #F3FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADE84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADE84 shade: #AADE84, #99CC71, #88BA5E, #77A84B and #669638

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADE84 shade: #A9DE82, #C2DE82, #DADE82, #DEC982 and #DEB082

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADE84 shade: #A9DE82, #90DE82, #82DE8D, #82DEA6 and #82DEBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADE84 shade matches the following richer shades: #A9DE82, #A7EB75 and #A5F769

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADE84 shade: #A9DE82, #ABD18F, #ADC49C, #AFB7A8 and #B1ABB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADE84 shade: #DBDE82, #C2DE82, #AADE82, #91DE82 and #82DE8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADE84 shade: #7CCC41, #92D562, #A9DE82, #BFE6A3 and #D6EFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADE84 shade: #AADE84, #82DEC8 and #DE82CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADE84 shade: #AADE84, #82AADE and #DE82AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADE84 shade: #AADE84, #82DEC8, #B682DE and #DE8297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADE84 shade: #AADE84, #82D8DE, #B682DE and #DE8882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 41 / 13

HEX #AADE84

RGB 170 222 132

HSL 94.67, 0.58%, 0.69%

LAB 83.15, -32.39, 38.8

 

Complementary color

CMYK 31 / 73 / 0 / 52

HEX #55217B

RGB 85 33 123

HSL 274.67, 0.58%, 0.31%

LAB 25.1, 40.71, -41.25

 

CMYK 21 / 0 / 43 / 13

HEX #AFDE7F

RGB 175 222 127

HSL 89.68, 0.59%, 0.68%

LAB 83.38, -31.23, 41.63

 

CMYK 20 / 0 / 39 / 6

HEX #C0F092

RGB 192 240 146

HSL 90.64, 0.76%, 0.76%

LAB 89.67, -31.18, 40.5

 

CMYK 18 / 0 / 35 / 0

HEX #D1FFA5

RGB 209 255 165

HSL 90.67, 1%, 0.82%

LAB 95.07, -29.73, 38.33

 

CMYK 11 / 0 / 28 / 0

HEX #E2FFB8

RGB 226 255 184

HSL 84.51, 1%, 0.86%

LAB 96.47, -21.17, 30.91

 

CMYK 5 / 0 / 20 / 0

HEX #F3FFCB

RGB 243 255 203

HSL 73.85, 1%, 0.9%

LAB 97.99, -12.45, 23.58

 

CMYK 23 / 0 / 41 / 13

HEX #AADE84

RGB 170 222 132

HSL 94.67, 0.58%, 0.69%

LAB 83.15, -32.39, 38.8

 

CMYK 25 / 0 / 45 / 20

HEX #99CC71

RGB 153 204 113

HSL 93.63, 0.47%, 0.62%

LAB 76.77, -32.47, 39.97

 

CMYK 27 / 0 / 49 / 27

HEX #88BA5E

RGB 136 186 94

HSL 92.61, 0.4%, 0.55%

LAB 70.29, -32.51, 41.15

 

CMYK 29 / 0 / 55 / 34

HEX #77A84B

RGB 119 168 75

HSL 91.61, 0.38%, 0.48%

LAB 63.7, -32.5, 42.3

 

CMYK 32 / 0 / 63 / 41

HEX #669638

RGB 102 150 56

HSL 90.64, 0.46%, 0.4%

LAB 57, -32.39, 43.33

 

CMYK 24 / 0 / 41 / 13

HEX #A9DE82

RGB 169 222 130

HSL 94.57, 0.58%, 0.69%

LAB 83.07, -33, 39.67

 

CMYK 13 / 0 / 41 / 13

HEX #C2DE82

RGB 194 222 130

HSL 78.26, 0.58%, 0.69%

LAB 84.65, -23.86, 42.01

 

CMYK 2 / 0 / 41 / 13

HEX #DADE82

RGB 218 222 130

HSL 62.61, 0.58%, 0.69%

LAB 86.38, -14.64, 44.56

 

