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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAD245 it is the complementary color #552DBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAD245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAD245 shade: #AFD240, #C0E453, #D1F666, #E2FF79 and #F3FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAD245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAD245 shade: #AAD245, #99C032, #88AE1F, #779C0C and #668A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAD245 shade: #ABD246, #D0D246, #D2AE46, #D28946 and #D26346

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAD245 shade: #ABD246, #85D246, #5FD246, #46D253 and #46D279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAD245 shade matches the following richer shades: #ABD246, #B3E534 and #BBF721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAD245 shade: #ABD246, #A3C059, #9AAD6B, #929B7E and #8A8891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAD245 shade: #D2AF46, #D0D246, #ABD246, #85D246 and #60D246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAD245 shade: #7D9F27, #97C12F, #ABD246, #BADA67 and #C9E289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAD245 shade: #AAD245, #46D28A and #C246D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAD245 shade: #AAD245, #46ABD2 and #D246AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAD245 shade: #AAD245, #46D28A, #6E46D2 and #D2468F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAD245 shade: #AAD245, #46D2B4, #6E46D2 and #D24665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 67 / 18

HEX #AAD245

RGB 170 210 69

HSL 77.02, 0.61%, 0.55%

LAB 79.08, -32.97, 62.71

 

Complementary color

CMYK 54 / 76 / 0 / 27

HEX #552DBA

RGB 85 45 186

HSL 257.02, 0.61%, 0.45%

LAB 32.6, 51.71, -67.53

 

CMYK 17 / 0 / 70 / 18

HEX #AFD240

RGB 175 210 64

HSL 74.38, 0.62%, 0.54%

LAB 79.37, -31.31, 65

 

CMYK 16 / 0 / 64 / 11

HEX #C0E453

RGB 192 228 83

HSL 74.9, 0.73%, 0.61%

LAB 85.66, -31.79, 64.54

 

CMYK 15 / 0 / 59 / 4

HEX #D1F666

RGB 209 246 102

HSL 75.42, 0.89%, 0.68%

LAB 91.88, -32.17, 63.78

 

CMYK 11 / 0 / 53 / 0

HEX #E2FF79

RGB 226 255 121

HSL 72.99, 1%, 0.74%

LAB 95.61, -28.31, 60.07

 

CMYK 5 / 0 / 45 / 0

HEX #F3FF8C

RGB 243 255 140

HSL 66.26, 1%, 0.77%

LAB 97.01, -20.09, 53.33

 

CMYK 19 / 0 / 67 / 18

HEX #AAD245

RGB 170 210 69

HSL 77.02, 0.61%, 0.55%

LAB 79.08, -32.97, 62.71

 

CMYK 20 / 0 / 74 / 25

HEX #99C032

RGB 153 192 50

HSL 76.48, 0.59%, 0.47%

LAB 72.7, -32.45, 62.9

 

CMYK 22 / 0 / 82 / 32

HEX #88AE1F

RGB 136 174 31

HSL 75.94, 0.7%, 0.4%

LAB 66.22, -31.75, 62.31

 

CMYK 24 / 0 / 92 / 39

HEX #779C0C

RGB 119 156 12

HSL 75.42, 0.86%, 0.33%

LAB 59.64, -30.82, 60.41

 

CMYK 26 / 0 / 100 / 46

HEX #668A00

RGB 102 138 0

HSL 75.65, 1%, 0.27%

LAB 52.95, -29.62, 56.61

 

CMYK 19 / 0 / 67 / 18

HEX #ABD246

RGB 171 210 70

HSL 76.71, 0.61%, 0.55%

LAB 79.15, -32.51, 62.42

 

CMYK 1 / 0 / 67 / 18

HEX #D0D246

RGB 208 210 70

HSL 60.86, 0.61%, 0.55%

LAB 81.81, -17.52, 65.99

 

CMYK 0 / 17 / 67 / 18

HEX #D2AE46

RGB 210 174 70

HSL 44.57, 0.61%, 0.55%

LAB 72.51, 1.81, 56.41

 

