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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AACF3E it is the complementary color #5530C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AACF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AACF3E shade: #AFCF39, #C0E14C, #D1F35F, #E2FF72 and #F3FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AACF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AACF3E shade: #AACF3E, #99BD2B, #88AB18, #779905 and #668700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AACF3E shade: #AACF3F, #CFCC3F, #CFA63F, #CF7F3F and #CF583F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AACF3E shade: #AACF3F, #83CF3F, #5CCF3F, #3FCF48 and #3FCF6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AACF3E shade matches the following richer shades: #AACF3F, #B3E22B and #BDF518

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AACF3E shade: #AACF3F, #A0BB52, #97A866, #8D9479 and #84818C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AACF3E shade: #CFA63F, #CFCC3F, #ABCF3F, #84CF3F and #5ECF3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AACF3E shade: #799625, #94B72D, #AACF3F, #B8D760 and #C7DF81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AACF3E shade: #AACF3E, #3FCF7F and #B93FCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AACF3E shade: #AACF3E, #3FABCF and #CF3FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AACF3E shade: #AACF3E, #3FCF7F, #633FCF and #CF3F8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AACF3E shade: #AACF3E, #3FCFAB, #633FCF and #CF3F63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 70 / 19

HEX #AACF3E

RGB 170 207 62

HSL 75.31, 0.6%, 0.53%

LAB 78.18, -32.01, 64.43

 

Complementary color

CMYK 56 / 75 / 0 / 24

HEX #5530C1

RGB 85 48 193

HSL 255.31, 0.6%, 0.47%

LAB 33.76, 52.23, -69.74

 

CMYK 15 / 0 / 72 / 19

HEX #AFCF39

RGB 175 207 57

HSL 72.8, 0.61%, 0.52%

LAB 78.48, -30.29, 66.6

 

CMYK 15 / 0 / 66 / 12

HEX #C0E14C

RGB 192 225 76

HSL 73.29, 0.71%, 0.59%

LAB 84.78, -30.86, 66.36

 

CMYK 14 / 0 / 61 / 5

HEX #D1F35F

RGB 209 243 95

HSL 73.78, 0.86%, 0.66%

LAB 91, -31.31, 65.73

 

CMYK 11 / 0 / 55 / 0

HEX #E2FF72

RGB 226 255 114

HSL 72.34, 1%, 0.72%

LAB 95.54, -28.9, 63.07

 

CMYK 5 / 0 / 48 / 0

HEX #F3FF85

RGB 243 255 133

HSL 65.9, 1%, 0.76%

LAB 96.93, -20.75, 56.48

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3E

RGB 170 207 62

HSL 75.31, 0.6%, 0.53%

LAB 78.18, -32.01, 64.43

 

CMYK 19 / 0 / 77 / 26

HEX #99BD2B

RGB 153 189 43

HSL 74.79, 0.63%, 0.45%

LAB 71.79, -31.39, 64.31

 

CMYK 20 / 0 / 86 / 33

HEX #88AB18

RGB 136 171 24

HSL 74.29, 0.75%, 0.38%

LAB 65.3, -30.58, 63.24

 

CMYK 22 / 0 / 97 / 40

HEX #779905

RGB 119 153 5

HSL 73.78, 0.94%, 0.31%

LAB 58.71, -29.54, 60.72

 

CMYK 24 / 0 / 100 / 47

HEX #668700

RGB 102 135 0

HSL 74.67, 1%, 0.26%

LAB 52.01, -28.19, 55.9

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3F

RGB 170 207 63

HSL 75.42, 0.6%, 0.53%

LAB 78.19, -31.95, 64.07

 

CMYK 0 / 1 / 70 / 19

HEX #CFCC3F

RGB 207 204 63

HSL 58.75, 0.6%, 0.53%

LAB 80.07, -15.32, 66.84

 

CMYK 0 / 20 / 70 / 19

HEX #CFA63F

RGB 207 166 63

HSL 42.92, 0.6%, 0.53%

LAB 70.1, 4.39, 56.81

 

CMYK 0 / 39 / 70 / 19

HEX #CF7F3F

RGB 207 127 63

HSL 26.67, 0.6%, 0.53%

LAB 60.61, 25.49, 46.74

 

CMYK 0 / 57 / 70 / 19

HEX #CF583F

RGB 207 88 63

HSL 10.42, 0.6%, 0.53%

LAB 52.51, 45.57, 37.66

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3F

RGB 170 207 63

HSL 75.42, 0.6%, 0.53%

LAB 78.19, -31.95, 64.07

 

CMYK 37 / 0 / 70 / 19

HEX #83CF3F

RGB 131 207 63

HSL 91.67, 0.6%, 0.53%

LAB 75.95, -46.46, 61.08

 

CMYK 56 / 0 / 70 / 19

HEX #5CCF3F

RGB 92 207 63

HSL 107.92, 0.6%, 0.53%

LAB 74.36, -58.27, 58.92

 

CMYK 70 / 0 / 65 / 19

HEX #3FCF48

RGB 63 207 72

HSL 123.75, 0.6%, 0.53%

LAB 73.64, -63.77, 54.35

 

CMYK 70 / 0 / 46 / 19

HEX #3FCF6F

RGB 63 207 111

HSL 140, 0.6%, 0.53%

LAB 74.08, -58.66, 36.82

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3F

RGB 170 207 63

HSL 75.42, 0.6%, 0.53%

LAB 78.19, -31.95, 64.07

 

CMYK 21 / 0 / 81 / 11

HEX #B3E22B

RGB 179 226 43

HSL 75.41, 0.76%, 0.53%

LAB 84.04, -38.03, 75.99

 

