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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AACEC2 it is the complementary color #55313D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AACEC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AACEC2 shade: #AFCEBD, #C0E0D0, #D1F2E3, #E2FFF6 and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AACEC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AACEC2 shade: #AACEC2, #99BCAF, #88AA9C, #779889 and #668676

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AACEC2 shade: #AACEC2, #AACEB9, #AACEAF, #AFCEAA and #B9CEAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AACEC2 shade: #AACEC2, #AACECC, #AAC7CE, #AABDCE and #AAB3CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AACEC2 shade matches the following richer shades: #AACEC2, #A0D9C6, #95E4C9, #8AEECD and #7FF9D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AACEC2 shade: #AACEC2, #B5C3BF, #C0B9BB, #CAAEB7 and #D5A3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AACEC2 shade: #AACEAF, #AACEB9, #AACEC2, #AACECC and #AAC7CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AACEC2 shade: #76B09D, #90BFAF, #AACEC2, #C4DDD5 and #DFECE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AACEC2 shade: #AACEC2, #AAAFCE and #CEB4AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AACEC2 shade: #AACEC2, #C2AACE and #CEC2AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AACEC2 shade: #AACEC2, #AAAFCE, #CEAAB6 and #CEC9AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AACEC2 shade: #AACEC2, #B0AACE, #CEAAB6 and #C8CEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

Complementary color

CMYK 0 / 42 / 28 / 67

HEX #55313D

RGB 85 49 61

HSL 340, 0.27%, 0.26%

LAB 25.15, 18.18, -0.56

 

CMYK 15 / 0 / 8 / 19

HEX #AFCEBD

RGB 175 206 189

HSL 147.1, 0.24%, 0.75%

LAB 80.14, -13.66, 4.99

 

CMYK 14 / 0 / 7 / 12

HEX #C0E0D0

RGB 192 224 208

HSL 150, 0.34%, 0.82%

LAB 86.54, -13.59, 4.3

 

CMYK 14 / 0 / 6 / 5

HEX #D1F2E3

RGB 209 242 227

HSL 152.73, 0.56%, 0.88%

LAB 92.84, -13.54, 3.63

 

CMYK 11 / 0 / 4 / 0

HEX #E2FFF6

RGB 226 255 246

HSL 161.38, 1%, 0.94%

LAB 97.77, -11.02, 1.11

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 19 / 0 / 7 / 26

HEX #99BCAF

RGB 153 188 175

HSL 157.71, 0.21%, 0.67%

LAB 73.44, -14.41, 2.67

 

CMYK 20 / 0 / 8 / 33

HEX #88AA9C

RGB 136 170 156

HSL 155.29, 0.17%, 0.6%

LAB 66.81, -14.53, 3.38

 

CMYK 22 / 0 / 10 / 40

HEX #779889

RGB 119 152 137

HSL 152.73, 0.14%, 0.53%

LAB 60.06, -14.67, 4.13

 

CMYK 24 / 0 / 12 / 47

HEX #668676

RGB 102 134 118

HSL 150, 0.14%, 0.46%

LAB 53.15, -14.84, 4.93

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 17 / 0 / 10 / 19

HEX #AACEB9

RGB 170 206 185

HSL 145, 0.27%, 0.74%

LAB 79.72, -16.08, 6.49

 

CMYK 17 / 0 / 15 / 19

HEX #AACEAF

RGB 170 206 175

HSL 128.33, 0.27%, 0.74%

LAB 79.49, -17.94, 11.5

 

CMYK 15 / 0 / 17 / 19

HEX #AFCEAA

RGB 175 206 170

HSL 111.67, 0.27%, 0.74%

LAB 79.7, -17.11, 14.51

 

CMYK 10 / 0 / 17 / 19

HEX #B9CEAA

RGB 185 206 170

HSL 95, 0.27%, 0.74%

LAB 80.38, -13.61, 15.56

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 17 / 0 / 1 / 19

HEX #AACECC

RGB 170 206 204

HSL 176.67, 0.27%, 0.74%

LAB 80.21, -12.28, -2.98

 

CMYK 17 / 3 / 0 / 19

HEX #AAC7CE

RGB 170 199 206

HSL 191.67, 0.27%, 0.74%

LAB 78.37, -8.22, -6.76

 

CMYK 17 / 8 / 0 / 19

HEX #AABDCE

RGB 170 189 206

HSL 208.33, 0.27%, 0.74%

LAB 75.7, -2.93, -10.74

 

CMYK 17 / 13 / 0 / 19

HEX #AAB3CE

RGB 170 179 206

HSL 225, 0.27%, 0.74%

LAB 73.05, 2.47, -14.71

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 26 / 0 / 9 / 15

HEX #A0D9C6

RGB 160 217 198

HSL 160, 0.43%, 0.74%

LAB 82.47, -22.17, 3.46

 

CMYK 35 / 0 / 12 / 11

HEX #95E4C9

RGB 149 228 201

HSL 159.49, 0.59%, 0.74%

LAB 85.04, -30.08, 5.51

 

