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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADD01 it is the complementary color #5522FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADD01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADD01 shade: #AFDD00, #C0EF0F, #D1FF22, #E2FF35 and #F3FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADD01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADD01 shade: #AADD01, #99CB00, #88B900, #77A700 and #669500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADD01 shade: #ACDF01, #DFD701, #DF9B01, #DF5F01 and #DF2301

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADD01 shade: #ACDF01, #70DF01, #34DF01, #01DF0A and #01DF46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADD01 shade matches the following richer shades: #ACDF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADD01 shade: #ACDF01, #A2CD13, #98BB25, #8FA938 and #85974A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADD01 shade: #DF9901, #DFD401, #AFDF01, #74DF01 and #39DF01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADD01 shade: #6D8D01, #8CB601, #ACDF01, #C6FE0C and #CFFE35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADD01 shade: #AADD01, #01DF5E and #B701DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADD01 shade: #AADD01, #01AFDF and #DF01AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADD01 shade: #AADD01, #01DF5E, #3101DF and #DF0183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADD01 shade: #AADD01, #01DFA0, #3101DF and #DF0140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 100 / 13

HEX #AADD01

RGB 170 221 1

HSL 73.91, 0.99%, 0.44%

LAB 81.98, -40.17, 80.46

 

Complementary color

CMYK 67 / 87 / 0 / 0

HEX #5522FE

RGB 85 34 254

HSL 253.91, 0.99%, 0.56%

LAB 38.25, 74.1, -97.28

 

CMYK 21 / 0 / 100 / 13

HEX #AFDD00

RGB 175 221 0

HSL 72.49, 1%, 0.43%

LAB 82.29, -38.22, 80.92

 

CMYK 20 / 0 / 94 / 6

HEX #C0EF0F

RGB 192 239 15

HSL 72.59, 0.88%, 0.5%

LAB 88.44, -39.41, 84.81

 

CMYK 18 / 0 / 87 / 0

HEX #D1FF22

RGB 209 255 34

HSL 72.49, 1%, 0.57%

LAB 93.97, -39.56, 87.06

 

CMYK 11 / 0 / 79 / 0

HEX #E2FF35

RGB 226 255 53

HSL 68.61, 1%, 0.6%

LAB 95.14, -32.36, 84.41

 

CMYK 5 / 0 / 72 / 0

HEX #F3FF48

RGB 243 255 72

HSL 63.93, 1%, 0.64%

LAB 96.43, -24.85, 80.51

 

CMYK 23 / 0 / 100 / 13

HEX #AADD01

RGB 170 221 1

HSL 73.91, 0.99%, 0.44%

LAB 81.98, -40.17, 80.46

 

CMYK 25 / 0 / 100 / 20

HEX #99CB00

RGB 153 203 0

HSL 74.78, 1%, 0.4%

LAB 75.75, -38.84, 75.37

 

CMYK 26 / 0 / 100 / 27

HEX #88B900

RGB 136 185 0

HSL 75.89, 1%, 0.36%

LAB 69.42, -37.49, 70.09

 

CMYK 29 / 0 / 100 / 35

HEX #77A700

RGB 119 167 0

HSL 77.25, 1%, 0.33%

LAB 62.98, -36.11, 64.73

 

CMYK 32 / 0 / 100 / 42

HEX #669500

RGB 102 149 0

HSL 78.93, 1%, 0.29%

LAB 56.41, -34.72, 59.26

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 0 / 4 / 100 / 13

HEX #DFD701

RGB 223 215 1

HSL 57.84, 0.99%, 0.44%

LAB 84.12, -15.55, 83.74

 

CMYK 0 / 30 / 100 / 13

HEX #DF9B01

RGB 223 155 1

HSL 41.62, 0.99%, 0.44%

LAB 68.85, 15.59, 72.99

 

CMYK 0 / 57 / 100 / 13

HEX #DF5F01

RGB 223 95 1

HSL 25.41, 0.99%, 0.44%

LAB 55.96, 46.59, 64.92

 

CMYK 0 / 84 / 100 / 13

HEX #DF2301

RGB 223 35 1

HSL 9.19, 0.99%, 0.44%

LAB 48.12, 67.92, 61.03

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 50 / 0 / 100 / 13

HEX #70DF01

RGB 112 223 1

HSL 90, 0.99%, 0.44%

LAB 79.74, -60.98, 77.51

 

CMYK 77 / 0 / 100 / 13

HEX #34DF01

RGB 52 223 1

HSL 106.22, 0.99%, 0.44%

LAB 78.17, -73.99, 75.6

 

CMYK 100 / 0 / 96 / 13

HEX #01DF0A

RGB 1 223 10

HSL 122.43, 0.99%, 0.44%

LAB 77.76, -77.68, 74.26

 

CMYK 100 / 0 / 69 / 13

HEX #01DF46

RGB 1 223 70

HSL 138.65, 0.99%, 0.44%

LAB 78.01, -74.48, 59.67

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 21 / 0 / 91 / 20

HEX #A2CD13

RGB 162 205 19

HSL 73.87, 0.83%, 0.44%

LAB 76.92, -35.91, 74.41

 

