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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADB4ACE it is the complementary color #5524B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADB4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADB4ACE shade: #AFDB45CE, #C0ED58CE, #D1FF6BCE, #E2FF7ECE and #F3FF91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADB4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADB4ACE shade: #AADB4ACE, #99C937CE, #88B724CE, #77A511CE and #669300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADB4ACE shade: #A9DB48, #D1DB48, #DBBD48, #DB9648 and #DB6E48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADB4ACE shade: #A9DB48, #82DB48, #5ADB48, #48DB5D and #48DB85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADB4ACE shade matches the following richer shades: #A9DB48, #AFED36 and #B5FE24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADB4ACE shade: #A9DB48, #A3C95A, #9EB76B, #98A67D and #92948F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADB4ACE shade: #DBBD48, #D1DB48, #AADB48, #83DB48 and #5BDB48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADB4ACE shade: #7FAE22, #98D029, #A9DB48, #B9E26A and #C9E88D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADB4ACE shade: #AADB4A, #48DB96 and #D148DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADB4ACE shade: #AADB4A, #48AADB and #DB48AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADB4ACE shade: #AADB4A, #48DB96, #7948DB and #DB488C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADB4ACE shade: #AADB4A, #48DBC2, #7948DB and #DB4860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 54 / 11

HEX #AADB4ACE

RGBA 170 219 74 0.81

HSLA 80.28, 0.67%, 0.57%, 0.81

LABA 81.68, -36.75, 63.47, 0.81

 

Complementary color

CMYK 43 / 65 / 0 / 24

HEX #5524B5CE

RGBA 85 36 181 0.81

HSLA 260.28, 0.67%, 0.43%, 0.81

LABA 30.71, 54.4, -67.67, 0.81

 

CMYK 16 / 0 / 55 / 11

HEX #AFDB45CE

RGBA 175 219 69 0.81

HSLA 77.6, 0.68%, 0.56%, 0.81

LABA 81.95, -35.16, 65.75, 0.81

 

CMYK 15 / 0 / 51 / 6

HEX #C0ED58CE

RGBA 192 237 88 0.81

HSLA 78.12, 0.81%, 0.64%, 0.81

LABA 88.2, -35.57, 65.23, 0.81

 

CMYK 15 / 0 / 47 / 0

HEX #D1FF6BCE

RGBA 209 255 107 0.81

HSLA 78.65, 1%, 0.71%, 0.81

LABA 94.37, -35.88, 64.45, 0.81

 

CMYK 9 / 0 / 41 / 0

HEX #E2FF7ECE

RGBA 226 255 126 0.81

HSLA 73.49, 1%, 0.75%, 0.81

LABA 95.66, -27.86, 57.88, 0.81

 

CMYK 4 / 0 / 35 / 0

HEX #F3FF91CE

RGBA 243 255 145 0.81

HSLA 66.55, 1%, 0.78%, 0.81

LABA 97.07, -19.6, 51.04, 0.81

 

CMYK 18 / 0 / 54 / 11

HEX #AADB4ACE

RGBA 170 219 74 0.81

HSLA 80.28, 0.67%, 0.57%, 0.81

LABA 81.68, -36.75, 63.47, 0.81

 

CMYK 19 / 0 / 59 / 17

HEX #99C937CE

RGBA 153 201 55 0.81

HSLA 79.73, 0.57%, 0.5%, 0.81

LABA 75.34, -36.31, 63.75, 0.81

 

CMYK 21 / 0 / 65 / 23

HEX #88B724CE

RGBA 136 183 36 0.81

HSLA 79.18, 0.67%, 0.43%, 0.81

LABA 68.92, -35.7, 63.36, 0.81

 

CMYK 23 / 0 / 73 / 29

HEX #77A511CE

RGBA 119 165 17 0.81

HSLA 78.65, 0.81%, 0.36%, 0.81

LABA 62.4, -34.87, 61.81, 0.81

 

CMYK 25 / 0 / 81 / 34

HEX #669300CE

RGBA 102 147 0 0.81

HSLA 78.37, 1%, 0.29%, 0.81

LABA 55.78, -33.81, 58.78, 0.81

 

