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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AACBDC it is the complementary color #553423. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AACBDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AACBDC shade: #AFCBD7, #C0DDEA, #D1EFFD, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AACBDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AACBDC shade: #AACBDC, #99B9C9, #88A7B6, #7795A3 and #668390

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AACBDC shade: #A8CADC, #A8BCDC, #A8AEDC, #B0A8DC and #BEA8DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AACBDC shade: #A8CADC, #A8BCDC, #A8AEDC and #A8A8DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AACBDC shade matches the following richer shades: #A8CADC, #9ECDE5, #94D0EF and #8AD4F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AACBDC shade: #A8CADC, #B2C7D2, #BCC4C8, #C6C1BE and #D0BDB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AACBDC shade: #A8DCD1, #A8D8DC, #A8CADC, #A8BDDC and #A8AFDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AACBDC shade: #6EA6C4, #8BB8D0, #A8CADC, #C5DCE7 and #E3EEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AACBDC shade: #AACBDC, #C4A8DC and #DCD8A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AACBDC shade: #AACBDC, #DCA8CA and #CADCA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AACBDC shade: #AACBDC, #C4A8DC, #DCB9A8 and #C0DCA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AACBDC shade: #AACBDC, #D3A8DC, #DCB9A8 and #B1DCA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 8 / 0 / 14

HEX #AACBDC

RGB 170 203 220

HSL 200.4, 0.42%, 0.76%

LAB 79.86, -7.26, -12.08

 

Complementary color

CMYK 0 / 39 / 59 / 67

HEX #553423

RGB 85 52 35

HSL 20.4, 0.42%, 0.24%

LAB 25.29, 12.79, 16.86

 

CMYK 19 / 6 / 0 / 16

HEX #AFCBD7

RGB 175 203 215

HSL 198, 0.33%, 0.76%

LAB 80.03, -6.82, -9.11

 

CMYK 18 / 6 / 0 / 8

HEX #C0DDEA

RGB 192 221 234

HSL 198.57, 0.5%, 0.84%

LAB 86.43, -6.86, -9.57

 

CMYK 17 / 6 / 0 / 1

HEX #D1EFFD

RGB 209 239 253

HSL 199.09, 0.92%, 0.91%

LAB 92.74, -6.9, -10.03

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 23 / 8 / 0 / 14

HEX #AACBDC

RGB 170 203 220

HSL 200.4, 0.42%, 0.76%

LAB 79.86, -7.26, -12.08

 

CMYK 24 / 8 / 0 / 21

HEX #99B9C9

RGB 153 185 201

HSL 200, 0.31%, 0.69%

LAB 73.34, -7.22, -11.66

 

CMYK 25 / 8 / 0 / 29

HEX #88A7B6

RGB 136 167 182

HSL 199.57, 0.24%, 0.62%

LAB 66.71, -7.17, -11.23

 

CMYK 27 / 9 / 0 / 36

HEX #7795A3

RGB 119 149 163

HSL 199.09, 0.19%, 0.55%

LAB 59.94, -7.13, -10.79

 

CMYK 29 / 9 / 0 / 44

HEX #668390

RGB 102 131 144

HSL 198.57, 0.17%, 0.48%

LAB 53.03, -7.09, -10.36

 

CMYK 24 / 8 / 0 / 14

HEX #A8CADC

RGB 168 202 220

HSL 200.77, 0.43%, 0.76%

LAB 79.46, -7.34, -12.68

 

CMYK 24 / 15 / 0 / 14

HEX #A8BCDC

RGB 168 188 220

HSL 216.92, 0.43%, 0.76%

LAB 75.74, 0.12, -18.29

 

CMYK 24 / 21 / 0 / 14

HEX #A8AEDC

RGB 168 174 220

HSL 233.08, 0.43%, 0.76%

LAB 72.07, 7.77, -23.86

 