CMYK 19 / 0 / 80 / 27

HEX #98BB25

RGB 152 187 37

HSL 74, 0.67%, 0.44%

LAB 71.11, -31.11, 65.43

 

CMYK 15 / 0 / 67 / 34

HEX #8FA938

RGB 143 169 56

HSL 73.81, 0.5%, 0.44%

LAB 65.36, -25.16, 53.09

 

CMYK 12 / 0 / 51 / 41

HEX #85974A

RGB 133 151 74

HSL 74.03, 0.34%, 0.44%

LAB 59.54, -18.72, 38.09

 

CMYK 0 / 31 / 100 / 13

HEX #DF9901

RGB 223 153 1

HSL 41.08, 0.99%, 0.44%

LAB 68.37, 16.66, 72.67

 

CMYK 0 / 5 / 100 / 13

HEX #DFD401

RGB 223 212 1

HSL 57.03, 0.99%, 0.44%

LAB 83.32, -14.06, 83.17

 

CMYK 22 / 0 / 100 / 13

HEX #AFDF01

RGB 175 223 1

HSL 72.97, 0.99%, 0.44%

LAB 82.86, -39.1, 81.26

 

CMYK 48 / 0 / 100 / 13

HEX #74DF01

RGB 116 223 1

HSL 88.92, 0.99%, 0.44%

LAB 79.89, -59.81, 77.69

 

CMYK 74 / 0 / 100 / 13

HEX #39DF01

RGB 57 223 1

HSL 104.86, 0.99%, 0.44%

LAB 78.26, -73.26, 75.7

 

CMYK 23 / 0 / 99 / 45

HEX #6D8D01

RGB 109 141 1

HSL 73.71, 0.99%, 0.28%

LAB 54.35, -28.08, 57.7

 

CMYK 23 / 0 / 99 / 29

HEX #8CB601

RGB 140 182 1

HSL 73.92, 0.99%, 0.36%

LAB 68.78, -34.52, 69.59

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 22 / 0 / 95 / 0

HEX #C6FE0C

RGB 198 254 12

HSL 73.88, 0.99%, 0.52%

LAB 92.98, -43.7, 88.77

 

CMYK 19 / 0 / 79 / 0

HEX #CFFE35

RGB 207 254 53

HSL 74.03, 0.99%, 0.6%

LAB 93.63, -39.32, 82.59

 

CMYK 23 / 0 / 100 / 13

HEX #AADD01

RGB 170 221 1

HSL 73.91, 0.99%, 0.44%

LAB 81.98, -40.17, 80.46

 

CMYK 100 / 0 / 58 / 13

HEX #01DF5E

RGB 1 223 94

HSL 145.14, 0.99%, 0.44%

LAB 78.22, -71.78, 49.84

 

CMYK 18 / 100 / 0 / 13

HEX #B701DF

RGB 183 1 223

HSL 289.19, 0.99%, 0.44%

LAB 46.2, 82.82, -66.24

 

CMYK 23 / 0 / 100 / 13

HEX #AADD01

RGB 170 221 1

HSL 73.91, 0.99%, 0.44%

LAB 81.98, -40.17, 80.46

 

CMYK 100 / 22 / 0 / 13

HEX #01AFDF

RGB 1 175 223

HSL 192.97, 0.99%, 0.44%

LAB 66.52, -20.38, -34.56

 

CMYK 0 / 100 / 22 / 13

HEX #DF01AF

RGB 223 1 175

HSL 312.97, 0.99%, 0.44%

LAB 50.46, 82.47, -31.21

 

CMYK 23 / 0 / 100 / 13

HEX #AADD01

RGB 170 221 1

HSL 73.91, 0.99%, 0.44%

LAB 81.98, -40.17, 80.46

 

CMYK 100 / 0 / 58 / 13

HEX #01DF5E

RGB 1 223 94

HSL 145.14, 0.99%, 0.44%

LAB 78.22, -71.78, 49.84

 

CMYK 78 / 100 / 0 / 13

HEX #3101DF

RGB 49 1 223

HSL 252.97, 0.99%, 0.44%

LAB 29.42, 71.99, -94.47

 

CMYK 0 / 100 / 41 / 13

HEX #DF0183

RGB 223 1 131

HSL 324.86, 0.99%, 0.44%

LAB 48.7, 77.94, -7.57

 

CMYK 23 / 0 / 100 / 13

HEX #AADD01

RGB 170 221 1

HSL 73.91, 0.99%, 0.44%

LAB 81.98, -40.17, 80.46

 

CMYK 100 / 0 / 28 / 13

HEX #01DFA0

RGB 1 223 160

HSL 162.97, 0.99%, 0.44%

LAB 79.23, -59.94, 18.35

 

CMYK 78 / 100 / 0 / 13

HEX #3101DF

RGB 49 1 223

HSL 252.97, 0.99%, 0.44%

LAB 29.42, 71.99, -94.47

 

CMYK 0 / 100 / 71 / 13

HEX #DF0140

RGB 223 1 64

HSL 342.97, 0.99%, 0.44%

LAB 47.08, 73.64, 31.4

 

Description

Color code: HEX #AADD01 | qconv.com Color code: HEX #AADD01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 221 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 221 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 100 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 100% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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