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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AABE0B it is the complementary color #5541F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AABE0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AABE0B shade: #AFBE06, #C0D019, #D1E22C, #E2F43F and #F3FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AABE0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AABE0B shade: #AABE0B, #99AC00, #889A00, #778800 and #667600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AABE0B shade: #A8BC0B, #BCA00B, #BC700B, #BC410B and #BC110B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AABE0B shade: #A8BC0B, #78BC0B, #49BC0B, #19BC0B and #0BBC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AABE0B shade matches the following richer shades: #A8BC0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AABE0B shade: #A8BC0B, #9CAC1B, #8F9C2B, #838C3B and #767C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AABE0B shade: #BC6F0B, #BC9E0B, #AABC0B, #7BBC0B and #4CBC0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AABE0B shade: #626E06, #859509, #A8BC0B, #CBE30D and #DCF227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AABE0B shade: #AABE0B, #0BBC40 and #870BBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AABE0B shade: #AABE0B, #0BAABC and #BC0BAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AABE0B shade: #AABE0B, #0BBC40, #1D0BBC and #BC0B87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AABE0B shade: #AABE0B, #0BBC75, #1D0BBC and #BC0B52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 94 / 25

HEX #AABE0B

RGB 170 190 11

HSL 66.7, 0.89%, 0.39%

LAB 73.15, -25.72, 72.72

 

Complementary color

CMYK 65 / 73 / 0 / 4

HEX #5541F4

RGB 85 65 244

HSL 246.7, 0.89%, 0.61%

LAB 41.6, 58.56, -86.13

 

CMYK 8 / 0 / 97 / 25

HEX #AFBE06

RGB 175 190 6

HSL 64.89, 0.94%, 0.38%

LAB 73.52, -23.66, 73.69

 

CMYK 8 / 0 / 88 / 18

HEX #C0D019

RGB 192 208 25

HSL 65.25, 0.79%, 0.46%

LAB 79.83, -24.92, 76.65

 

CMYK 8 / 0 / 81 / 11

HEX #D1E22C

RGB 209 226 44

HSL 65.6, 0.76%, 0.53%

LAB 86.07, -25.99, 78.29

 

CMYK 7 / 0 / 74 / 4

HEX #E2F43F

RGB 226 244 63

HSL 65.97, 0.89%, 0.6%

LAB 92.23, -26.89, 78.97

 

CMYK 5 / 0 / 68 / 0

HEX #F3FF52

RGB 243 255 82

HSL 64.16, 1%, 0.66%

LAB 96.49, -24.37, 77.17

 

CMYK 11 / 0 / 94 / 25

HEX #AABE0B

RGB 170 190 11

HSL 66.7, 0.89%, 0.39%

LAB 73.15, -25.72, 72.72

 

CMYK 11 / 0 / 100 / 33

HEX #99AC00

RGB 153 172 0

HSL 66.63, 1%, 0.34%

LAB 66.73, -24.35, 68.56

 

CMYK 12 / 0 / 100 / 40

HEX #889A00

RGB 136 154 0

HSL 67.01, 1%, 0.3%

LAB 60.2, -22.81, 63.13

 

CMYK 13 / 0 / 100 / 47

HEX #778800

RGB 119 136 0

HSL 67.5, 1%, 0.27%

LAB 53.53, -21.25, 57.57

 

CMYK 14 / 0 / 100 / 54

HEX #667600

RGB 102 118 0

HSL 68.14, 1%, 0.23%

LAB 46.69, -19.66, 51.88

 

CMYK 11 / 0 / 94 / 26

HEX #A8BC0B

RGB 168 188 11

HSL 66.78, 0.89%, 0.39%

LAB 72.44, -25.6, 72.1

 

CMYK 0 / 15 / 94 / 26

HEX #BCA00B

RGB 188 160 11

HSL 50.51, 0.89%, 0.39%

LAB 66.41, -2.49, 68.25

 

CMYK 0 / 40 / 94 / 26

HEX #BC700B

RGB 188 112 11

HSL 34.24, 0.89%, 0.39%

LAB 54.35, 23.8, 59.44

 

CMYK 0 / 65 / 94 / 26

HEX #BC410B

RGB 188 65 11

HSL 18.31, 0.89%, 0.39%

LAB 44.94, 47.51, 53.02

 

CMYK 0 / 91 / 94 / 26

HEX #BC110B

RGB 188 17 11

HSL 2.03, 0.89%, 0.39%

LAB 39.78, 61.86, 49.81

 

CMYK 11 / 0 / 94 / 26

HEX #A8BC0B

RGB 168 188 11

HSL 66.78, 0.89%, 0.39%

LAB 72.44, -25.6, 72.1

 

CMYK 36 / 0 / 94 / 26

HEX #78BC0B

RGB 120 188 11

HSL 83.05, 0.89%, 0.39%

LAB 69.46, -44.66, 68.48

 

CMYK 61 / 0 / 94 / 26

HEX #49BC0B

RGB 73 188 11

HSL 98.98, 0.89%, 0.39%

LAB 67.58, -59, 66.18

 

CMYK 87 / 0 / 94 / 26

HEX #19BC0B

RGB 25 188 11

HSL 115.25, 0.89%, 0.39%

LAB 66.67, -66.86, 65.05

 

CMYK 94 / 0 / 76 / 26

HEX #0BBC2D

RGB 11 188 45

HSL 131.53, 0.89%, 0.39%

LAB 66.69, -66.17, 57.11

 

CMYK 11 / 0 / 94 / 26

HEX #A8BC0B

RGB 168 188 11

HSL 66.78, 0.89%, 0.39%

LAB 72.44, -25.6, 72.1

 

CMYK 11 / 0 / 94 / 26

HEX #A8BC0B

RGB 168 188 11

HSL 66.78, 0.89%, 0.39%

LAB 72.44, -25.6, 72.1

 

