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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAC198 it is the complementary color #553E67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAC198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAC198 shade: #AFC193, #C0D3A6, #D1E5B9, #E2F7CC and #F3FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAC198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAC198 shade: #AAC198, #99AF85, #889D72, #778B5F and #66794C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAC198 shade: #ABC299, #B6C299, #C1C299, #C2B899 and #C2AD99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAC198 shade: #ABC299, #A0C299, #99C29D, #99C2A8 and #99C2B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAC198 shade matches the following richer shades: #ABC299, #A9CF8C, #A8DC7F, #A6E971 and #A4F764

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAC198 shade: #ABC299, #ADB5A6, #AEA7B3, #B09AC1 and #B18DCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAC198 shade: #C1C299, #B6C299, #ABC299, #A0C299 and #99C29C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAC198 shade: #80A365, #96B27F, #ABC299, #C0D1B3 and #D5E1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAC198 shade: #AAC198, #99C2B8 and #C299BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAC198 shade: #AAC198, #99ABC2 and #C299AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAC198 shade: #AAC198, #99C2B8, #AF99C2 and #C299A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAC198 shade: #AAC198, #99C0C2, #AF99C2 and #C29B99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 21 / 24

HEX #AAC198

RGB 170 193 152

HSL 93.66, 0.25%, 0.68%

LAB 75.42, -15.3, 18.09

 

Complementary color

CMYK 17 / 40 / 0 / 60

HEX #553E67

RGB 85 62 103

HSL 273.66, 0.25%, 0.32%

LAB 30.29, 18.82, -20.26

 

CMYK 9 / 0 / 24 / 24

HEX #AFC193

RGB 175 193 147

HSL 83.48, 0.27%, 0.67%

LAB 75.68, -14.27, 21.17

 

CMYK 9 / 0 / 21 / 17

HEX #C0D3A6

RGB 192 211 166

HSL 85.33, 0.34%, 0.74%

LAB 82.14, -14.28, 20.19

 

CMYK 9 / 0 / 19 / 10

HEX #D1E5B9

RGB 209 229 185

HSL 87.27, 0.46%, 0.81%

LAB 88.49, -14.29, 19.27

 

CMYK 9 / 0 / 17 / 3

HEX #E2F7CC

RGB 226 247 204

HSL 89.3, 0.73%, 0.88%

LAB 94.76, -14.3, 18.39

 

CMYK 5 / 0 / 13 / 0

HEX #F3FFDF

RGB 243 255 223

HSL 82.5, 1%, 0.94%

LAB 98.39, -9.39, 13.95

 

CMYK 12 / 0 / 21 / 24

HEX #AAC198

RGB 170 193 152

HSL 93.66, 0.25%, 0.68%

LAB 75.42, -15.3, 18.09

 

CMYK 13 / 0 / 24 / 31

HEX #99AF85

RGB 153 175 133

HSL 91.43, 0.21%, 0.6%

LAB 68.84, -15.34, 19.07

 

CMYK 13 / 0 / 27 / 38

HEX #889D72

RGB 136 157 114

HSL 89.3, 0.18%, 0.53%

LAB 62.14, -15.38, 20.11

 

CMYK 14 / 0 / 32 / 45

HEX #778B5F

RGB 119 139 95

HSL 87.27, 0.19%, 0.46%

LAB 55.29, -15.42, 21.23

 

CMYK 16 / 0 / 37 / 53

HEX #66794C

RGB 102 121 76

HSL 85.33, 0.23%, 0.39%

LAB 48.29, -15.44, 22.43

 

CMYK 12 / 0 / 21 / 24

HEX #ABC299

RGB 171 194 153

HSL 93.66, 0.25%, 0.68%

LAB 75.79, -15.29, 18.07

 

CMYK 6 / 0 / 21 / 24

HEX #B6C299

RGB 182 194 153

HSL 77.56, 0.25%, 0.68%

LAB 76.58, -11.27, 19.28

 

CMYK 1 / 0 / 21 / 24

HEX #C1C299

RGB 193 194 153

HSL 61.46, 0.25%, 0.68%

LAB 77.41, -7.16, 20.57

 