CMYK 0 / 9 / 41 / 13

HEX #DEC982

RGB 222 201 130

HSL 46.3, 0.58%, 0.69%

LAB 81.24, -2.4, 38.12

 

CMYK 0 / 21 / 41 / 13

HEX #DEB082

RGB 222 176 130

HSL 30, 0.58%, 0.69%

LAB 74.95, 10.75, 29.92

 

CMYK 24 / 0 / 41 / 13

HEX #A9DE82

RGB 169 222 130

HSL 94.57, 0.58%, 0.69%

LAB 83.07, -33, 39.67

 

CMYK 35 / 0 / 41 / 13

HEX #90DE82

RGB 144 222 130

HSL 110.87, 0.58%, 0.69%

LAB 81.72, -41.42, 37.68

 

CMYK 41 / 0 / 36 / 13

HEX #82DE8D

RGB 130 222 141

HSL 127.17, 0.58%, 0.69%

LAB 81.24, -44.04, 31.37

 

CMYK 41 / 0 / 25 / 13

HEX #82DEA6

RGB 130 222 166

HSL 143.48, 0.58%, 0.69%

LAB 81.7, -39.64, 19.05

 

CMYK 41 / 0 / 14 / 13

HEX #82DEBE

RGB 130 222 190

HSL 159.13, 0.58%, 0.69%

LAB 82.22, -34.76, 7.14

 

CMYK 24 / 0 / 41 / 13

HEX #A9DE82

RGB 169 222 130

HSL 94.57, 0.58%, 0.69%

LAB 83.07, -33, 39.67

 

CMYK 29 / 0 / 50 / 8

HEX #A7EB75

RGB 167 235 117

HSL 94.58, 0.75%, 0.69%

LAB 86.46, -41.13, 50.15

 

CMYK 33 / 0 / 57 / 3

HEX #A5F769

RGB 165 247 105

HSL 94.65, 0.9%, 0.69%

LAB 89.65, -48.2, 59.29

 

CMYK 24 / 0 / 41 / 13

HEX #A9DE82

RGB 169 222 130

HSL 94.57, 0.58%, 0.69%

LAB 83.07, -33, 39.67

 

CMYK 18 / 0 / 32 / 18

HEX #ABD18F

RGB 171 209 143

HSL 94.55, 0.42%, 0.69%

LAB 79.75, -24.32, 28.75

 

CMYK 12 / 0 / 20 / 23

HEX #ADC49C

RGB 173 196 156

HSL 94.5, 0.25%, 0.69%

LAB 76.54, -15.1, 17.53

 

CMYK 4 / 0 / 8 / 28

HEX #AFB7A8

RGB 175 183 168

HSL 92, 0.09%, 0.69%

LAB 73.42, -5.56, 6.66

 

CMYK 2 / 6 / 0 / 29

HEX #B1ABB5

RGB 177 171 181

HSL 276, 0.06%, 0.69%

LAB 70.74, 4.02, -4.36

 

CMYK 1 / 0 / 41 / 13

HEX #DBDE82

RGB 219 222 130

HSL 61.96, 0.58%, 0.69%

LAB 86.46, -14.25, 44.67

 

CMYK 13 / 0 / 41 / 13

HEX #C2DE82

RGB 194 222 130

HSL 78.26, 0.58%, 0.69%

LAB 84.65, -23.86, 42.01

 

CMYK 23 / 0 / 41 / 13

HEX #AADE82

RGB 170 222 130

HSL 93.91, 0.58%, 0.69%

LAB 83.13, -32.64, 39.76

 

CMYK 35 / 0 / 41 / 13

HEX #91DE82

RGB 145 222 130

HSL 110.22, 0.58%, 0.69%

LAB 81.77, -41.1, 37.75

 

CMYK 41 / 0 / 37 / 13

HEX #82DE8B

RGB 130 222 139

HSL 125.87, 0.58%, 0.69%

LAB 81.21, -44.36, 32.35

 