CMYK 23 / 0 / 90 / 4

HEX #BDF518

RGB 189 245 24

HSL 75.2, 0.92%, 0.53%

LAB 89.95, -43.06, 84.86

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3F

RGB 170 207 63

HSL 75.42, 0.6%, 0.53%

LAB 78.19, -31.95, 64.07

 

CMYK 14 / 0 / 56 / 27

HEX #A0BB52

RGB 160 187 82

HSL 75.43, 0.44%, 0.53%

LAB 71.98, -25, 49.26

 

CMYK 10 / 0 / 39 / 34

HEX #97A866

RGB 151 168 102

HSL 75.45, 0.28%, 0.53%

LAB 66.17, -16.94, 32.12

 

CMYK 5 / 0 / 18 / 42

HEX #8D9479

RGB 141 148 121

HSL 75.56, 0.11%, 0.53%

LAB 60.09, -7.5, 13.44

 

CMYK 6 / 8 / 0 / 45

HEX #84818C

RGB 132 129 140

HSL 256.36, 0.05%, 0.53%

LAB 54.55, 3.35, -5.52

 

CMYK 0 / 20 / 70 / 19

HEX #CFA63F

RGB 207 166 63

HSL 42.92, 0.6%, 0.53%

LAB 70.1, 4.39, 56.81

 

CMYK 0 / 1 / 70 / 19

HEX #CFCC3F

RGB 207 204 63

HSL 58.75, 0.6%, 0.53%

LAB 80.07, -15.32, 66.84

 

CMYK 17 / 0 / 70 / 19

HEX #ABCF3F

RGB 171 207 63

HSL 75, 0.6%, 0.53%

LAB 78.25, -31.55, 64.15

 

CMYK 36 / 0 / 70 / 19

HEX #84CF3F

RGB 132 207 63

HSL 91.25, 0.6%, 0.53%

LAB 76, -46.11, 61.14

 

CMYK 55 / 0 / 70 / 19

HEX #5ECF3F

RGB 94 207 63

HSL 107.08, 0.6%, 0.53%

LAB 74.42, -57.75, 59.01

 

CMYK 19 / 0 / 75 / 41

HEX #799625

RGB 121 150 37

HSL 75.4, 0.6%, 0.37%

LAB 58.05, -26.18, 52.58

 

CMYK 19 / 0 / 75 / 28

HEX #94B72D

RGB 148 183 45

HSL 75.22, 0.61%, 0.45%

LAB 69.72, -30.49, 61.62

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3F

RGB 170 207 63

HSL 75.42, 0.6%, 0.53%

LAB 78.19, -31.95, 64.07

 

CMYK 14 / 0 / 55 / 16

HEX #B8D760

RGB 184 215 96

HSL 75.63, 0.6%, 0.61%

LAB 81.64, -27.79, 54.38

 

CMYK 11 / 0 / 42 / 13

HEX #C7DF81

RGB 199 223 129

HSL 75.32, 0.59%, 0.69%

LAB 85.25, -22.56, 43.33

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3E

RGB 170 207 62

HSL 75.31, 0.6%, 0.53%

LAB 78.18, -32.01, 64.43

 

CMYK 70 / 0 / 39 / 19

HEX #3FCF7F

RGB 63 207 127

HSL 146.67, 0.6%, 0.53%

LAB 74.33, -55.88, 29

 

CMYK 11 / 70 / 0 / 19

HEX #B93FCF

RGB 185 63 207

HSL 290.83, 0.6%, 0.53%

LAB 49.95, 67.34, -51.03

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3E

RGB 170 207 62

HSL 75.31, 0.6%, 0.53%

LAB 78.18, -32.01, 64.43

 

CMYK 70 / 17 / 0 / 19

HEX #3FABCF

RGB 63 171 207

HSL 195, 0.6%, 0.53%

LAB 65.5, -19.12, -27.23

 

CMYK 0 / 70 / 17 / 19

HEX #CF3FAB

RGB 207 63 171

HSL 315, 0.6%, 0.53%

LAB 51.57, 66.67, -27.35

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3E

RGB 170 207 62

HSL 75.31, 0.6%, 0.53%

LAB 78.18, -32.01, 64.43

 

CMYK 70 / 0 / 39 / 19

HEX #3FCF7F

RGB 63 207 127

HSL 146.67, 0.6%, 0.53%

LAB 74.33, -55.88, 29

 

CMYK 52 / 70 / 0 / 19

HEX #633FCF

RGB 99 63 207

HSL 255, 0.6%, 0.53%

LAB 39.09, 50.65, -69.11

 

CMYK 0 / 70 / 31 / 19

HEX #CF3F8E

RGB 207 63 142

HSL 327.08, 0.6%, 0.53%

LAB 50.42, 62.95, -11.91

 

CMYK 18 / 0 / 70 / 19

HEX #AACF3E

RGB 170 207 62

HSL 75.31, 0.6%, 0.53%

LAB 78.18, -32.01, 64.43

 

CMYK 70 / 0 / 17 / 19

HEX #3FCFAB

RGB 63 207 171

HSL 165, 0.6%, 0.53%

LAB 75.22, -46.38, 6.94

 

CMYK 52 / 70 / 0 / 19

HEX #633FCF

RGB 99 63 207

HSL 255, 0.6%, 0.53%

LAB 39.09, 50.65, -69.11

 

CMYK 0 / 70 / 52 / 19

HEX #CF3F63

RGB 207 63 99

HSL 345, 0.6%, 0.53%

LAB 49.16, 58.68, 12.23

 

Description

Color code: HEX #AACF3E | qconv.com Color code: HEX #AACF3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 207 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 207 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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