CMYK 0 / 5 / 21 / 24

HEX #C2B899

RGB 194 184 153

HSL 45.37, 0.25%, 0.68%

LAB 74.86, -1.53, 17.04

 

CMYK 0 / 11 / 21 / 24

HEX #C2AD99

RGB 194 173 153

HSL 29.27, 0.25%, 0.68%

LAB 72, 4.36, 13.04

 

CMYK 12 / 0 / 21 / 24

HEX #ABC299

RGB 171 194 153

HSL 93.66, 0.25%, 0.68%

LAB 75.79, -15.29, 18.07

 

CMYK 18 / 0 / 21 / 24

HEX #A0C299

RGB 160 194 153

HSL 109.76, 0.25%, 0.68%

LAB 75.05, -19.21, 16.93

 

CMYK 21 / 0 / 19 / 24

HEX #99C29D

RGB 153 194 157

HSL 125.85, 0.25%, 0.68%

LAB 74.69, -20.92, 14.22

 

CMYK 21 / 0 / 13 / 24

HEX #99C2A8

RGB 153 194 168

HSL 141.95, 0.25%, 0.68%

LAB 74.94, -18.87, 8.63

 

CMYK 21 / 0 / 8 / 24

HEX #99C2B3

RGB 153 194 179

HSL 158.05, 0.25%, 0.68%

LAB 75.21, -16.69, 3.07

 

CMYK 12 / 0 / 21 / 24

HEX #ABC299

RGB 171 194 153

HSL 93.66, 0.25%, 0.68%

LAB 75.79, -15.29, 18.07

 

CMYK 18 / 0 / 32 / 19

HEX #A9CF8C

RGB 169 207 140

HSL 94.03, 0.41%, 0.68%

LAB 79.01, -24.5, 29.3

 

CMYK 24 / 0 / 42 / 14

HEX #A8DC7F

RGB 168 220 127

HSL 93.55, 0.57%, 0.68%

LAB 82.4, -32.8, 40.3

 

CMYK 29 / 0 / 52 / 9

HEX #A6E971

RGB 166 233 113

HSL 93.5, 0.73%, 0.68%

LAB 85.79, -41.03, 51.2

 

CMYK 34 / 0 / 60 / 3

HEX #A4F764

RGB 164 247 100

HSL 93.88, 0.9%, 0.68%

LAB 89.55, -49, 61.31

 

CMYK 12 / 0 / 21 / 24

HEX #ABC299

RGB 171 194 153

HSL 93.66, 0.25%, 0.68%

LAB 75.79, -15.29, 18.07

 

CMYK 4 / 0 / 8 / 29

HEX #ADB5A6

RGB 173 181 166

HSL 92, 0.09%, 0.68%

LAB 72.68, -5.58, 6.67

 

CMYK 3 / 7 / 0 / 30

HEX #AEA7B3

RGB 174 167 179

HSL 275, 0.07%, 0.68%

LAB 69.39, 4.78, -5.27

 

CMYK 9 / 20 / 0 / 24

HEX #B09AC1

RGB 176 154 193

HSL 273.85, 0.24%, 0.68%

LAB 66.67, 15.5, -17.12

 

CMYK 14 / 32 / 0 / 19

HEX #B18DCE

RGB 177 141 206

HSL 273.23, 0.4%, 0.68%

LAB 64.04, 25.89, -28.38

 

CMYK 1 / 0 / 21 / 24

HEX #C1C299

RGB 193 194 153

HSL 61.46, 0.25%, 0.68%

LAB 77.41, -7.16, 20.57

 

CMYK 6 / 0 / 21 / 24

HEX #B6C299

RGB 182 194 153

HSL 77.56, 0.25%, 0.68%

LAB 76.58, -11.27, 19.28

 

CMYK 12 / 0 / 21 / 24

HEX #ABC299

RGB 171 194 153

HSL 93.66, 0.25%, 0.68%

LAB 75.79, -15.29, 18.07

 

CMYK 18 / 0 / 21 / 24

HEX #A0C299

RGB 160 194 153

HSL 109.76, 0.25%, 0.68%

LAB 75.05, -19.21, 16.93

 

