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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADDA14C it is the complementary color #55225E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADDA14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADDA14C shade: #AFDD9C4C, #C0EFAF4C, #D1FFC24C, #E2FFD54C and #F3FFE84C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADDA14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADDA14C shade: #AADDA14C, #99CB8E4C, #88B97B4C, #77A7684C and #6695554C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADDA14C shade: #AADDA1, #BADDA1, #CBDDA1, #DBDDA1 and #DDD0A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADDA14C shade: #AADDA1, #A1DDA8, #A1DDB9, #A1DDC9 and #A1DDD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADDA14C shade matches the following richer shades: #AADDA1, #A3E897, #9CF28D and #95FC82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADDA14C shade: #AADDA1, #B1D3AC, #B9C9B6, #C0BEC0 and #C7B4CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADDA14C shade: #CADDA1, #BADDA1, #AADDA1, #A1DDA8 and #A1DDB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADDA14C shade: #73C765, #8FD283, #AADDA1, #C6E8C0 and #E1F3DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADDA14C shade: #AADDA1, #A1DADD and #DDA1C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADDA14C shade: #AADDA1, #A1AADD and #DDA1AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADDA14C shade: #AADDA1, #A1DADD, #D4A1DD and #DDA4A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADDA14C shade: #AADDA1, #A1C8DD, #D4A1DD and #DDB6A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 8 / 4

HEX #AADDA14C

RGBA 170 221 161 0.3

HSLA 111, 0.47%, 0.75%, 0.3

LABA 83.35, -27.69, 24.26, 0.3

 

Complementary color

CMYK 3 / 19 / 0 / 19

HEX #55225E4C

RGBA 85 34 94 0.3

HSLA 291, 0.47%, 0.25%, 0.3

LABA 23.28, 33.44, -25.43, 0.3

 

CMYK 6 / 0 / 9 / 4

HEX #AFDD9C4C

RGBA 175 221 156 0.3

HSLA 102.46, 0.49%, 0.74%, 0.3

LABA 83.56, -26.77, 27.18, 0.3

 

CMYK 6 / 0 / 8 / 2

HEX #C0EFAF4C

RGBA 192 239 175 0.3

HSLA 104.06, 0.67%, 0.81%, 0.3

LABA 89.88, -26.63, 26.16, 0.3

 

CMYK 5 / 0 / 7 / 0

HEX #D1FFC24C

RGBA 209 255 194 0.3

HSLA 105.25, 1%, 0.88%, 0.3

LABA 95.57, -25.54, 24.45, 0.3

 

CMYK 3 / 0 / 5 / 0

HEX #E2FFD54C

RGBA 226 255 213 0.3

HSLA 101.43, 1%, 0.92%, 0.3

LABA 97.02, -16.78, 16.96, 0.3

 

CMYK 1 / 0 / 3 / 0

HEX #F3FFE84C

RGBA 243 255 232 0.3

HSLA 91.3, 1%, 0.95%, 0.3

LABA 98.59, -7.92, 9.63, 0.3

 

CMYK 7 / 0 / 8 / 4

HEX #AADDA14C

RGBA 170 221 161 0.3

HSLA 111, 0.47%, 0.75%, 0.3

LABA 83.35, -27.69, 24.26, 0.3

 

CMYK 7 / 0 / 9 / 6

HEX #99CB8E4C

RGBA 153 203 142 0.3

HSLA 109.18, 0.37%, 0.68%, 0.3

LABA 76.94, -27.88, 25.3, 0.3

 

CMYK 8 / 0 / 10 / 8

HEX #88B97B4C

RGBA 136 185 123 0.3

HSLA 107.42, 0.31%, 0.6%, 0.3

LABA 70.43, -28.08, 26.41, 0.3

 

CMYK 9 / 0 / 11 / 10

HEX #77A7684C

RGBA 119 167 104 0.3

HSLA 105.71, 0.26%, 0.53%, 0.3

LABA 63.8, -28.27, 27.58, 0.3

 

CMYK 9 / 0 / 13 / 12

HEX #6695554C

RGBA 102 149 85 0.3

HSLA 104.06, 0.27%, 0.46%, 0.3

LABA 57.05, -28.46, 28.82, 0.3

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 16 / 0 / 27 / 13

HEX #BADDA1

RGB 186 221 161

HSL 95, 0.47%, 0.75%

LAB 84.34, -22.16, 25.77

 

CMYK 8 / 0 / 27 / 13

HEX #CBDDA1

RGB 203 221 161

HSL 78, 0.47%, 0.75%

LAB 85.5, -16.03, 27.52

 

CMYK 1 / 0 / 27 / 13

HEX #DBDDA1

RGB 219 221 161

HSL 62, 0.47%, 0.75%

LAB 86.68, -10.1, 29.32

 

CMYK 0 / 6 / 27 / 13

HEX #DDD0A1

RGB 221 208 161

HSL 47, 0.47%, 0.75%

LAB 83.47, -2.7, 25.01

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 27 / 0 / 24 / 13

HEX #A1DDA8

RGB 161 221 168

HSL 127, 0.47%, 0.75%

LAB 82.98, -29.49, 20.01

 

CMYK 27 / 0 / 16 / 13

HEX #A1DDB9

RGB 161 221 185

HSL 144, 0.47%, 0.75%

LAB 83.33, -26.39, 11.58

 

