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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AACE67 it is the complementary color #553198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AACE67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AACE67 shade: #AFCE62, #C0E075, #D1F288, #E2FF9B and #F3FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AACE67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AACE67 shade: #AACE67, #99BC54, #88AA41, #77982E and #66861B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AACE67 shade: #ABCE69, #C6CE69, #CEBB69, #CEA069 and #CE8469

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AACE67 shade: #ABCE69, #8FCE69, #74CE69, #69CE79 and #69CE94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AACE67 shade matches the following richer shades: #ABCE69, #B0DE59, #B5EE49 and #B9FF39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AACE67 shade: #ABCE69, #A6BE79, #A1AE89, #9C9E99 and #978EA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AACE67 shade: #CEBA69, #C8CE69, #ACCE69, #91CE69 and #76CE69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AACE67 shade: #84AD38, #99C44A, #ABCE69, #BCD888 and #CEE2A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AACE67 shade: #AACE67, #69CE9F and #C869CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AACE67 shade: #AACE67, #69ACCE and #CE69AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AACE67 shade: #AACE67, #69CE9F, #8B69CE and #CE6998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AACE67 shade: #AACE67, #69CEBD, #8B69CE and #CE697A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 50 / 19

HEX #AACE67

RGB 170 206 103

HSL 80.97, 0.51%, 0.61%

LAB 78.27, -28.24, 46.93

 

Complementary color

CMYK 44 / 68 / 0 / 40

HEX #553198

RGB 85 49 152

HSL 260.97, 0.51%, 0.39%

LAB 30.39, 40.06, -50.72

 

CMYK 15 / 0 / 52 / 19

HEX #AFCE62

RGB 175 206 98

HSL 77.22, 0.52%, 0.6%

LAB 78.54, -26.81, 49.71

 

CMYK 14 / 0 / 48 / 12

HEX #C0E075

RGB 192 224 117

HSL 77.94, 0.63%, 0.67%

LAB 84.9, -26.99, 48.6

 

CMYK 14 / 0 / 44 / 5

HEX #D1F288

RGB 209 242 136

HSL 78.68, 0.8%, 0.74%

LAB 91.16, -27.13, 47.47

 

CMYK 11 / 0 / 39 / 0

HEX #E2FF9B

RGB 226 255 155

HSL 77.4, 1%, 0.8%

LAB 96.02, -24.87, 44.67

 

CMYK 5 / 0 / 32 / 0

HEX #F3FFAE

RGB 243 255 174

HSL 68.89, 1%, 0.84%

LAB 97.48, -16.35, 37.47

 

CMYK 17 / 0 / 50 / 19

HEX #AACE67

RGB 170 206 103

HSL 80.97, 0.51%, 0.61%

LAB 78.27, -28.24, 46.93

 

CMYK 19 / 0 / 55 / 26

HEX #99BC54

RGB 153 188 84

HSL 80.19, 0.44%, 0.53%

LAB 71.81, -28.07, 48.02

 

CMYK 20 / 0 / 62 / 33

HEX #88AA41

RGB 136 170 65

HSL 79.43, 0.45%, 0.46%

LAB 65.25, -27.82, 48.99

 

CMYK 22 / 0 / 70 / 40

HEX #77982E

RGB 119 152 46

HSL 78.68, 0.54%, 0.39%

LAB 58.58, -27.43, 49.64

 

CMYK 24 / 0 / 80 / 47

HEX #66861B

RGB 102 134 27

HSL 77.94, 0.66%, 0.32%

LAB 51.79, -26.85, 49.62

 

CMYK 17 / 0 / 49 / 19

HEX #ABCE69

RGB 171 206 105

HSL 80.79, 0.51%, 0.61%

LAB 78.36, -27.65, 46.09

 

CMYK 4 / 0 / 49 / 19

HEX #C6CE69

RGB 198 206 105

HSL 64.75, 0.51%, 0.61%

LAB 80.27, -17.05, 48.85

 

CMYK 0 / 9 / 49 / 19

HEX #CEBB69

RGB 206 187 105

HSL 48.71, 0.51%, 0.61%

LAB 75.87, -4.09, 43.7

 

