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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AABF51 it is the complementary color #5540AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AABF51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AABF51 shade: #AFBF4C, #C0D15F, #D1E372, #E2F585 and #F3FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AABF51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AABF51 shade: #AABF51, #99AD3E, #889B2B, #778918 and #667705

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AABF51 shade: #A9BE50, #BEB650, #BE9850, #BE7A50 and #BE5C50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AABF51 shade: #A9BE50, #8CBE50, #6EBE50, #50BE50 and #50BE6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AABF51 shade matches the following richer shades: #A9BE50, #B5D23D, #C1E529 and #CDF816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AABF51 shade: #A9BE50, #9DAB63, #919777, #85848A and #79719E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AABF51 shade: #BE9850, #BEB550, #AABE50, #8DBE50 and #6FBE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AABF51 shade: #798933, #93A73E, #A9BE50, #B8C96E and #C7D58C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AABF51 shade: #AABF51, #50BE7A and #A650BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AABF51 shade: #AABF51, #50AABE and #BE50AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AABF51 shade: #AABF51, #50BE7A, #6450BE and #BE5094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AABF51 shade: #AABF51, #50BE9B, #6450BE and #BE5073

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 58 / 25

HEX #AABF51

RGB 170 191 81

HSL 71.45, 0.46%, 0.53%

LAB 73.81, -23.02, 51.99

 

Complementary color

CMYK 51 / 63 / 0 / 32

HEX #5540AE

RGB 85 64 174

HSL 251.45, 0.46%, 0.47%

LAB 35.31, 37.9, -55.98

 

CMYK 8 / 0 / 60 / 25

HEX #AFBF4C

RGB 175 191 76

HSL 68.35, 0.47%, 0.52%

LAB 74.12, -21.37, 54.66

 

CMYK 8 / 0 / 55 / 18

HEX #C0D15F

RGB 192 209 95

HSL 68.95, 0.55%, 0.6%

LAB 80.53, -21.82, 53.72

 

CMYK 8 / 0 / 50 / 11

HEX #D1E372

RGB 209 227 114

HSL 69.56, 0.67%, 0.67%

LAB 86.85, -22.18, 52.65

 

CMYK 8 / 0 / 46 / 4

HEX #E2F585

RGB 226 245 133

HSL 70.18, 0.85%, 0.74%

LAB 93.09, -22.47, 51.54

 

CMYK 5 / 0 / 40 / 0

HEX #F3FF98

RGB 243 255 152

HSL 66.99, 1%, 0.8%

LAB 97.16, -18.88, 47.81

 

CMYK 11 / 0 / 58 / 25

HEX #AABF51

RGB 170 191 81

HSL 71.45, 0.46%, 0.53%

LAB 73.81, -23.02, 51.99

 

CMYK 12 / 0 / 64 / 32

HEX #99AD3E

RGB 153 173 62

HSL 70.81, 0.47%, 0.46%

LAB 67.28, -22.56, 52.83

 

CMYK 12 / 0 / 72 / 39

HEX #889B2B

RGB 136 155 43

HSL 70.18, 0.57%, 0.39%

LAB 60.65, -21.96, 53.28

 

CMYK 13 / 0 / 82 / 46

HEX #778918

RGB 119 137 24

HSL 69.56, 0.7%, 0.32%

LAB 53.9, -21.14, 52.91

 

CMYK 14 / 0 / 96 / 53

HEX #667705

RGB 102 119 5

HSL 68.95, 0.92%, 0.24%

LAB 47.01, -20.05, 51.05

 

CMYK 11 / 0 / 58 / 25

HEX #A9BE50

RGB 169 190 80

HSL 71.45, 0.46%, 0.53%

LAB 73.44, -23.02, 52.01

 

CMYK 0 / 4 / 58 / 25

HEX #BEB650

RGB 190 182 80

HSL 55.64, 0.46%, 0.53%

LAB 72.88, -10.26, 51.83

 

CMYK 0 / 20 / 58 / 25

HEX #BE9850

RGB 190 152 80

HSL 39.27, 0.46%, 0.53%

LAB 64.95, 5.71, 42.72

 