CMYK 27 / 0 / 9 / 13

HEX #A1DDC9

RGB 161 221 201

HSL 160, 0.47%, 0.75%

LAB 83.71, -23.22, 3.66

 

CMYK 27 / 0 / 2 / 13

HEX #A1DDD9

RGB 161 221 217

HSL 176, 0.47%, 0.75%

LAB 84.12, -19.81, -4.21

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 30 / 0 / 35 / 9

HEX #A3E897

RGB 163 232 151

HSL 111.11, 0.64%, 0.75%

LAB 85.87, -36.71, 32.71

 

CMYK 36 / 0 / 42 / 5

HEX #9CF28D

RGB 156 242 141

HSL 111.09, 0.8%, 0.75%

LAB 88.21, -44.81, 40.68

 

CMYK 41 / 0 / 48 / 1

HEX #95FC82

RGB 149 252 130

HSL 110.66, 0.95%, 0.75%

LAB 90.61, -52.59, 48.92

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 16 / 0 / 18 / 17

HEX #B1D3AC

RGB 177 211 172

HSL 112.31, 0.31%, 0.75%

LAB 81.24, -18.59, 15.63

 

CMYK 8 / 0 / 9 / 21

HEX #B9C9B6

RGB 185 201 182

HSL 110.53, 0.15%, 0.75%

LAB 79.31, -8.97, 7.63

 

CMYK 0 / 1 / 0 / 25

HEX #C0BEC0

RGB 192 190 192

HSL 300, 0.02%, 0.75%

LAB 77.18, 1.07, -0.77

 

CMYK 2 / 11 / 0 / 20

HEX #C7B4CB

RGB 199 180 203

HSL 289.57, 0.18%, 0.75%

LAB 75.51, 10.93, -9.15

 

CMYK 9 / 0 / 27 / 13

HEX #CADDA1

RGB 202 221 161

HSL 79, 0.47%, 0.75%

LAB 85.42, -16.4, 27.42

 

CMYK 16 / 0 / 27 / 13

HEX #BADDA1

RGB 186 221 161

HSL 95, 0.47%, 0.75%

LAB 84.34, -22.16, 25.77

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 27 / 0 / 24 / 13

HEX #A1DDA8

RGB 161 221 168

HSL 127, 0.47%, 0.75%

LAB 82.98, -29.49, 20.01

 

CMYK 27 / 0 / 17 / 13

HEX #A1DDB8

RGB 161 221 184

HSL 143, 0.47%, 0.75%

LAB 83.31, -26.59, 12.07

 

CMYK 42 / 0 / 49 / 22

HEX #73C765

RGB 115 199 101

HSL 111.43, 0.47%, 0.59%

LAB 73.17, -44.54, 41

 

CMYK 32 / 0 / 38 / 18

HEX #8FD283

RGB 143 210 131

HSL 110.89, 0.47%, 0.67%

LAB 78.21, -36.22, 32.6

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 15 / 0 / 17 / 9

HEX #C6E8C0

RGB 198 232 192

HSL 111, 0.47%, 0.83%

LAB 88.7, -18.44, 15.81

 

CMYK 7 / 0 / 9 / 5

HEX #E1F3DE

RGB 225 243 222

HSL 111.43, 0.47%, 0.91%

LAB 94.05, -9.68, 8.1

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 27 / 1 / 0 / 13

HEX #A1DADD

RGB 161 218 221

HSL 183, 0.47%, 0.75%

LAB 83.41, -17.42, -7.38

 

CMYK 0 / 27 / 12 / 13

HEX #DDA1C2

RGB 221 161 194

HSL 327, 0.47%, 0.75%

LAB 72.73, 27.26, -8.13

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 27 / 23 / 0 / 13

HEX #A1AADD

RGB 161 170 221

HSL 231, 0.47%, 0.75%

LAB 70.56, 8.12, -26.77

 

CMYK 0 / 27 / 23 / 13

HEX #DDA1AA

RGB 221 161 170

HSL 351, 0.47%, 0.75%

LAB 72.07, 23.53, 4.15

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 27 / 1 / 0 / 13

HEX #A1DADD

RGB 161 218 221

HSL 183, 0.47%, 0.75%

LAB 83.41, -17.42, -7.38

 

CMYK 4 / 27 / 0 / 13

HEX #D4A1DD

RGB 212 161 221

HSL 291, 0.47%, 0.75%

LAB 72.7, 29.09, -23.11

 

CMYK 0 / 26 / 27 / 13

HEX #DDA4A1

RGB 221 164 161

HSL 3, 0.47%, 0.75%

LAB 72.56, 20.63, 9.81

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 27 / 10 / 0 / 13

HEX #A1C8DD

RGB 161 200 221

HSL 201, 0.47%, 0.75%

LAB 78.52, -8.14, -14.67

 

CMYK 4 / 27 / 0 / 13

HEX #D4A1DD

RGB 212 161 221

HSL 291, 0.47%, 0.75%

LAB 72.7, 29.09, -23.11

 

CMYK 0 / 18 / 27 / 13

HEX #DDB6A1

RGB 221 182 161

HSL 21, 0.47%, 0.75%

LAB 76.92, 10.97, 15.97

 

Description

Color code: HEX #AADDA14C | qconv.com Color code: HEX #AADDA14C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 221 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 221 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 8 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 8% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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