CMYK 23 / 0 / 67 / 14

HEX #A9DB48

RGB 169 219 72

HSL 80.41, 0.67%, 0.57%

LAB 81.6, -37.27, 64.14

 

CMYK 5 / 0 / 67 / 14

HEX #D1DB48

RGB 209 219 72

HSL 64.08, 0.67%, 0.57%

LAB 84.32, -21.41, 67.8

 

CMYK 0 / 14 / 67 / 14

HEX #DBBD48

RGB 219 189 72

HSL 47.76, 0.67%, 0.57%

LAB 77.23, -2.1, 60.79

 

CMYK 0 / 32 / 67 / 14

HEX #DB9648

RGB 219 150 72

HSL 31.84, 0.67%, 0.57%

LAB 67.53, 18.63, 50.42

 

CMYK 0 / 50 / 67 / 14

HEX #DB6E48

RGB 219 110 72

HSL 15.51, 0.67%, 0.57%

LAB 58.68, 39.74, 40.41

 

CMYK 23 / 0 / 67 / 14

HEX #A9DB48

RGB 169 219 72

HSL 80.41, 0.67%, 0.57%

LAB 81.6, -37.27, 64.14

 

CMYK 41 / 0 / 67 / 14

HEX #82DB48

RGB 130 219 72

HSL 96.33, 0.67%, 0.57%

LAB 79.54, -51.05, 61.36

 

CMYK 59 / 0 / 67 / 14

HEX #5ADB48

RGB 90 219 72

HSL 112.65, 0.67%, 0.57%

LAB 78.05, -62.28, 59.33

 

CMYK 67 / 0 / 58 / 14

HEX #48DB5D

RGB 72 219 93

HSL 128.57, 0.67%, 0.57%

LAB 77.78, -63.85, 49.97

 

CMYK 67 / 0 / 39 / 14

HEX #48DB85

RGB 72 219 133

HSL 144.9, 0.67%, 0.57%

LAB 78.31, -57.8, 31.22

 

CMYK 23 / 0 / 67 / 14

HEX #A9DB48

RGB 169 219 72

HSL 80.41, 0.67%, 0.57%

LAB 81.6, -37.27, 64.14

 

CMYK 26 / 0 / 77 / 7

HEX #AFED36

RGB 175 237 54

HSL 80.33, 0.84%, 0.57%

LAB 86.97, -43.94, 75.57

 

CMYK 29 / 0 / 86 / 0

HEX #B5FE24

RGB 181 254 36

HSL 80.09, 0.99%, 0.57%

LAB 92.06, -49.58, 84.45

 

CMYK 23 / 0 / 67 / 14

HEX #A9DB48

RGB 169 219 72

HSL 80.41, 0.67%, 0.57%

LAB 81.6, -37.27, 64.14

 

CMYK 19 / 0 / 55 / 21

HEX #A3C95A

RGB 163 201 90

HSL 80.54, 0.51%, 0.57%

LAB 76.25, -29.82, 50.55

 

CMYK 14 / 0 / 42 / 28

HEX #9EB76B

RGB 158 183 107

HSL 79.74, 0.35%, 0.57%

LAB 71.01, -21.18, 35.8

 

CMYK 8 / 0 / 25 / 35

HEX #98A67D

RGB 152 166 125

HSL 80.49, 0.19%, 0.57%

LAB 66.08, -12.28, 19.63

 

CMYK 1 / 0 / 3 / 42

HEX #92948F

RGB 146 148 143

HSL 84, 0.02%, 0.57%

LAB 61.02, -1.69, 2.38

 

CMYK 0 / 14 / 67 / 14

HEX #DBBD48

RGB 219 189 72

HSL 47.76, 0.67%, 0.57%

LAB 77.23, -2.1, 60.79

 

CMYK 5 / 0 / 67 / 14

HEX #D1DB48

RGB 209 219 72

HSL 64.08, 0.67%, 0.57%

LAB 84.32, -21.41, 67.8

 

CMYK 22 / 0 / 67 / 14

HEX #AADB48

RGB 170 219 72

HSL 80, 0.67%, 0.57%

LAB 81.66, -36.89, 64.23

 

