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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADC92 it is the complementary color #55236D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADC92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADC92 shade: #AFDC8D, #C0EEA0, #D1FFB3, #E2FFC6 and #F3FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADC92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADC92 shade: #AADC92, #99CA7F, #88B86C, #77A659 and #669446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADC92 shade: #AADC93, #BEDC93, #D2DC93, #DCD293 and #DCBE93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADC92 shade: #AADC93, #97DC93, #93DCA2, #93DCB6 and #93DCCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADC92 shade matches the following richer shades: #AADC93, #A6E787, #A2F37C and #9EFE70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADC92 shade: #AADC93, #AED09E, #B2C4AA, #B6B9B5 and #BBADC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADC92 shade: #D2DC93, #BEDC93, #ABDC93, #98DC93 and #93DCA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADC92 shade: #7AC754, #92D174, #AADC93, #C3E6B2 and #DBF0D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADC92 shade: #AADC92, #93DCD2 and #DC93C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADC92 shade: #AADC92, #93ABDC and #DC93AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADC92 shade: #AADC92, #93DCD2, #C393DC and #DC939C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADC92 shade: #AADC92, #93CFDC, #C393DC and #DC9F93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 34 / 14

HEX #AADC92

RGB 170 220 146

HSL 100.54, 0.51%, 0.72%

LAB 82.81, -29.52, 31.27

 

Complementary color

CMYK 22 / 68 / 0 / 57

HEX #55236D

RGB 85 35 109

HSL 280.54, 0.51%, 0.28%

LAB 24.44, 36.34, -33.36

 

CMYK 20 / 0 / 36 / 14

HEX #AFDC8D

RGB 175 220 141

HSL 94.18, 0.53%, 0.71%

LAB 83.03, -28.47, 34.17

 

CMYK 19 / 0 / 33 / 7

HEX #C0EEA0

RGB 192 238 160

HSL 95.38, 0.7%, 0.78%

LAB 89.34, -28.37, 33.07

 

CMYK 18 / 0 / 30 / 0

HEX #D1FFB3

RGB 209 255 179

HSL 96.32, 1%, 0.85%

LAB 95.3, -27.8, 31.66

 

CMYK 11 / 0 / 22 / 0

HEX #E2FFC6

RGB 226 255 198

HSL 90.53, 1%, 0.89%

LAB 96.72, -19.13, 24.19

 

CMYK 5 / 0 / 15 / 0

HEX #F3FFD9

RGB 243 255 217

HSL 78.95, 1%, 0.93%

LAB 98.27, -10.34, 16.84

 

CMYK 23 / 0 / 34 / 14

HEX #AADC92

RGB 170 220 146

HSL 100.54, 0.51%, 0.72%

LAB 82.81, -29.52, 31.27

 

CMYK 24 / 0 / 37 / 21

HEX #99CA7F

RGB 153 202 127

HSL 99.2, 0.41%, 0.65%

LAB 76.4, -29.66, 32.39

 

CMYK 26 / 0 / 41 / 28

HEX #88B86C

RGB 136 184 108

HSL 97.89, 0.35%, 0.57%

LAB 69.89, -29.79, 33.57

 

CMYK 28 / 0 / 46 / 35

HEX #77A659

RGB 119 166 89

HSL 96.62, 0.3%, 0.5%

LAB 63.27, -29.9, 34.79

 

CMYK 31 / 0 / 53 / 42

HEX #669446

RGB 102 148 70

HSL 95.38, 0.36%, 0.43%

LAB 56.53, -29.96, 36.02

 

CMYK 23 / 0 / 33 / 14

HEX #AADC93

RGB 170 220 147

HSL 101.1, 0.51%, 0.72%

LAB 82.83, -29.37, 30.78

 

CMYK 14 / 0 / 33 / 14

HEX #BEDC93

RGB 190 220 147

HSL 84.66, 0.51%, 0.72%

LAB 84.09, -22.24, 32.68

 

CMYK 5 / 0 / 33 / 14

HEX #D2DC93

RGB 210 220 147

HSL 68.22, 0.51%, 0.72%

LAB 85.5, -14.78, 34.8

 