CMYK 0 / 36 / 58 / 25

HEX #BE7A50

RGB 190 122 80

HSL 22.91, 0.46%, 0.53%

LAB 57.51, 22.24, 33.76

 

CMYK 0 / 52 / 58 / 25

HEX #BE5C50

RGB 190 92 80

HSL 6.55, 0.46%, 0.53%

LAB 50.9, 38.33, 25.42

 

CMYK 11 / 0 / 58 / 25

HEX #A9BE50

RGB 169 190 80

HSL 71.45, 0.46%, 0.53%

LAB 73.44, -23.02, 52.01

 

CMYK 26 / 0 / 58 / 25

HEX #8CBE50

RGB 140 190 80

HSL 87.27, 0.46%, 0.53%

LAB 71.54, -34.37, 49.35

 

CMYK 42 / 0 / 58 / 25

HEX #6EBE50

RGB 110 190 80

HSL 103.64, 0.46%, 0.53%

LAB 69.98, -44.82, 47.14

 

CMYK 58 / 0 / 58 / 25

HEX #50BE50

RGB 80 190 80

HSL 120, 0.46%, 0.53%

LAB 68.83, -53.31, 45.52

 

CMYK 58 / 0 / 42 / 25

HEX #50BE6E

RGB 80 190 110

HSL 136.36, 0.46%, 0.53%

LAB 69.23, -48.99, 31.18

 

CMYK 11 / 0 / 58 / 25

HEX #A9BE50

RGB 169 190 80

HSL 71.45, 0.46%, 0.53%

LAB 73.44, -23.02, 52.01

 

CMYK 14 / 0 / 71 / 18

HEX #B5D23D

RGB 181 210 61

HSL 71.68, 0.62%, 0.53%

LAB 79.76, -29.08, 66.59

 

CMYK 16 / 0 / 82 / 10

HEX #C1E529

RGB 193 229 41

HSL 71.49, 0.78%, 0.53%

LAB 85.77, -33.95, 78.33

 

CMYK 17 / 0 / 91 / 3

HEX #CDF816

RGB 205 248 22

HSL 71.42, 0.94%, 0.53%

LAB 91.76, -38.24, 86.99

 

CMYK 11 / 0 / 58 / 25

HEX #A9BE50

RGB 169 190 80

HSL 71.45, 0.46%, 0.53%

LAB 73.44, -23.02, 52.01

 

CMYK 8 / 0 / 42 / 33

HEX #9DAB63

RGB 157 171 99

HSL 71.67, 0.3%, 0.53%

LAB 67.42, -16.45, 35.37

 

CMYK 4 / 0 / 21 / 41

HEX #919777

RGB 145 151 119

HSL 71.25, 0.13%, 0.53%

LAB 61.21, -7.91, 16.17

 

CMYK 4 / 4 / 0 / 46

HEX #85848A

RGB 133 132 138

HSL 250, 0.02%, 0.53%

LAB 55.4, 1.58, -3.1

 

CMYK 23 / 28 / 0 / 38

HEX #79719E

RGB 121 113 158

HSL 250.67, 0.19%, 0.53%

LAB 49.91, 13.11, -23.15

 

CMYK 0 / 20 / 58 / 25

HEX #BE9850

RGB 190 152 80

HSL 39.27, 0.46%, 0.53%

LAB 64.95, 5.71, 42.72

 

CMYK 0 / 5 / 58 / 25

HEX #BEB550

RGB 190 181 80

HSL 55.09, 0.46%, 0.53%

LAB 72.61, -9.74, 51.53

 

CMYK 11 / 0 / 58 / 25

HEX #AABE50

RGB 170 190 80

HSL 70.91, 0.46%, 0.53%

LAB 73.51, -22.61, 52.11

 

CMYK 26 / 0 / 58 / 25

HEX #8DBE50

RGB 141 190 80

HSL 86.73, 0.46%, 0.53%

LAB 71.6, -33.99, 49.43

 