CMYK 0 / 22 / 49 / 19

HEX #CEA069

RGB 206 160 105

HSL 32.67, 0.51%, 0.61%

LAB 68.96, 10.29, 35.09

 

CMYK 0 / 36 / 49 / 19

HEX #CE8469

RGB 206 132 105

HSL 16.04, 0.51%, 0.61%

LAB 62.21, 25.52, 26.37

 

CMYK 17 / 0 / 49 / 19

HEX #ABCE69

RGB 171 206 105

HSL 80.79, 0.51%, 0.61%

LAB 78.36, -27.65, 46.09

 

CMYK 31 / 0 / 49 / 19

HEX #8FCE69

RGB 143 206 105

HSL 97.43, 0.51%, 0.61%

LAB 76.68, -37.89, 43.67

 

CMYK 44 / 0 / 49 / 19

HEX #74CE69

RGB 116 206 105

HSL 113.47, 0.51%, 0.61%

LAB 75.37, -46.66, 41.77

 

CMYK 49 / 0 / 41 / 19

HEX #69CE79

RGB 105 206 121

HSL 129.5, 0.51%, 0.61%

LAB 75.16, -47.45, 33.4

 

CMYK 49 / 0 / 28 / 19

HEX #69CE94

RGB 105 206 148

HSL 145.54, 0.51%, 0.61%

LAB 75.63, -42.67, 19.97

 

CMYK 17 / 0 / 49 / 19

HEX #ABCE69

RGB 171 206 105

HSL 80.79, 0.51%, 0.61%

LAB 78.36, -27.65, 46.09

 

CMYK 21 / 0 / 60 / 13

HEX #B0DE59

RGB 176 222 89

HSL 80.75, 0.67%, 0.61%

LAB 83.02, -34.72, 58.88

 

CMYK 24 / 0 / 69 / 7

HEX #B5EE49

RGB 181 238 73

HSL 80.73, 0.83%, 0.61%

LAB 87.71, -41.15, 70.24

 

CMYK 27 / 0 / 78 / 0

HEX #B9FF39

RGB 185 255 57

HSL 81.21, 1%, 0.61%

LAB 92.63, -47.82, 80.14

 

CMYK 17 / 0 / 49 / 19

HEX #ABCE69

RGB 171 206 105

HSL 80.79, 0.51%, 0.61%

LAB 78.36, -27.65, 46.09

 

CMYK 13 / 0 / 36 / 25

HEX #A6BE79

RGB 166 190 121

HSL 80.87, 0.35%, 0.61%

LAB 73.75, -19.83, 32.19

 

CMYK 7 / 0 / 21 / 32

HEX #A1AE89

RGB 161 174 137

HSL 81.08, 0.19%, 0.61%

LAB 69.22, -11.19, 17.51

 

CMYK 1 / 0 / 3 / 38

HEX #9C9E99

RGB 156 158 153

HSL 84, 0.03%, 0.61%

LAB 64.82, -1.67, 2.35

 

CMYK 11 / 16 / 0 / 34

HEX #978EA9

RGB 151 142 169

HSL 260, 0.14%, 0.61%

LAB 60.6, 8.75, -12.99

 

CMYK 0 / 10 / 49 / 19

HEX #CEBA69

RGB 206 186 105

HSL 48.12, 0.51%, 0.61%

LAB 75.61, -3.57, 43.38

 

CMYK 3 / 0 / 49 / 19

HEX #C8CE69

RGB 200 206 105

HSL 63.56, 0.51%, 0.61%

LAB 80.43, -16.25, 49.08

 

CMYK 17 / 0 / 49 / 19

HEX #ACCE69

RGB 172 206 105

HSL 80.2, 0.51%, 0.61%

LAB 78.42, -27.26, 46.19

 

CMYK 30 / 0 / 49 / 19

HEX #91CE69

RGB 145 206 105

HSL 96.24, 0.51%, 0.61%

LAB 76.79, -37.19, 43.82

 