CMYK 21 / 0 / 20 / 24

HEX #99C29C

RGB 153 194 156

HSL 124.39, 0.25%, 0.68%

LAB 74.67, -21.1, 14.73

 

CMYK 21 / 0 / 38 / 36

HEX #80A365

RGB 128 163 101

HSL 93.87, 0.25%, 0.52%

LAB 63.11, -23.46, 28.39

 

CMYK 16 / 0 / 29 / 30

HEX #96B27F

RGB 150 178 127

HSL 92.94, 0.25%, 0.6%

LAB 69.37, -18.94, 23

 

CMYK 12 / 0 / 21 / 24

HEX #ABC299

RGB 171 194 153

HSL 93.66, 0.25%, 0.68%

LAB 75.79, -15.29, 18.07

 

CMYK 8 / 0 / 14 / 18

HEX #C0D1B3

RGB 192 209 179

HSL 94, 0.25%, 0.76%

LAB 81.87, -11.16, 12.95

 

CMYK 5 / 0 / 9 / 12

HEX #D5E1CD

RGB 213 225 205

HSL 96, 0.25%, 0.84%

LAB 88.16, -7.59, 8.4

 

CMYK 12 / 0 / 21 / 24

HEX #AAC198

RGB 170 193 152

HSL 93.66, 0.25%, 0.68%

LAB 75.42, -15.3, 18.09

 

CMYK 21 / 0 / 5 / 24

HEX #99C2B8

RGB 153 194 184

HSL 165.37, 0.25%, 0.68%

LAB 75.34, -15.66, 0.54

 

CMYK 0 / 21 / 3 / 24

HEX #C299BC

RGB 194 153 188

HSL 308.78, 0.25%, 0.68%

LAB 67.93, 21.21, -12.25

 

CMYK 12 / 0 / 21 / 24

HEX #AAC198

RGB 170 193 152

HSL 93.66, 0.25%, 0.68%

LAB 75.42, -15.3, 18.09

 

CMYK 21 / 12 / 0 / 24

HEX #99ABC2

RGB 153 171 194

HSL 213.66, 0.25%, 0.68%

LAB 69.32, -1.25, -13.84

 

CMYK 0 / 21 / 12 / 24

HEX #C299AB

RGB 194 153 171

HSL 333.66, 0.25%, 0.68%

LAB 67.42, 18.19, -3.52

 

CMYK 12 / 0 / 21 / 24

HEX #AAC198

RGB 170 193 152

HSL 93.66, 0.25%, 0.68%

LAB 75.42, -15.3, 18.09

 

CMYK 21 / 0 / 5 / 24

HEX #99C2B8

RGB 153 194 184

HSL 165.37, 0.25%, 0.68%

LAB 75.34, -15.66, 0.54

 

CMYK 10 / 21 / 0 / 24

HEX #AF99C2

RGB 175 153 194

HSL 272.2, 0.25%, 0.68%

LAB 66.36, 15.93, -18.15

 

CMYK 0 / 21 / 16 / 24

HEX #C299A3

RGB 194 153 163

HSL 345.37, 0.25%, 0.68%

LAB 67.2, 16.86, 0.63

 

CMYK 12 / 0 / 21 / 24

HEX #AAC198

RGB 170 193 152

HSL 93.66, 0.25%, 0.68%

LAB 75.42, -15.3, 18.09

 

CMYK 21 / 1 / 0 / 24

HEX #99C0C2

RGB 153 192 194

HSL 182.93, 0.25%, 0.68%

LAB 75.06, -12.48, -5.3

 

CMYK 10 / 21 / 0 / 24

HEX #AF99C2

RGB 175 153 194

HSL 272.2, 0.25%, 0.68%

LAB 66.36, 15.93, -18.15

 

CMYK 0 / 20 / 21 / 24

HEX #C29B99

RGB 194 155 153

HSL 2.93, 0.25%, 0.68%

LAB 67.44, 14.18, 6.56

 

Description

Color code: HEX #AAC198 | qconv.com Color code: HEX #AAC198 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 193 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 193 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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