CMYK 0 / 35 / 67 / 18

HEX #D28946

RGB 210 137 70

HSL 28.71, 0.61%, 0.55%

LAB 63.37, 21.74, 46.47

 

CMYK 0 / 53 / 67 / 18

HEX #D26346

RGB 210 99 70

HSL 12.43, 0.61%, 0.55%

LAB 55.14, 41.72, 37.01

 

CMYK 19 / 0 / 67 / 18

HEX #ABD246

RGB 171 210 70

HSL 76.71, 0.61%, 0.55%

LAB 79.15, -32.51, 62.42

 

CMYK 37 / 0 / 67 / 18

HEX #85D246

RGB 133 210 70

HSL 93, 0.61%, 0.55%

LAB 76.99, -46.51, 59.49

 

CMYK 55 / 0 / 67 / 18

HEX #5FD246

RGB 95 210 70

HSL 109.29, 0.61%, 0.55%

LAB 75.43, -57.99, 57.36

 

CMYK 67 / 0 / 60 / 18

HEX #46D253

RGB 70 210 83

HSL 125.57, 0.61%, 0.55%

LAB 74.84, -62.32, 51.03

 

CMYK 67 / 0 / 42 / 18

HEX #46D279

RGB 70 210 121

HSL 141.86, 0.61%, 0.55%

LAB 75.31, -56.89, 33.4

 

CMYK 19 / 0 / 67 / 18

HEX #ABD246

RGB 171 210 70

HSL 76.71, 0.61%, 0.55%

LAB 79.15, -32.51, 62.42

 

CMYK 22 / 0 / 77 / 10

HEX #B3E534

RGB 179 229 52

HSL 76.95, 0.77%, 0.55%

LAB 84.93, -39.01, 74.35

 

CMYK 24 / 0 / 87 / 3

HEX #BBF721

RGB 187 247 33

HSL 76.82, 0.93%, 0.55%

LAB 90.41, -44.48, 83.76

 

CMYK 19 / 0 / 67 / 18

HEX #ABD246

RGB 171 210 70

HSL 76.71, 0.61%, 0.55%

LAB 79.15, -32.51, 62.42

 

CMYK 15 / 0 / 54 / 25

HEX #A3C059

RGB 163 192 89

HSL 76.89, 0.45%, 0.55%

LAB 73.68, -25.6, 48.02

 

CMYK 11 / 0 / 38 / 32

HEX #9AAD6B

RGB 154 173 107

HSL 77.27, 0.29%, 0.55%

LAB 67.89, -17.69, 31.74

 

CMYK 6 / 0 / 19 / 39

HEX #929B7E

RGB 146 155 126

HSL 78.62, 0.13%, 0.55%

LAB 62.56, -8.55, 14.14

 

CMYK 5 / 6 / 0 / 43

HEX #8A8891

RGB 138 136 145

HSL 253.33, 0.04%, 0.55%

LAB 57.13, 2.54, -4.54

 

CMYK 0 / 17 / 67 / 18

HEX #D2AF46

RGB 210 175 70

HSL 45, 0.61%, 0.55%

LAB 72.76, 1.28, 56.68

 

CMYK 1 / 0 / 67 / 18

HEX #D0D246

RGB 208 210 70

HSL 60.86, 0.61%, 0.55%

LAB 81.81, -17.52, 65.99

 

CMYK 19 / 0 / 67 / 18

HEX #ABD246

RGB 171 210 70

HSL 76.71, 0.61%, 0.55%

LAB 79.15, -32.51, 62.42

 

CMYK 37 / 0 / 67 / 18

HEX #85D246

RGB 133 210 70

HSL 93, 0.61%, 0.55%

LAB 76.99, -46.51, 59.49

 

CMYK 54 / 0 / 67 / 18

HEX #60D246

RGB 96 210 70

HSL 108.86, 0.61%, 0.55%

LAB 75.47, -57.73, 57.41

 