CMYK 43 / 0 / 49 / 19

HEX #76CE69

RGB 118 206 105

HSL 112.28, 0.51%, 0.61%

LAB 75.46, -46.05, 41.89

 

CMYK 24 / 0 / 68 / 32

HEX #84AD38

RGB 132 173 56

HSL 81.03, 0.51%, 0.45%

LAB 65.81, -31.53, 53.34

 

CMYK 22 / 0 / 62 / 23

HEX #99C44A

RGB 153 196 74

HSL 81.15, 0.51%, 0.53%

LAB 74.03, -32.72, 54.99

 

CMYK 17 / 0 / 49 / 19

HEX #ABCE69

RGB 171 206 105

HSL 80.79, 0.51%, 0.61%

LAB 78.36, -27.65, 46.09

 

CMYK 13 / 0 / 37 / 15

HEX #BCD888

RGB 188 216 136

HSL 81, 0.51%, 0.69%

LAB 82.69, -22.46, 36.42

 

CMYK 9 / 0 / 26 / 11

HEX #CEE2A7

RGB 206 226 167

HSL 80.34, 0.5%, 0.77%

LAB 87.15, -16.57, 26.7

 

CMYK 17 / 0 / 50 / 19

HEX #AACE67

RGB 170 206 103

HSL 80.97, 0.51%, 0.61%

LAB 78.27, -28.24, 46.93

 

CMYK 49 / 0 / 23 / 19

HEX #69CE9F

RGB 105 206 159

HSL 152.08, 0.51%, 0.61%

LAB 75.85, -40.44, 14.43

 

CMYK 3 / 49 / 0 / 19

HEX #C869CE

RGB 200 105 206

HSL 296.44, 0.51%, 0.61%

LAB 58.82, 52.21, -36.28

 

CMYK 17 / 0 / 50 / 19

HEX #AACE67

RGB 170 206 103

HSL 80.97, 0.51%, 0.61%

LAB 78.27, -28.24, 46.93

 

CMYK 49 / 17 / 0 / 19

HEX #69ACCE

RGB 105 172 206

HSL 200.2, 0.51%, 0.61%

LAB 67.25, -12.02, -23.87

 

CMYK 0 / 49 / 17 / 19

HEX #CE69AC

RGB 206 105 172

HSL 320.2, 0.51%, 0.61%

LAB 58.23, 48.23, -17.71

 

CMYK 17 / 0 / 50 / 19

HEX #AACE67

RGB 170 206 103

HSL 80.97, 0.51%, 0.61%

LAB 78.27, -28.24, 46.93

 

CMYK 49 / 0 / 23 / 19

HEX #69CE9F

RGB 105 206 159

HSL 152.08, 0.51%, 0.61%

LAB 75.85, -40.44, 14.43

 

CMYK 33 / 49 / 0 / 19

HEX #8B69CE

RGB 139 105 206

HSL 260.2, 0.51%, 0.61%

LAB 51.89, 35.39, -47.68

 

CMYK 0 / 49 / 26 / 19

HEX #CE6998

RGB 206 105 152

HSL 332.08, 0.51%, 0.61%

LAB 57.55, 45.31, -7.15

 

CMYK 17 / 0 / 50 / 19

HEX #AACE67

RGB 170 206 103

HSL 80.97, 0.51%, 0.61%

LAB 78.27, -28.24, 46.93

 

CMYK 49 / 0 / 8 / 19

HEX #69CEBD

RGB 105 206 189

HSL 169.9, 0.51%, 0.61%

LAB 76.57, -33.65, -0.64

 

CMYK 33 / 49 / 0 / 19

HEX #8B69CE

RGB 139 105 206

HSL 260.2, 0.51%, 0.61%

LAB 51.89, 35.39, -47.68

 

CMYK 0 / 49 / 41 / 19

HEX #CE697A

RGB 206 105 122

HSL 349.9, 0.51%, 0.61%

LAB 56.71, 41.58, 9.13

 

Description

Color code: HEX #AACE67 | qconv.com Color code: HEX #AACE67 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 206 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 206 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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