CMYK 42 / 0 / 14 / 7

HEX #8AEECD

RGB 138 238 205

HSL 160.2, 0.75%, 0.74%

LAB 87.47, -36.84, 6.84

 

CMYK 49 / 0 / 16 / 2

HEX #7FF9D0

RGB 127 249 208

HSL 159.84, 0.91%, 0.74%

LAB 90.24, -43.77, 9.2

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 7 / 0 / 2 / 24

HEX #B5C3BF

RGB 181 195 191

HSL 162.86, 0.1%, 0.74%

LAB 77.65, -5.55, 0.35

 

CMYK 0 / 4 / 3 / 25

HEX #C0B9BB

RGB 192 185 187

HSL 342.86, 0.05%, 0.74%

LAB 75.76, 2.83, -0.14

 

CMYK 0 / 14 / 9 / 21

HEX #CAAEB7

RGB 202 174 183

HSL 340.71, 0.21%, 0.74%

LAB 73.71, 11.62, -0.85

 

CMYK 0 / 23 / 15 / 16

HEX #D5A3B4

RGB 213 163 180

HSL 339.6, 0.37%, 0.74%

LAB 71.98, 21.06, -1.6

 

CMYK 17 / 0 / 15 / 19

HEX #AACEAF

RGB 170 206 175

HSL 128.33, 0.27%, 0.74%

LAB 79.49, -17.94, 11.5

 

CMYK 17 / 0 / 10 / 19

HEX #AACEB9

RGB 170 206 185

HSL 145, 0.27%, 0.74%

LAB 79.72, -16.08, 6.49

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 17 / 0 / 1 / 19

HEX #AACECC

RGB 170 206 204

HSL 176.67, 0.27%, 0.74%

LAB 80.21, -12.28, -2.98

 

CMYK 17 / 3 / 0 / 19

HEX #AAC7CE

RGB 170 199 206

HSL 191.67, 0.27%, 0.74%

LAB 78.37, -8.22, -6.76

 

CMYK 33 / 0 / 11 / 31

HEX #76B09D

RGB 118 176 157

HSL 160.34, 0.27%, 0.58%

LAB 67.53, -23.11, 3.73

 

CMYK 25 / 0 / 8 / 25

HEX #90BFAF

RGB 144 191 175

HSL 159.57, 0.27%, 0.66%

LAB 73.73, -18.85, 3.03

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 11 / 0 / 4 / 13

HEX #C4DDD5

RGB 196 221 213

HSL 160.8, 0.27%, 0.82%

LAB 86.13, -9.81, 1.1

 

CMYK 6 / 0 / 2 / 7

HEX #DFECE8

RGB 223 236 232

HSL 161.54, 0.25%, 0.9%

LAB 92.36, -5.03, 0.44

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 17 / 15 / 0 / 19

HEX #AAAFCE

RGB 170 175 206

HSL 231.67, 0.27%, 0.74%

LAB 72, 4.66, -16.29

 

CMYK 0 / 13 / 17 / 19

HEX #CEB4AA

RGB 206 180 170

HSL 16.67, 0.27%, 0.74%

LAB 75.24, 7.71, 8.52

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 6 / 17 / 0 / 19

HEX #C2AACE

RGB 194 170 206

HSL 280, 0.27%, 0.74%

LAB 72.68, 15.29, -15.08

 

CMYK 0 / 6 / 17 / 19

HEX #CEC2AA

RGB 206 194 170

HSL 40, 0.27%, 0.74%

LAB 78.81, 0.26, 13.59

HEX #CEC2AA

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 17 / 15 / 0 / 19

HEX #AAAFCE

RGB 170 175 206

HSL 231.67, 0.27%, 0.74%

LAB 72, 4.66, -16.29

 

CMYK 0 / 17 / 12 / 19

HEX #CEAAB6

RGB 206 170 182

HSL 340, 0.27%, 0.74%

LAB 73.06, 15.06, -1.21

 

CMYK 0 / 2 / 17 / 19

HEX #CEC9AA

RGB 206 201 170

HSL 51.67, 0.27%, 0.74%

LAB 80.63, -3.41, 16.13

 

CMYK 17 / 0 / 6 / 19

HEX #AACEC2

RGB 170 206 194

HSL 160, 0.27%, 0.74%

LAB 79.94, -14.32, 1.99

 

CMYK 15 / 17 / 0 / 19

HEX #B0AACE

RGB 176 170 206

HSL 250, 0.27%, 0.74%

LAB 71.17, 9.35, -17.5

 

CMYK 0 / 17 / 12 / 19

HEX #CEAAB6

RGB 206 170 182

HSL 340, 0.27%, 0.74%

LAB 73.06, 15.06, -1.21

 

CMYK 3 / 0 / 17 / 19

HEX #C8CEAA

RGB 200 206 170

HSL 70, 0.27%, 0.74%

LAB 81.47, -8.2, 17.24

 

Description

Color code: HEX #AACEC2 | qconv.com Color code: HEX #AACEC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 206 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 206 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 6 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 6% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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