CMYK 20 / 24 / 0 / 14

HEX #B0A8DC

RGB 176 168 220

HSL 249.23, 0.43%, 0.76%

LAB 71.15, 13.56, -25.22

 

CMYK 14 / 24 / 0 / 14

HEX #BEA8DC

RGB 190 168 220

HSL 265.38, 0.43%, 0.76%

LAB 72.31, 17.96, -23.34

 

CMYK 24 / 8 / 0 / 14

HEX #A8CADC

RGB 168 202 220

HSL 200.77, 0.43%, 0.76%

LAB 79.46, -7.34, -12.68

 

CMYK 24 / 15 / 0 / 14

HEX #A8BCDC

RGB 168 188 220

HSL 216.92, 0.43%, 0.76%

LAB 75.74, 0.12, -18.29

 

CMYK 24 / 21 / 0 / 14

HEX #A8AEDC

RGB 168 174 220

HSL 233.08, 0.43%, 0.76%

LAB 72.07, 7.77, -23.86

 

CMYK 24 / 24 / 0 / 14

HEX #A8A8DC

RGB 168 168 220

HSL 240, 0.43%, 0.76%

LAB 70.52, 11.1, -26.23

 

CMYK 24 / 8 / 0 / 14

HEX #A8CADC

RGB 168 202 220

HSL 200.77, 0.43%, 0.76%

LAB 79.46, -7.34, -12.68

 

CMYK 31 / 10 / 0 / 10

HEX #9ECDE5

RGB 158 205 229

HSL 200.28, 0.58%, 0.76%

LAB 79.95, -9.74, -16.84

 

CMYK 38 / 13 / 0 / 6

HEX #94D0EF

RGB 148 208 239

HSL 200.44, 0.74%, 0.76%

LAB 80.54, -11.55, -21.34

 

CMYK 45 / 15 / 0 / 2

HEX #8AD4F9

RGB 138 212 249

HSL 200, 0.9%, 0.76%

LAB 81.47, -13.51, -25.29

 

CMYK 24 / 8 / 0 / 14

HEX #A8CADC

RGB 168 202 220

HSL 200.77, 0.43%, 0.76%

LAB 79.46, -7.34, -12.68

 

CMYK 15 / 5 / 0 / 18

HEX #B2C7D2

RGB 178 199 210

HSL 200.63, 0.26%, 0.76%

LAB 79.02, -4.83, -7.9

 

CMYK 6 / 2 / 0 / 22

HEX #BCC4C8

RGB 188 196 200

HSL 200, 0.1%, 0.76%

LAB 78.66, -1.97, -2.96

 

CMYK 0 / 3 / 4 / 22

HEX #C6C1BE

RGB 198 193 190

HSL 22.5, 0.07%, 0.76%

LAB 78.38, 1.21, 2.12

 

CMYK 0 / 9 / 13 / 18

HEX #D0BDB4

RGB 208 189 180

HSL 19.29, 0.23%, 0.76%

LAB 77.93, 5.22, 6.97

 

CMYK 24 / 0 / 5 / 14

HEX #A8DCD1

RGB 168 220 209

HSL 167.31, 0.43%, 0.76%

LAB 84.03, -18.95, -0.07

 

CMYK 24 / 2 / 0 / 14

HEX #A8D8DC

RGB 168 216 220

HSL 184.62, 0.43%, 0.76%

LAB 83.23, -14.58, -7.07

 

CMYK 24 / 8 / 0 / 14

HEX #A8CADC

RGB 168 202 220

HSL 200.77, 0.43%, 0.76%

LAB 79.46, -7.34, -12.68

 

CMYK 24 / 14 / 0 / 14

HEX #A8BDDC

RGB 168 189 220

HSL 215.77, 0.43%, 0.76%

LAB 76, -0.42, -17.89

 

CMYK 24 / 20 / 0 / 14

HEX #A8AFDC

RGB 168 175 220

HSL 231.92, 0.43%, 0.76%

LAB 72.33, 7.22, -23.46

 