CMYK 21 / 0 / 75 / 38

HEX #7D9F27

RGB 125 159 39

HSL 77, 0.61%, 0.39%

LAB 61.05, -28.77, 54.85

 

CMYK 22 / 0 / 76 / 24

HEX #97C12F

RGB 151 193 47

HSL 77.26, 0.61%, 0.47%

LAB 72.84, -33.86, 63.99

 

CMYK 19 / 0 / 67 / 18

HEX #ABD246

RGB 171 210 70

HSL 76.71, 0.61%, 0.55%

LAB 79.15, -32.51, 62.42

 

CMYK 15 / 0 / 53 / 15

HEX #BADA67

RGB 186 218 103

HSL 76.7, 0.61%, 0.63%

LAB 82.68, -27.81, 52.43

 

CMYK 11 / 0 / 39 / 11

HEX #C9E289

RGB 201 226 137

HSL 76.85, 0.61%, 0.71%

LAB 86.31, -22.34, 40.76

 

CMYK 19 / 0 / 67 / 18

HEX #AAD245

RGB 170 210 69

HSL 77.02, 0.61%, 0.55%

LAB 79.08, -32.97, 62.71

 

CMYK 67 / 0 / 34 / 18

HEX #46D28A

RGB 70 210 138

HSL 149.14, 0.61%, 0.55%

LAB 75.59, -53.77, 25.01

 

CMYK 8 / 67 / 0 / 18

HEX #C246D2

RGB 194 70 210

HSL 293.14, 0.61%, 0.55%

LAB 52.4, 67.17, -48.75

 

CMYK 19 / 0 / 67 / 18

HEX #AAD245

RGB 170 210 69

HSL 77.02, 0.61%, 0.55%

LAB 79.08, -32.97, 62.71

 

CMYK 67 / 19 / 0 / 18

HEX #46ABD2

RGB 70 171 210

HSL 196.71, 0.61%, 0.55%

LAB 65.81, -17.11, -28.4

 

CMYK 0 / 67 / 19 / 18

HEX #D246AB

RGB 210 70 171

HSL 316.71, 0.61%, 0.55%

LAB 52.97, 64.86, -25.13

 

CMYK 19 / 0 / 67 / 18

HEX #AAD245

RGB 170 210 69

HSL 77.02, 0.61%, 0.55%

LAB 79.08, -32.97, 62.71

 

CMYK 67 / 0 / 34 / 18

HEX #46D28A

RGB 70 210 138

HSL 149.14, 0.61%, 0.55%

LAB 75.59, -53.77, 25.01

 

CMYK 48 / 67 / 0 / 18

HEX #6E46D2

RGB 110 70 210

HSL 257.14, 0.61%, 0.55%

LAB 41.76, 49.66, -66.43

 

CMYK 0 / 67 / 32 / 18

HEX #D2468F

RGB 210 70 143

HSL 328.71, 0.61%, 0.55%

LAB 51.91, 61.26, -10.22

 

CMYK 19 / 0 / 67 / 18

HEX #AAD245

RGB 170 210 69

HSL 77.02, 0.61%, 0.55%

LAB 79.08, -32.97, 62.71

 

CMYK 67 / 0 / 14 / 18

HEX #46D2B4

RGB 70 210 180

HSL 167.14, 0.61%, 0.55%

LAB 76.49, -44.39, 3.96

 

CMYK 48 / 67 / 0 / 18

HEX #6E46D2

RGB 110 70 210

HSL 257.14, 0.61%, 0.55%

LAB 41.76, 49.66, -66.43

 

CMYK 0 / 67 / 52 / 18

HEX #D24665

RGB 210 70 101

HSL 346.71, 0.61%, 0.55%

LAB 50.71, 57.05, 13.26

 

Description

Color code: HEX #AAD245 | qconv.com Color code: HEX #AAD245 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 210 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 210 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 67 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 67% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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