CMYK 39 / 0 / 68 / 20

HEX #7CCC41

RGB 124 204 65

HSL 94.53, 0.58%, 0.53%

LAB 74.73, -47.43, 58.94

 

CMYK 31 / 0 / 54 / 16

HEX #92D562

RGB 146 213 98

HSL 94.96, 0.58%, 0.61%

LAB 78.8, -40.75, 49.58

 

CMYK 24 / 0 / 41 / 13

HEX #A9DE82

RGB 169 222 130

HSL 94.57, 0.58%, 0.69%

LAB 83.07, -33, 39.67

 

CMYK 17 / 0 / 29 / 10

HEX #BFE6A3

RGB 191 230 163

HSL 94.93, 0.57%, 0.77%

LAB 87.15, -24.47, 28.6

 

CMYK 10 / 0 / 18 / 6

HEX #D6EFC3

RGB 214 239 195

HSL 94.09, 0.58%, 0.85%

LAB 91.67, -15.93, 18.58

 

CMYK 23 / 0 / 41 / 13

HEX #AADE84

RGB 170 222 132

HSL 94.67, 0.58%, 0.69%

LAB 83.15, -32.39, 38.8

 

CMYK 41 / 0 / 10 / 13

HEX #82DEC8

RGB 130 222 200

HSL 165.65, 0.58%, 0.69%

LAB 82.46, -32.56, 2.2

 

CMYK 0 / 41 / 7 / 13

HEX #DE82CF

RGB 222 130 207

HSL 309.78, 0.58%, 0.69%

LAB 66.52, 46.23, -24.71

 

CMYK 23 / 0 / 41 / 13

HEX #AADE84

RGB 170 222 132

HSL 94.67, 0.58%, 0.69%

LAB 83.15, -32.39, 38.8

 

CMYK 41 / 23 / 0 / 13

HEX #82AADE

RGB 130 170 222

HSL 213.91, 0.58%, 0.69%

LAB 68.58, -0.28, -30.52

 

CMYK 0 / 41 / 23 / 13

HEX #DE82AA

RGB 222 130 170

HSL 333.91, 0.58%, 0.69%

LAB 65.28, 40.41, -5.78

 

CMYK 23 / 0 / 41 / 13

HEX #AADE84

RGB 170 222 132

HSL 94.67, 0.58%, 0.69%

LAB 83.15, -32.39, 38.8

 

CMYK 41 / 0 / 10 / 13

HEX #82DEC8

RGB 130 222 200

HSL 165.65, 0.58%, 0.69%

LAB 82.46, -32.56, 2.2

 

CMYK 18 / 41 / 0 / 13

HEX #B682DE

RGB 182 130 222

HSL 273.91, 0.58%, 0.69%

LAB 62.66, 37.06, -39.42

 

CMYK 0 / 41 / 32 / 13

HEX #DE8297

RGB 222 130 151

HSL 346.3, 0.58%, 0.69%

LAB 64.75, 37.84, 4.22

 

CMYK 23 / 0 / 41 / 13

HEX #AADE84

RGB 170 222 132

HSL 94.67, 0.58%, 0.69%

LAB 83.15, -32.39, 38.8

 

CMYK 41 / 3 / 0 / 13

HEX #82D8DE

RGB 130 216 222

HSL 183.91, 0.58%, 0.69%

LAB 81.36, -24.43, -11.12

 

CMYK 18 / 41 / 0 / 13

HEX #B682DE

RGB 182 130 222

HSL 273.91, 0.58%, 0.69%

LAB 62.66, 37.06, -39.42

 

CMYK 0 / 39 / 41 / 13

HEX #DE8882

RGB 222 136 130

HSL 3.91, 0.58%, 0.69%

LAB 65.55, 32.19, 17.23

 

Description

Color code: HEX #AADE84 | qconv.com Color code: HEX #AADE84 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 222 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 222 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 41 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 41% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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