CMYK 0 / 5 / 33 / 14

HEX #DCD293

RGB 220 210 147

HSL 51.78, 0.51%, 0.72%

LAB 83.66, -5.89, 32.52

 

CMYK 0 / 14 / 33 / 14

HEX #DCBE93

RGB 220 190 147

HSL 35.34, 0.51%, 0.72%

LAB 78.55, 4.51, 25.68

 

CMYK 23 / 0 / 33 / 14

HEX #AADC93

RGB 170 220 147

HSL 101.1, 0.51%, 0.72%

LAB 82.83, -29.37, 30.78

 

CMYK 31 / 0 / 33 / 14

HEX #97DC93

RGB 151 220 147

HSL 116.71, 0.51%, 0.72%

LAB 81.77, -35.74, 29.18

 

CMYK 33 / 0 / 26 / 14

HEX #93DCA2

RGB 147 220 162

HSL 132.33, 0.51%, 0.72%

LAB 81.84, -34.49, 21.46

 

CMYK 33 / 0 / 17 / 14

HEX #93DCB6

RGB 147 220 182

HSL 148.77, 0.51%, 0.72%

LAB 82.25, -30.74, 11.53

 

CMYK 33 / 0 / 8 / 14

HEX #93DCCA

RGB 147 220 202

HSL 165.21, 0.51%, 0.72%

LAB 82.73, -26.59, 1.62

 

CMYK 23 / 0 / 33 / 14

HEX #AADC93

RGB 170 220 147

HSL 101.1, 0.51%, 0.72%

LAB 82.83, -29.37, 30.78

 

CMYK 28 / 0 / 42 / 9

HEX #A6E787

RGB 166 231 135

HSL 100.63, 0.67%, 0.72%

LAB 85.51, -37.5, 40.28

 

CMYK 33 / 0 / 49 / 5

HEX #A2F37C

RGB 162 243 124

HSL 100.84, 0.83%, 0.72%

LAB 88.56, -45.49, 49.36

 

CMYK 38 / 0 / 56 / 0

HEX #9EFE70

RGB 158 254 112

HSL 100.56, 0.99%, 0.72%

LAB 91.38, -52.69, 58.14

 

CMYK 23 / 0 / 33 / 14

HEX #AADC93

RGB 170 220 147

HSL 101.1, 0.51%, 0.72%

LAB 82.83, -29.37, 30.78

 

CMYK 16 / 0 / 24 / 18

HEX #AED09E

RGB 174 208 158

HSL 100.8, 0.35%, 0.72%

LAB 79.94, -20.46, 21.19

 

CMYK 9 / 0 / 13 / 23

HEX #B2C4AA

RGB 178 196 170

HSL 101.54, 0.18%, 0.72%

LAB 77.19, -10.96, 10.99

 

CMYK 2 / 0 / 2 / 27

HEX #B6B9B5

RGB 182 185 181

HSL 105, 0.03%, 0.72%

LAB 74.81, -1.79, 1.65

 

CMYK 3 / 10 / 0 / 24

HEX #BBADC1

RGB 187 173 193

HSL 282, 0.14%, 0.72%

LAB 72.43, 8.71, -8.37

 

CMYK 5 / 0 / 33 / 14

HEX #D2DC93

RGB 210 220 147

HSL 68.22, 0.51%, 0.72%

LAB 85.5, -14.78, 34.8

 

CMYK 14 / 0 / 33 / 14

HEX #BEDC93

RGB 190 220 147

HSL 84.66, 0.51%, 0.72%

LAB 84.09, -22.24, 32.68

 

CMYK 22 / 0 / 33 / 14

HEX #ABDC93

RGB 171 220 147

HSL 100.27, 0.51%, 0.72%

LAB 82.89, -29.02, 30.87

 

CMYK 31 / 0 / 33 / 14

HEX #98DC93

RGB 152 220 147

HSL 115.89, 0.51%, 0.72%

LAB 81.82, -35.41, 29.26

 