CMYK 40 / 0 / 67 / 14

HEX #83DB48

RGB 131 219 72

HSL 95.92, 0.67%, 0.57%

LAB 79.59, -50.72, 61.42

 

CMYK 58 / 0 / 67 / 14

HEX #5BDB48

RGB 91 219 72

HSL 112.24, 0.67%, 0.57%

LAB 78.08, -62.05, 59.37

 

CMYK 27 / 0 / 80 / 32

HEX #7FAE22

RGB 127 174 34

HSL 80.14, 0.67%, 0.41%

LAB 65.67, -35.22, 60.78

 

CMYK 27 / 0 / 80 / 18

HEX #98D029

RGB 152 208 41

HSL 80.12, 0.67%, 0.49%

LAB 77.25, -40.49, 69.85

 

CMYK 23 / 0 / 67 / 14

HEX #A9DB48

RGB 169 219 72

HSL 80.41, 0.67%, 0.57%

LAB 81.6, -37.27, 64.14

 

CMYK 18 / 0 / 53 / 11

HEX #B9E26A

RGB 185 226 106

HSL 80.5, 0.67%, 0.65%

LAB 84.87, -31.67, 53.6

 

CMYK 13 / 0 / 39 / 9

HEX #C9E88D

RGB 201 232 141

HSL 80.44, 0.66%, 0.73%

LAB 87.99, -24.76, 40.92

 

CMYK 22 / 0 / 66 / 14

HEX #AADB4A

RGB 170 219 74

HSL 80.28, 0.67%, 0.57%

LAB 81.68, -36.75, 63.47

 

CMYK 67 / 0 / 32 / 14

HEX #48DB96

RGB 72 219 150

HSL 151.84, 0.67%, 0.57%

LAB 78.6, -54.55, 22.85

 

CMYK 5 / 67 / 0 / 14

HEX #D148DB

RGB 209 72 219

HSL 295.92, 0.67%, 0.57%

LAB 55.38, 71.32, -48.99

 

CMYK 22 / 0 / 66 / 14

HEX #AADB4A

RGB 170 219 74

HSL 80.28, 0.67%, 0.57%

LAB 81.68, -36.75, 63.47

 

CMYK 67 / 22 / 0 / 14

HEX #48AADB

RGB 72 170 219

HSL 200, 0.67%, 0.57%

LAB 65.94, -13.37, -33.17

 

CMYK 0 / 67 / 22 / 14

HEX #DB48AA

RGB 219 72 170

HSL 320, 0.67%, 0.57%

LAB 54.65, 66.32, -21.83

 

CMYK 22 / 0 / 66 / 14

HEX #AADB4A

RGB 170 219 74

HSL 80.28, 0.67%, 0.57%

LAB 81.68, -36.75, 63.47

 

CMYK 67 / 0 / 32 / 14

HEX #48DB96

RGB 72 219 150

HSL 151.84, 0.67%, 0.57%

LAB 78.6, -54.55, 22.85

 

CMYK 45 / 67 / 0 / 14

HEX #7948DB

RGB 121 72 219

HSL 260, 0.67%, 0.57%

LAB 43.97, 53.06, -67.96

 

CMYK 0 / 67 / 36 / 14

HEX #DB488C

RGB 219 72 140

HSL 332.24, 0.67%, 0.57%

LAB 53.59, 62.7, -5.78

 

CMYK 22 / 0 / 66 / 14

HEX #AADB4A

RGB 170 219 74

HSL 80.28, 0.67%, 0.57%

LAB 81.68, -36.75, 63.47

 

CMYK 67 / 0 / 11 / 14

HEX #48DBC2

RGB 72 219 194

HSL 169.8, 0.67%, 0.57%

LAB 79.58, -44.47, 0.96

 

CMYK 45 / 67 / 0 / 14

HEX #7948DB

RGB 121 72 219

HSL 260, 0.67%, 0.57%

LAB 43.97, 53.06, -67.96

 

CMYK 0 / 67 / 56 / 14

HEX #DB4860

RGB 219 72 96

HSL 350.2, 0.67%, 0.57%

LAB 52.44, 58.68, 18.87

 

Description

Color code: HEX #AADB4ACE | qconv.com Color code: HEX #AADB4ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 219 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 219 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 54 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 54% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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