CMYK 9 / 0 / 84 / 33

HEX #9CAC1B

RGB 156 172 27

HSL 66.62, 0.73%, 0.39%

LAB 67.02, -22.54, 64.56

 

CMYK 8 / 0 / 72 / 39

HEX #8F9C2B

RGB 143 156 43

HSL 66.9, 0.57%, 0.39%

LAB 61.47, -19.44, 54.27

 

CMYK 6 / 0 / 58 / 45

HEX #838C3B

RGB 131 140 59

HSL 66.67, 0.41%, 0.39%

LAB 55.98, -15.24, 41.33

 

CMYK 5 / 0 / 40 / 51

HEX #767C4B

RGB 118 124 75

HSL 67.35, 0.25%, 0.39%

LAB 50.42, -10.52, 26

 

CMYK 0 / 41 / 94 / 26

HEX #BC6F0B

RGB 188 111 11

HSL 33.9, 0.89%, 0.39%

LAB 54.12, 24.35, 59.28

 

CMYK 0 / 16 / 94 / 26

HEX #BC9E0B

RGB 188 158 11

HSL 49.83, 0.89%, 0.39%

LAB 65.88, -1.42, 67.85

 

CMYK 10 / 0 / 94 / 26

HEX #AABC0B

RGB 170 188 11

HSL 66.1, 0.89%, 0.39%

LAB 72.59, -24.75, 72.28

 

CMYK 35 / 0 / 94 / 26

HEX #7BBC0B

RGB 123 188 11

HSL 82.03, 0.89%, 0.39%

LAB 69.61, -43.57, 68.67

 

CMYK 60 / 0 / 94 / 26

HEX #4CBC0B

RGB 76 188 11

HSL 97.97, 0.89%, 0.39%

LAB 67.67, -58.26, 66.29

 

CMYK 11 / 0 / 95 / 57

HEX #626E06

RGB 98 110 6

HSL 66.92, 0.9%, 0.23%

LAB 43.89, -17.12, 48.23

 

CMYK 11 / 0 / 94 / 42

HEX #859509

RGB 133 149 9

HSL 66.86, 0.89%, 0.31%

LAB 58.51, -21.46, 60.38

 

CMYK 11 / 0 / 94 / 26

HEX #A8BC0B

RGB 168 188 11

HSL 66.78, 0.89%, 0.39%

LAB 72.44, -25.6, 72.1

 

CMYK 11 / 0 / 94 / 11

HEX #CBE30D

RGB 203 227 13

HSL 66.73, 0.89%, 0.47%

LAB 85.84, -29.57, 83.31

 

CMYK 9 / 0 / 84 / 5

HEX #DCF227

RGB 220 242 39

HSL 66.5, 0.89%, 0.55%

LAB 91.17, -29.18, 84.09

 

CMYK 11 / 0 / 94 / 25

HEX #AABE0B

RGB 170 190 11

HSL 66.7, 0.89%, 0.39%

LAB 73.15, -25.72, 72.72

 

CMYK 94 / 0 / 66 / 26

HEX #0BBC40

RGB 11 188 64

HSL 137.97, 0.89%, 0.39%

LAB 66.83, -64.43, 50.02

 

CMYK 28 / 94 / 0 / 26

HEX #870BBC

RGB 135 11 188

HSL 282.03, 0.89%, 0.39%

LAB 36.02, 69.07, -62.84

 

CMYK 11 / 0 / 94 / 25

HEX #AABE0B

RGB 170 190 11

HSL 66.7, 0.89%, 0.39%

LAB 73.15, -25.72, 72.72

 

CMYK 94 / 10 / 0 / 26

HEX #0BAABC

RGB 11 170 188

HSL 186.1, 0.89%, 0.39%

LAB 63.71, -29.38, -19.49

 

CMYK 0 / 94 / 10 / 26

HEX #BC0BAA

RGB 188 11 170

HSL 306.1, 0.89%, 0.39%

LAB 43.99, 74.56, -38.87

 

CMYK 11 / 0 / 94 / 25

HEX #AABE0B

RGB 170 190 11

HSL 66.7, 0.89%, 0.39%

LAB 73.15, -25.72, 72.72

 

CMYK 94 / 0 / 66 / 26

HEX #0BBC40

RGB 11 188 64

HSL 137.97, 0.89%, 0.39%

LAB 66.83, -64.43, 50.02

 

CMYK 85 / 94 / 0 / 26

HEX #1D0BBC

RGB 29 11 188

HSL 246.1, 0.89%, 0.39%

LAB 24.1, 60.84, -82.93

 

CMYK 0 / 94 / 28 / 26

HEX #BC0B87

RGB 188 11 135

HSL 317.97, 0.89%, 0.39%

LAB 42.28, 70.15, -20.4

 

CMYK 11 / 0 / 94 / 25

HEX #AABE0B

RGB 170 190 11

HSL 66.7, 0.89%, 0.39%

LAB 73.15, -25.72, 72.72

 

CMYK 94 / 0 / 38 / 26

HEX #0BBC75

RGB 11 188 117

HSL 155.93, 0.89%, 0.39%

LAB 67.52, -56.13, 25.04

 

CMYK 85 / 94 / 0 / 26

HEX #1D0BBC

RGB 29 11 188

HSL 246.1, 0.89%, 0.39%

LAB 24.1, 60.84, -82.93

 

CMYK 0 / 94 / 56 / 26

HEX #BC0B52

RGB 188 11 82

HSL 335.93, 0.89%, 0.39%

LAB 40.48, 65.33, 10.15

 

Description

Color code: HEX #AABE0B | qconv.com Color code: HEX #AABE0B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 190 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 190 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 94 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 94% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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