CMYK 33 / 0 / 27 / 14

HEX #93DCA1

RGB 147 220 161

HSL 131.51, 0.51%, 0.72%

LAB 81.82, -34.67, 21.95

 

CMYK 39 / 0 / 58 / 22

HEX #7AC754

RGB 122 199 84

HSL 100.17, 0.51%, 0.55%

LAB 73.3, -44.3, 49.29

 

CMYK 30 / 0 / 44 / 18

HEX #92D174

RGB 146 209 116

HSL 100.65, 0.5%, 0.64%

LAB 77.86, -36.85, 39.76

 

CMYK 23 / 0 / 33 / 14

HEX #AADC93

RGB 170 220 147

HSL 101.1, 0.51%, 0.72%

LAB 82.83, -29.37, 30.78

 

CMYK 15 / 0 / 23 / 10

HEX #C3E6B2

RGB 195 230 178

HSL 100.38, 0.51%, 0.8%

LAB 87.68, -20.78, 21.64

 

CMYK 9 / 0 / 13 / 6

HEX #DBF0D1

RGB 219 240 209

HSL 100.65, 0.51%, 0.88%

LAB 92.57, -12.42, 12.66

 

CMYK 23 / 0 / 34 / 14

HEX #AADC92

RGB 170 220 146

HSL 100.54, 0.51%, 0.72%

LAB 82.81, -29.52, 31.27

 

CMYK 33 / 0 / 5 / 14

HEX #93DCD2

RGB 147 220 210

HSL 171.78, 0.51%, 0.72%

LAB 82.94, -24.83, -2.32

 

CMYK 0 / 33 / 9 / 14

HEX #DC93C8

RGB 220 147 200

HSL 316.44, 0.51%, 0.72%

LAB 69.65, 35.45, -16.08

 

CMYK 23 / 0 / 34 / 14

HEX #AADC92

RGB 170 220 146

HSL 100.54, 0.51%, 0.72%

LAB 82.81, -29.52, 31.27

 

CMYK 33 / 22 / 0 / 14

HEX #93ABDC

RGB 147 171 220

HSL 220.27, 0.51%, 0.72%

LAB 69.82, 3.25, -27.43

 

CMYK 0 / 33 / 22 / 14

HEX #DC93AB

RGB 220 147 171

HSL 340.27, 0.51%, 0.72%

LAB 68.77, 30.85, -1.23

 

CMYK 23 / 0 / 34 / 14

HEX #AADC92

RGB 170 220 146

HSL 100.54, 0.51%, 0.72%

LAB 82.81, -29.52, 31.27

 

CMYK 33 / 0 / 5 / 14

HEX #93DCD2

RGB 147 220 210

HSL 171.78, 0.51%, 0.72%

LAB 82.94, -24.83, -2.32

 

CMYK 11 / 33 / 0 / 14

HEX #C393DC

RGB 195 147 220

HSL 279.45, 0.51%, 0.72%

LAB 67.75, 31.16, -30.29

 

CMYK 0 / 33 / 29 / 14

HEX #DC939C

RGB 220 147 156

HSL 352.6, 0.51%, 0.72%

LAB 68.38, 28.73, 6.59

 

CMYK 23 / 0 / 34 / 14

HEX #AADC92

RGB 170 220 146

HSL 100.54, 0.51%, 0.72%

LAB 82.81, -29.52, 31.27

 

CMYK 33 / 6 / 0 / 14

HEX #93CFDC

RGB 147 207 220

HSL 190.68, 0.51%, 0.72%

LAB 79.61, -15.99, -12.59

 

CMYK 11 / 33 / 0 / 14

HEX #C393DC

RGB 195 147 220

HSL 279.45, 0.51%, 0.72%

LAB 67.75, 31.16, -30.29

 

CMYK 0 / 28 / 33 / 14

HEX #DC9F93

RGB 220 159 147

HSL 9.86, 0.51%, 0.72%

LAB 70.95, 21.1, 15.24

 

Description

Color code: HEX #AADC92 | qconv.com Color code: HEX #AADC92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 220 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 220 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 34 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 34% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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