CMYK 44 / 15 / 0 / 23

HEX #6EA6C4

RGB 110 166 196

HSL 200.93, 0.42%, 0.6%

LAB 65.41, -10.38, -21.11

 

CMYK 33 / 12 / 0 / 18

HEX #8BB8D0

RGB 139 184 208

HSL 200.87, 0.42%, 0.68%

LAB 72.44, -9.13, -16.91

 

CMYK 24 / 8 / 0 / 14

HEX #A8CADC

RGB 168 202 220

HSL 200.77, 0.43%, 0.76%

LAB 79.46, -7.34, -12.68

 

CMYK 15 / 5 / 0 / 9

HEX #C5DCE7

RGB 197 220 231

HSL 199.41, 0.41%, 0.84%

LAB 86.42, -5.41, -7.98

 

CMYK 7 / 2 / 0 / 5

HEX #E3EEF3

RGB 227 238 243

HSL 198.75, 0.4%, 0.92%

LAB 93.43, -2.7, -3.68

 

CMYK 23 / 8 / 0 / 14

HEX #AACBDC

RGB 170 203 220

HSL 200.4, 0.42%, 0.76%

LAB 79.86, -7.26, -12.08

 

CMYK 11 / 24 / 0 / 14

HEX #C4A8DC

RGB 196 168 220

HSL 272.31, 0.43%, 0.76%

LAB 72.83, 19.89, -22.49

 

CMYK 0 / 2 / 24 / 14

HEX #DCD8A8

RGB 220 216 168

HSL 55.38, 0.43%, 0.76%

LAB 85.58, -6.24, 24.22

 

CMYK 23 / 8 / 0 / 14

HEX #AACBDC

RGB 170 203 220

HSL 200.4, 0.42%, 0.76%

LAB 79.86, -7.26, -12.08

 

CMYK 0 / 24 / 8 / 14

HEX #DCA8CA

RGB 220 168 202

HSL 320.77, 0.43%, 0.76%

LAB 74.5, 24.49, -9.9

 

CMYK 8 / 0 / 24 / 14

HEX #CADCA8

RGB 202 220 168

HSL 80.77, 0.43%, 0.76%

LAB 85.29, -14.89, 23.6

 

CMYK 23 / 8 / 0 / 14

HEX #AACBDC

RGB 170 203 220

HSL 200.4, 0.42%, 0.76%

LAB 79.86, -7.26, -12.08

 

CMYK 11 / 24 / 0 / 14

HEX #C4A8DC

RGB 196 168 220

HSL 272.31, 0.43%, 0.76%

LAB 72.83, 19.89, -22.49

 

CMYK 0 / 16 / 24 / 14

HEX #DCB9A8

RGB 220 185 168

HSL 19.62, 0.43%, 0.76%

LAB 77.72, 9.97, 13.3

 

CMYK 13 / 0 / 24 / 14

HEX #C0DCA8

RGB 192 220 168

HSL 92.31, 0.43%, 0.76%

LAB 84.6, -18.47, 22.54

 

CMYK 23 / 8 / 0 / 14

HEX #AACBDC

RGB 170 203 220

HSL 200.4, 0.42%, 0.76%

LAB 79.86, -7.26, -12.08

 

CMYK 4 / 24 / 0 / 14

HEX #D3A8DC

RGB 211 168 220

HSL 289.62, 0.43%, 0.76%

LAB 74.2, 24.76, -20.28

 

CMYK 0 / 16 / 24 / 14

HEX #DCB9A8

RGB 220 185 168

HSL 19.62, 0.43%, 0.76%

LAB 77.72, 9.97, 13.3

 

CMYK 20 / 0 / 24 / 14

HEX #B1DCA8

RGB 177 220 168

HSL 109.62, 0.43%, 0.76%

LAB 83.63, -23.7, 21.06

 

Description

Color code: HEX #AACBDC | qconv.com Color code: HEX #AACBDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 203 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 203 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 8 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 8% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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