CMYK 42 / 0 / 58 / 25

HEX #6FBE50

RGB 111 190 80

HSL 103.09, 0.46%, 0.53%

LAB 70.03, -44.5, 47.21

 

CMYK 12 / 0 / 63 / 46

HEX #798933

RGB 121 137 51

HSL 71.16, 0.46%, 0.37%

LAB 54.23, -18.67, 42.94

 

CMYK 12 / 0 / 63 / 35

HEX #93A73E

RGB 147 167 62

HSL 71.43, 0.46%, 0.45%

LAB 65.11, -22.07, 50.38

 

CMYK 11 / 0 / 58 / 25

HEX #A9BE50

RGB 169 190 80

HSL 71.45, 0.46%, 0.53%

LAB 73.44, -23.02, 52.01

 

CMYK 8 / 0 / 45 / 21

HEX #B8C96E

RGB 184 201 110

HSL 71.21, 0.46%, 0.61%

LAB 77.93, -19.64, 43.34

 

CMYK 7 / 0 / 34 / 16

HEX #C7D58C

RGB 199 213 140

HSL 71.51, 0.46%, 0.69%

LAB 82.71, -16.34, 34.56

 

CMYK 11 / 0 / 58 / 25

HEX #AABF51

RGB 170 191 81

HSL 71.45, 0.46%, 0.53%

LAB 73.81, -23.02, 51.99

 

CMYK 58 / 0 / 36 / 25

HEX #50BE7A

RGB 80 190 122

HSL 142.91, 0.46%, 0.53%

LAB 69.43, -46.85, 25.16

 

CMYK 13 / 58 / 0 / 25

HEX #A650BE

RGB 166 80 190

HSL 286.91, 0.46%, 0.53%

LAB 48.96, 52.25, -42.95

 

CMYK 11 / 0 / 58 / 25

HEX #AABF51

RGB 170 191 81

HSL 71.45, 0.46%, 0.53%

LAB 73.81, -23.02, 51.99

 

CMYK 58 / 11 / 0 / 25

HEX #50AABE

RGB 80 170 190

HSL 190.91, 0.46%, 0.53%

LAB 65.1, -20.97, -18.38

 

CMYK 0 / 58 / 11 / 25

HEX #BE50AA

RGB 190 80 170

HSL 310.91, 0.46%, 0.53%

LAB 51.37, 55.13, -27.28

 

CMYK 11 / 0 / 58 / 25

HEX #AABF51

RGB 170 191 81

HSL 71.45, 0.46%, 0.53%

LAB 73.81, -23.02, 51.99

 

CMYK 58 / 0 / 36 / 25

HEX #50BE7A

RGB 80 190 122

HSL 142.91, 0.46%, 0.53%

LAB 69.43, -46.85, 25.16

 

CMYK 47 / 58 / 0 / 25

HEX #6450BE

RGB 100 80 190

HSL 250.91, 0.46%, 0.53%

LAB 41.48, 36.26, -55.35

 

CMYK 0 / 58 / 22 / 25

HEX #BE5094

RGB 190 80 148

HSL 322.91, 0.46%, 0.53%

LAB 50.48, 51.79, -15.66

 

CMYK 11 / 0 / 58 / 25

HEX #AABF51

RGB 170 191 81

HSL 71.45, 0.46%, 0.53%

LAB 73.81, -23.02, 51.99

 

CMYK 58 / 0 / 18 / 25

HEX #50BE9B

RGB 80 190 155

HSL 160.91, 0.46%, 0.53%

LAB 70.11, -39.89, 8.33

 

CMYK 47 / 58 / 0 / 25

HEX #6450BE

RGB 100 80 190

HSL 250.91, 0.46%, 0.53%

LAB 41.48, 36.26, -55.35

 

CMYK 0 / 58 / 39 / 25

HEX #BE5073

RGB 190 80 115

HSL 340.91, 0.46%, 0.53%

LAB 49.4, 47.58, 2.5

 

Description

Color code: HEX #AABF51 | qconv.com Color code: HEX #AABF51 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 191 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 191 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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